A vector shape could only be filled and outlined with one flat colour.
Shading, glows and patterned surfaces had to be faked with stacks of
shapes. Every shape now has a paint type for its fill and its outline.
- Fill type: solid colour, linear gradient, radial gradient or
texture. Line type offers the same without texture.
- Colour stops are edited on a bar in the inspector, as agreed in the
issue. A click on the bar adds a stop in the colour the gradient
already has there, so adding never changes the picture. At least two
stops remain.
- The new Paint tool in the tab shows two handles for the selected
shape: axis start and end, centre and radius, or the corners of one
texture tile. "Handles: Fill / Outline" picks which paint is edited.
- Moving a whole shape moves its gradients and tile with it. Every
gesture is one undo step.
- A texture fill always tiles, because Pixi turns a non-repeating
pattern into a repeating one anyway. When switched on, one tile
covers the whole shape.
- Only uploaded textures and frames can be a fill, never a drawing.
A drawing filled with itself would rasterise itself mid-raster.
- The fingerprint of a drawing includes the texture and frame a fill
points to, so the picture redraws when the image is swapped.
Findings:
- graphics.destroy(true) also destroyed the textures of the fills.
With a texture fill it deleted the tile slice and the next redraw
crashed on reading 'scaleMode' of null. It is now destroy().
- The gradient cache destroyed old gradients itself, which gave 20
Pixi warnings "destroyed while still bound". They are now handed to
Pixi's texture GC with autoGarbageCollect switched on. The console
of module 47 is empty again, the last CI log had 0 of them.
Tests:
- ./check.sh: 135 files, 2011 tests, exit 0 (before 134 / 1986)
- npm run build: exit 0
- GM_STEPS=47, freshly seeded: ALL PASSED, 54 checks (before 44),
0 console warnings
- 25 new unit tests, 10 new e2e checks in block 47i
- Four counter-checks bite, originals restored and verified with cmp
- Check sum 1232 in README and wiki, calculated (1222 + 10)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Drawing an outline by hand for every frame of a sheet is slow, and the
outline mostly follows the opaque part of the image anyway. The texture
tab now traces it: one click, a corner budget, and every Frame
collision collider and tile using that frame blocks with the result.
- "Generate collision..." sits in the texture tab header and is off
while the texture has no frames.
- The dialog has Max points (default 8, 3 to 64), Solid from ... %
alpha (default 50) and All frames of the texture. A live line says
what Generate will write, and Generate stays off when nothing is
solid enough.
- traceCollision walks each island of solid pixels along the pixel
edges, then drops the least important corners until at most N are
left and no stair step remains. A slope becomes one straight edge.
- An outline never crosses itself. Where the image would force that,
the island's convex hull is taken instead.
- Crumbs under 1 % of the frame area are dropped unless they are the
only island. Holes are not reproduced.
- Existing outlines are replaced. One frame or all frames is a single
undo step.
- TextureLibrary hands out the sheet's RGBA data, and a pure function
cuts a frame's region from it.
Findings:
- The wedge in the e2e fixture gets 4 corners, not 3. Its tip is one
pixel wide in the image, and that real edge stays while corners are
still free.
Tests:
- ./check.sh: 131 files, 1941 tests, CHECK EXIT 0 (was 130 / 1931).
- 10 new unit tests in tests/core/trace-collision.test.ts, including
150 random shapes that must all be valid and within the budget.
- GM_STEPS=42, freshly seeded: ALL PASSED, 20 checks (was 16).
- Three counter-probes bite: no hull fallback, no stair threshold,
dialog ignoring the alpha threshold.
- Check sum 1202 in README is computed (1198 + 4), CI measures it.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Issue #193 asked where friction, bounciness and density of a tile
live. Tiles had a fixed surface (friction 0.5, bounciness 0) and a
collider could not use the outline drawn on a texture frame (#141).
Both gaps are closed here.
- A collider has a fifth shape "Frame collision" with a Frame row.
The frame is picked like a sprite's texture and stored as the
value 'frame'.
- The shape is linked, not copied. Redrawing the outline in the
texture tab changes every collider using that frame, in the editor
and on the next play.
- The frame centre sits on the collider origin, one image pixel is
one unit. The shape turns, scales and mirrors like any other.
