8f9c250eb6d1345b48f27f571ff6caf8b2df4cd1
136
Commits
| Author | SHA1 | Message | Date | |
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  adminandClaude Opus 5.5
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8f9c250eb6 |
Lay patterns and sounds out on tracks and play them as a song #334
Patterns could only be heard one at a time, in their own tab or from a behavior. A song lays patterns and sounds out on tracks along one time axis and plays them through the scheduler of #332, the third piece of the music tools of #330. - New asset type song under the heading Songs, with four empty tracks, 120 BPM in 4/4 and a grid of a bar. Tempo, meter and grid are rows in the inspector. Tracks, items and the loop are the asset's data, held to their rules on load and in every command. - A track has a name, volume, pan, mute and solo. Each is heard on a bus of its own, so a change reaches what is sounding at once. - A pattern item repeats its pattern for as long as it is, with a transpose and another instrument if wanted. A sound item plays its sound as a clip at its own speed, round and round, through a sound FX if wanted. Both have a volume on top of their track's. - Cut back at the left end or split, an item starts as far into what it plays as the cut is: ticks into a pattern, seconds into a sound. - The tab shows the heads with M, S, volume and pan, the ruler of the Pattern tab and the items, a pattern with its notes, a sound with its waveform, a missing asset red. Patterns and sounds are dragged in from the Assets panel. Body, right and left end move, lengthen and cut back, Alt leaves the grid. Ctrl+C/V/D/A, Ctrl+E splits where playing starts, Delete, arrows. A double-click opens a pattern item in its tab. - What is picked is a new selection of its own, so the inspector shows the item or the track, with a button to delete it. - The scheduler plans clips beside notes. Where the playhead starts or jumps back inside a clip, it is taken up that far into its sound. A clip fades out at the end of its item or of the loop. - The editor plays one piece at a time: a pattern started stops the song and the other way round. - The rules are pure functions in core/music/song, editor/song/ songView and songEdit. Findings: - The suites of |
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adminandClaude Opus 5.5
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2a3b90b017 |
Play and stop a pattern from a behavior in the game #336
A pattern could only be heard in its tab. Songs come with #334, and only then can #336 play them in a game. Until then a game plays a single pattern, looped or once, through two new nodes. - Play pattern plays the whole pattern through its instrument at its own tempo. The loop on the ruler is only for editing. Inputs are pattern, volume, loop (on by default) and detached. It gives out playback, 0 where there is no instrument or no note. - Stop pattern stops one pattern, every pattern for none, or one playback by its number. Let ring lets notes with an Envelope fall away in their release. - A playing is numbered and owned like a voice. Destroying the object, Stop sound with nothing named and the end of the run stop it. Stop sound with a voice takes a playback too. - Each playing runs on a scheduler of its own (core/music/playbacks). It waits for its files first, and a stop that came earlier wins. - The scheduler has an end for a sequence that does not loop. It stops waking there and is done once its last notes are. - The worker clock moved to viewport/wake.ts, so SoundLibrary can use it without importing music.ts. Tests: - pattern-play.test.ts (new): 8 tests, node catalog +7 cases - e2e 64 (melektaus-atx): ALL PASSED, 23 checks (+3) - Gate (melektaus-atx): CHECK EXIT 0, 248 files, 3854 tests - Counter-checks: no end in the scheduler, and no owner for the playing, each fail 1 test Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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4ea752feef |
Draw notes for an instrument in a piano roll and loop them #333
Notes could only be played one at a time, by a key or a behavior. A pattern is a stretch of notes for one instrument, drawn in a piano roll and played in time through the scheduler of #332. Songs (#334) will lay patterns out on tracks. - New asset type pattern under the heading Patterns. Instruments are listed under Instruments now, since a heading is one per type. - Notes are a start and a length in ticks, a note number and a velocity, kept to their rules on load and in every command. The instrument, the length in bars, the grid, the meter and the tempo are rows in the inspector. The loop is the asset's own data, the whole pattern while none is set. - Grids from 1/1 to 1/32 and the triplets 1/4T to 1/32T, all whole ticks. The meter only moves the bar lines, the notes stay put. - The tab shows the keys down the left, a ruler with bars, beats, loop and start along the top, the notes between them and a velocity lane below. Keys the instrument plays nothing for are grey, the names of a drum kit stand on its keys. - A click draws a note on the grid line before the pointer, as long as the last one drawn or lengthened and as hard as the last velocity set. The body moves a note, the right end lengthens it, Alt leaves the grid. A drag on empty grid picks with a band, Shift adds, a right-click deletes. - Keys: Space plays, Delete, Ctrl+C/V/D/A, the arrows by a semitone or a grid step and with Shift by an octave or a bar. A paste lands where playing starts. Every gesture is one undo step. - A click on the ruler sets where playing starts, a drag the loop or one of its ends, its menu loops a bar or the whole pattern. - The wheel scrolls, Shift across, on the ruler or with Alt it zooms. Ctrl+wheel stays with the browser, Pixi listens passively. - Play runs the loop through the scheduler. An edit goes to it on the next window without a restart, a new loop or tempo counts from what is planned. Another pattern shown or a project opened stops it. - The time axis and the ruler are their own pieces in editor/music for the song tab. The rules of the roll are pure functions in rollView and rollEdit. Findings: - Music.play could start after a stop that came while it was still loading its files. A run counter makes the late start give up. Music.edit now loads what a new note needs as well. - A click on an end of the loop would have set the loop again. A press there only moves the end once it is dragged. Tests: - pattern.test.ts (new, 9) and piano-roll.test.ts (new, 16): model, grids, meter, held notes, sequence, commands, loop, round trip, drum names, time lines, rows, hits, bands, lane, edit rules. - e2e 64 (new) on melektaus-atx: ALL PASSED, 20 checks. e2e 4 with 29 asset types: ALL PASSED, 62 checks. - Gate on melektaus-atx: CHECK EXIT 0, 247 test files, 3839 tests. - Counter-checks: the move without its clamp, the sequence without the end of the pattern, the duplicate offset without whole grid steps each fail 1 test. Without passing edits to the scheduler the e2e check for a note drawn while playing fails, the rest passes. - Probe on stein2: the tab with a drum kit, before and while playing, looked at in two screenshots. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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9c71eb1a0d |
Shape notes with an Envelope and move numbers with its curve #335
Without an envelope a note set in hard and broke off 10 ms after its end. An instrument now has an Envelope node with attack, decay, sustain and release. On the way of the sound it is the volume. Its output "value" moves a number of the note with the same curve, from "From" to "To", for a filter sweep among others. A new Filter node gives that sweep something to move. - Envelope (instrument only): attack a straight line, decay and release ease out and are 60 dB of the way at their time. A release takes 10 ms at least. Defaults 0.005 / 0.1 / 1 / 0.1. - The end of a note goes to the Envelope instead of the 10 ms fade. A Gate or Loop Sample under it plays on through the release, "Loop, then release" leaves its loop too, and the voice ends with the release. A One-shot under an Envelope of its own plays through. - A note ending before attack and decay releases from the level it has reached. Chrome holds it with cancelAndHoldAtTime, Firefox gets the level worked out from the shape. - New port type "envelope" (coral). It fits only a number input that says it can follow one (PortDef.followsEnvelope): Filter cutoff and resonance, Pitch, Gain, the EQ bands and Mix. Not the Delay, not the Envelope's own numbers. portsMeet() decides it for ConnectCommand, the drag and the drawn edges. - On the audio thread every Envelope of a note is one ConstantSourceNode. A number it moves gets the curve through a WaveShaper, in equal ratios for a cutoff and a gain. A number an Envelope moves is no longer reached by a parameter. - Filter (sound FX and instrument): low-, high- or band-pass, cutoff in Hz, resonance 0 to 1 as a Q. A low- or high-pass is flat at 0 and rises 20 dB at 1, a band-pass goes from Q 0.7 to 20. - Stop sound with "let ring" lets a note with an Envelope fall away in its release. Without it, and with Stop in the tab, it is cut. - The same note again during a release is a voice of its own. - The Envelope's numbers are set when the note starts. They can come from velocity or a parameter, later changes do not bend the note. Tests: - envelope.test.ts (new, 12): curve, ratios, Filter Q, compiling an Envelope, its value into each number, a Delay refused - sound-library +7: attack and decay on the clock, release from the level reached, One-shot held, Stop sound with and without let ring, a cutoff and a pitch moved by the curve - e2e 34: ALL PASSED, 50 checks (+2). Offline in Chrome the curve rendered 0.5 / 1 / 0.5005 at 0.05 / 0.1 / 0.3 s, released at 0.5 s it was 0.0158 at 0.65 s and 0.0005 at 0.8 s, released mid-attack it fell from 0.5 to 0.05 in 0.1 s. A Gain moved 0.25 to 1 was 0.5 halfway. A looped note of 0.2 s with a release of 1 s was gone after 1.32 s. - Five counter-checks (release end, One-shot hold, the follows check, ratios, pitch sum) failed 3, 1, 1, 2 and 2 tests. - Gate on melektaus-atx: CHECK EXIT 0, 245 files, 3812 tests Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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fb4d65a2ab |
Keep both sounds full at the middle of a Mix with a curve #331
A Mix crossfaded: at 0.5 each sound was at half. Layering two sounds in an instrument now goes through a Mix ( |
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adminandClaude Opus 5.5
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23bdc3f775 |
Play notes in time on the audio clock with a scheduler #332
Patterns and songs (#333, #334) have to play sample-accurate in time,
whatever the frame rate does. What is counted in game time runs away
from the sound. This lays the ground: musical time, a scheduler that
plans notes ahead on the audio clock, and a player that starts and ends
a note at a given second. Nothing in the editor plays a sequence yet,
the check scripts drive it through `__gm.music`.
- Ticks, 480 to the quarter as in MIDI files (decided in #332).
Triplets and quintuplets land on whole ticks. Any meter, a beat being
the note value under the line. The tempo always counts quarters.
