3 Commits

Include renames

Author	SHA1	Message	Date
adminandClaude Fable 5.1	cc6db5f350	Three stores, three importers and three pickers that differ only in their type are one of each (#85) ... Refactoring round one: HttpFontStore/HttpSoundStore/HttpTextureStore collapse into a generic HttpFileStore over a FileStore contract; fontImport/soundImport/textureImport share assetImport with an ImportKind per sort; ImagePicker/FontPicker/SoundPicker sit on FilePicker and describe only their row. The group/comment drag logic leaves GraphCanvas for annotationDrag.ts (with its own unit test), declaredRows.ts replaces the duplicated row build in particles.ts and shaders.ts, and dead code in font/sound/compile/emission/transform/actions is gone. README: asset list, check count 958, the two-job CI, the Scenes wiki page. Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>	2026-09-16 17:38:54 +02:00
adminandClaude Opus 5	3b039384c4	A search that ignores what a thing is called is no search, so the name wins (#43) ... Typing "variable" into the node palette landed on `Run behavior`, because the filter weighed label, type and description alike and then sorted by category. `searchRank` in `src/ui/search.ts` now ranks a match: exact label or type, then prefix, then label, then type, and only last a hit that lives in the description alone. Category and alphabet order within a rank. The searchable `Menu` uses the same function, so searching means the same thing everywhere. The `+` menu grew to fifteen entries in declaration order. It is built in two alphabetical groups now -- the types that go into a scene, then the ones that stay in the library -- with a separator between them, the split `isPlaceableType` already draws. `ASSET_TYPES` itself stays untouched: it is also the serialisation and check order. A search flattens the groups and drops the lines. Popups were capped at fixed heights (320 menu, 260 palette, 340 pickers) while the canvas had room to spare. `Popup.roomFor()` measures its own chrome and takes the window height minus a tenth at each end. Placement clamps asymmetrically: the bottom margin is enforced, the top is only a budget, so a menu anchored near the top stays at its button instead of being pushed off it. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>	2026-09-15 10:21:20 +02:00
admin	5671a38044	A game that stays silent is only half a game, so a sound is an asset like any other (#45) ... Sounds follow the road fonts already paved: the file goes to the server content-addressed under its sha256, the project keeps a named asset that points at it, and nothing is ever re-encoded. The format is read from the file's own signature, not from what the browser claims - the same .m4a arrives as audio/mp4, audio/x-m4a or as nothing at all. Playing is two nodes. "Play sound" takes the asset and may raise or lower its volume; every call is its own voice, so two jumps in a row are two jumps heard. Its loop input is a choice of three - from the asset, on, off - because a checkbox has to spend one of its two positions on "not set" and would lose a case: an asset that loops could then never be played once. Below the graph core stays browser-free: NodeContext hands out an asset id, BehaviorSystem resolves it against the project and folds the asset's own volume and loop into the call, and only viewport/SoundLibrary knows about Web Audio. A run without a sink plays nothing instead of throwing. The CI browser is muted, so the ear is no witness: the debug hook counts started and stopped voices, and step 34 reads that counter.	2026-09-15 07:54:28 +02:00