Commit Graph
155 Commits
Author SHA1 Message Date
adminandClaude Opus 5 010b6a7f6c A state can transition to itself: make transition and a second click on the same state connects a self transition, taking it fires On state exited and then On state entered every time, for local and global machines, while Set state into the current state stays silent as before; only states may connect to themselves, every other node is still refused, one self transition per state; the loop is drawn over the middle of the top edge with its arrow pointing down and its name at the apex, the preview already shows it while armed, and the inspector lists it once under Transitions out; new test hook transitionLabelAt, e2e 26e5 (#163)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-19 16:10:02 +02:00
adminandClaude Opus 5 cc285af10a Tabs are open documents: Scene, Game and Plugins stay as fixed tabs, every other asset opens in its own tab (double click or Enter in the asset panel, on creation, from the list button), several assets of one kind can be open at once, a tab is labelled with its kind dimmed before the name, cut at 160 px and renamed with its asset, closes with its x or a middle click and goes away when its asset is deleted; a tab always shows its own document instead of following the selection, the picker in the tab head is gone, zoom and scroll are kept per document for the session and dropped on close, a double click on a call node stays in the same tab with breadcrumbs per tab; one editor per kind is switched between documents, the placement rules live in the pure module documents.ts, and the test hook showTab stays as a compatibility path; new e2e module 44 documents (#171)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-19 15:49:54 +02:00
adminandClaude Opus 5 47eea2f6e4 Each tilemap layer has its own Z: an offset added to the Z of the placed tilemap, like a child's Z to its parent, default 0 keeps the previous order (layers right after their map, in list order), a negative Z sorts a layer below the map, on a tie layers keep their list order and follow the hierarchy against other objects; editor scene and game use the same order through the new pure function drawSlots, a tilemap draws into one container per layer, and the tilemap panel gains a Z field for the selected layer with one undo step per change (#174)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-19 14:03:20 +02:00
adminandClaude Opus 5 5385d9e152 The one-way tolerance angle is a field: a one-way collider and a one-way tile gain One-way angle (0 to 90 degrees, default 45), a contact blocks when its normal is within that angle of the blocking side, without a value the limit is bit-identical to before, and the rule holds for Move, Raycast and dynamic bodies in Rapier; tiles with different angles never merge into one rectangle, the scene view draws the angle as a cone in the middle of the thick side, and the inspector shows Blocks from and One-way angle only while One-way is on, through the new schema option shownWith (#159)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-19 13:13:29 +02:00
adminandClaude Opus 5 d4ea04d4d6 The scene view outlines a tilemap's collision only along its outer edges: where two pieces meet, their shared stretch runs once in each direction and is not drawn, so an autotile lake is one outline without cross strokes at the quarters, merged rectangles of plain tiles and one-way tiles follow the same rule, the bridges from splitting concave outlines disappear and a piece doubled on two layers is outlined once; fill and collision stay as they were, and the result is cached per tilemap and rebuilt only when its collision data changes (#173)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-19 12:54:53 +02:00
adminandClaude Opus 5 6a31f5e0ad One-way platforms, raycast and collision stay with contact data: a collider can be one-way with a side it blocks from (turning with its object, drawn thick in the scene view) and a tile can be one-way from above, one-way cells never merge with solid tiles, a contact blocks only when its normal is within 45 degrees of the blocking side, the new node Ignore one-way lets an object drop through for a while, and it all holds for Move and for dynamic bodies in Rapier, where the decision is made before each step because the hook may not touch the engine (#155); the new Raycast node answers hit, object, collider, point, normal and distance in our own f64 geometry, the same in editor run and play, and the editor run draws each ray for 0.25 s (#153); On collision stay gains an interval with its own clock per pair, and stay and enter gain the contact point next to normal and impulse (#149); fixes that every Rapier collider of a tilemap had the shape of its last cell
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-19 11:36:11 +02:00
adminandClaude Opus 5 947a6b1977 Collision outlines for autotiles: a frame holds several outlines (click adds a corner to the active one, Ctrl/Cmd-click starts a new one, clicking another outline makes it active, Delete removes the active outline and never the frame in collision mode), an autotile's outlines are drawn over the whole block, cut at the quarters and each cell takes the pieces of exactly the quarters its image is made of, so edges, outer corners and notches follow automatically; a tile of the block with nothing drawn blocks fully, cells of only full quarters merge back into rectangles, collision scale does not apply to an outlined autotile, and the previous format with one flat outline still loads (#141)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-19 01:56:20 +02:00
adminandClaude Opus 5 32057a96fc Physics stage 2: colliders gain the shapes capsule and polygon, a polygon keeps its corners in the property points, turns, scales and mirrors with its object and is edited in the scene view (drag a corner, click an edge to insert one, double-click to delete, at least three stay, each step one undo step), a concave polygon is split into convex parts, a self-intersecting one is drawn red and collides with nothing, Rapier gets a capsule and one convex collider per part on the same body, and Move and the editor run use our own f64 geometry for the new shapes, where on a tie between two normals the one that blocks the move least wins, so a box no longer stops at the foot of a slope (#151); first version of a collision outline per texture frame, edited in the texture tab with the new Collision toggle, which a plain tile blocks with instead of its rectangle (#141, to be reworked)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 22:56:25 +02:00
adminandClaude Opus 5 1b5e386b60 Move with collision reacts along the contact normal: it travels to the surface, stays flush and slides the rest of the move along it with Coulomb friction (the mean of both colliders, a tile counts as 0.5), a circle now rolls over an edge instead of catching on it, pushed dynamic bodies move off along the normal, Move gains the outputs hit, normal x and normal y, an object without its own collider moves freely, and editor run and play share the same path through Solids; contact point and normal come from our own f64 geometry (contactBetween), because Rapier's castShape lands 3e-6 px inside the wall in f32 (#150)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 21:52:11 +02:00
adminandClaude Opus 5 0ff3c8b742 Physics stage 1b: six new nodes act on dynamic bodies in play (Apply force over the frame, independent of the frame rate, Apply impulse, Set velocity, Set angular velocity, Get velocity, Set gravity for the rest of the run), a node on an object without a dynamic body and moving a dynamic body directly each log a hint once per object, and Move with collision now pushes dynamic bodies with a mass-dependent push while the mover stays flush; Move keeps its own move-and-slide instead of Rapier's character controller, which measurably snags on seams between colliders (#147)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 19:19:21 +02:00