- `core/music/sequence.ts` is a pure rule: the notes starting in a
window of playing time. Across the end of a loop it looks into the
next round, so the seam has no gap. A note past the loop end ends
there. Windows are whole ticks, and the seam is stepped exactly, so
no rounding can drop the first note of a round.
- `core/music/Scheduler.ts` plans the next 100 ms every 25 ms through a
host, so it is tested with a clock of its own. The first note sounds
50 ms after the start. Changes to the sequence are heard from the
next window on. Stop and seek fade what it started. A new tempo or
loop counts from what is planned, and the playhead keeps its old
pace until the clock gets there.
- The position is the audio clock less `outputLatency`, as bar, beat
and tick.
- The beat comes from a Web Worker (`viewport/musicTimer.ts`), which
keeps its pace in a hidden tab.
- The sound library starts a note at `timing.at`: a buffer source by
`start(when)`, the pitch worklet by counting down inside the render
block it falls in. A note's end is set on the clock at once, its
fade to the sample. Leaving a loop still waits for the page.
- Delay synced to beats (decided in #332, noted from #327): a setting
`Sync` (Seconds / Beats), `time` then in quarter notes, held to the
2 s of the line. Play sound and Play note have an input `tempo`,
120 BPM where nothing is connected. A scheduled note carries the
tempo of its sequence.
- Swing is left for #333/#334, as decided.
Also fixes the red suite of
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adminandClaude Opus 5.5
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8a4e4a6762 |
Play sounds as notes of an instrument asset #331
A sound could only be played as it was, one at a time. An instrument
is a node graph that makes a note a sound: Notes nodes bring the note
in, Samples play sound assets for it, the effects of a sound FX shape
it and the Output sums the layers. Its tab plays it from a keyboard,
a behavior with Play note. It is what patterns and songs (#330) will
play.
- New asset type instrument, under the heading Music, not placeable.
A new one starts as Notes into a Sample into the Output.
- Notes are counted as MIDI does: 60 is C4, names like C#4, sharps
only, the lowest C-1. Notes has From and To, outputs any, note,
frequency and velocity, and with Single notes a trigger per note,
each with an optional name for a drum kit.
- New port type trigger, only into the trigger of a source. Inputs
can take any number of edges now (PortDef.many): a trigger, and
the Output, which plays everything into it side by side.
- Sample plays a sound asset. Follow note shifts it by note - root
through the pitch worklet of #317, so it keeps its length. Gate
fades it out at the end of the note, One-shot plays through. Loop
runs between Loop start and Loop end, also in the worklet.
- Parameters declares the instrument's own parameters with a
default. Sound FX sends the sound through a sound FX asset, its
parameters as inputs, the sound set in where its Input was.
- compileInstrument walks the graph once per note. A trigger is on
only for the notes it stands for, a silent source silences what it
alone feeds, a Mix with a silent side is the other side. velocity
and the parameters stay open for the voice. Builds are cached per
note until the graph or a sound or FX it names changes.
- The player takes a note as one voice of several layers, each way
with its own file and volume. release fades the gated ways out,
one-shots play on. playNote can release after a duration.
- Play note plays one note with velocity, volume, duration and
detached, and hands out voice for Set sound FX parameters and
Stop sound. Velocity is always loudness. Instrument parameters
picks values for the instrument's parameters like Sound FX
parameters does for an FX, renames follow.
- The tab has the graph, a header field per parameter, Stop, and
128 keys below. Keys without sound are grey. A key plays while it
is held. Focused, the computer keyboard plays as in a tracker by
KeyboardEvent.code, the arrows move the octave.
Findings:
- A label of the keys set fill on the shared small text style and
darkened every small label of the editor. Caught in a screenshot
before the commit, the keys have a style of their own now.
- Suite task 523 on
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adminandClaude Opus 5.5
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cf6799a784 |
Let echoes ring on with a Delay node in sound FX #324 #327
A voice used to end the moment its sources did, and Stop sound cut it dead. An echo has to outlive its sound, and a stop must not click. - Delay node: a delay line with a damped feedback loop, added at mix next to the untouched sound. Time 0.01 to 2 s, feedback up to 0.95, damping 20 kHz to 500 Hz evenly in octaves, all fed by parameters and moved by Set sound FX parameters like any other number. - Ping-pong is a setting of the node. It takes the sound into the left of the line and swaps the sides every round. - A voice with an echo rings on for its tail: until the last echo is 60 dB below the sound, from time, feedback and mix (fxTailOf). It stays reachable meanwhile, and a change counts the tail again. - The end of a tail is timed on the audio clock with a silent ConstantSourceNode, so a paused run holds it. Then the voice is disconnected, since an echo is a loop of nodes. - Stop sound fades a voice out in 10 ms instead of cutting it. Let ring fades only its sources and keeps the voice for its echoes. Where the context is suspended it cuts at once. - Stop sound takes a voice. Connected, it stops only that play, and a 0 from a Play sound that played nothing stops nothing. - Play sound hands out tail: length plus the echoes at its start values. - Destroying a behavior and ending a run still cut, echoes included. - No limit on voices. The emit of a sound FX node now also gets the node's settings. Finding: in Chrome every round of a feedback loop comes one render quantum late (128 samples, 2.7 ms at 48 kHz), measured as 0, 128, 256, 384 for the first four echoes. Left so, since a browser without it would then hear the echoes early. Written in the wiki. Tests: - sound-library, soundfx, node-catalog, sounds, keep-on-scene-load: 489 tests green. New: fade on stop, cut while suspended, echo and ping-pong wiring, ringing until the tail, tail counted again, let ring, stop by voice, echo knobs, delay compile, tail sums. - Counter-checks: no tail, a stop without fade, a connected voice 0 read as unconnected. Each fails its tests, files back by cmp. - e2e 34 (melektaus-atx): ALL PASSED, 37 checks. A blip through a ping-pong Delay (0.3 s, 0.5, 0.5) rang 2.97 s, 2.95 s worked out. Let ring kept the voice, a stop after it cut it. Rendered offline with the player's own stageNodes the echoes are 0.25 left, 0.125 right, 0.063 left. 64 stereo voices of it took about 0.3 s for 2 s, so about 400 play at once. - Gate (melektaus-atx): CHECK EXIT 0, 242 test files, 3713 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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6e70421b92 |
Keep the length of a sound whatever its pitch does #317
A Pitch used to keep the length only for the pitch a voice started at. Set sound FX parameters changed it by speed, so a sweep made the sound longer or shorter, and length into time no longer spanned the sound. Now a way with a Pitch is played by an AudioWorklet, a phase vocoder whose pitch is an AudioParam in semitones. The length never changes, and a pitch glides, ramps and eases like a Gain. - PitchPlayer (core/soundfx) is the vocoder as a plain class, so it runs in a unit test. Frames of about 43 ms, four overlapping, a real FFT done as a complex one of half the size. - Peaks are moved with the bins around them (Laroche and Dolson's phase locking), and frames are turned by half their size so a phase is the one at the middle. Without both, a tone beat against itself and dipped to 0.54 of its loudness while the pitch moved. - It reads the sound itself rather than being fed it. It looks ahead as far as a frame reaches, so a voice starts with its first sample and every way of a Mix stays in step. A change of pitch is heard about half a frame (20 ms) late. - At exactly 0 a frame is the sound itself and costs next to nothing. Coming back to 0, the phases are pulled round to the sound's for about half a second before it switches, so the switch does not dip. - pitchWorklet (viewport) is the processor, bundled by Vite through ?worker&url. It is loaded with the first play that has a Pitch, which waits for it like for its bytes. A file's samples are sent with its first voice only and kept in the worklet's scope. - A way has the worklet when its plan has a Pitch, a typed-in 0 excepted (FxChain.shifted). A way without one stays a plain buffer source. Without AudioWorklet a Pitch is not heard, and the console says so. - The pitched copies (WSOLA, pitchShift.ts) and their cache are gone. - Decisions of the user: the player at the source rather than an effect in the chain, a phase vocoder rather than WSOLA, no limit on voices, no range tighter than the node's -64 to +64. - stats() says whether the worklet is there, levels() gives a pitch in semitones, and __gm.sound.pitchWorkletUrl() lets a check run it. Tests: - pitch-player.test.ts (new, replaces pitch-shift.test.ts): 11 tests. Pitches from -30.5 to +12 within 2 %, the length to the sample, 0 exact to 1e-5, a sweep half a frame behind, 8 kHz sounds, loops, ramps there and back without a dip. - sound-library.test.ts: 23 tests (+4), soundfx.test.ts: 31 (+1). - Counter-checks: no worklet in the player, shifted taken from the value, no pull back to 0. 15 tests fail, files restored by cmp. - e2e 34 on melektaus-atx: ALL PASSED, 34 checks (+1). In real Chrome the worklet is there and the pitch param glides to 3.0007. Offline: 880.0 Hz for 440 an octave up, 48000 of 48000 samples, a sweep 0 to -12 at 392 then 248 Hz, still 48000 samples. - Gate on melektaus-atx: 242 test files, 3690 tests, CHECK EXIT 0. - Cost: 53 ms per second of a stereo voice at +5 in Node on stein2, 5 ms at 0. In headless Chrome 16 voices for 2 s took 1.3 s, about 24 fill the audio thread. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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c7e9769f90 |
Change the sound FX parameters of a sound while it plays #315