- Every outline ring blocks. Each ring is split into convex parts the
same way a polygon is.
- Without a frame, with a whole texture or with a frame that has no
outline, the collider is drawn red as a box and blocks nothing.
- Move, Rapier, raycast, detection, hit test, drawing and footprint
all resolve the frame. At runtime an entity looks the frame up
live in the current project.
- A tile has Friction and Bounciness next to Solid and One-way. The
rows only show when Solid is on. Defaults and mixing rules match
the collider. Density is left out because a tilemap never moves.
- Tilemap cells are grouped by surface as well as by one-way angle.
Ice and stone never merge into one rectangle, and every cell brings
its surface to Move and Rapier.
Findings:
- A tile with a collision scale below 1 is no longer flush with a
neighbour of another surface. It is inset there like at an open
side, the same as next to one-way tiles today.
- A bounce test first measured 0.84. The ball had landed on the hero
at the origin, not on the tile. On the tile it measures 0.993.
Tests:
- ./check.sh: 130 files, 1931 tests, exit 0 (was 129 / 1917).
- 14 new unit tests in tests/core/surface.test.ts. The Move tests run
against the editor run and the physics system.
- 3 new e2e checks: 40l (surface rows follow Solid), 42e (collider
has frame size, a walker climbs the slope in the frame).
- GM_STEPS=1-8,39-43 freshly seeded: ALL PASSED, 376 checks.
- Three counter-probes bite: Move ignores the tile surface (2 fail),
Rapier ignores it (1 fails), frame shape falls back to a box
(5 fail).
- Check sum 1198 is computed (1195 + 3), the full run belongs to CI.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Stages 1 and 2 gave the asset a model and a picture, but the only way
to put a shape into it was a test calling mutate. The tab closes that
gap: what you draw there is what the sprite in the scene carries, with
no extra step, because the fingerprint changes and the picture registry
of #185 redraws.
- The tab has a header with Select, Pen, Grid and Fit, a chequerboard
behind the canvas and the canvas itself as a frame. It paints with
the same commands as the rasterizer, paintDrawing being exported
from viewport/vectorArtPicture.ts for it, so the tab cannot drift
away from the picture.
- Pen sets points on a click and pulls the handles out on a drag, both
of them mirrored; a click on the first point closes the ring and Esc
ends an open line.
- Select drags a point, a handle or a whole shape, a click on an edge
puts a point there, a double click takes one away, and Alt turns a
corner round and back. Delete removes the selected shape.
- The rules grew inside polygonEdit.ts instead of a second module, as
the plan says, so a collider polygon and a frame outline get the
same behaviour where it applies.
- A point on a curved edge splits the curve by de Casteljau instead of
cutting it: both halves together draw exactly what was there before.
- A curved edge is walked instead of measured over its chord, or a
click on the bow of a curve would grab nothing; the same walk carries
the test for the inside of a ring.
- One gesture is one undo step. The preview writes the model directly
and the old state is put back on release before the command runs,
which is the pattern the frame outlines of #141 already use.
- state.ts gained a selection kind "shape". The inspector shows the
rows of the asset for it, the shape list with colour, opacity and
stroke being stage 4.
One counter-check was no counter-check: disabling the pen's closing
tolerance by multiplying it with 0 left the run green, and rightly so,
because the closing click lands on exactly the screen coordinate point
0 came from, so the distance is 0 and <= 0 is true. Only an
unsatisfiable condition really switched it off, and then 2 checks fail.
A second trap on the way: a false && in front of the guard breaks the
TS narrowing, npm run build bails out, and two runs went against the
old bundle.
Tests: check.sh 127 files, 1878 tests, EXIT 0 (was 126 / 1860).
Full e2e suite ALL PASSED - 1172 checks, module 47 alone 17 (was 10).
18 new unit tests in tests/editor/ring-edit.test.ts and 7 new e2e
checks in blocks 47c and 47d. Two counter-checks hold: no de
Casteljau fails 1 unit test, measuring a curve over its chord fails
another. Originals checked back with cmp and rebuilt.
Part (a) of the animation rework: model, commands, saving, runtime and nodes.
- AnimationAsset holds a root (sprite, text, container or scene) and rows; a row keys one
property of the root or of an object inside it, keys sit on whole frames.