adminandClaude Opus 5 78899b1ace Physics stage 1a runs on Rapier: a new Rigidbody child object (body type, mass, gravity scale, damping, fixed rotation, CCD) makes its parent fall, bounce and come to rest in play, colliders gain friction, bounciness and density, the scene gains gravity (0, 980), the new PhysicsSystem steps at a fixed 60 Hz with interpolation in world coordinates and treats a tilemap as static ground, On collision enter gains normal and impulse, play waits for Rapier and does not start without it, and the editor run keeps the old CollisionSystem; the existing collision tests run against both systems unchanged (#146)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 18:11:43 +02:00
adminandClaude Opus 5 d02bcca266 Rapier 2D (@dimforge/rapier2d-compat 0.20) comes in as the physics engine: the editor loads it once in the background right after opening a project from its own chunk, so the main bundle grows by 0.19 KB gzip and the first frame does not wait; loadPhysics, physicsStatus and the 100 px = 1 m conversion live in src/runtime/physics/engine.ts, __gm.physics() reports the state, unit tests pin free fall and a box resting on a box, and e2e module 41 pins that Rapier is ready from its own chunk without console noise (#145)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 16:56:47 +02:00
adminandClaude Opus 5 6d7d0005cf The tab headers are one TabHeader, the node board and the tile board pan and zoom through one helper, reordering tile pictures and tilemap layers goes through one moveItem, and a tilemap cell is one named type (#85)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 16:01:12 +02:00
adminandClaude Opus 5 bffa508ee7 A tile gains Collision scale: below 1 each blocking cell pulls in on the sides without a blocking neighbour and stays flush towards its neighbours, so a wall of bushes becomes a narrower wall without gaps and the inner corner of an L closes cleanly; above 1 the cell grows at its open sides; on several layers the largest value counts, and the merged rectangles work in fractions of a cell with exactly the old result at 1 (#140)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 15:00:07 +02:00
adminandClaude Opus 5 4728f4fab5 A placed tilemap grows and shrinks at every edge: the new GRID EDGES block in the inspector adds or removes one column or row at Left, Top, Right or Bottom as one undo step, shifting the cells of all layers and moving the placement through its own matrix so the content stays in place on screen; removed painted cells are kept outside the grid and return when the edge grows again, and the Columns and Rows fields of a placement keep the content in place too (#136)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 13:58:03 +02:00
adminandClaude Opus 5 0b32d3cbf3 The tilemap panel gains Fill and Pick: Fill floods the connected cells of the active layer that carry the same tile (edge neighbours only, bounded by the grid) as one undo step, Pick takes the tile of the clicked cell on the active layer, and holding Alt picks while any tool is active (#133)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 12:31:19 +02:00
adminandClaude Opus 5 c2fd536aaf The texture field only offers pictures: each texture with its frames, no animations any more; an animation id left in an older project shows as a missing reference (#143)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 12:14:01 +02:00
adminandClaude Opus 5 5046ddb810 The tilemap painting tools move out of the inspector into their own panel beside the scene view, shown only while exactly one placed tilemap is selected in the scene tab; the free viewports keep their content in place on screen when they are resized (#142)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 11:46:23 +02:00
adminandClaude Opus 5 f53279d065 The active tilemap layer can be renamed from the painting section, and a Show setting fades or hides the other layers in the scene view while the tilemap is selected (#138)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 10:56:32 +02:00
adminandClaude Opus 5 bfbcbe604c The tile list in the tilemap section is a palette of pictures: each tile shows its lone tile (the four convex corners for floor and wall, the picture itself for none) with its name below, laid out with the image-picker grid (#139)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 10:15:51 +02:00
adminandClaude Opus 5 4c411c1ff3 Tilemaps can block movement: a tile gains a Solid switch, the solid cells of all layers are merged into rectangles and the placed tilemap takes part in the collision system as one body, reported as other in collision events (#132)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 09:47:03 +02:00
adminandClaude Opus 5 10b49fac46 Tilemap cells are stored compactly in the project file: each layer keeps a tile list, an origin and one run-length encoded string per row; older projects with a cell map still load (#134)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 09:17:49 +02:00
adminandClaude Opus 5 732f6518ae The autotile asset is renamed to tile and gains a plain None (1 × 1) kind, which is now the default; older projects load their autotiles as floor tiles (#131)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 08:01:07 +02:00
adminandClaude Opus 5 55bfa7521a The assets and scene objects panels in the left column are split by a draggable splitter that keeps its ratio when the window is resized
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 07:29:58 +02:00
adminandClaude Opus 5 33a7b1b63e Tilemaps are a new placeable asset type that is painted with autotiles in the scene view, with layers, brush, eraser and rectangle, and is drawn at runtime and in the export (#128)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-18 06:41:47 +02:00
adminandClaude Opus 5 1a9f07c4ac Autotiles are a new asset type with a tab that shows every tile of the floor (2x3) or wall (2x2) block and an animated sample pattern (#118)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-17 21:35:29 +02:00
adminandClaude Opus 5 c17b2b5426 Plugins are switched on and off in a Plugins tab, the server keeps the state in data/plugins/plugins.json, and switched-off plugins are never delivered (#114)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-17 20:15:51 +02:00
adminandClaude Opus 5 57a97ba94f Plugins in data/plugins are loaded at startup and can add a tab with a read-only node board, and the demo plugin shows every asset as a node (#113)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-17 19:00:03 +02:00
adminandClaude Opus 5 bf02c9e8b3 Timeline keys can be copied and pasted at the playhead, duplicated with Ctrl+drag, and frames inserted or removed from a right-click menu (#102)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-17 12:53:56 +02:00
adminandClaude Opus 5 353b348c3c e2e module 25 drives the animation timeline and its preview with real gestures (#110)
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Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-17 06:16:40 +02:00
adminandClaude Fable 5.1 89c1d6130c README: 928 editor checks, measured in CI-69
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Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
2026-09-16 21:31:50 +02:00
adminandClaude Opus 5 94a0a578ed A border drawn in pixels is as wide as the texture says a pixel is, so a small sheet can frame a large sprite (#96)
A sliced frame drew its borders one source pixel to one sprite unit. Pixel-art sheets are small:
a 16px corner on a 400-unit button is a thin line, and the only way around it was a larger image.