Until now a value handed to a sound FX counted from the start of the voice only. An engine whose pitch follows the speed, or a loop that gets quieter, could not be built. Every play of Play sound now gives out the number of its voice, and a new node lets the knobs of that one voice glide to new values while it plays. - Play sound has a new output voice: the number of this one play, or 0 where nothing was played. Kept in a Number variable it reaches the voice from another event. Two plays of one sound are two voices. - New action node Set sound FX parameters (exec, voice, fx params). It reaches exactly the voice it is given, a detached one too. A voice that has ended, or voice 0, is not reached. - AudioSink.play returns the voice number and takes the plan and the values (FxVoice) instead of a finished chain. AudioSink.tune takes a voice number and new values. A name the voice's FX does not have is left out, one not given keeps its value. - SoundLibrary hands out the number at once, before the bytes are there, and never twice. A voice still waiting for its bytes starts with the values handed in meanwhile. - Every knob of a voice moves with setTargetAtTime (30 ms time constant). A knob whose value did not change is not sent again, so a tune every frame costs next to nothing. - A pitch on a playing voice glides by playbackRate. A new WSOLA copy in the middle of a sound is not worked out, so the voice gets shorter or longer while it is moved. On a loop that is not heard. - fxChainOf now gives a chain whose shape depends on the plan alone. A stage fed by a parameter stays at 0 dB, and a Mix fed by a parameter keeps both ways. A typed-in 0 or Mix at 0/1 is still left out by the compiler. - Every way of a voice has a source of its own, also at the same pitch, so each can glide on its own. The pitched copy is shared. - The tab keeps the numbers of what it plays, so moving a parameter field is heard at once. - Test hook __gm.sound.levels(file) reads the knobs of every voice of a file, oldest first, and stats() counts the voices tuned. Tests: - soundfx.test.ts: 29 tests (+2 for the node in a running world: the voice of the first of two plays of one sound, and a play that played nothing) - sound-library.test.ts: 15 tests (+3: glide, reach by number, pending voice) - node-catalog.test.ts: 370 tests (+2, Play sound checks its voice) - sounds + keep-on-scene-load: 31 tests, unchanged - Counter-test: a tune that reaches every voice of the same file makes the reach test fail. - e2e 34 (melektaus-atx): ALL PASSED - 30 checks (+1). In Chrome two looping voices of one sound start at depth 7. The one whose number sits in a variable glides to 0.7938 (2^(-4/12) = 0.7937), the other stays at 1. Both gains stay at 0.5012. - The gate ran before voices got a number (CHECK EXIT 0, 241 files, 3658 tests), not after. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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393b8ec7f9 |
Build your own easing curve and use it on keys and Lerp (#247)
The built-in eases cover the usual shapes, but a game often wants its own: a coin that bounces twice, a door that overshoots and settles. A new asset type holds such a curve, and keys and the Lerp node can pick it instead of a built-in ease. - New asset type "curve": points like in Vector art, x is t and y is the value. A new curve is the straight line from (0, 0) to (1, 1). - One pure evaluation in src/core/model/curve.ts serves the timeline preview, the running game and the Lerp node. - The curve always has one value per t. The end points stay at t 0 and 1, points cannot pass each other, and a handle that reaches past its neighbour is shortened along its direction. Loading a hand-edited file applies the same rules. - Curve tab: click on the line to insert a point that keeps the shape, click on free space to put one there, drag points and handles, double-click or Delete removes, Alt-click toggles round and sharp. Every step is one undo step. - Presets: all 30 built-in eases plus Linear, fitted with adaptive subdivision. Each stays within 0.4 % of the built-in ease. - Preview: a dot runs along the curve once a second, a second dot shows only the value. The Preview button stops it. - Animation keys get "Curve" under Easing with a curve picker. Lerp gets "Curve" under Ease, and its result may overshoot b. - A missing or unpicked curve runs linear. The inspector says so, the node shows it as a problem, and deleting a used curve warns with the number of keys and Lerp nodes. Tests: - ./check.sh: 180 files, 2612 tests, CHECK EXIT 0 - GM_STEPS=1-6,25,53: ALL PASSED, 309 checks - New e2e module 53 with 13 checks, all with the real mouse. Expected values come from its own Bezier evaluation. - Counter-checks bite: without Bezier evaluation 4 unit tests fail, without handle clamping 2. In the browser, a key that cannot find its curve, a click that sets no point and a handle drag that moves the point all turn checks red. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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30de4d35a8 |
Give the scene tab a header with Fit and the eye (#245)
The scene view had no header bar of its own, and its eye sat in the top bar. Switching between Scene and Game also showed two different pictures, since nothing tied the free view to the camera. - Theme.headerPadding (4) replaces Theme.padding in the top bar and in TabHeader, for the padding and for minHeight. Both bars shrink from 40 to 32 px. Nothing else uses the new value. - The new ScenePane wraps the scene view in a header bar with Fit and the visibility eye. The eye is gone from the top bar, which keeps the menu, undo and redo. - Fit with an active camera shows the world exactly as the Game tab does at its chosen step: the same zoom, and the camera centre on the same screen pixel. The rule is the pure freeViewOfCamera in viewport/view.ts, which also mirrors the letterbox snapping. - Fit without a camera frames all content on a whole step, as before. - New hook __gm.sceneHeaderAt(name). e2e 46g opens the eye there. - The doc comment above Theme.treeIndent went away in the working tree along with this. It is committed as found. Not checked: the two views only match while they have the same size. With the tilemap panel open the scene view is narrower, and Auto may pick a smaller step there. Tests: - ./check.sh: 178 files, 2575 tests, CHECK EXIT 0 - 2 new unit tests in view.test.ts: three cameras times four steps land on the same screen point as in the Game tab, Auto stays whole - e2e 3h (2 checks): a real click on Fit at Auto and at Fit, crate, camera frame and view box match in both tabs - GM_STEPS=1-3,46: ALL PASSED, 94 checks - Counter-probes: without the centre offset the unit test fails, with Fit ignoring the camera both 3h checks fail Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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ceaa44e5b8 |
Add roles and a user management tab for admins (#180, #179)
Until now every account could do the same, and managing accounts meant running make-user.php on the server. Accounts now carry a role, and admins get a tab in the editor to create, rename, re-role, reset and delete accounts. Both issues share the same server files, so they land in one commit. #180 Roles: - Every account is admin or user. A missing or unknown role counts as user, on the server and in the client. - auth/session and auth/login return {user, role}. - Auth::requireAdmin() answers everyone else with 403. - make-user.php takes the role as a third argument. Without it an existing account keeps its role, so a password reset from the CLI never demotes an admin. - Admins see and save other users' projects like their own. Saving keeps the original owner. #179 User management: - The account menu gets "User management" (admins only) and "Plugins" (everyone). Both open the same closable tab, accounts on top and plugins below. The fixed Plugins tab is gone. - Per account: Rename, Role, Password (no old password needed) and Delete with a confirmation. "New user..." creates one. - Each account lists its projects with an Open button. - Delete is refused while the account still owns projects. - Renaming moves the projects along and ends every session of the account. transfer takes the same lock as save. - On their own row an admin can only set the password. The last admin cannot be demoted or deleted. The server enforces both. - The account rules live in AccountRules.php and accountRules.ts as pure functions, so they are testable without a server. Findings: - At 1280 px the Delete button reached past the column edge and was not clickable. The name column is flexible now, and module 49 checks the layout. - The server lets an admin delete other users' projects, but the editor has no button for it yet. Left open in the issue. Tests: - ./check.sh: 148 files, 2214 tests, exit 0 (was 147 / 2204). - New tests/php/accounts.test.php, 51 checks, plain PHP. CI runs it as its own step in the gate job, the host has no PHP. - New e2e module 49 with 18 checks. CI creates the e2e-admin account in serve.sh. Modules 14, 38, 46 and the scaffold follow the new tab. - e2e 1-16,37,38,45,46,49: all passed, 581 checks. - Counter-checks: owner on save, admin view, default role and self delete in PHP fail 7, 5, 5 and 1 checks. Unchecked requireAdmin, a wider column and the caller as owner each fail exactly their e2e check. - Check sum 1314 -> 1333 (+1 in 38, +18 in 49), computed. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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ed29b2f3dc |
Split the debug hook into one file per topic (#215)
debugHook.ts had grown to 1097 lines of unrelated test hooks. They now live in seven files under src/editor/debug/, grouped by topic. debugHook.ts only assembles them and is down to 86 lines. - The shape of window.__gm is unchanged for tools/. Measured in the browser before and after: 120 top-level keys and 313 leaves with their arity, byte-identical JSON. - The Text import is explicit in the helpers. Without it the name fell back to the DOM type and instanceof would never have matched. Findings: - The comment for vectorArt sat above pixelArt. It is back in place. - An orphaned duplicate comment on assetRow is gone. Tests: - ./check.sh: 145 files, 2192 tests, CHECK EXIT 0 (unchanged) - e2e 1-16,37,39-43,47,48: ALL PASSED, 734 checks - The shape probe turns red against a deliberately misnested hook. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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0e8585665a |
Load the 500 weight and draw missing glyphs as SVG icons (#214)
The theme asks for Source Sans 3 at weight 500, but fonts.ts only
loaded 400, 600 and 700. The browser synthesised the 500 text. The
issue comment also asked for the symbols the font lacks to become SVG
icons. A scan of src/ against the font's cmap found 20 such characters
in 30 places.
- fonts.ts loads source-sans-3-latin-500-normal.woff2 as well.
- Menus draw their ticks and the "current" dot as icons. The dot is a
new MenuItem.current field and no longer part of the label text.
- Inspector action buttons (reset, apply, fit width/height) are
icons. The menu arrow behind them is the drawn Dropdown chevron.
- Kind marks come from a table in markIcons.ts. Picture kinds use an
icon, # and Aa stay text because the font has them.
- Scene marks in the asset panel, sound play/stop and the transition
arrows are icons too.
- Apply is an icon although the font has the arrow. It sits next to
the reset icon and would look different as a glyph.
- A new Icon widget draws on redraw like Button, so Node tests need no
DOMParser.
- Tests find icons through the SVG id. The new hook
__gm.locateIcons(id) and the harness helpers findIcon/clickIcon
replace locate() on the old characters.
Findings:
- Weight 700 is loaded but the theme never uses it. Left as is.
- The old scene-mark check in module 35 accepted any play glyph on
screen. It now checks the mark on the start scene's row.