- The last key decides the length (its frame counts as a frame of its own). The playhead runs
between frames, so numbers and colors blend every tick even at 10 fps; everything else holds.
- Playback gains `once-reset`, which puts back what was there before the start. A row can be
relative, adding to where its target stood.
- Play / Pause / Stop animation act on an object; each instance plays on its own, the later
start wins on a shared property, and a behavior writing the same property still writes last.
- A sprite no longer wears an animation through `texture`. "Create animation from texture"
builds a sprite plus a texture row keyed frame by frame instead.
- The Animation tab shows a placeholder until the timeline editor (part b) lands.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Refactoring round two: the particle and shader compilers share emitGraph.ts (cycle detection,
duplicate names, emit order) and keep only their rules. FontLibrary and TextureLibrary sit on
FileLibrary (base URL, loading/failed bookkeeping, listeners); SoundLibrary keeps its own
contract. The three Create*Command share ImportFileCommand, the three renames share
RenameCommand - class names stay. bandBounds() in framing.ts and portNameField() in
portSection.ts replace in-file clones, and three comments that told history now state the rule.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
A sliced frame drew its borders one source pixel to one sprite unit. Pixel-art sheets are small:
a 16px corner on a 400-unit button is a thin line, and the only way around it was a larger image.
The texture now carries `Nine-slice scale` (default 1), next to `Filter`. It sets how many sprite
units one border pixel takes, for every sliced frame of that texture. The UVs stay as they are -
a corner shows the same pixels, only larger or smaller. When the sprite is too small for both
borders they are still scaled down together, now starting from the scaled size. With `Repeat`
the tile size scales too, otherwise a doubled border would sit beside a pattern of the old size.
The value is a schema row, so inspector field, saving and undo come without their own code.
Anything that is not a size above 0 reads as 1, and documents without it draw as before.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Refactoring round one: HttpFontStore/HttpSoundStore/HttpTextureStore collapse into a generic
HttpFileStore over a FileStore contract; fontImport/soundImport/textureImport share assetImport
with an ImportKind per sort; ImagePicker/FontPicker/SoundPicker sit on FilePicker and describe
only their row. The group/comment drag logic leaves GraphCanvas for annotationDrag.ts (with its
own unit test), declaredRows.ts replaces the duplicated row build in particles.ts and shaders.ts,
and dead code in font/sound/compile/emission/transform/actions is gone. README: asset list,
check count 958, the two-job CI, the Scenes wiki page.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
TextureFrame carries optional `border` (left/right/top/bottom) and
`fill` (stretch | repeat); absent keys mean "not sliced", so no format
bump and undo restores the plain frame instead of four zeroes.
The sliced sprite builds its own geometry instead of the shared
UNIT_QUAD: a 4x4 grid, and for `repeat` one quad per tile carrying the
frame cell's real UVs -- tiling in the geometry, not in the sampler, so
a frame out of a sheet cannot pull its neighbour in. Above 64 tiles per
axis it stretches, to bound the buffer.
A sprite narrower than left+right scales both borders down together
until the middle is exactly 0, so the corners meet at a seam and never
overlap.
The texture editor gets four draggable border lines plus the same four
numbers in the inspector. Hit order is resize handles, then the lines,
then the frame body -- handleAt reports 'move' anywhere inside a frame,
so lines placed after it were unreachable.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Load scene sets a flag on the World like Stop and Restart do; the swap
happens after the tick, and the last wish of a tick wins. Exactly one
thing crosses over: the SharedState, so global variables and global
machines keep what they know while everything local is built anew.
Loading the scene that is already running rebuilds it, which is what
"reset the level" means when the score must survive.
A run starts either from the start scene (a new project field, set from
the asset panel and marked with an arrow in the list) or from whatever
scene is open. The toggle next to Play says which question is asked and
remembers the answer in localStorage: it is a way of working, not part
of the game.
Sounds no longer end because a scene ends. A voice belongs to the
behavior that started it and stops right after On destroy, so the scene
swap is no longer a special case at all. For the enemy that plays its
explosion and destroys itself in the same breath there is now a
detached input on Play sound.
The scene selector stays usable while a run plays, because a double
click in the asset panel already did the same thing unguarded. It moves
what the editor looks at, not what the run plays.