The texture now carries `Nine-slice scale` (default 1), next to `Filter`. It sets how many sprite
units one border pixel takes, for every sliced frame of that texture. The UVs stay as they are -
a corner shows the same pixels, only larger or smaller. When the sprite is too small for both
borders they are still scaled down together, now starting from the scaled size. With `Repeat`
the tile size scales too, otherwise a doubled border would sit beside a pattern of the old size.

The value is a schema row, so inspector field, saving and undo come without their own code.
Anything that is not a size above 0 reads as 1, and documents without it draw as before.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-16 18:09:43 +02:00
adminandClaude Fable 5.1 cc6db5f350 Three stores, three importers and three pickers that differ only in their type are one of each (#85)
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Refactoring round one: HttpFontStore/HttpSoundStore/HttpTextureStore collapse into a generic
HttpFileStore over a FileStore contract; fontImport/soundImport/textureImport share assetImport
with an ImportKind per sort; ImagePicker/FontPicker/SoundPicker sit on FilePicker and describe
only their row. The group/comment drag logic leaves GraphCanvas for annotationDrag.ts (with its
own unit test), declaredRows.ts replaces the duplicated row build in particles.ts and shaders.ts,
and dead code in font/sound/compile/emission/transform/actions is gone. README: asset list,
check count 958, the two-job CI, the Scenes wiki page.

Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
2026-09-16 17:38:54 +02:00
rootandClaude Opus 5 68c92daaa6 A transition carries a name, so a state needs no visible port (#52)
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A state keeps its `in`/`out` exec pins in the model and the editor never draws
them. That is the whole trick: connecting, undo, deleting a state and saving all
keep working untouched, because `normalizeGraph` filters nodes and never edges,
and no edge ever checks its port key against a NodeDef. Only two places change --
`NodeView.redraw` stops drawing the row, and `portAt` refuses to hand one out, so
an invisible pin cannot be grabbed either.

Transitions are drawn by right-clicking a state, `Make transition`, then clicking
the target. The armed mode takes the same shape as a live drag, so the existing
preview draws it with no second code path, and it dies with Escape, a click on
empty canvas or a switch to another asset.

Removing the pins removed the only handle a transition had: edges have no
hit-test anywhere, and the pin right-click was the sole route to Disconnect.
The inspector's TRANSITIONS OUT / TRANSITIONS IN lists are therefore not a
convenience, they are the delete path.

`GraphEdge` gained an optional `label`, which `normalizeGraph` has to pass
through explicitly or a saved name is dropped on load. `State transition`
replaces `Next state`: it takes the machine on an input port and the name from a
picker, and resolves against the *current* state. Names are deliberately not
unique across a machine -- two states may both have an `alarm` -- so a node named
`alarm` moves whichever state has one, and an empty name follows the single
unnamed edge.

The geometry moved to a Pixi-free `transitions.ts`: a gap to the box border, and
a fan that puts a pair of opposite edges beside each other instead of on top of
each other. Keeping it as plain maths is what let a screenshot bug become a unit
test -- an earlier pin-to-pin line ran under the target node and took its
arrowhead with it, because `nodeLayer` sits above `edgeLayer`.

One limit stands and is not fixed here: `ConnectCommand` rejects a second edge
between the same two states ("Already connected"), because every transition
hangs off the same two ports. With names, `A --alarm--> B` beside
`A --seen--> B` is a sensible pair, so this is worth its own issue.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-14 14:05:18 +02:00
root a041322a0e An edge to a vanished port needs a handle, so the port stays as a ghost (#60)
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Four ways erase a derived port and take no edge with them: deleting a state,
deleting the `State machine` literal, deleting `Behavior start`/`end`, deleting
the asset. The common cause is `RemoveNodeCommand` clearing only its own graph,
so the fix sits in `drawnDef` (graph/nested.ts) and touches no delete site.

A right-click on an edge goes through `view.portAt` only — there is no curve
hit-test. Without a port row such an edge is not merely invisible, it is
unreachable, so the ghost row is the handle Disconnect hangs on.

`resolveDef` stays untouched: it is the truth for interpreter, compiler,
ConnectCommand and dropTarget, so nothing runs or connects through a ghost
without a second guard.
2026-09-14 11:50:36 +02:00
rootandClaude Opus 5 d5e67cd80c A shader costs a source nothing, because a field was already one draw call (#88)
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A particle source can wear a shader asset the way a sprite does, and it is the
cheapest place in the editor to wear one: a shaded sprite gives up its batch and
costs a draw call of its own, while `ParticleContainerPipe` breaks the batch for
every field regardless. Five hundred shaded particles are the one call five
hundred plain ones were.