- Module 44 needs the textures from module 37 and fails without it.
Tests:
- ./check.sh: 145 files, 2187 tests, exit 0 (before 144 / 2143).
- New tests/ui/fonts.test.ts: every theme weight is loaded, and every
character in src/ exists in every shipped face. The cmap reader
matches fontTools (231 characters).
- Icon tests cover the 19 new files. Each kind mark is either an
icon or text, never both.
- e2e 1-16,22,30,34,35,43,44: 586 green, 0 FAIL, then 44 stopped
for lack of module 37. e2e 1-16,37,44,47,48: 618 green.
e2e 1-14 on the final build: 454 green.
- Two new e2e checks: loaded weights in 14, a reset icon pixel in 04.
- Counter-probes all fail as expected: 500 removed, a play glyph put
back, the struct icon removed (one unit test each). In the browser,
500 removed and reset icon hidden fail exactly the two new checks.
- Editor-suite check sum 1312 (1310 measured by CI at
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adminandClaude Opus 5
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d7a2521ca7 |
A port can take its type from what is plugged into it (#207)
Until now every port of "First not empty" was grey and typeless, so the
editor could not tell you what actually travels through the node. The
output is now typed as soon as both inputs agree, and every any-input is
painted in the colour of its own edge. Nothing changes at runtime.
- A NodeDef can declare which of its ports carry the same value
(`sharedType: { inputs, outputs }`). The rule itself lives as a pure
function `agreedType` in `src/core/graph/portTypes.ts`.
- Only the output inherits. It becomes the shared type when every input
of the group is connected and they all carry the same type, otherwise
it stays `any`.
- The inputs stay `any` on purpose. `canConnect` checks against the port
type and a busy input is replaced by the new edge, so a typed `a`
could never be re-plugged with a text without disconnecting first.
- Chains do not propagate. When looking up what feeds an input, a node
of the same kind reports the `any` it is registered with, so two of
them in a row stay untyped and a data cycle cannot ask itself in a
circle.
- An edge that the new type makes invalid stays where it is and turns
red. `EdgeLayer` already paints a mismatching edge with `danger`,
nothing is disconnected on its own.
- New `PortDef.paintType`: colour only, never truth. It is set in
`drawnDef` and read in `NodeView.redraw`, so `canConnect`, the
interpreter and the compiler keep seeing `any`. Every connected
any-input is painted, not just members of a `sharedType` group; ghost
ports keep their hollow red look.
- The pin now matches the edge that ends in it, because both take the
colour from the resolved output type of the neighbour. Mixed sources
therefore show two colours, which explains why the output stays grey.
- New hooks `__gm.graph.portTypes(id)`, `__gm.graph.edgeColor(id)` and
`__gm.themeColor(name)`. `portTypes` reports type and paint colour
separately so the type checks do not silently become colour checks.
Findings:
- `resolveDef` only appends derived ports to the registered ones, so a
fixed port cannot be retyped that way -- it would appear twice. The
shared type is therefore resolved before the ports are built.
- Answer 5 of the issue (inline field follows the type) has no case left
under variant A: an unconnected input stays `any` and keeps its text
field.
- `Item at`, `Join` and `Equals` do not profit: `Item at` has no
any-input, the other two have fixed outputs. The next candidates are
the shader arithmetic nodes, which were left alone.
Tests:
- ./check.sh -> 143 files, 2127 tests, exit 0 (was 142 / 2113)
- GM_STEPS=1-6 fresh -> ALL PASSED, 245 checks (was 242), 9 of them new
- 14 new unit tests in tests/core/shared-port-type.test.ts
- 9 new e2e checks in block 6z, one of them a pixel check straight on
the pin via pixelAt + themeColor
- Counter-probes all bite: filtering unconnected inputs out of
`agreedType` fails 3 unit tests, ignoring `inherit` fails 1, killing
the derivation in the bundle fails exactly the 2 expected e2e checks,
and never setting `paintType` fails 4 unit tests plus the 3 pin
checks (#bdbdbd instead of #e6a8ff / #6fcf97)
- Screenshot read: `a` pink, `b` green, output `value` grey, edges in
the same colours
- Check total 1302 (1299 + 3), 1293 was measured by CI at
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adminandClaude Opus 5
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ad2a2d7921 |
Clicks in the scene view pick what is drawn under the cursor (#203)
Pixi's own hit test decided what a click in the scene view selected. A tilemap caught clicks over its whole area, even on empty cells and over sprites sorted above one of its layers. A press always grabbed the topmost object, so a hidden selected object could not be dragged, and there was no way to reach an object underneath another one. - New pure rule in src/viewport/pick.ts. It lists the objects under the cursor front to back, in the order they are drawn. - A tilemap counts only where it has a tile. Its depth there is the Z of the highest layer with a tile at that spot. An empty cell is empty space, so a click clears the selection or starts a marquee. - Pressing on any selected object, hidden ones included, drags the selection. Otherwise the press selects the topmost object and drags it, as before. - A click without drag on a selected object selects the next one underneath. After the lowest it starts again at the top. - New debug hook __gm.sceneStack(x, y) returns that list. Decisions: - With a paint tool the selected tilemap paints anywhere on its grid, even under a sprite. With empty cells as empty space an empty cell could not be painted otherwise. - Icons such as colliders and cameras stay in front. A second click now reaches the sprite under a collider. Tests: - ./check.sh: 142 files, 2090 tests, exit 0 (was 141 / 2080) - 10 new unit tests in tests/viewport/pick.test.ts - GM_STEPS=39,40: ALL PASSED, 77 checks - GM_STEPS=1-16,29,39-43: ALL PASSED, 626 checks - 4 new checks in block 40q: sprite over a lower layer, empty cell, cycling crate, map, crate, dragging the hidden selected crate. - Counter test: whole-area tilemap hits and always-topmost presses fail 4 unit tests and all 4 new checks. - Check total 1290 (1286 + 4), computed, not yet counted by CI. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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d9c71c2ce7 |
e2e checks follow the new theme instead of fixed sizes (#202)
The suite job for
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adminandClaude Opus 5
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0d207769b9 |
Focused text fields show their outline on every edge (#202)
The focus outline of a text field was only visible at its corners. The mask that clips the text covered the whole field, border included, so the 1 px stroke was cut away along every straight edge. Only the rounded corners bent inwards far enough to survive. With the larger radius the new theme tried, this became obvious. - TextField puts text, selection and caret into their own container. Only that container is masked. Background and outline are not. - NumberField and the rename field in lists inherit the fix. - The theme radius goes back to 2 px. - New debug hook __gm.focusedRect() returns where the focused widget sits, so a check can read its border. Tests: - ./check.sh: 141 files, 2080 tests, exit 0 - GM_STEPS=2: ALL PASSED, 24 checks (one new) - The new check in 2c reads the middle of all four edges of the focused name field. All four must be the focus blue. - Counter-check with the old full-field mask: the check fails, all four edges read #24272e. - Editor check total is now 1286 (1285 + 1), computed, not measured. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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28b1afa7af |
Panning the scene view no longer redraws the whole scene
A middle-mouse pan used to run the full redraw on every frame. It collected every object from the project, cleared and redrew every shape, re-sorted all children and made Pixi re-upload every buffer, although only the camera had moved. The user saw the frame rate drop while panning. - WorldViewport gets moveCamera(). When zoom and view size are unchanged it only moves the world and redraws the overlays drawn in screen pixels. collectFrame, the shape redraw and the re-sort drop out of a pan frame. - Every full redraw remembers the box each object is culled by. A pan that moves an object across the edge of the view still takes the full redraw, so objects appear and vanish as before. - Grid, selection outlines, rays and the container origin mark move into a shared drawOnScreen hook. It runs after every full redraw and after every pan. The parent links stay in afterItems because they are drawn in world units. - Wheel zoom keeps the full redraw, because line widths follow the zoom. A cache for collectFrame was left out: it would save about 1 ms and risk stale data. - debugInfo() reports redraws and cameraMoves, and __gm gets a hook that forces a full redraw, so a check can compare against it. Findings: - Chrome already coalesces mouse moves to one per frame (500 moves gave 183 redraws in 189 frames). A throttle was tried and removed again, because its counter-check did not fail. - A check in module 03 compared the whole gameInfo() object and broke on the new counters. It now compares camera, objects and rendering. - The stall without ?vsync most likely comes from the desynchronized context in src/main.ts. It cannot be reproduced headless. Tests: - Measured on Jump and Run, main-thread time per frame, 3 runs of 240 moves: pan 5.7-7.4 ms before, 3.8-4.8 ms after. Plain mouse moves stay at 2.1-2.4 ms. 208 of 240 moves took the fast path. - ./check.sh: 141 files, 2080 tests, exit 0. - GM_STEPS=1-16,29,42,43: 535 checks, 1 failed (the module 03 test above). After the fix GM_STEPS=1-5: all passed, 130 checks. - 3 new e2e checks in 5d: 12 pan steps give 12 camera moves and 0 full redraws, pixel rows after the pan match a fresh redraw, a box panned out of view and back is drawn again. - Counter-checks: overlays not redrawn on pan gives "3 of 3 rows differ". Edge test disabled keeps the box visible with 0 redraws. - Check total 1285 (1282 confirmed by CI task 229, plus 3). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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fe894c630d |
Pixel art tools show only useful options and remove any colour (#201)
The pixel art side bar showed every tool option all the time, the palette used only part of the column width and "Remove" could only drop the last colour. Now each tool shows what it needs, the palette fills the column and any colour can be removed. - Options per tool live in toolOptions.ts. Brush shows for pencil, eraser, line and unfilled shapes. Filled shapes shows for rectangle and ellipse. Contiguous shows for fill. Picker has none. - All options share one row with a fixed height, so nothing below jumps when the tool changes. - The palette picks its column count from the width and stretches the swatches until the row ends flush. At 1280 px that is 11 per row instead of 8. - The colour field takes the space the two buttons leave, so "Remove" is no longer cut off. - "Remove" deletes the selected colour. Pixels of that colour turn transparent, later indices move down by one in every image that uses the palette, and palette plus images change in one undo step. Transparent itself cannot be removed. Decisions: - Pixels of a removed colour become transparent, like erasing (chosen by the user before the build). Findings: - The Filled checkbox slid away under the pointer. The brush button sat to its left and vanished when Filled turned on, so the second click missed. The brush button now sits to the right, and a check clicks the same spot twice. - One start-up FAIL "debug hook present" came back never in three later runs. It is the known start flake. Tests: - ./check.sh: 141 files, 2080 tests, exit 0 (before 140 / 2070) - 10 new unit tests in tests/editor/pixel-palette.test.ts - GM_STEPS=48 (fresh seed): ALL PASSED, 40 checks, 4 of them new - Counter-check: indices not shifting and brush always visible make 4 unit tests and exactly the 2 matching e2e checks fail - Check total 1282 (1278 + 4) in README and wiki, computed Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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bbbf34109b |
Lists duplicate, rename and edit values right in their rows
Name, opacity and Z each sat in a separate field below or beside
the list. You had to select a row first and then look elsewhere to
change it. Duplicating was a separate button or not possible at all.