Sounds follow the road fonts already paved: the file goes to the server
content-addressed under its sha256, the project keeps a named asset that
points at it, and nothing is ever re-encoded. The format is read from the
file's own signature, not from what the browser claims - the same .m4a
arrives as audio/mp4, audio/x-m4a or as nothing at all.
Playing is two nodes. "Play sound" takes the asset and may raise or lower
its volume; every call is its own voice, so two jumps in a row are two
jumps heard. Its loop input is a choice of three - from the asset, on,
off - because a checkbox has to spend one of its two positions on "not
set" and would lose a case: an asset that loops could then never be
played once.
Below the graph core stays browser-free: NodeContext hands out an asset
id, BehaviorSystem resolves it against the project and folds the asset's
own volume and loop into the call, and only viewport/SoundLibrary knows
about Web Audio. A run without a sink plays nothing instead of throwing.
The CI browser is muted, so the ear is no witness: the debug hook counts
started and stopped voices, and step 34 reads that counter.
A particle source can wear a shader asset the way a sprite does, and it is the
cheapest place in the editor to wear one: a shaded sprite gives up its batch and
costs a draw call of its own, while `ParticleContainerPipe` breaks the batch for
every field regardless. Five hundred shaded particles are the one call five
hundred plain ones were.
The fragment the compiler emits needed no change, only a second vertex stage:
Pixi's particle vertex is GLSL ES 1.00 and ours is ES 3.00, so it is translated
rather than invented. What it sees is a particle's picture, not its life — the
buffer carries five fixed attributes and takes no sixth, so age, index and seed
stay on the graph, which is what the graph is for.
Two things the issue did not ask about:
`Shader.resources` is an accessor over the names its constructor declared, so a
slot that is not declared becomes a loose JS property and is never bound. The
adaptor writes `uTranslationMatrix` into whichever shader the container names —
without an empty block for it the vertex gets no matrix and the particles land
elsewhere.
`schemaOf` in serialize.ts hung on `schema !== schemaFor('sprite')`, an identity
check a source never satisfies, so its shader values would have been dropped on
save.
A source is the one asset drawing rows from two graphs, so a name can arrive
twice. Its own row wins and the uniform keeps its default; nothing is rejected
on the shader's side, because the collision exists only at this one wearer.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Particle age and shader time each read performance.now() off their own
library, and the world got the frame's delta straight from the ticker. Three
clocks, so a global time scale would have been three multiplications and a
pause three separate freezes.
core/time.ts holds one clock instead: it accumulates dt x scale per frame
rather than reading the wall clock, and Editor.tick hands the very step it
took to the play session, the editor run and the animation preview. Delta
time, particle age, shader time and that preview are the same quantity now,
so the scale is a single multiplication and a pause is that scale at 0 —
nothing underneath needs rebasing, because the clock itself stands still.
The Math.min(dt, 0.1) caps in PlaySession and EditorRun are gone: the cap
(MAX_FRAME) now sits on the raw frame before scaling, and capping twice would
make the world run slower than the particles at scale 2.
A pause gates the scale rather than overwriting it — effectiveScale() answers
0 while paused, and for anything that is not a positive finite number, while
gameClock.scale keeps its value. A slider later survives a pause that way;
the issue asks for none yet.
The clock goes back to zero at both ends of a run, so a run is reproducible
from second 0 and the scene view looks freshly loaded after Stop. Resetting
only on Stop would not do it: the editor clock runs on afterwards, and the
next Play would start at "seconds since the last Stop".
The trap in that: ParticleField keeps its origin as an absolute second of
this clock, so after a reset it lies in the future and every particle would
age backwards. One line in sync() starts such a field over, which covers the
scene, the game and the tab preview at once — and fixes an older bug of the
same shape, where releasing a particleTime() freeze left the preview empty
for good.
Found while measuring that: ParticlePreview stood at second 0.5 by computing
the clock reading that would mean 0.5 since the field started. Over 200000
random origins the round trip misses the last bit in 18.8% of them and shows
one particle too few in 9.4%, because floor(0.5 * 20) comes out 9. The check
had been flaky since it was written. The panel hands the field the age itself
now (ParticleField.hold), and the faked clock is gone.
833 checks (824 + 9), 931 unit tests (921 + 10).
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Behavior and Container draw an icon because isSymbolType() is true for them,
but that predicate does not mean "draws an icon" — it means "is editor
decoration". Four places read it that way: collectWorldItems, GameViewport.
collectFrame and syncDrawOrder all drop symbols out of the running world and
the game picture, and placementOf() gives them an upright unscaled box.
Listing 'particles' there would have handed the source an icon and taken away
its particles, in the scene view as well as in the game.
So the two questions are two functions now. hasSceneIcon() says a type draws
an icon; isSymbolType() keeps meaning decoration. The icon itself is a
SceneViewport decoration, which is editor-only for free because GameViewport
never syncs decorations.
A ring (r 10, #c26a1f) with four sparks, upright and unscaled like the other
symbols, its middle left open — unlike Behavior and Container a source draws
something of its own, and the field is densest exactly there. The name sits
beside it and a dashed line runs to the parent, same colour.
Found while writing the tests: the source's grab box scaled with its transform
while the icon did not, so the two came apart. placementOf() returns only the
translation for 'particles', making the box the upright 24 x 24 that covers
its icon. The source's own transform still feeds every particle untouched.
824 checks (821 + 3).
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Speed and Prewarm are not state and not a second loop: both are arithmetic
on the clock argument the field already passes to every particle formula.
fieldTime = elapsed * timeScale + prewarmOffset, a pure rule next to
liveRange, called at the one place ParticleField.sync forms its time, so
preview and world inherit it together.
Prewarm offsets by one lifetime because that is the smallest offset which
fills a continuous emitter; a burst is dead at time >= lifetime, so the
same offset would skip it entirely and it is suppressed there.
The tab's slider counts wall-clock seconds, so its span divides by the
scale. A missing row falls back to 1 / off, so old project files need no
migration.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Three reports plus one found on the way.
Hold only froze the *picture*: the preview computed a fake second while drawing,
the library clock kept counting underneath, so letting go jumped to "how much
would have passed by now". That is the flip side of the formula model — a thing
that is a function of the clock is not stopped, its origin is moved.
ParticleField.rebase() does that; hold(null) calls it with the second stood at.
The Hold label now mirrors the preview's state instead of its own click history,
so dragging the slider (which holds too) reads `Run`, and Restart puts a held
preview back to 0.00 s rather than leaving it on the second it stopped at.
previewProps only read defaultsFor('particles'), so the panel showed the type's
defaults while the inspector showed the asset's rows. AssetBase.props is a full
bag on a graph asset as well — asset.props now lie over the defaults, the
asset's texture is resolved instead of always drawing a white square, and the
slider's span follows its lifetime. The span is re-read in tick(), because the
rows are edited in the inspector and the tab hears nothing about it.
The preview moves from under the graph to beside it, past a draggable splitter:
a graph is read across, so width is what it can spare and height is not.
AssetTabEditor grows a body() hook for that — the base class still stacks header,
strip and canvas, a subclass may put something next to the canvas.
Found by the full run, not reported: the graph canvas's empty-state hint ran
38 px past its frame now that the preview takes 280 px away. It is cut with
truncate() like any other label.
816 checks (809 + 7).
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The asset type `particles` is placeable and carries a graph at the same time —
`behavior` was the blueprint. Because a continuous emitter gives birth to particle n
at time n/rate, the whole field is a function of the clock rather than of the frames:
no ring-buffer bookkeeping, exact time jumps, reproducibility as a measurable property.
compile.ts follows compileShader's frame but emits JS closures into a Float64Array
instead of GLSL, and without eval; a node with two consumers is evaluated once.
Drawing is one Pixi ParticleContainer per source, so one draw call.
Collision, wind and braking in flight are out for good — that is the price of the
formula model, not an omission.
The tab count goes from nine to ten, which is exactly the case #84 was built for one
day earlier: at 1280 px the row no longer holds every tab, so guard 14b now asks for
hidden.length > 0 instead of === 0.
The default of the Edge param and the address mode the shared sheet physically
carries were the same constant; changing the value would have turned every
sentinel with it and given each shader sprite a full copy of its texture.