The fragment the compiler emits needed no change, only a second vertex stage:
Pixi's particle vertex is GLSL ES 1.00 and ours is ES 3.00, so it is translated
rather than invented. What it sees is a particle's picture, not its life — the
buffer carries five fixed attributes and takes no sixth, so age, index and seed
stay on the graph, which is what the graph is for.

Two things the issue did not ask about:

`Shader.resources` is an accessor over the names its constructor declared, so a
slot that is not declared becomes a loose JS property and is never bound. The
adaptor writes `uTranslationMatrix` into whichever shader the container names —
without an empty block for it the vertex gets no matrix and the particles land
elsewhere.

`schemaOf` in serialize.ts hung on `schema !== schemaFor('sprite')`, an identity
check a source never satisfies, so its shader values would have been dropped on
save.

A source is the one asset drawing rows from two graphs, so a name can arrive
twice. Its own row wins and the uniform keeps its default; nothing is rejected
on the shader's side, because the collision exists only at this one wearer.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-14 11:06:45 +02:00
rootandClaude Opus 5 0e0a21dee1 One clock under everything that moves by itself (#90)
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Particle age and shader time each read performance.now() off their own
library, and the world got the frame's delta straight from the ticker. Three
clocks, so a global time scale would have been three multiplications and a
pause three separate freezes.

core/time.ts holds one clock instead: it accumulates dt x scale per frame
rather than reading the wall clock, and Editor.tick hands the very step it
took to the play session, the editor run and the animation preview. Delta
time, particle age, shader time and that preview are the same quantity now,
so the scale is a single multiplication and a pause is that scale at 0 —
nothing underneath needs rebasing, because the clock itself stands still.
The Math.min(dt, 0.1) caps in PlaySession and EditorRun are gone: the cap
(MAX_FRAME) now sits on the raw frame before scaling, and capping twice would
make the world run slower than the particles at scale 2.

A pause gates the scale rather than overwriting it — effectiveScale() answers
0 while paused, and for anything that is not a positive finite number, while
gameClock.scale keeps its value. A slider later survives a pause that way;
the issue asks for none yet.

The clock goes back to zero at both ends of a run, so a run is reproducible
from second 0 and the scene view looks freshly loaded after Stop. Resetting
only on Stop would not do it: the editor clock runs on afterwards, and the
next Play would start at "seconds since the last Stop".

The trap in that: ParticleField keeps its origin as an absolute second of
this clock, so after a reset it lies in the future and every particle would
age backwards. One line in sync() starts such a field over, which covers the
scene, the game and the tab preview at once — and fixes an older bug of the
same shape, where releasing a particleTime() freeze left the preview empty
for good.

Found while measuring that: ParticlePreview stood at second 0.5 by computing
the clock reading that would mean 0.5 since the field started. Over 200000
random origins the round trip misses the last bit in 18.8% of them and shows
one particle too few in 9.4%, because floor(0.5 * 20) comes out 9. The check
had been flaky since it was written. The panel hands the field the age itself
now (ParticleField.hold), and the faked clock is gone.

833 checks (824 + 9), 931 unit tests (921 + 10).

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-14 09:31:53 +02:00
rootandClaude Opus 5 78baf0c719 A source wears an icon without becoming decoration (#89)
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Behavior and Container draw an icon because isSymbolType() is true for them,
but that predicate does not mean "draws an icon" — it means "is editor
decoration". Four places read it that way: collectWorldItems, GameViewport.
collectFrame and syncDrawOrder all drop symbols out of the running world and
the game picture, and placementOf() gives them an upright unscaled box.
Listing 'particles' there would have handed the source an icon and taken away
its particles, in the scene view as well as in the game.

So the two questions are two functions now. hasSceneIcon() says a type draws
an icon; isSymbolType() keeps meaning decoration. The icon itself is a
SceneViewport decoration, which is editor-only for free because GameViewport
never syncs decorations.

A ring (r 10, #c26a1f) with four sparks, upright and unscaled like the other
symbols, its middle left open — unlike Behavior and Container a source draws
something of its own, and the field is densest exactly there. The name sits
beside it and a dashed line runs to the parent, same colour.

Found while writing the tests: the source's grab box scaled with its transform
while the icon did not, so the two came apart. placementOf() returns only the
translation for 'particles', making the box the upright 24 x 24 that covers
its icon. The source's own transform still feeds every particle untouched.