Now the row itself carries everything.
- SortableList gets three optional callbacks. onDuplicate shows a
copy button between the eye and the delete button. onRename opens
a text field on double click, Enter or a click outside commits,
Esc cancels, an empty name is ignored. value puts a NumberField
into the row.
- Dragging on the number changes the value and never moves the row.
A whole drag is one undo step, the canvas follows live.
- Copy and delete only show on the hovered and the selected row.
Their space stays reserved, so nothing jumps on hover.
- Pixel layers: copy right above with the same pixels on all
frames, rename, opacity in percent. The Name and Opacity fields
below the list are gone.
- Pixel frames: copy right after, replaces the Duplicate button.
- Tilemap layers: copy with cells, Z and visibility, rename, Z in
the row. The Name and Z fields in the panel are gone.
- Vector shapes: copy at the same place and select it, rename.
- New in core: DuplicateVectorShapeCommand,
DuplicateTilemapLayerCommand, withLayerDuplicated and copyName
("X copy", "X copy 2"). copyName lives in src/core/util/names.ts
because the model never imports from commands/.
Findings:
- Double clicking a shape that is not selected yet only selects it.
The first click moves the list up, so the second click misses the
name. Module 47 selects the row first.
Tests:
- ./check.sh: 138 files, 2055 tests, CHECK EXIT 0 (before 2052).
- GM_STEPS=47,48 (fresh, twice): ALL PASSED, 91 checks (before 86).
- GM_STEPS=39,40,47,48: module 40 green, 47 died on the rename
check, which was a test fault and is fixed.
- Counter probes: a constant copyName fails the shape and pixel
layer tests. A dead copy hit fails the copy check in 47.
- Check total 1272 in README and wiki, computed (1266 + 6).
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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adminandClaude Opus 5
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ae0247d86f |
Lists add and delete items right in the list header and rows
The layer, frame and shape lists still had their add and delete buttons scattered below the list, each in its own layout. They now live in the shared SortableList, so every list works the same way. - SortableList gets an optional header with the title on the left and a + on the right, plus an optional x per row next to the eye. - The keepOne option hides the x on the last remaining row, so a pixel art image and a tilemap always keep one layer. - Pixel art layers and frames and tilemap layers use header, + and x. Only Merge down and Duplicate stay below the lists. - Vector art shapes get the x but no +. Add shape stays below the list and Delete shapes stays for a multi-selection. - The section headings in the pixel art column use the same style as the list titles and the inspector. Findings: - The wait loop added to check 47i for #196 only waited for the right half of the shape. If the texture landed between the two reads, the left half was still blue and the check failed. It now waits for both halves. Tests: - ./check.sh: 138 files, 2052 tests, exit 0. - GM_STEPS=39,40,47,48 (fresh): ALL PASSED, 156 checks (was 154). - GM_STEPS=47,48 (fresh, final): ALL PASSED, 86 checks. - Two new e2e checks: x on a shape (47) and x on a frame (48). The tilemap check in 40 now uses the x instead of Delete layer. - Counter-check: with the x not reporting to its owner, exactly the two new checks fail. - Check total 1266 in README and wiki is computed (1264 + 2). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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5b9b57fd19 |
Layer, frame and shape lists all reorder by drag and drop
Reordering shapes by dragging worked well in the vector tab. Pixel art layers and frames and tilemap layers still used up/down buttons. All three lists now share one widget built from the shape list. - SortableList in the UI toolkit, with the drag rules next to it in src/ui/sortable.ts. A row has an optional thumbnail, a name, a hint on the right and an eye toggle. Every drop is one undo step. - The shape list is a thin wrapper around it. shapeRows.ts is gone, its tests moved to the new rules. - Pixel art layers show the layer alone on the current frame, frames show the whole frame. Up/Down, Hide, Earlier and Later are gone. - Tilemap layers get the eye instead of the checkbox. The per-row up, down and delete buttons are replaced by Delete layer next to Add layer. - A row is selected on release instead of press. Selecting rebuilt the inspector or tilemap panel and cancelled a drag that started on a row not yet selected. Tests: - ./check.sh: 138 files, 2052 tests, exit 0 (before 137 / 2051). - GM_STEPS=39,40,47,48 (fresh seed): ALL PASSED, 154 checks. - 5 new e2e checks. Check total 1264 in the README is computed (1259 + 5), CI never measured 1259. - Counter-checks bite: dropMove ignoring reversed fails a unit test, a tilemap drop not applied fails the drag check, a layer thumbnail showing all layers fails the thumbnail check. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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66d6aafbb4 |
Pixel art can be drawn in its own tab with layers and frames (#130)
Textures are uploaded files named by their content, so they cannot be edited in place. Pixel art is therefore its own asset type, like vector art. Its pixels live in the project and the tab rasters them into a texture that sprites, tiles and animations can use. - New asset types Pixel art and Palette. The first pixel art of a project gets a palette with the 16 PICO-8 colours in the same undo step. Every pixel is a palette index, 0 is transparent. - Each layer on each frame is its own file data/pixels/<sha256>.px. The project only holds the names, so undo swaps names. The browser computes the hash and uploads new cels before the project is saved. - New route POST ?r=pixels in api/lib/PixelStore.php. It answers 201 and 422 for broken data. data/pixels/ is git-ignored. - Tools: pencil, eraser, fill (contiguous or all pixels of a colour), eyedropper, line, rectangle and ellipse (outline or filled), brush size 1 to 8. - Layers can be added, deleted, renamed, reordered, hidden, faded and merged down. Frames can be added, duplicated, deleted and reordered, with onion skin and a small playing preview. - Zoom 1x to 32x in whole steps, grid from 8x, a 3x3 tile preview and Resize... with a 3x3 anchor. - All frames sit side by side in one image. Each frame is a region like a cut texture frame, so texture rows offer "Asset / Frame 2" and the context menu has Create animation from frames. Decisions: - Merging down drops the opacity of the upper layer. Indexed colours know no blends. - Only the last palette colour can be removed. Otherwise the indices of every image using the palette would shift. - Undo stores the whole layer per stroke instead of pixel diffs. - Alt+click picks a colour. It is a mouse gesture, not a shortcut. Follow-up issues: #197 import from texture, #198 selection and flipping, #199 PNG export, #200 more tools. Tests: - ./check.sh: 136 files, 2049 tests (before 135 / 2011). 34 new in tests/core/pixel-art.test.ts, 4 from the icon tables. - e2e module 48 fresh: ALL PASSED, 29 checks, console empty. - Counter-probes bite: five on the unit tests, upload order (2 tests fail) and cels not uploaded in the browser (1 check fails). - Check total 1259 in README is computed (1232 measured in CI + 27). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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592ea942d9 |
Vector shapes can fill with gradients and textures (#186)
A vector shape could only be filled and outlined with one flat colour. Shading, glows and patterned surfaces had to be faked with stacks of shapes. Every shape now has a paint type for its fill and its outline. - Fill type: solid colour, linear gradient, radial gradient or texture. Line type offers the same without texture. - Colour stops are edited on a bar in the inspector, as agreed in the issue. A click on the bar adds a stop in the colour the gradient already has there, so adding never changes the picture. At least two stops remain. - The new Paint tool in the tab shows two handles for the selected shape: axis start and end, centre and radius, or the corners of one texture tile. "Handles: Fill / Outline" picks which paint is edited. - Moving a whole shape moves its gradients and tile with it. Every gesture is one undo step. - A texture fill always tiles, because Pixi turns a non-repeating pattern into a repeating one anyway. When switched on, one tile covers the whole shape. - Only uploaded textures and frames can be a fill, never a drawing. A drawing filled with itself would rasterise itself mid-raster. - The fingerprint of a drawing includes the texture and frame a fill points to, so the picture redraws when the image is swapped. Findings: - graphics.destroy(true) also destroyed the textures of the fills. With a texture fill it deleted the tile slice and the next redraw crashed on reading 'scaleMode' of null. It is now destroy(). - The gradient cache destroyed old gradients itself, which gave 20 Pixi warnings "destroyed while still bound". They are now handed to Pixi's texture GC with autoGarbageCollect switched on. The console of module 47 is empty again, the last CI log had 0 of them. Tests: - ./check.sh: 135 files, 2011 tests, exit 0 (before 134 / 1986) - npm run build: exit 0 - GM_STEPS=47, freshly seeded: ALL PASSED, 54 checks (before 44), 0 console warnings - 25 new unit tests, 10 new e2e checks in block 47i - Four counter-checks bite, originals restored and verified with cmp - Check sum 1232 in README and wiki, calculated (1222 + 10) Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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1116818011 |
Vector shapes can be combined by union, subtract and more (#187)
Building a shape out of simpler ones meant drawing the result point by point. The Vector Art tab now selects several shapes at once and combines them with a boolean operation into one ordinary shape. - Ctrl/Cmd+click in the tab and Ctrl or Shift+click in the shape list add a shape to the selection. Shift stays pan in the canvas. - A COMBINE block in the inspector offers Union, Subtract, Intersect and Exclude. Subtract removes every upper shape from the lowest one. - The result replaces the lowest selected shape and keeps its name, colours, stroke and place in the order. It is one undo step. - Curves are flattened to 0.2 canvas pixels, a circle gets about 48 points. Open lines and single shapes cannot be combined, the buttons are off and a hint gives the reason. An empty result is rejected. - Delete now removes every selected shape, and the selection drops shapes that no longer exist. - The geometry comes from clipper2-ts 2.0.1, pinned. It has no dependencies and speaks even-odd directly. Only the engine module is imported, the bundle grows by 55 kB instead of 110 kB. Findings: - clipper2-js was tried and dropped. It pulls in Angular 15 with a high npm audit finding and no fix. - Pixi finds holes by containment, not by even-odd depth. An island inside a hole would be drawn as a hole again. Result rings are emitted outer ring before its islands, and a test mirrors Pixi's rule. - A depth sort turned out to be dead code in a counter-check and was removed. A pixel check in 47h stayed green without the subtract and now checks both colours. Tests: - ./check.sh: 134 files, 1986 tests, exit 0 (before 133 / 1968) - npm run build: exit 0 - GM_STEPS=47, freshly seeded: ALL PASSED, 44 checks (before 39) - 18 new unit tests, 5 new e2e checks in block 47h - Five counter-checks bite, originals restored and verified with cmp - Check sum 1222 in README and wiki, calculated (1217 + 5) Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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3427f84a55 |