SHEET_EDGE ('mirror', what TextureLibrary uploads) is now separate from
DEFAULT_EDGE ('clamp'). A graph whose Sample reads nothing but its own pixel
draws with the plain sheet whatever the Edge says, so the common shader costs
no second copy.
Without a shader the quad's coordinates never leave 0..1, and mirror-repeat
reads like clamp within a texel - so clamp is what a sprite shows anyway.
A font asset holds a file and nothing else, the twin of a texture: the server keeps it
content-addressed under data/fonts/{sha256}.{ext}, with the format read from the file's own
four-byte signature (finfo reports fonts inconsistently across libmagic versions). A text
wears one through its ordinary Font property, so overrides, reset, undo and the Properties
node come for free; no font means the editor's own typeface.
The picker lists everything the server holds and renders each row in the face it offers.
The family name is gm-font-<hash16>, never the name inside the file, so two "Regular" cannot
collide. WorldViewport.syncText is the single place that draws it, which covers scene, game
preview and play at once.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
shaderFingerprint(graph) covers node id/type/params/ports and edge endpoints only;
x/y, collapsed, folded and edge ids stay out. ShaderLibrary keys on it and counts
compiles (__gm.shaderCompiles()). Measured before: one compile per preview step of a
node drag (12 for a harness drag); after: 0, a param change exactly +1.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Four new rows on sprite, text, collider and container (block TRANSFORM):
scale, rotation in degrees clockwise, mirrorX, mirrorY. As properties they
get override/reset/apply, loading of old projects, write-back after play and
the Properties node for free; camera and behavior have none.
The hierarchy composes T*R*S per level (composeAlongChain replaces
sumAlongChain), so children rotate and scale with their parent. Reparenting
and grouping keep the look (carriedTransform). Drawing goes through
placeNode, the gizmo is a polygon, cull and objectRect use the AABB, drags
are computed in the parent's system.
Colliders are oriented boxes: SAT for box/box, box-circle in the box frame;
exitDistance replaces axisSeparation/axisCorrection, moveAndSlide moves along
the object's own axes.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Fragment-side coordinate nodes instead of vertex nodes: the quad stays the
quad, a UV read plus a sample at a computed coordinate covers flip, scroll,
wave, pixelate and scanlines. Time is a uniform only when a Time node reaches
the Output; a viewport that drew a Time shader redraws from the ticker so the
Scene tab animates without a running world. Edge (Mirror/Repeat/Clamp) is a
second texture variant in TextureLibrary because WebGL binds no TextureStyle
resource of the shader. The compiler now emits #version 300 es first: Pixi
only compiles as ES 3.00 when the fragment says so, and textureSize needs it.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
A sprite's picture is now a Mesh (unit quad, sibling of its Graphics node, which keeps
only the hit area); a worn shader replaces Pixi's fragment in that draw, so there is no
intermediate texture and no extra render pass. Measured on the HD 630: 400 shaded
sprites hold 60 fps (was 34), 800 hold 56 (was 20).
Two Pixi facts the code leans on: a mesh's texture is bound only for Pixi's own shader,
so GraphShader.wear hands it over; and MeshPipe caches whether a mesh batches and
re-checks it only in a frame without structure changes, so switching a shader on or
off calls mesh.unload().
The console panel mirrors console.group/groupCollapsed/groupEnd and fills the %s %d
%o %c directives, so Pixi's deprecation warning shows its head, not only its stack.
E2E 12 guards against the addChild-on-Graphics warning, 28 counts shaders instead of
filters.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
A frame drawn straight from the sheet showed a hairline of the neighbouring
cell along any edge that fell inside a screen pixel: with antialias on, a
partly covered pixel is still evaluated at its centre, past the edge. On top
of that Pixi rewrites a Graphics fill texture from clamp-to-edge to repeat at
draw time (generateTextureFillMatrix.mjs), so the top row of a sheet read its
bottom row.