824 checks (821 + 3).

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-14 08:25:49 +02:00
rootandClaude Opus 5 8ae20d044f Time is an argument, so speed scales it and a prewarm offsets it (#87)
game-maker / suite (push) Successful in 9m48s
Speed and Prewarm are not state and not a second loop: both are arithmetic
on the clock argument the field already passes to every particle formula.
fieldTime = elapsed * timeScale + prewarmOffset, a pure rule next to
liveRange, called at the one place ParticleField.sync forms its time, so
preview and world inherit it together.

Prewarm offsets by one lifetime because that is the smallest offset which
fills a continuous emitter; a burst is dead at time >= lifetime, so the
same offset would skip it entirely and it is suppressed there.

The tab's slider counts wall-clock seconds, so its span divides by the
scale. A missing row falls back to 1 / off, so old project files need no
migration.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-14 07:31:07 +02:00
rootandClaude Opus 5 fbb2d157f0 A held preview is rebased, not paused, and it wears the asset's own rows (#86)
game-maker / suite (push) Successful in 9m42s
Three reports plus one found on the way.

Hold only froze the *picture*: the preview computed a fake second while drawing,
the library clock kept counting underneath, so letting go jumped to "how much
would have passed by now". That is the flip side of the formula model — a thing
that is a function of the clock is not stopped, its origin is moved.
ParticleField.rebase() does that; hold(null) calls it with the second stood at.
The Hold label now mirrors the preview's state instead of its own click history,
so dragging the slider (which holds too) reads `Run`, and Restart puts a held
preview back to 0.00 s rather than leaving it on the second it stopped at.

previewProps only read defaultsFor('particles'), so the panel showed the type's
defaults while the inspector showed the asset's rows. AssetBase.props is a full
bag on a graph asset as well — asset.props now lie over the defaults, the
asset's texture is resolved instead of always drawing a white square, and the
slider's span follows its lifetime. The span is re-read in tick(), because the
rows are edited in the inspector and the tab hears nothing about it.

The preview moves from under the graph to beside it, past a draggable splitter:
a graph is read across, so width is what it can spare and height is not.
AssetTabEditor grows a body() hook for that — the base class still stacks header,
strip and canvas, a subclass may put something next to the canvas.

Found by the full run, not reported: the graph canvas's empty-state hint ran
38 px past its frame now that the preview takes 280 px away. It is cut with
truncate() like any other label.

816 checks (809 + 7).

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-14 07:03:51 +02:00
root 0f9e1611d1 A particle is a function of its age, not a thing that is stepped (#73)
game-maker / suite (push) Failing after 4m22s
The asset type `particles` is placeable and carries a graph at the same time —
`behavior` was the blueprint. Because a continuous emitter gives birth to particle n
at time n/rate, the whole field is a function of the clock rather than of the frames:
no ring-buffer bookkeeping, exact time jumps, reproducibility as a measurable property.

compile.ts follows compileShader's frame but emits JS closures into a Float64Array
instead of GLSL, and without eval; a node with two consumers is evaluated once.
Drawing is one Pixi ParticleContainer per source, so one draw call.

Collision, wind and braking in flight are out for good — that is the price of the
formula model, not an omission.

The tab count goes from nine to ten, which is exactly the case #84 was built for one
day earlier: at 1280 px the row no longer holds every tab, so guard 14b now asks for
hidden.length > 0 instead of === 0.
2026-09-14 05:44:25 +02:00
DeveloperandClaude Opus 5 f83c568999 Tab row: what does not fit goes behind a menu, the active tab always stays (#84)
game-maker / suite (push) Successful in 9m18s
Nine tabs need 631 px; at 1280x800 the centre column offers 666 px, so the tenth
tab would have spilled under the inspector - the same overflow CI caught in run 5.

TabStrip replaces the bare HStack: it fits the longest prefix that stays inside
the budget, always appends the active tab, and offers the rest behind a fixed
28 px button. The button's width is fixed on purpose - deriving it from the
number of hidden tabs would make width depend on the count and the count on the
width.

The rule itself is a pure function (tabRow.ts), so it is checked without a
browser. setActive() calls relayout() itself because Widget.resize only lays out
on a changed size, and switching tabs does not change any size.