A game can pause itself and set its own time scale (#167)
Until now only the editor toolbar could pause a running game. A pause menu inside the game had no way to stop the world while its own graph kept running, and there was no slow motion. - Five new nodes: Pause game, Resume game, Is game paused, Set time scale and Time scale. Pause and resume take effect on the next frame. - A game pause stops world time, physics, animations, particles and shader time. Only behaviors with the new "Run while paused" switch keep running. - Set time scale 0 freezes the world but graphs keep running, as agreed in the issue. - Play and Stop reset the time scale to 1, Load scene keeps it. The pause belongs to the scene, so Load scene and Restart unpause. - The toolbar pause stays separate and also freezes the menu. When the game pauses itself the status line reads "The game paused itself". - While paused, collision events are not reported, sounds keep playing, and the editor run ignores both nodes with a log line. Findings: - The first status line was longer than any before and got cut with an ellipsis. It is shorter now. - The e2e harness did not know the key "p". It does now. Tests: - ./check.sh: 133 files, 1968 tests, exit 0 (before 132 / 1952) - npm run build: exit 0 - GM_STEPS=18 fresh: ALL PASSED, 33 checks (before 26) - 16 new unit tests: 8 catalog cases, game-pause.test.ts, editor run - 7 new e2e checks in block 18i, driven by real keys in the game - Six counter-checks all bite: behavior filter, collision lock, world time, editor run, clock reset and the game clock in the browser - Check total 1217 in README is computed (1210 + 7), CI measures it Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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73a71473f1 |
The shader tab previews the effect on the last picked image (#168)
A shader could only be judged by placing it on a sprite and running the scene. The shader tab now shows its effect next to the graph, on the image the user picked last, without a picker to maintain. - The preview follows the last selection that has an image: a placed sprite with its overrides, size and tint, a sprite asset, a texture or a frame. Clicking the shader, a node, a behavior or a scene keeps the picture. - Without such a selection, or when the picked image is deleted, a built-in 64 px test image is shown. Its colour runs with u and v, a checkerboard shows where a UV lands and the border fades for alpha. - Each property gets a slider. The sliders belong to the preview and never write to the project. They start at the sprite's values when it carries this shader, otherwise at the default. - The preview has its own clock. Hold and Restart are only enabled when a Time node is in the graph. - The graph | splitter | panel layout of the particles tab moves into PreviewSplit, and both tabs use it. - A nine-sliced frame is previewed unsliced. This is documented. Findings: - The slider row stayed squeezed to a few pixels when the properties changed while the tab was hidden. The layout was triggered one level too high. The slider check in block 28n holds this. - The graph canvas is narrower now, 385 px at a 1280 px window, the same as in the particles tab. Block 28b clicked at a fixed x+420 and now uses the measured width. Tests: - ./check.sh: 132 files, 1952 tests (was 131 / 1941), exit 0 - npm run build: exit 0 - GM_STEPS=28,31 freshly seeded: ALL PASSED, 105 checks - 11 new unit tests in tests/editor/shader-preview.test.ts - 7 new e2e checks in block 28n - Counter-probes: start values ignoring the sprite fail 1 unit test, a preview ignoring the selection fails 2 e2e checks - Check total 1209 in README is computed (1202 + 7), CI measures it Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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2d79230b55 |
A frame's collision outline can be generated from its pixels (#161)
Drawing an outline by hand for every frame of a sheet is slow, and the outline mostly follows the opaque part of the image anyway. The texture tab now traces it: one click, a corner budget, and every Frame collision collider and tile using that frame blocks with the result. - "Generate collision..." sits in the texture tab header and is off while the texture has no frames. - The dialog has Max points (default 8, 3 to 64), Solid from ... % alpha (default 50) and All frames of the texture. A live line says what Generate will write, and Generate stays off when nothing is solid enough. - traceCollision walks each island of solid pixels along the pixel edges, then drops the least important corners until at most N are left and no stair step remains. A slope becomes one straight edge. - An outline never crosses itself. Where the image would force that, the island's convex hull is taken instead. - Crumbs under 1 % of the frame area are dropped unless they are the only island. Holes are not reproduced. - Existing outlines are replaced. One frame or all frames is a single undo step. - TextureLibrary hands out the sheet's RGBA data, and a pure function cuts a frame's region from it. Findings: - The wedge in the e2e fixture gets 4 corners, not 3. Its tip is one pixel wide in the image, and that real edge stays while corners are still free. Tests: - ./check.sh: 131 files, 1941 tests, CHECK EXIT 0 (was 130 / 1931). - 10 new unit tests in tests/core/trace-collision.test.ts, including 150 random shapes that must all be valid and within the budget. - GM_STEPS=42, freshly seeded: ALL PASSED, 20 checks (was 16). - Three counter-probes bite: no hull fallback, no stair threshold, dialog ignoring the alpha threshold. - Check sum 1202 in README is computed (1198 + 4), CI measures it. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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3ff7e91dbf |
Vector art points have four types and the pen draws whole curves (#195)
The pen only pulled out the outgoing handle of a new point, because the opposite handle was mirrored only if it already existed. The first segment of every dragged point was therefore half a curve. Beyond that bug, a point had no way to say how its handles relate. - A vector point has an optional mode: straight, corner, smooth or symmetric. Missing means corner. The mode is not part of the fingerprint, because it changes no pixel, only the next drag. - Dragging a handle follows the mode. Corner leaves the other handle alone, smooth turns it along and keeps its length, symmetric mirrors it exactly. - The pen pulls out both handles mirrored and marks the point symmetric. A plain click still sets a point without handles. - The tab header has a "Point: ..." menu for the last clicked or set point. That point is drawn filled. Changing its type is one undo step. Text instead of four icons, because the UI kit has no tooltips. - Switching a point without handles to a curved type first grows handles along its neighbours. Smooth and symmetric line the handles up and keep the rough direction of the curve. - A point inserted on a curve is smooth. Symmetric neighbours become smooth, because the split shortens one of their handles. - Alt-click still toggles between straight and symmetric. Found on the way: the old Alt rounding took the point at the other end of an open line as a neighbour, so its handles came out skewed. Fixed and held by a unit test. Existing points with handles now count as corner. Before, every drag mirrored. No pixel changes, only the next drag behaves differently. Tests: - ./check.sh: 129 files, 1917 tests, exit 0 (before 1903) - GM_STEPS=47, freshly seeded: ALL PASSED, 39 checks (before 32) - Check sum 1195 in README and wiki is computed (1188 + 7), CI measures it - Counter-checks: pen without 'symmetric' fails 3 checks, no smooth branch fails 1 unit test and 1 e2e check Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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90627ccf47 |
Snap is a magnet button in every graph and vector art tab (#194)
The snap toggle was a checkbox with the word "Snap" next to Fit, and the vector art tab had its own "Grid" button for the same idea. Both now share one square icon button, so snapping looks and works the same wherever it exists. - SnapToggle is a square toggle button with a magnet icon and no text. It lights up blue when snapping is on, like the other toggle buttons. - The magnet is drawn with cubic curves instead of arcs, because the Pixi SVG parser draws arcs as jagged edges. - The vector art tab drops its Grid button and uses the same SnapToggle. It still snaps to 8 px, the graph tabs to 24 px. - SnapToggle accepts anything with setSnapping(on). The vector art canvas method is renamed from setSnap to setSnapping for that. - Every tab exposes the button as __gm.<tab>.snapButton(). Modules 06, 26 and 36 click through that hook instead of the label "Snap" plus 30 px. Tests: - ./check.sh: 129 files, 1903 tests (was 128 / 1897) - 3 new tests in tests/editor/snap-toggle.test.ts, 3 in the icon tests - GM_STEPS=1-6,26,36,47 fresh: ALL PASSED, 346 checks - GM_STEPS=47: ALL PASSED, 32 checks (was 29) - Counter-checks: toggle not switching its target fails 2 unit tests, the canvas ignoring the switch fails module 47 - Check total 1188 in README and wiki is computed (1184 + 4), the full run is left to CI Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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78595ec80f |
A selected vector shape has its own inspector rows (#129)
Stage 4 of #129. Until now the inspector showed the rows of the asset when a shape was selected, so there was no way to give a shape a colour, an outline or a place in the drawing order without editing the project file. The rows for a shape now sit where every other selection puts its rows. - SHAPES lists every shape of the asset, topmost row drawn last, the same way a layer list reads. Selecting the asset itself shows the same list below its own rows, with no shape selected. - Each row paints its shape with the commands the rasterizer uses (shapeDrawing plus paintDrawing) into a 22 px swatch, the whole canvas scaled in, so the row also says where on the canvas the shape sits. - The four order buttons from the issue (forward, to front, backward, to back) sit in two rows of two, and a row can be dragged to another place with a marker line. They are disabled when there is nothing to move. - VECTOR SHAPE carries name, fill, opacity and an outline checkbox, the checkbox adding and removing the stroke instead of hiding it; line colour and width appear with it. A dragged colour slider is one undo step, the style rows going through previewingHandlers like every other row. - A line width of 0 is no stroke, which the command rejects, so the row clamps at 0.1. Findings: - locate('Outline') aims beside the control, because it gives the centre of the label text and a wider label pushes a fixed offset out of the field. __gm.inspectorField(label) knows the centre of the control. - A click into a text field sets the cursor and selects nothing, so a typed hex landed appended to the old one and parseHex returned null without anything failing - typeText only checks that the text is contained. A Ctrl+A goes first now. - Four buttons side by side cut "Backward" to "Backw...", which only the screenshot showed. Two rows of two now, as in the tilemap panel. Tests: ./check.sh 128 files, 1897 tests (was 127/1883). Full e2e suite locally instead of only CI because the change sits in the inspector and touches every selection: ALL PASSED - 1179 checks (was 1172), module 47 at 24 checks (was 17). Three counter-checks hold: not reversing the list fails 1 unit test and 2 e2e checks, dropping the gap correction when dropping a row fails 2 unit tests and the drag check, and a constant signature kills module 47 because the outline rows never appear. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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admin