TextureLibrary.get(ref) now cuts the rectangle out of the loaded sheet with an
OffscreenCanvas on first use and uploads the cut (key file|x,y,w,h, kept for
the session). Address mode is mirror-repeat: Pixi only rewrites clamp-to-edge,
and within a texel of the border mirror behaves like clamp, for linear as well
as nearest. Loaded sheets get it too, since whole pictures wrapped at their own
borders the same way. viewport/textureFill.ts and its test are gone.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
A shader is an asset carrying a node graph (Texture color, Output, Property,
Color, Add/Subtract/Multiply/Divide, Mix, Luminance) that compiles to the GLSL
fragment of a Pixi filter. The Shader tab reuses the Behavior canvas; a sprite
wears a shader through its Shader picker, and the rows below it are the
graph's Property nodes. Property schema, resolution and deviation take the
project because a sprite's rows now live in another asset. The built-in
registry of the prototype is gone; "Adjust colors" ships as a graph in the
fixture and the three example games.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
An animation asset is a list of pictures (whole textures or frames) with
frames per second and Loop/Once/Ping-pong playback. A sprite wears it
through its texture property, so the picker, instance overrides and the
Properties node work unchanged; there is no dedicated play node.
A different animation starts from its first frame, the same one set again
runs on, so a graph may choose Run or Idle every frame. The clock lives on
the entity, not in props, which the world writes back as overrides. The
AnimationSystem ticks before behaviors, and On animation finished fires
once when a Once animation reaches its end.
The Animation tab plays a preview above a frame strip: reorder by dragging,
Delete, duplicate, + Frames, pause/resume, and wheel zoom about the pointer
with pan and Fit. Scene and Container tabs show the first frame; edit mode
has no clock. Right-clicking a texture creates an animation from its frames.
Button now measures its label with the bold font it draws in, which cut
the Animation tab and red dialog buttons short.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
A reference search over every export and method in src/ found code that
only tests still called, or that was never called at all:
- RemoveSceneObjectCommand: the product only removes through the
multi-object command; the tests now use that one too.
- NodeRegistry.requireNodeDef: a second function of the same name in
commands/require.ts raises a CommandError instead of throwing, and is
the one the product uses. The twin invited the wrong import.
- isTextureAsset, listContainers, AssetTabEditor.show,
FocusManager.destroy, KeyboardBridge.selectAll and the getters
ColorField.value, ListView.selected, NumberField.number.
Also: Theme.controlActive now matches the resting control colour, and a
new note asks what editing the graph during play would take.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Split GraphCanvas (1076 -> 831 lines) into EdgeLayer and graphMenus;
the port and marker menus were the same list and are now one function.
Value specs of the inspector and the list tab share valueSpecs.ts, and
the remaining copies (compound commands, type glyphs, typed asset
lookup, name rule, play/editor world setup, marquee) are merged.
Four copies had already drifted apart; merging them fixes:
- "Disconnect N links" in the port menu is one undo step, not N
- "+ Add collider" is hidden on a placed container instance, as in
the hierarchy menu, instead of always failing
- a bool property coerced from the text "false" becomes false
- a port command on an unknown node type reports instead of crashing
Comment-only edits leave the bundle byte-identical. README corrected in
35 places (step limit, jump-run clock, suite duration, 409 body, ...).
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
src/viewport/ held three classes only src/editor/ ever used, and framing.ts sat
under graph/ although the scene view wants the same bounds sum. The graph, the
texture and the container tab repeated the same header, subscription and
disposal code with two silent divergences: the graph tab said "nothing shown"
with null instead of '', and the texture tab refell back to the first asset on
a selection change but not on a project event.
These arrive together because GraphCanvas ties them: it reads framing from its
new home, hands its fold marks to folding.ts, and its '' change is what
GraphEditor must agree with.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Pause is a sub-state of play, not a third mode: the toolbar button and
Ctrl+Enter stop ticking the world, the clock included. A held frame still
drops the input edges, so resuming does not fire a pause worth of keys in
one go.
The editor run missed the case it is most wanted for. hasEditorRun only
looked at the stored scene objects, so a behavior inside a placed
container never started one; the world now builds from resolveObjects and
writes back through objectRef, keeping the move as an instance edit
instead of baking the instance out.
Keys and clicks go to the run while the Game tab is on screen, where no
key means anything to the editor, and are handed back on leaving it -
held keys released, so nothing keeps walking unpressed.
The game tab held a "Press Play" hint where the picture belongs. It now
previews the scene through the active camera, and says "No active camera"
when none is switched on.
Camera choice and its world position moved into activeCamera.ts so both
are testable without Pixi. Entity.x/.y are parent-relative; the viewport
used them as the camera's spot, which framed a parented camera at the
wrong place.
