adminandClaude Opus 5.5
f92d69d902
The first Acid hardly squelched. Its tanh ate the resonance, and its sweep fell evenly in octaves. The user pointed at the acid tone of nodeseq.com/studio, so the node now follows how that voice is built from Web Audio parts. - The filter is a two-pole 12 dB low-pass with Q in dB up to 17.5, like a BiquadFilterNode. The ladder and its tanh are gone. - One ADSR drives both the volume and the filter. The sweep falls back in Hz, fast from the top and long at the bottom. - Every note glides from the one before. A new note cuts the last one off, and the node plays its release itself. - Knobs: cutoff, reso, env, attack, decay, sustain, release and glide. The defaults are the acid preset of nodeseq. - Accent, slide, drive and tuning are dropped. Old projects were not kept, the user had only placed the node for a try. - A hook __gm.acid.compare renders a line offline through our worklet and through the nodeseq graph, for e2e 34. Found on the way: in Chrome an oscillator that starts inside a render block runs its first samples at 440 Hz. The comparison evens this out. Tests: - tsc, eslint, Prettier clean - Unit: acid.test.ts rewritten with 12 tests. chip-presets and sound-library follow the new node. - e2e 34 on melektaus-atx: ALL PASSED, 148 checks. Against nodeseq the loudness per 10 ms window is at most 0.14 dB apart, and 95 to 97 % of the windows are equally bright. - With a linear Q instead of Q in dB the comparison is red. - Gate on melektaus-atx: green, 306 files, 4752 tests. That is 4754 less the 14 old and plus the 12 new Acid tests. - Not checked: the sound by ear, the master chain of nodeseq, the keyboard and a bake with the new node. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>