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3d7ad65f34 |
Vector art has a tab to draw in, which is stage 3 of #129
Stages 1 and 2 gave the asset a model and a picture, but the only way to put a shape into it was a test calling mutate. The tab closes that gap: what you draw there is what the sprite in the scene carries, with no extra step, because the fingerprint changes and the picture registry of #185 redraws. - The tab has a header with Select, Pen, Grid and Fit, a chequerboard behind the canvas and the canvas itself as a frame. It paints with the same commands as the rasterizer, paintDrawing being exported from viewport/vectorArtPicture.ts for it, so the tab cannot drift away from the picture. - Pen sets points on a click and pulls the handles out on a drag, both of them mirrored; a click on the first point closes the ring and Esc ends an open line. - Select drags a point, a handle or a whole shape, a click on an edge puts a point there, a double click takes one away, and Alt turns a corner round and back. Delete removes the selected shape. - The rules grew inside polygonEdit.ts instead of a second module, as the plan says, so a collider polygon and a frame outline get the same behaviour where it applies. - A point on a curved edge splits the curve by de Casteljau instead of cutting it: both halves together draw exactly what was there before. - A curved edge is walked instead of measured over its chord, or a click on the bow of a curve would grab nothing; the same walk carries the test for the inside of a ring. - One gesture is one undo step. The preview writes the model directly and the old state is put back on release before the command runs, which is the pattern the frame outlines of #141 already use. - state.ts gained a selection kind "shape". The inspector shows the rows of the asset for it, the shape list with colour, opacity and stroke being stage 4. One counter-check was no counter-check: disabling the pen's closing tolerance by multiplying it with 0 left the run green, and rightly so, because the closing click lands on exactly the screen coordinate point 0 came from, so the distance is 0 and <= 0 is true. Only an unsatisfiable condition really switched it off, and then 2 checks fail. A second trap on the way: a false && in front of the guard breaks the TS narrowing, npm run build bails out, and two runs went against the old bundle. Tests: check.sh 127 files, 1878 tests, EXIT 0 (was 126 / 1860). Full e2e suite ALL PASSED - 1172 checks, module 47 alone 17 (was 10). 18 new unit tests in tests/editor/ring-edit.test.ts and 7 new e2e checks in blocks 47c and 47d. Two counter-checks hold: no de Casteljau fails 1 unit test, measuring a curve over its chord fails another. Originals checked back with cmp and rebuilt. |
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adminandClaude Opus 5
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6371576d37 |
A vector art asset is a picture now, which is stage 2 of #129 and the first stage that shows something in the browser: the asset sits in the picture picker, a sprite carries it in its Texture row and what the sprite shows has been rasterized from the shapes, the generator of #185 being registered for the type vectorart - installVectorArtPictures(app.renderer) hooks the source (core) and the generator (viewport) in once per page from App.ts, by a call and not by a module side effect, so a test may install it or leave it out; the rule lives in core and the painting in viewport - the new core/model/vectorPath.ts turns a shape into plain drawing commands (move/line/curve/close), closed rings being filled while all rings are stroked, a segment staying a line as long as neither of its ends carries a handle - a single handle is enough for a curve, the missing control point sitting on its own end, so a corner may stand next to a round side - and the way back to the first point is only drawn when it is curved, close doing it otherwise; holes go through one door only, Pixi recognising them from a GraphicsPath with checkForHoles, which tests containment rather than even-odd depth, which is enough for a ring inside a ring while without the flag the inner ring simply paints over the outer one (measured, see the counter-checks); the oversampling is the 2x from the plan - RenderTexture.create({resolution: 2}) puts 512 px on the GPU for a 256 canvas while texture.width stays the canvas size, which is the measure the sprite hangs on, and the render texture is the clip itself, so what juts out over the canvas is not in it and needs no mask; drawn pictures get the same sampler state as uploaded ones, setPictureFactory wrapping the factory for it, mirroring keep(); two measuring traps cost me runs - __gm.objectRect(id) gives the centre of the object and not its corner, so the first pass read four pixels next to the sprite and reported background while the rasterizer was correct, and the grid lines of the scene cross exactly in the centre point, so the hole check read #363940 and failed for the right reason, measuring beside it now; renderer.render() runs inside the picture request, which is safe here because every caller asks during its own widget redraw and the frame is drawn on the ticker afterwards, a nested render inside a running render pass would not be - that warning stands in the module head and in the notes; new module 47 with 8 own checks in its own lane (the picture on the GPU at double resolution measuring the canvas, the sprite showing the fill, the inner ring being a hole with the scene shining through, the later shape on top, the stroke running along the ring, a changed drawing getting a new key with the old one freed, and the sprite showing the new colour), the shapes being put into the model by mutate because the tab that draws them is stage 3, and 21 new unit tests in tests/core/vector-path.test.ts; three counter-checks hold: oversampling back to 1 fails the GPU check, checkForHoles off fails the hole check, and not drawing the curved way back fails a unit test; the full suite ran locally instead of only in CI because the change sits in TextureLibrary and touches every picture: ALL PASSED - 1165 checks, measured and carried into README and the wiki (#129)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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ae3aa7d3bd |
Refactoring round 5 covers the code since round 4 without changing behaviour: four identical copies of dot() and three of "nearest point on a segment" stood in the collision math, in the hit area of the collider outlines and in the polygon handles, so they moved into the new module src/core/util/vec.ts; the warning line, the busy state, info() and the caret reset were written out line by line in both the sign-in screen and the password dialog and are now FormStatus; the closing row "Cancel plus a confirming button, optionally one on the left" was built by hand in FormDialog, FilePicker, OpenProjectDialog and PasswordDialog and is now dialogButtons(); the header bar was drawn by the toolbar, the TabHeader and the Breadcrumb each on its own and is now drawHeaderBar(); AddColliderCommand and AddRigidbodyCommand share a base, each subclass only builds its own asset; Editor.ts derives the panes from assetEditors instead of repeating eight entries and clamps its splitters with clamp(); jscpd over src falls from 0.19 % to 0.14 %; dead code is gone - listScenes() has been orphaned since the Scene picker fell away (#183), DEFAULT_FILTER (#152) was never used, the two test hooks projectPickerRowAt/rowPosition and particleCompiles are read by no tool, and four functions lost an export they did not need; seven comments that told history ("used to", "no longer", "since #...") describe the state of things now, and that this changed nothing was proved by a rebuild - the bundle is md5 identical, b4ad0dfe... before and after; the README said Logout sits at the far right of the toolbar, which has been the Account menu since #182, and wiki/Architecture.md was missing src/core/util/ altogether; 4 new unit tests cover vec.ts, and switching the clamp on the segment off makes exactly one of them fail while none of the 76 neighbouring tests notice, so that clamping was covered nowhere before (#85)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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60d0146bde |
The topbar is icons only: the leading Project dropdown, the Scene picker and the labelled Play/Pause buttons are gone and in their place stand five icon buttons - menu, undo, redo on the left, play and pause in the middle - while Notice, the save state, fps and the Account menu keep the right side; the Play button swaps its icon for a stop square while the project runs and Pause swaps for a second play sign while it is held (Button.setIcon()), and iconSpace() drops the gap between icon and label when a button has no label, which is what kept a 24 px icon button 3 px off its own centre; the menu carries New project, Open project..., a separator and Project settings..., where the picker (src/editor/OpenProjectDialog.ts) preselects the open project and marks it "open", opens on a double click and puts Delete on the left of Cancel and Open - it closes itself before it asks whether to delete, because two modals on top of each other would have left the question standing over a list it no longer speaks about - and the settings dialog (src/editor/ProjectSettingsDialog.ts) holds the name, the "Play starts" switch (Start scene / Active scene, a preference of this browser and so no command) and the collision layers from #152, which retires CollisionLayersDialog.ts and the "Collision layers..." entry; what Apply actually writes is the pure function settingsChanges(), so renaming and the layers are each their own undo step and each drop out when nothing differs; the Scene dropdown falls away without replacement, the active scene is switched by double clicking it in the Assets panel, which is the way that was there anyway; new module 46 runs last with 9 checks (no label left in the bar, the run buttons in edit mode, the four menu entries, the picker with the open project preselected, Cancel leaving the project standing, the settings dialog on the state of the project, renaming with undo and redo through the icon buttons) and it neither opens nor deletes a project, because that would pull the project out from under every earlier module; modules 8, 18 and 35 and the harness follow the new bar, 6 unit tests cover settingsChanges and 3 the icons (#183)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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4f55f85ad4 |
Collision layers and masks: a collider carries a layer and a mask of the layers it meets, and the pair only meets when both masks name the other's layer - the rule is one pure module (src/core/model/collisionLayers.ts) with layerBit, layersMeet and the names a project starts with, so the three places that have to agree read the same function: the editor run through CollisionSystem, the Solids sweep per pair and Rapier, where the mask becomes the collider's interaction groups; the project file gained collisionLayers: ["Default"] (default one layer, no formatVersion bump), the collider schema two new kinds - layer as a dropdown of the project's layers and layerMask as a menu of tickboxes that stays open while it is ticked (Menu.ts learned rows that do not close on a pick) - and the names are edited through "Collision layers..." in the toolbar's Project menu, not a Project tab, which is the decision I made myself because the question ran into the MCP timeout: the dialog (src/editor/CollisionLayersDialog.ts) holds up to 16 names, Add layer appends "Layer <n>" and Apply writes all of them as one undo step (SetCollisionLayersCommand); a mask read from a file goes through a check that refuses anything that is not a finite number, because Number(null) is 0 and a collidesWith: null would silently have meant "meets nothing"; 9 new e2e checks in module 8 cover the menu entry, the dialog, Add layer, Apply and its undo, both inspector rows, the tickbox menu, and the mover walking straight through the crate that 8c blocked on once their layers no longer meet, and 21 new unit tests cover the rule, the schema and the command (#152)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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c830c7a3aa |