The game view took whatever camera came first in the scene, ignoring the
switch, so `enabled = false` on a camera did nothing and a second camera
never got its turn. `World.activeCamera()` now decides: of the cameras
switched on – the whole parent chain counted, as for any object – the
first in hierarchy order, and none on renders nothing at all. It is asked
per frame, so a graph switching cameras hands the view over immediately.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
"+ → Texture" opened the machine's file dialog, so a picture that was uploaded once
but lost its asset – an undone import, a deleted asset – was unreachable from the
editor while still sitting on the server. Nothing collects those files, by design.
It now opens a grid of every picture the server holds, with thumbnails: pick one and
"Use image" makes a texture asset on that file, "Upload…" is the way in for bytes the
server does not have yet and lands in the same import as a drop. A tile captioned with
an asset name is one this project already wears – picking it selects that asset instead
of making a second one, since two assets on one file would fight over `filter`.
- `GET ?r=textures` now reports `width`/`height`; a texture asset holds the pixel size,
and reading it off the GPU texture would tie the asset's correctness to load timing.
- `TextureLibrary.load(file)` loads without touching `scaleMode` – a thumbnail must not
restage the filter of a picture the scene is drawing with.
- The grid geometry lives in `texture/imageGrid.ts` as pure functions; inside the widget
no test could reach it.
- The part after an upload is now one function shared by the drop import and the picker,
so "one file = one asset" is stated in a single place.
12 new E2E checks; the strongest one undoes an import, leaving the file on the server
with no asset naming it, and picks exactly that file back out of the dialog.
Chasing the flaky pixel-art check needs to tell two things apart that
look identical in a screenshot: a scale mode the model never changed,
and one that changed but never reached the sampler. Only the driver can
answer the second, so `__gm.textureFilter(file)` returns the model's
scaleMode next to `gl.getTexParameter` on the uploaded texture.
It binds through `renderer.texture.bindSource` rather than a raw
`bindTexture`, so measuring does not corrupt Pixi's idea of what is
bound and become a source of flakiness itself. `TextureLibrary.peek`
looks a picture up without starting a load or touching its scale mode,
which `get` would do.
Sixty measurements later the filter path is cleared: model and driver
agreed every time, across repeated switches, after the full module
run-up, and through a forced context loss. The instrument stays; the
note in todo-notes/flaky-pixel-art-filter.md stays open.
An instance edit was dropped as soon as its value matched the template
object. With nested containers the template is not what the value falls
back to: the outer container holds an edit for the object below it, and
that one wins. If the inner template happened to carry the same value the
user typed, the edit was thrown away and the value jumped to whatever the
container in between says.
Reported against the Jump-and-Run project: a coin narrowed to 8 inside
"level", then set back to the sprite's own 24 in the scene, snapped back
to 8. Reproduced through the inspector before touching anything.
InstanceTarget now offers `base`: the template with the edits of every
container in between woven in. Everything that judges deviation uses it -
setOverride/setName/setPosition, both Revert commands, and the gold marks
in the inspector. Writing still goes into the real template, which is
where "apply to container" belongs.
`base` is built on every read. Apply writes into the template and then
asks whether the edit still deviates, so a base captured beforehand would
answer for the template as it was - the e2e suite caught exactly that.
Also in here, because it corrects the commit before it: placing an asset
by double-clicking its row is gone, as asked for in asset-doppelklick.md.
Dragging is the only way to place now. That took AssetPanel.place, the
PlacementTarget interface, Editor.placementTarget and the two worldCenter()
methods that existed only to feed it. A double-click on a scene asset still
makes it the active scene.
The context menu entry is gone; dragging replaces it entirely. The drop
target is the view under the pointer, not the active tab, so the same
gesture works for scenes and for container templates.
While dragging, an outline shows the footprint the object will have plus
a crosshair on its origin, turning red when the drop would be refused.
Preview and command share one function (placementRejection), so the
outline cannot promise something the drop then rejects.
A left-press used to select the list row immediately. Since the container
tab follows the selection, it switched to the very container being dragged
and every drop would have nested it inside itself. The list now selects on
release without a drag: picking something up is not the same as choosing it.
adminandClaude Opus 5