Adding a tab now needs no space arithmetic - only a line in TAB_ORDER,
TAB_LABELS and panes, all three Record<CentreTab, ...>, so forgetting one is a
type error.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-13 22:06:46 +02:00
admin e0c459ce92 Shader graph: Clamp is the Output's default edge, and the sheet's own mode is a constant of its own (#81)
game-maker / suite (push) Successful in 9m16s
The default of the Edge param and the address mode the shared sheet physically
carries were the same constant; changing the value would have turned every
sentinel with it and given each shader sprite a full copy of its texture.
SHEET_EDGE ('mirror', what TextureLibrary uploads) is now separate from
DEFAULT_EDGE ('clamp'). A graph whose Sample reads nothing but its own pixel
draws with the plain sheet whatever the Edge says, so the common shader costs
no second copy.

Without a shader the quad's coordinates never leave 0..1, and mirror-repeat
reads like clamp within a texel - so clamp is what a sprite shows anyway.
2026-09-13 21:33:41 +02:00
rootandClaude Opus 5 03c4323794 Image picker: tiles are containers, not graphics with children
game-maker / suite (push) Successful in 9m14s
The twin of the font picker fixed earlier today: every tile was a Graphics
carrying its sprite and caption, which Pixi v8 answers with "addChild:
Only Containers will be allowed to add children". The background moves
into its own Graphics inside a Container, and the step watches the console
while the picker opens, as the font one does.

Editor suite: 784 checks.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-13 21:17:26 +02:00
Developer fe036db8f2 Editor suite: 780 checks (#83)
game-maker / suite (push) Successful in 9m18s
2026-09-13 20:50:52 +02:00
rootandClaude Opus 5 86b5363a01 Fonts: a new asset type, picked from the server or dropped in, worn by text objects (#74)
game-maker / suite (push) Successful in 9m10s
A font asset holds a file and nothing else, the twin of a texture: the server keeps it
content-addressed under data/fonts/{sha256}.{ext}, with the format read from the file's own
four-byte signature (finfo reports fonts inconsistently across libmagic versions). A text
wears one through its ordinary Font property, so overrides, reset, undo and the Properties
node come for free; no font means the editor's own typeface.

The picker lists everything the server holds and renders each row in the face it offers.
The family name is gm-font-<hash16>, never the name inside the file, so two "Regular" cannot
collide. WorldViewport.syncText is the single place that draws it, which covers scene, game
preview and play at once.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-09-13 20:09:59 +02:00
rootandClaude Fable 5.1 28c0789b19 Shader graph: Abs node, the distance from 0 per channel
game-maker / suite (push) Failing after 8m10s
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
2026-09-13 18:46:20 +02:00
rootandClaude Fable 5.1 a399795772 Shader graph: Pow node, base held at 0, exponent broadcast for colours (#80)
game-maker / suite (push) Failing after 8m13s
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
2026-09-13 18:29:04 +02:00
rootandClaude Fable 5.1 102a649a35 Shader library: fingerprint without node positions, a drag no longer recompiles (#65)
game-maker / suite (push) Successful in 9m5s
shaderFingerprint(graph) covers node id/type/params/ports and edge endpoints only;
x/y, collapsed, folded and edge ids stay out. ShaderLibrary keys on it and counts
compiles (__gm.shaderCompiles()). Measured before: one compile per preview step of a
node drag (12 for a harness drag); after: 0, a param change exactly +1.

Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
2026-09-13 18:00:48 +02:00
rootandClaude Fable 5.1 016e83c9b5 Transform: scale, rotation and mirror as properties, world transform as a matrix chain, oriented colliders (#76)
game-maker / suite (push) Successful in 9m5s
Four new rows on sprite, text, collider and container (block TRANSFORM):
scale, rotation in degrees clockwise, mirrorX, mirrorY. As properties they
get override/reset/apply, loading of old projects, write-back after play and
the Properties node for free; camera and behavior have none.

The hierarchy composes T*R*S per level (composeAlongChain replaces
sumAlongChain), so children rotate and scale with their parent. Reparenting
and grouping keep the look (carriedTransform). Drawing goes through
placeNode, the gizmo is a polygon, cull and objectRect use the AABB, drags
are computed in the parent's system.

Colliders are oriented boxes: SAT for box/box, box-circle in the box frame;
exitDistance replaces axisSeparation/axisCorrection, moveAndSlide moves along
the object's own axes.

Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
2026-09-13 17:25:06 +02:00