Play, Pause and Stop animation take the animation on a port instead of a
fixed setting, fed by the new Animation literal or a list item tagged
`$animation`. Playing an animation already running keeps its frame but
counts it as started last, so turning back to a walk that never stopped
shows that walk. The actor demo walks through one Play animation over
`ItemAt(walk, facing)` again and stops every animation to stand.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
A frame drawn straight from the sheet showed a hairline of the neighbouring
cell along any edge that fell inside a screen pixel: with antialias on, a
partly covered pixel is still evaluated at its centre, past the edge. On top
of that Pixi rewrites a Graphics fill texture from clamp-to-edge to repeat at
draw time (generateTextureFillMatrix.mjs), so the top row of a sheet read its
bottom row.
TextureLibrary.get(ref) now cuts the rectangle out of the loaded sheet with an
OffscreenCanvas on first use and uploads the cut (key file|x,y,w,h, kept for
the session). Address mode is mirror-repeat: Pixi only rewrites clamp-to-edge,
and within a texel of the border mirror behaves like clamp, for linear as well
as nearest. Loaded sheets get it too, since whole pictures wrapped at their own
borders the same way. viewport/textureFill.ts and its test are gone.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The check compared the position after key-up with a sample taken before
shot(); the player keeps walking during the screenshot, so the check
measured screenshot duration on the runner (22/30/40 px on CI runs 11-13)
and failed at exactly 40.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
A list no longer says what its items are. ListDef.items, ListDef.fields,
ListFieldDef.items and SetListItemsCommand are gone; the single seam is
src/core/properties/listItems.ts. JSON already tells number, text, boolean
and struct apart, so only two kinds need a tag: {"$color": n} and the new
{"$texture": id}. Field names cannot start with "$", so a tag never
collides with a struct field. On a data link a texture item arrives as
its bare id; the graph has no images.
List tab: the mark in front of each row is the kind picker, "+ Item"
asks for the kind, both are ordinary value edits (one undo step). A list
inside a struct field only offers the flat kinds because the depth rule
forbids a struct item there (ListAccess.kinds); the menu used to offer
it and silently do nothing.
Legacy lists that declared items: 'color' are tagged on load.
Actor demo: the four walk animations and four standing frames live in
two list variables of texture items indexed by facing (Item at), so the
graph can be rebuilt in the editor. The stand frames get their grid ids
back; 44 nodes instead of 46.
Also: the user's edits to on-start-during-play.md and the new note
reseed-because-of-list.md.
Verified: check.sh 794 tests, full e2e 631 checks, smokes 24/19/20.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
tools/seed-actor.mjs builds the project Actor demo: it uploads
tools/assets/Actor1.png, slices the 576x384 sheet into the 96 cells of a
12x8 grid (48x48 each, no remainder) and wears the character in the top
left corner. Walking is four ping-pong animations of three frames, which
is the original RPG-Maker walk cycle; standing is the middle frame of the
row, not an animation.
The graph pastes walk- or idle- in front of the direction faced and wears
the result, so eight cases need no branch tree - the List node only holds
numbers. Which way it looks is the key pressed last, corrected whenever
only one axis is still held, or letting go of one key of a diagonal would
walk backwards. Axis input already normalizes its vector.
tools/lib/projects.mjs gains uploadTexture, since data/textures/ is
git-ignored and a seed that ships its picture has to send it. The harness
gains w/a/s/d and keyDown/keyUp halves, because holdKey cannot express two
presses that overlap - which is what a diagonal is.
tools/smoke-actor.mjs plays it in 19 checks and reads the drawn pixels at
the camera edge, where the bounds hold him walking on the spot: three
distinct frames walking, one standing.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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