Changing the password: the Logout button at the far right of the toolbar became an Account menu that names the signed-in account in an entry of its own that cannot be picked, with Change password... above Logout, and the new dialog (src/editor/auth/PasswordDialog.ts) asks for the current password, the new one and its repetition, all three as bullets, and stays standing when the server refuses so that it can say why, unlike the other form dialogs; the rules for empty, too short, new equal to old and a differing repetition sit as the pure function passwordProblem() next to loginProblem(), the API gained POST ?r=auth/password which answers 204, insists on the current password although a session is there, enforces a minimum length of 8 in UserStore::MIN_PASSWORD_LENGTH and again in the client so the mask can answer without asking the server, and the new SessionStore::destroyAllFor($user, $keep) ends every other session of the account while the tab that changed the password keeps its own; the placeholders admin/admin and user/user stay as they are, which the length check does not touch because it only runs when a password is set through the API; e2e 45 grew by 8 checks for the menu, the dialog, both refusals and signing in with the old and the new password, and it sets the e2e account back at the end - a run dying in between leaves it on <password>-tmp, which a make-user.php call repairs (#182)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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8e4bb6e1f9 |
User management: signing in is required before anything is loaded, the sign-in screen is drawn in the same canvas (user name, password as bullets, Enter moves on and submits) and the editor is built only after it; the API gained auth/session, auth/login and auth/logout while every other route answers 401 without a session, projects carry an owner and a foreign one comes back as 404, accounts live in data/users.json with a password hash and sessions as files in data/sessions with a sliding 30 days, so a build under the open tab does not sign anybody out; Logout sits at the far right of the toolbar and, as asked in the issue, does not reload the page: Editor.dispose() takes the editor down while the canvas stays, which is why the autosave, the focus handlers, the window listeners of the tilemap panel, the shortcuts and the plugins all got a way back; the tools sign in as e2e (tools/lib/auth.mjs, password from GAME_MAKER_E2E_PASSWORD or the git-ignored data/e2e-password.txt) and the browser gets the same session by cookie, new e2e module 45 covers the screen, the wrong pair, the bullets, logout without a reload and signing in again, new unit tests for HttpAuthStore and for what a session leaves behind (#177)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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60ea56a2ce |
Open asset greyed out and real tab cards: Open asset in the scene object menu is only pickable for kinds with an editor of their own, the table of which asset opens which tab moved from Editor.ts into the new module assetTabs.ts with hasAssetEditor so the menu and the editor read the same list, Select asset stays as it was; tabs are drawn as index cards (new module TabButton.ts): the one showing is a light grey card instead of the aggressive blue, rounded above and square below, its name in plain weight and measured bold so it never clips itself, and a mouse down on the tab already showing keeps its colour; the padding left and right grew to 6 px in one place for both kinds of tab, Scene and Game carry an icon too (the scene one from the asset panel, a new game.svg play sign), Plugins and a plugin's own tab have none; new test hook menuEnabled next to menuRows and menuIcons, e2e 01 checks the greyed out entry on a sprite row, 14a-ii the card and the icons of the fixed tabs, 44a the icon at the wider padding (#176)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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e3ebf44593 |
Asset panel grouped by kind with icons: assets are listed under a header per kind (Sprites, Behaviors, ...) with the count on the right, empty groups are not shown, every group starts folded when a project is opened, a click on the header folds and unfolds it, selecting an asset elsewhere unfolds its group and folding the group of the selected asset clears the selection; every asset kind has an SVG icon in src/editor/panels/icons/ drawn before the name, the pure rule for grouping and sorting lives in assetGroups.ts; the same icons replace the kind word in document tabs and the overflow menu (a list icon for the List tab, which also fixes the close x lying over the end of the active tab's text), stand before every entry of the + menu (Button got an icon option) and on the right of scene object rows instead of the type name; the colour swatch next to sprite names is gone from both panels; the SVG loader moved to src/ui/svg.ts for both icon sets; test hook assetRow unfolds the group and scrolls to the row, assetRowShown only reads, new hook menuIcons; e2e 4g and 4h, 14 and 44a check the icons (#176)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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010b6a7f6c |
A state can transition to itself: make transition and a second click on the same state connects a self transition, taking it fires On state exited and then On state entered every time, for local and global machines, while Set state into the current state stays silent as before; only states may connect to themselves, every other node is still refused, one self transition per state; the loop is drawn over the middle of the top edge with its arrow pointing down and its name at the apex, the preview already shows it while armed, and the inspector lists it once under Transitions out; new test hook transitionLabelAt, e2e 26e5 (#163)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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cc285af10a |
Tabs are open documents: Scene, Game and Plugins stay as fixed tabs, every other asset opens in its own tab (double click or Enter in the asset panel, on creation, from the list button), several assets of one kind can be open at once, a tab is labelled with its kind dimmed before the name, cut at 160 px and renamed with its asset, closes with its x or a middle click and goes away when its asset is deleted; a tab always shows its own document instead of following the selection, the picker in the tab head is gone, zoom and scroll are kept per document for the session and dropped on close, a double click on a call node stays in the same tab with breadcrumbs per tab; one editor per kind is switched between documents, the placement rules live in the pure module documents.ts, and the test hook showTab stays as a compatibility path; new e2e module 44 documents (#171)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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47eea2f6e4 |
Each tilemap layer has its own Z: an offset added to the Z of the placed tilemap, like a child's Z to its parent, default 0 keeps the previous order (layers right after their map, in list order), a negative Z sorts a layer below the map, on a tie layers keep their list order and follow the hierarchy against other objects; editor scene and game use the same order through the new pure function drawSlots, a tilemap draws into one container per layer, and the tilemap panel gains a Z field for the selected layer with one undo step per change (#174)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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6a31f5e0ad |
One-way platforms, raycast and collision stay with contact data: a collider can be one-way with a side it blocks from (turning with its object, drawn thick in the scene view) and a tile can be one-way from above, one-way cells never merge with solid tiles, a contact blocks only when its normal is within 45 degrees of the blocking side, the new node Ignore one-way lets an object drop through for a while, and it all holds for Move and for dynamic bodies in Rapier, where the decision is made before each step because the hook may not touch the engine (#155); the new Raycast node answers hit, object, collider, point, normal and distance in our own f64 geometry, the same in editor run and play, and the editor run draws each ray for 0.25 s (#153); On collision stay gains an interval with its own clock per pair, and stay and enter gain the contact point next to normal and impulse (#149); fixes that every Rapier collider of a tilemap had the shape of its last cell
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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32057a96fc |
Physics stage 2: colliders gain the shapes capsule and polygon, a polygon keeps its corners in the property points, turns, scales and mirrors with its object and is edited in the scene view (drag a corner, click an edge to insert one, double-click to delete, at least three stay, each step one undo step), a concave polygon is split into convex parts, a self-intersecting one is drawn red and collides with nothing, Rapier gets a capsule and one convex collider per part on the same body, and Move and the editor run use our own f64 geometry for the new shapes, where on a tie between two normals the one that blocks the move least wins, so a box no longer stops at the foot of a slope (#151); first version of a collision outline per texture frame, edited in the texture tab with the new Collision toggle, which a plain tile blocks with instead of its rectangle (#141, to be reworked)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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d02bcca266 |
Rapier 2D (@dimforge/rapier2d-compat 0.20) comes in as the physics engine: the editor loads it once in the background right after opening a project from its own chunk, so the main bundle grows by 0.19 KB gzip and the first frame does not wait; loadPhysics, physicsStatus and the 100 px = 1 m conversion live in src/runtime/physics/engine.ts, __gm.physics() reports the state, unit tests pin free fall and a box resting on a box, and e2e module 41 pins that Rapier is ready from its own chunk without console noise (#145)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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6d7d0005cf |
The tab headers are one TabHeader, the node board and the tile board pan and zoom through one helper, reordering tile pictures and tilemap layers goes through one moveItem, and a tilemap cell is one named type (#85)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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5046ddb810 |
The tilemap painting tools move out of the inspector into their own panel beside the scene view, shown only while exactly one placed tilemap is selected in the scene tab; the free viewports keep their content in place on screen when they are resized (#142)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |