204c4a41e8f6cfd81b6384bd9f647ae4b714dee3
78
Commits
| Author | SHA1 | Message | Date | |
|---|---|---|---|---|
  adminandClaude Opus 5.5
|
3a52f2290f |
Mix sounds through buses and a master (#325)
Until now every sound went straight to the speakers. There was no point where all of them came together, so nothing could turn the music down against the effects, and a compressor or a shared echo over everything had nowhere to sit. The bus technique of #346 was there already, only the end of the chain was missing. - Bus asset (Audio): Volume, Sound FX and Into. Into is empty for the master and never offers the bus itself nor a bus that already goes into it. The list is worked out when the menu opens, so a change made meanwhile counts. A loop that is in a project anyway sends the buses on it into the master. - The master is no asset. Its volume and sound FX are two new rows under Master in Project settings, one undo step each. A project written before has 1 and none, which is how it sounded. - Sound, instrument, pattern and song have a row Bus, empty for the master. Play sound, Play note, Play pattern and Play song have an input bus: From the asset, Master or a bus. Inside a song or a pattern only the bus of the song or pattern counts. - Set bus volume (bus, volume, time, easing) and Bus volume. An empty bus is the master. The volume set holds for the whole run, across scenes, over that of the asset. GameRun resets it at start and end. Set sound FX parameters without a voice now reaches the sound FX of the bus picked in its new bus input. - SoundLibrary: the master is the bus "mix", each bus "mix:<id>". Every bus, the playing masters of #346 included, ends there, and only the master is heard. setMix sets them up once a context exists, so an editor nobody listened to opens no audio device. The same mix again changes nothing, which lets the editor hand it over on every change of the project. - The tabs play as the game does: Sound, Sound FX, Instrument, Pattern and Song tab through the bus of their asset and the master. - Pause game does nothing to the buses (the user's answer 4b). A game that wants quiet in its pause menu sets a bus volume itself. - Streaming long music files is #349, split off as asked. Finding on the way: the Into menu first worked from a list made when the inspector row was built. After another bus was sent into the open one, e2e 34 saw it still offered. It is now asked on open. The SoundLibrary tests expected voices to end at the destination. They now end in the master, which adds its input, level and pan to every wiring and two gains to every list. Those expectations are updated, nothing else in them changed. Tests: - Unit buses (new): 15 green. Ten counter-checks, each red on its own: loop check, bus picked, reset at run start, bus of Set sound FX parameters, master volume in the settings, and in SoundLibrary default into the master, voices into the master, run volume over the mix, no context before a play, a playing on its bus. - Unit sound-library: 90 green (5 new). Node catalog: 416 green (9 new cases). - e2e 34 (melektaus-atx): ALL PASSED, 75 checks (3 new). The voice of the Sound tab was heard on mix:<bus>, that bus into the other, that one at 0.5 into the master. Master volume 0.6 via the dialog, undo back to 1. - Gate (melektaus-atx): CHECK EXIT 0, 262 files, 4072 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
b519cd192f |
Send a track, a pattern item or a whole song through a sound FX (#346)
A sound FX could only be put on a single sound. Now a track, a pattern item, a Play pattern and a Play song send everything they play through one chain of it, as an insert in a DAW. A Play note gets one of its own. - Track: an FX box in the head next to M and S opens a menu of the project's sound FX, and the track's inspector has the row too. Order: items, track FX, volume, pan. - Pattern item: Sound FX in its inspector. Its notes play on a bus of their own into the track's bus. - Play pattern and Play song take fx and fx params. The chain sits on the master of the playing, after the tracks and before the level and the fades. Set sound FX parameters reaches it by the playback. - Play note takes fx and fx params next to the instrument's params. The FX parameters go by "fx:" so the two sets stay apart. Set sound FX parameters on a note changes a name both have in both. - A Pitch on a bus is a new PitchShifter: the phase vocoder of the PitchPlayer, fed while it plays. It cannot look ahead and is exactly one frame late at every pitch, 2048 samples. - That latency is made up. The other way of a Mix is held back by a delay of the same length. Every note and clip starts as much earlier as the buses it passes are late. The scheduler plans that much further ahead, and the first note waits that much after Play. - The Song tab waits for the chains before it plays and lets its buses go a moment after Stop. A playing in a game lets them go after its echoes and what the shifters still hold. - songBuses moved to its own file. Kept in song.ts it pulled the FX compiler into the node registry through an import cycle. Decisions of the user: one chain for the whole (1a), FX everywhere asked for (2a), Set sound FX parameters on playbacks (3a), and a pitch shifter of its own with exact latency compensation for a Pitch on a bus. Tests: - Unit pitch-shifter (new): 11 green. At 0 semitones the output is the input 2048 samples later, off by at most 1.2e-7. - Unit sound-library: 84 green, 8 new. Counter-checks (no early start, no Mix delay, chain made every time, tune misses the master) each turned their test red. - Unit bus-fx (new): 6 green, 4 counter-checks red. Scheduler ahead: 1 new, its counter-check red. - e2e 65 (melektaus-atx): ALL PASSED, 35 checks, 4 new, first run. Chrome at 44.1 kHz: the bus was 0.046440 s late, the note started exactly that much early. Offline the shifter moved 1 kHz to 2000 Hz and passed a click 2048 samples later. - Gate (melektaus-atx): CHECK EXIT 0, 259 files, 4021 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
f97961c8ff |
Play and stop a song from a behavior in the game #336
A song could only be heard in its tab. Now a game plays it through Play song and ends it through Stop song, with its tracks as they are set. A playing pattern or song also no longer undoes the pause of the toolbar. - Play song plays from the start of the song and then round the loop of its ruler, so an intro is heard once. Without loop it plays once to its end. Inputs are song, volume, fade in, loop (on by default) and detached (off by default). It gives out playback. - Stop song stops one song, every song for none, or one playback by its number, over its fade out. Stop sound with no sound named stops songs too. Stop pattern with no pattern named stops only patterns. - Songs play side by side, as patterns do. They are owned like a sound, so leaving the scene ends one unless it is detached. Pause game and the time scale leave the music alone. - Each playing is heard through a master of its own, silent until its first note. The fades move it, and a song's tracks sit inside it on buses of their own. They go once the playing and its voices have. - Notes and clips are struck the same way in the editor and the game (strikeNote, playClip). What a sequence needs comes from one place (core/music/needs). Findings: - Reading the audio clock resumed a suspended context. A playing pattern read it every 25 ms and so undid the toolbar's pause. The library now leaves a context alone while the toolbar holds it. - A pattern played once to its end asked the list of playings about its voices, and that list asked the pattern again. Once its last voice was gone this ran until the stack overflowed. The scheduler of a playing now asks only after voices. - e2e 64 reads the playings through __gm.sound.playbacks() now. Tests: - song-play.test.ts (new): 8 tests, node catalog +8 cases - sound-library.test.ts: 66 tests, 4 new - e2e 64 (melektaus-atx): 23 of 23 checks passed - e2e 65 (melektaus-atx): ALL PASSED, 22 checks (+4) - Gate (melektaus-atx): CHECK EXIT 0, 251 files, 3903 tests - Counter-checks: the old way of asking after voices, a clock read that wakes a held context, and a start after a fade out began each fail 1 test Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
2a3b90b017 |
Play and stop a pattern from a behavior in the game #336
A pattern could only be heard in its tab. Songs come with #334, and only then can #336 play them in a game. Until then a game plays a single pattern, looped or once, through two new nodes. - Play pattern plays the whole pattern through its instrument at its own tempo. The loop on the ruler is only for editing. Inputs are pattern, volume, loop (on by default) and detached. It gives out playback, 0 where there is no instrument or no note. - Stop pattern stops one pattern, every pattern for none, or one playback by its number. Let ring lets notes with an Envelope fall away in their release. - A playing is numbered and owned like a voice. Destroying the object, Stop sound with nothing named and the end of the run stop it. Stop sound with a voice takes a playback too. - Each playing runs on a scheduler of its own (core/music/playbacks). It waits for its files first, and a stop that came earlier wins. - The scheduler has an end for a sequence that does not loop. It stops waking there and is done once its last notes are. - The worker clock moved to viewport/wake.ts, so SoundLibrary can use it without importing music.ts. Tests: - pattern-play.test.ts (new): 8 tests, node catalog +7 cases - e2e 64 (melektaus-atx): ALL PASSED, 23 checks (+3) - Gate (melektaus-atx): CHECK EXIT 0, 248 files, 3854 tests - Counter-checks: no end in the scheduler, and no owner for the playing, each fail 1 test Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
23bdc3f775 |
Play notes in time on the audio clock with a scheduler #332
Patterns and songs (#333, #334) have to play sample-accurate in time,
whatever the frame rate does. What is counted in game time runs away
from the sound. This lays the ground: musical time, a scheduler that
plans notes ahead on the audio clock, and a player that starts and ends
a note at a given second. Nothing in the editor plays a sequence yet,
the check scripts drive it through `__gm.music`.
- Ticks, 480 to the quarter as in MIDI files (decided in #332).
Triplets and quintuplets land on whole ticks. Any meter, a beat being
the note value under the line. The tempo always counts quarters.
- `core/music/sequence.ts` is a pure rule: the notes starting in a
window of playing time. Across the end of a loop it looks into the
next round, so the seam has no gap. A note past the loop end ends
there. Windows are whole ticks, and the seam is stepped exactly, so
no rounding can drop the first note of a round.
- `core/music/Scheduler.ts` plans the next 100 ms every 25 ms through a
host, so it is tested with a clock of its own. The first note sounds
50 ms after the start. Changes to the sequence are heard from the
next window on. Stop and seek fade what it started. A new tempo or
loop counts from what is planned, and the playhead keeps its old
pace until the clock gets there.
- The position is the audio clock less `outputLatency`, as bar, beat
and tick.
- The beat comes from a Web Worker (`viewport/musicTimer.ts`), which
keeps its pace in a hidden tab.
- The sound library starts a note at `timing.at`: a buffer source by
`start(when)`, the pitch worklet by counting down inside the render
block it falls in. A note's end is set on the clock at once, its
fade to the sample. Leaving a loop still waits for the page.
- Delay synced to beats (decided in #332, noted from #327): a setting
`Sync` (Seconds / Beats), `time` then in quarter notes, held to the
2 s of the line. Play sound and Play note have an input `tempo`,
120 BPM where nothing is connected. A scheduled note carries the
tempo of its sequence.
- Swing is left for #333/#334, as decided.
Also fixes the red suite of
|
||
|
adminandClaude Opus 5.5
|
8a4e4a6762 |
Play sounds as notes of an instrument asset #331
A sound could only be played as it was, one at a time. An instrument
is a node graph that makes a note a sound: Notes nodes bring the note
in, Samples play sound assets for it, the effects of a sound FX shape
it and the Output sums the layers. Its tab plays it from a keyboard,
a behavior with Play note. It is what patterns and songs (#330) will
play.
- New asset type instrument, under the heading Music, not placeable.
A new one starts as Notes into a Sample into the Output.
- Notes are counted as MIDI does: 60 is C4, names like C#4, sharps
only, the lowest C-1. Notes has From and To, outputs any, note,
frequency and velocity, and with Single notes a trigger per note,
each with an optional name for a drum kit.
- New port type trigger, only into the trigger of a source. Inputs
can take any number of edges now (PortDef.many): a trigger, and
the Output, which plays everything into it side by side.
- Sample plays a sound asset. Follow note shifts it by note - root
through the pitch worklet of #317, so it keeps its length. Gate
fades it out at the end of the note, One-shot plays through. Loop
runs between Loop start and Loop end, also in the worklet.
- Parameters declares the instrument's own parameters with a
default. Sound FX sends the sound through a sound FX asset, its
parameters as inputs, the sound set in where its Input was.
- compileInstrument walks the graph once per note. A trigger is on
only for the notes it stands for, a silent source silences what it
alone feeds, a Mix with a silent side is the other side. velocity
and the parameters stay open for the voice. Builds are cached per
note until the graph or a sound or FX it names changes.
- The player takes a note as one voice of several layers, each way
with its own file and volume. release fades the gated ways out,
one-shots play on. playNote can release after a duration.
- Play note plays one note with velocity, volume, duration and
detached, and hands out voice for Set sound FX parameters and
Stop sound. Velocity is always loudness. Instrument parameters
picks values for the instrument's parameters like Sound FX
parameters does for an FX, renames follow.
- The tab has the graph, a header field per parameter, Stop, and
128 keys below. Keys without sound are grey. A key plays while it
is held. Focused, the computer keyboard plays as in a tracker by
KeyboardEvent.code, the arrows move the octave.
Findings:
- A label of the keys set fill on the shared small text style and
darkened every small label of the editor. Caught in a screenshot
before the commit, the keys have a style of their own now.
- Suite task 523 on
|
||
|
adminandClaude Opus 5.5
|
cf6799a784 |
Let echoes ring on with a Delay node in sound FX #324 #327
A voice used to end the moment its sources did, and Stop sound cut it dead. An echo has to outlive its sound, and a stop must not click. - Delay node: a delay line with a damped feedback loop, added at mix next to the untouched sound. Time 0.01 to 2 s, feedback up to 0.95, damping 20 kHz to 500 Hz evenly in octaves, all fed by parameters and moved by Set sound FX parameters like any other number. - Ping-pong is a setting of the node. It takes the sound into the left of the line and swaps the sides every round. - A voice with an echo rings on for its tail: until the last echo is 60 dB below the sound, from time, feedback and mix (fxTailOf). It stays reachable meanwhile, and a change counts the tail again. - The end of a tail is timed on the audio clock with a silent ConstantSourceNode, so a paused run holds it. Then the voice is disconnected, since an echo is a loop of nodes. - Stop sound fades a voice out in 10 ms instead of cutting it. Let ring fades only its sources and keeps the voice for its echoes. Where the context is suspended it cuts at once. - Stop sound takes a voice. Connected, it stops only that play, and a 0 from a Play sound that played nothing stops nothing. - Play sound hands out tail: length plus the echoes at its start values. - Destroying a behavior and ending a run still cut, echoes included. - No limit on voices. The emit of a sound FX node now also gets the node's settings. Finding: in Chrome every round of a feedback loop comes one render quantum late (128 samples, 2.7 ms at 48 kHz), measured as 0, 128, 256, 384 for the first four echoes. Left so, since a browser without it would then hear the echoes early. Written in the wiki. Tests: - sound-library, soundfx, node-catalog, sounds, keep-on-scene-load: 489 tests green. New: fade on stop, cut while suspended, echo and ping-pong wiring, ringing until the tail, tail counted again, let ring, stop by voice, echo knobs, delay compile, tail sums. - Counter-checks: no tail, a stop without fade, a connected voice 0 read as unconnected. Each fails its tests, files back by cmp. - e2e 34 (melektaus-atx): ALL PASSED, 37 checks. A blip through a ping-pong Delay (0.3 s, 0.5, 0.5) rang 2.97 s, 2.95 s worked out. Let ring kept the voice, a stop after it cut it. Rendered offline with the player's own stageNodes the echoes are 0.25 left, 0.125 right, 0.063 left. 64 stereo voices of it took about 0.3 s for 2 s, so about 400 play at once. - Gate (melektaus-atx): CHECK EXIT 0, 242 test files, 3713 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
804a97b0a9 |
Hand out the length of a played sound from Play sound
Wired into the time of Set sound FX parameters, a change then spans exactly one run of the clip, so a fade or a filter sweep ends with its last sample. - Play sound has a second output, length, in seconds. It is 0 where nothing was played or the sound has not loaded yet. - The AudioSink gives the length of a file, the SoundLibrary takes it from the decoded buffer. A pitch the voice starts on keeps it (#312). - A pitch changed while the voice plays still changes its length, so a pitch sweep over length does not end with the sound. A pitch that keeps the length in real time is #317. Tests: - soundfx, sounds, keep-on-scene-load, node-catalog, sound-library: 462 tests green. - Counter-check: with length always 0, the catalog case and the new soundfx case fail. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
e7a360db73 |
Offer the easings of an animation key on Lerp and sound FX ramps
A timed Set sound FX parameters ran only linearly, and a Lerp had four quadratic eases of its own. An animation key already had the full set. Now all three offer the same choice: Linear, Step, the ten curves from Sine to Bounce with In, Out or In-out, and a drawn Curve asset. - easingParams in src/core/graph/nodes/easing.ts gives a node the fields Easing, Direction and Curve from the key's own lists, and easingOfParams reads them back as a key interpolation. - There is no migration. A Lerp saved with the old in, out or inOut runs linear until its easing is picked again. - Set sound FX parameters hands the easing to the player. Linear and Step stay ramps of the audio clock, every other easing goes to setValueCurveAtTime as 200 samples a second, in semitones and dB. - Step now reaches its end at t 1. A key never asked for that, it reads the next key itself, so animations play as before. - The curve-in-use count and the warning for a gone curve cover the sound node too. Tests: - node-catalog: Lerp with cubic in, quad out and in-out, a curve without a direction, step, an unknown easing as linear. The sound node hands on a curve, step and a gone curve as linear. - sound-library: an eased change becomes a curve in semitones and decibels, a step a jump at the end. - node-catalog and curve after dropping the old values: 399, green. - e2e 6, 34, 53 on melektaus-atx: ALL PASSED, 198 checks. In Chrome a 2 s Quad in from depth 7 to -5 read speed 0.864 early and 0.5 at the end, a 1 s Step held 1 and then jumped to 0.5. - Counter-check: with curves sent as linear ramps, the curve test of the sound library fails. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
501a1524ed |
Ramp sound FX parameters over a time on the audio clock
A pitch sweep counted down in On update or On fixed update runs in game time, while the sound runs on the clock of the audio device. A short sound magnifies any offset between the two, so the sweep came out different on every play and most of all on the first. - Set sound FX parameters has a new input time in seconds. The values run evenly to their target in that time, scheduled on the audio clock with linearRampToValueAtTime or exponentialRampToValueAtTime. - Evenly in their own unit: a pitch in semitones and a gain in decibels, an EQ band and a Mix share linearly in their value. - A time of 0 or below keeps the quick glide of about 0.1 s. - Each change starts from where the voice is now. Whatever was still planned is dropped, so a change never queues behind an older one. Firefox lacks cancelAndHoldAtTime, there the value is held by hand. - A voice still waiting on its bytes starts a timed change with the sound, so the whole sweep is heard. Tests: - node-catalog: time is handed on, a time below 0 is a quick glide. - sound-library: semitones and decibels ramp in their own steps, a timed change on a waiting voice starts with the sound. - sound-library + node-catalog + soundfx: 419 tests, green. - e2e 34 on melektaus-atx: ALL PASSED, 31 checks. A 2 s ramp from depth 7 to -5 read speed 0.979, 0.926 and 0.778 half a second on. - Counter-check: folding a timed change on a waiting voice into its start values fails the new test. - The gate did not run. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
ded0022903 |
Run behaviors on a fixed step with an On fixed update node
Adding up the frame's dt in On update makes anything that counts in steps depend on the frame rate. A pitch sweep sounds a little different on every run. On fixed update runs 60 times per second of game time with dt exactly 1/60, so the same graph gives the same result every time. - fixedSteps in src/core/time.ts is the one rule for the fixed step: spend the frame in steps of 1/60, keep the rest, catch up 8 steps at most after a hitch. - The physics now counts its steps with fixedSteps too. It behaves as before, and On fixed update runs exactly as often as the engine steps. - The steps run after On mouse wheel and before On update, each as a kind of its own with the usual Order setting. - Each step gets its own context, so a node inside that reads dt (Time, Move, Apply force) gets 1/60 rather than the frame. - A paused game has no steps, also for a behavior that runs while paused. - The engine still takes all of a frame's steps before the behaviors run. A force set in On fixed update acts from the next frame on. Tests: - fixed-update.test.ts (new): 5 tests. Step counting, uneven frames adding up to 60 steps a second, the hitch cap, two steps at 30 Hz before On update with dt 1/60 for the event and for Time, one step every other frame at 120 Hz, none while paused. - event-order, node-catalog, physics-system, game-pause: 430 tests together with the new file, all green. - Counter-check: with the frame's dt inside a step and without the pause guard both world tests fail. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
c7e9769f90 |
Change the sound FX parameters of a sound while it plays #315
Until now a value handed to a sound FX counted from the start of the voice only. An engine whose pitch follows the speed, or a loop that gets quieter, could not be built. Every play of Play sound now gives out the number of its voice, and a new node lets the knobs of that one voice glide to new values while it plays. - Play sound has a new output voice: the number of this one play, or 0 where nothing was played. Kept in a Number variable it reaches the voice from another event. Two plays of one sound are two voices. - New action node Set sound FX parameters (exec, voice, fx params). It reaches exactly the voice it is given, a detached one too. A voice that has ended, or voice 0, is not reached. - AudioSink.play returns the voice number and takes the plan and the values (FxVoice) instead of a finished chain. AudioSink.tune takes a voice number and new values. A name the voice's FX does not have is left out, one not given keeps its value. - SoundLibrary hands out the number at once, before the bytes are there, and never twice. A voice still waiting for its bytes starts with the values handed in meanwhile. - Every knob of a voice moves with setTargetAtTime (30 ms time constant). A knob whose value did not change is not sent again, so a tune every frame costs next to nothing. - A pitch on a playing voice glides by playbackRate. A new WSOLA copy in the middle of a sound is not worked out, so the voice gets shorter or longer while it is moved. On a loop that is not heard. - fxChainOf now gives a chain whose shape depends on the plan alone. A stage fed by a parameter stays at 0 dB, and a Mix fed by a parameter keeps both ways. A typed-in 0 or Mix at 0/1 is still left out by the compiler. - Every way of a voice has a source of its own, also at the same pitch, so each can glide on its own. The pitched copy is shared. - The tab keeps the numbers of what it plays, so moving a parameter field is heard at once. - Test hook __gm.sound.levels(file) reads the knobs of every voice of a file, oldest first, and stats() counts the voices tuned. Tests: - soundfx.test.ts: 29 tests (+2 for the node in a running world: the voice of the first of two plays of one sound, and a play that played nothing) - sound-library.test.ts: 15 tests (+3: glide, reach by number, pending voice) - node-catalog.test.ts: 370 tests (+2, Play sound checks its voice) - sounds + keep-on-scene-load: 31 tests, unchanged - Counter-test: a tune that reaches every voice of the same file makes the reach test fail. - e2e 34 (melektaus-atx): ALL PASSED - 30 checks (+1). In Chrome two looping voices of one sound start at depth 7. The one whose number sits in a variable glides to 0.7938 (2^(-4/12) = 0.7937), the other stays at 1. Both gains stay at 0.5012. - The gate ran before voices got a number (CHECK EXIT 0, 241 files, 3658 tests), not after. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
183f356c99 |
Let a game hand values to the parameters of a sound FX #311
A sound FX played the same every time: its numbers were settings of the nodes. Now the Input declares parameters with a default, every number of Gain, Pitch and EQ is an input they can feed, and a Play sound hands in values for them. - Input declares number parameters in the inspector, each with a Default (DeclaredPort.default, SetPortDefaultCommand). They are outputs of the Input. Input and Output count as terminals now, one of each per graph. - Gain, Pitch and EQ take their numbers at inputs under the keys the settings had, so saved graphs sound as before without a migration. Each value is held to its range however it arrives. - The compiler gives an FxPlan with the parameters still open. fxChainOf fills them in when a voice starts. The player still only sees an FxChain. - New behavior node Sound FX parameters: names an FX and picks its parameters like a Variables node picks variables. Each picked one is a number input that starts at the FX's default. Its output has the new port type fxparams, which only fits Play sound's fx params. - Play sound warns when the parameters name another FX than the one it plays. Names the FX does not know are left out. - Renaming a parameter at the Input renames it in every Sound FX parameters node naming that FX, edges and values included. - The Sound FX tab has a number field per parameter in its header. Play uses those values, they are never written into the asset. - A value counts from the start of a voice. Changing a playing voice is #315, a Mix node is #316. Tests: - soundfx.test.ts 22 (+11): parameters in the plan, held values, a 0-by-default stage, EQ band, save with defaults, wrong port types, default command with undo, Sound FX parameters into Play sound, defaults of picked ones, node problems, mismatch, rename with undo - node-catalog 368 (+3): Play sound fx params, Sound FX parameters - e2e 34: ALL PASSED - 28 checks (+2: header field plays depth 5, a Sound FX parameters node gives the game's voice depth 7) - Gate on melektaus-atx: typecheck, lint, prettier clean, 240 test files, 3636 tests green - Counter-check: with fxChainOf ignoring the values and the rename not followed, 5 of the new tests fail. - Browser probe: header fields, inspector Default and the picked parameter looked at in two screenshots. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
de14f0f9e2 |
Play a sound through a graph of gain, pitch and EQ effects #311
A sound could only be played as it was uploaded. A Sound FX asset is
a node graph like a shader: Input, effects, Output. Play sound has a
new input fx that sends the voice through it.
- New asset type soundfx ("Sound FX"), not placeable, with a graph
and its own tab. The heading in the asset panel is "Sound effects",
so it does not take the click meant for the + menu entry.
- Nodes in core/soundfx/nodes.ts, category sound, port type audio
that only fits audio: Input, Output, Gain (dB), Pitch (semitones),
EQ (80 Hz and 12 kHz shelves, peaks at 250 Hz, 1 kHz and 4 kHz).
- compileSoundFx walks back from the Output with the shared graph
emitter. An input takes one edge, so the result is one line: a
pitch and a list of gain and filter stages. A node without input
or a graph without Output reports a problem on the node.
- Pitch is the playback rate of the source. It applies to the whole
sound and also changes its length, the node description says so.
- The BehaviorSystem resolves fx and hands the line to the AudioSink.
An fx that is missing or does not compile plays the sound dry.
- SoundLibrary wires source, stages, volume, destination in that
order. stats().last now also names pitch and stage count.
- The tab header picks one of the project's sounds and plays it
through the graph as it stands. Stop there ends only its own voice.
Tests:
- soundfx.test.ts (new, 11), sound-library (9, +2 for the wiring),
node-catalog (+1 for fx), graph and asset-groups adjusted
- e2e 34: ALL PASSED - 26 checks (+5: + menu opens the tab, palette,
2 effects, tab Play and game Play through the FX at -12 st)
- Gate on melektaus-atx: typecheck, lint, prettier clean, 239 of 240
test files green. The red one was sound-library (its fake
AudioContext had no playbackRate), fixed afterwards, gate not
re-run in full.
- Counter-check: without the audio rule in portsCompatible the port
test fails.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
|
||
|
adminandClaude Opus 5.5
|
2da07599d8 |
Let Get position give only the local x and y
Get world position now covers the world coordinates. Two nodes that both offer world x and y made it unclear which one to take. No project uses the world outputs of Get position any more. - Get position drops its world x and world y outputs and its description points to Get world position. - Old snapshots with edges on those outputs still load. The edges hang on ghost ports and the node warns about them. - The unit tests in hierarchy and raycast and the graphs in e2e 43 use Get world position where they read the world coordinates. Tests: - node-catalog, hierarchy, raycast: 3 files, 417 tests, all green - e2e 43 on melektaus-atx: ALL PASSED, 17 checks Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
526b1da7f4 |
Add a Get world position node with just the world x and y
Get position hands out four numbers, local and world. A graph that only needs where an object is in the world had to pick the two world ports out of four and leave the local ones dangling. - Get world position has one object input and the outputs x and y. It reads the same worldPositionOf as Get position, so a child adds every parent's position in. - Without an object it reports the origin, like Get position. Tests: - Node catalog: a top-level object, a child under a parent and no object (3 cases). - node-catalog and hierarchy: 2 files, 378 tests, all green. The full gate was not run for this commit, CI covers it. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
8452a99c64 |
Let a graph read and change the z of an object
Until now a behavior could not move an object in front of another while the game runs. Set position writes only x and y, and z lives on the running object rather than in its props, so Properties cannot reach it either. Drawing already reads the z every frame, so only the nodes were missing. - Get Z (data): object in, z and world z out. World z is summed up with the parents, the way drawing does it (worldTransformOf). - Set Z (action): object and z in. It sets the object's own z, local to its parent like Set position. Higher is drawn in front from the next frame on. - Two nodes of their own rather than a z port on Set position and Get position, as asked. Tests: - node-catalog: Get Z for a child (2 below 5 is world z 7) and for no object, Set Z writes only z and leaves x/y. - set-z.test.ts: in a running world a key sets the lower of two sprites to z 2, drawSlots then draws it in front, Get Z logs 2 and 2. - Two counter-checks bite: Set Z without the write and Get Z without the parent fail 3 tests. - Gate: 233 files, 3548 tests (3542 + 6), CHECK EXIT 0. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
d9c6bbfa4d |
Add a node that names the render layer of an object (#305)
The issue asked for Set render layer, Set sees and Render layer of. As with #211, a probe showed that writing already works. A Properties node of the object's type writes Render layer during a run, Inherit included, and one of type Camera writes Sees. The next picture follows both. As agreed, only Render layer of is built, and writing stays with Properties. - Render layer of is a data node with the input object and the outputs name and number. It answers the layer that holds, so an object without a choice of its own names its parent's. - NodeContext.renderLayerOf answers the number with the same rule the drawing uses (renderLayerAlong). The new field renderLayers on GraphLookup brings the names to the node. - hasRenderLayer in PropertySchema says which types are drawn. - Decided here: for an object that is not drawn (a camera, a behavior, a collider) the name is empty and the number -1, as Layer of does without a collider. Changing the render layer or Sees during a run had no test so far. Three unit tests now hold the proof from the issue. Tests: - Gate: 231 files, 3534 tests (3526 + 8), exit 0 - e2e 6: 149 checks passed, e2e 63: 13 checks passed (+1) - Unit: the coin moves into the overlay with Set and back with Inherit, a HUD container takes its sprite along, the main camera sees a second layer once its Sees is set, and Render layer of names the inherited layer, and none for a behavior - Node catalog: four cases for Render layer of - 63c3 moves a sprite onto UI in a Play run: the main camera no longer draws it, and the log reads "UI" and "1" - Three counter-probes fail 1, 1 and 2 tests: without inheriting in the node, without the check for a drawn type, and without inheriting in the drawing - "layer of" in the palette still finds Layer of first (6z-x) - The e2e sum is 1731 (1730 plus 1) Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
70f3608733 |
Let Mouse position and Is hovered see through any camera (#304)
An overlay camera from #302 can stand elsewhere and zoom differently.
A HUD button only it shows lay somewhere else in the world than the
mouse of the main camera, so Is hovered never found it. Both nodes now
take a camera and see the mouse through that camera's picture.
- New input `camera` on Mouse position and Is hovered. Left open, both
read the main camera exactly as before.
- `pointerThrough` in core/properties/camera is the rule as a pure
function. It fits the camera's picture into the main one and centres
it, the same way overlayView draws it.
- The game view reports where the mouse lies on the main picture, as a
part of its width and height. The world turns that into a camera's
view, so a main camera on the move does not drag the mouse across
the HUD while the mouse stands still.
- `in view` is true only on the camera's own picture. A camera that is
not drawn (switched off, a second plain one, not a camera) never has
the mouse on it.
- On click and Mouse button stay with the main camera, as agreed in
the issue.
Also fixes a unit test that
|
||
|
adminandClaude Opus 5.5
|
0dda6a012a |
Walk an object to a point, and measure distance in the world (#296)
The slime of #296 walks to three kinds of point: a spot in its home area, home again, and the player. Each of those took about eight nodes, and Distance measured between local positions, so it was wrong for the player, whose sprite sits inside a container. - New node Move toward: steps an object toward a world point by at most speed times dt and stops exactly on it. Below a moved or turned parent the step is turned into the axes Move counts in. - With Collide with solids it moves the way Move does. Outputs are arrived, the distance still left and hit. - Distance now measures in world units, however deep each object is nested. The slime itself, its state machine, the player's lives and the change to the Break animation live in the project, not in the repo. Tests: - Gate on melektaus-atx: 220 files, 3442 tests (3436 + 6), CHECK EXIT 0. - Six new catalog cases. Both counter-checks bite: Distance back to local positions fails one, Move toward without the parent's axes fails one. - No e2e module touches these nodes. The e2e sum stays at 1701. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
f1e3bd8378 |
Let a joint glide on a rail and drive it with a motor (#154)
Step 2 of the joints: a door that opens by itself, a lift and a piston need a joint that slides along one line and a motor that turns or pushes. A graph also needs to read how far such a joint stands. - Slider: a fifth joint type on Rapier's prismatic joint. Its rail is the joint's own x axis, so turning the joint turns the rail. Joints now carry Scale, Rotation and Mirror like a sprite. - Limit distance with Min and Max, in world units from where the object was placed. - Motor on hinge and slider: Off, Speed or Target, with Motor speed, Motor target and Max force (0 = no limit). Target goes there at no more than the speed and slows down for the last stretch. - Changing speed, target or force keeps the engine joint. Switching the motor on or off builds it again. - New node Joint position: value and speed of a hinge (degrees, counting past a full round) or a slider (world units). - Scene view draws a slider's rail dashed, with a tick at each limit. - shownFor in the schema takes a list of choices that must all hold. Findings, measured with a probe against Rapier 0.20: - A prismatic joint holds both bodies at one angle. Held to the scene or to an object without a rigidbody, the joint's own anchor body is turned by the placed difference, so nothing jumps. Between two rigidbodies the held one is turned to match, and the console says so once. - Rapier reads no joint angle back. The position is worked out from the two bodies. - A hinge motor is weak on a small body at the end of a long arm (box 20 on an arm of 100 does not lift itself). More solver iterations would help but cost every scene. A door of 100 x 20 reaches -90 and holds it. This is written in the wiki. Tests: - Unit: 16 new in joints.test.ts, 1 in joint-links, 3 catalog cases. - e2e 41: 27 checks (25 + 2), block 41f with a real mouse in the inspector and the motor in play (59.1 of 60 units in 1 s). - 9 of 9 unit counter-probes fail as they should. - Gate: 220 files, 3436 tests (3416 + 20), CHECK EXIT 0. - e2e total 1701 is counted (1699 + 2), the full suite did not run. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
7dd3ae1131 |
Tie two objects with a hinge, a spring, a rope or for good (#154)
Two bodies could not be connected: no door on a hinge, no lamp on
a rope, no wheel on an axle. This is the first step of the issue,
the four joints without a motor. The slider and the motors follow
in a second step under the same issue.
- Joint is a new asset type, placed as a child of the object it
holds, like a collider or a rigidbody. "Add joint…" in the
object menu makes one or places one the project has. An object
takes as many as it needs.
- Where the joint sits is the point it holds its object at. A
hinge and a fixed joint have that one point only. A spring and a
rope end at a connected anchor on the other object, counted in
that object's own units, or in the scene's without one.
- The rows follow the type: length, stiffness and damping for a
spring, length for a rope, an angle limit for a hinge. Length 0
takes the distance the two ends were placed at. The limit counts
from how the two were placed.
- The connected object is an object reference in the schema of the
type. Pasting, containers and removing treat it as they treat
every reference since #258.
- shownFor is a new schema option: a row is shown while an enum of
the same bag holds one of the named values.
- The object needs a rigidbody, its own or one further up. Without
one the joint holds nothing and the console says so once.
- A connected object without a rigidbody is a moving anchor: the
joint has a kinematic body of its own that follows it.
- A connected object destroyed while playing makes the joint let go
with a hint. Removed in the editor the reference empties, so the
joint holds on to the scene. The issue asked for "inactive" there.
- "Add joint" ties two objects while the game runs, from a joint
asset as the template. Destroy on the joint lets go, there is no
Break joint node. Destroy with keep children takes the joints
along with the object.
- The scene view draws a line from each joint to what it holds on
to and rings the held point. A selected spring or rope has a
round handle on its far end, and dragging it is one undo step.
- Joints hold in Play only. The editor run simulates nothing
(#148), and the inspector of a placed joint says so.
- Rapier counts a revolute joint's limits absolutely, not from the
start, so the placed angle is added. Measured with a probe.
- The + menu has 25 types now and no longer fits under its button
on a canvas 800 high. It scrolls there, and e2e 04 scrolls to
the last entry instead of expecting it in view.
Tests:
- Gate on melektaus-atx for this state: 218 files, 3390 tests
(3336 + 54), exit 0.
- e2e 1-16,24,39-46,51,52,57,58 on melektaus-atx: 831 checks, all
pass. Module 41 alone: 25 checks (21 + 4).
- 54 new unit tests: 40 in joints.test.ts (rope, spring, pendulum,
limit, fixed, the other end, the node, containers, paste), 6 for
the line the scene view draws, 4 catalog cases of the node. The
remaining 4 come from tests that make a case per asset type.
- Four new e2e checks in module 41: Add joint from the menu, the
rope to the hook with its line and handle, dragging the handle
with one undo, the bob hanging in Play next to one that falls.
- e2e 04, 40 and 46 count the new type in their lists.
- 21 of 22 unit counter-probes fail their tests. The other one is
equivalent: Rapier ignores removing a joint that left with its
body, the guard stays.
- Three browser counter-probes fail their checks (2, 1 and 2).
- One screenshot looked at: icon, line, handle and the rope rows.
- The e2e sum of 1691 is counted (1687 + 4, 1687 measured by CI
on
|
||
|
adminandClaude Opus 5.5
|
46c620ae3b |
Give a behavior more ways in and out, and hear it as an event (#294)
A behavior run by another one had a single flow port at its Start and at its End, so it could not branch for its caller. And it could not be used as an event: a call needs a pulse at its flow input, and the events of a called graph never fire. An input like "Confirm" (Space or Enter) had to be built again in every graph. - A declared port of a Start or an End node can be of the kind Flow. It sits above the values and shares their names, exec stays reserved. Only these two nodes declare one, a struct does not. - Run behavior shows a flow port of the Start as a further flow input. A call arriving through it leaves the Start through the output of that name and not through exec. - Run behavior shows a flow port of the End as a further flow output. The call goes on through the one the End was reached by last, and then through exec. exec fires always, as before. - On behavior is a new event node without a flow input. The behavior it names runs at the node for as long as the behavior around it runs, with all of its own events and one set of variables per node. - Its outputs are those of the End. It fires once the inner pulse is through, by the output the End was reached by last, exec only for End.exec. A pulse that never reaches the End is not seen. - The value ports of the Start are its inputs, read anew for each inner pulse. The Start itself never fires there. - It nests to any depth. Under a Run behavior it stays silent. A behavior hearing itself, however far round, is not started and the node says "A behavior cannot listen to itself". - The palette offers every other behavior with an End once more as "On <name>". A node naming one without End says so. - An On node removed while the game runs ends its behavior with On disable and On destroy. The sounds of the entity end only with the behavior placed on it. - Renaming and deleting a declared port follows the edges at On behavior nodes as it does at Run behavior nodes. - The flow outputs of the Start of a behavior placed on an object never fire, like its exec. - The engine prompt of the benchmark names flow ports and On behavior. Tests: - Gate on melektaus-atx right before this commit: 215 files, 3319 tests (3278 + 41), exit 0. - e2e 19 on melektaus-atx: 39 checks (+4), all pass. e2e 1-6,17-24,26,36,51: 628 checks, all pass. - 19 unit tests in flow-ports.test.ts, 19 in on-behavior.test.ts on a real world, the rest in the node catalog. - Four new e2e checks in module 19: a flow port declared by mouse at the End, On Confirm in the graph, the call leaving through the further output while playing, Enter and Space on a real keyboard. - 19 unit counter-probes all fail their tests. One did not at first (a removed node kept its instance), a test was added. Two browser counter-probes fail their checks. - One screenshot looked at: On Confirm with exec and pressed, the second flow pin at the calling node. - The e2e sum of 1680 is counted (1676 + 4), the full suite and the smokes did not run. - Not seen in the browser: flow inputs at the Start, nesting, the ring, values through On behavior, the palette entry. No test holds that the sounds of the entity go on when a heard behavior ends. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
b5339b96c2 |
Tell a graph the frame a key went down or came up
Key is down says whether a key is held. To act once on a press, a graph had only the events On key down and On key up. A behavior that is called by another one and reads its input as data had to keep the state of the last frame in a variable of its own. - Key was pressed is true for the one frame in which the key goes down, the frame On key down fires in. Key was released is the same for the frame the key comes up. - Both sit next to Key is down in the palette and have the key as their only setting. - NodeContext gains wasKeyPressed and wasKeyReleased. The behavior context answers them from justPressed and justReleased of the input, through keyName, so a key saved as "A" meets the key "a". - No repeat. On key down may fire again while a key stays held, a held key is pressed once here. - When the window loses the keyboard, every held key counts as released in that frame, as On key up has it. - The engine prompt of the benchmark names the two nodes. Tests: - Gate on melektaus-atx right before this commit: 213 files, 3278 tests (3264 + 14), exit 0. - e2e 18,20,43 on melektaus-atx: 57 checks, all pass. - Ten unit tests in key-edges.test.ts on a real world, four cases in the node catalog. - Eight counter-probes all fail their tests. One did not at first (the case of the key saved on the node), a test was added. - No e2e check of its own, the sum stays 1676. The nodes were not looked at in the browser, neither in the palette nor with a real keyboard. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
3e8c88c66d |
Add a node that names the collision layer of an object (#211)
The issue asked for three nodes: Set layer, Set collides with and Layer of. A probe showed that the finding behind the first two is outdated. The Properties node of type Collider already writes both settings while the game runs, and both collision systems see the change at once. As agreed, only Layer of is built, and writing stays with Properties. - Layer of is a data node with the input object and the outputs name and number. The name is what the project calls the layer. - NodeContext.collisionLayerOf answers the number, and the new field collisionLayers on GraphLookup brings the names to the node. - layerHolderOf in solids.ts says whose layer counts. An object stands for its first collider child, a collider or tilemap for itself. - Decided here: a collider that is switched off counts too, because its layer is set either way. - Decided here: without a collider the name is empty and the number is -1. - The node is a read, not a run, so it answers at the moment it is asked. Right after a Set in the same flow it names the new layer. - The output number was not asked for. It fits the layer port of Properties as it is. Changing the layer during a run had no test at all so far. Five tests now hold it in both systems. Tests: - Gate: 198 files, 2929 tests (2914 + 15), exit 0 - e2e 1-6: 285 checks passed (06: +2 for block 6z-x) - Five unit tests for the change during a run: a mover is blocked, passes and is blocked again, a ray with a layer filter follows the change, and a dynamic body falls through the ground in Play - Six unit tests for Layer of, three against each system, and four cases in the node catalog - 6z-x finds the node in the palette, checks its ports and logs "Ghost" and "1" for the owner's collider in a Play run - Two counter-probes for the change during a run fail 1 and 4 tests, and only new ones, so those places were unguarded before - Six counter-probes for Layer of fail 2 to 3 tests each. All eight ran on stein2, not in the container. - The browser counter-probe fails 6z-x with "Layer 1" and "1" - The e2e sum of 1619 is calculated (1617 measured in CI run 276, plus 2). Neither the full suite nor the smokes ran for this state. - Not looked at in the browser: that the layer port of Properties shows the same picker as the inspector. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
c1cc80bb45 |
Add nodes that ask whether an animation still runs (#233)
A graph could start, pause and stop an animation and hear it finish, but it could not ask in between whether one runs or how far it is. Two data nodes answer that now. - Animation playing takes an object and an animation and gives playing, progress and time left (s). It answers at the moment it is read: right after Play animation in the same pass it says on, and in the frame On animation finished fires it says off. - With Animation at None it answers for the running animation started last on the object. - Animation length gives the seconds of one pass, from the timeline and the frame rate alone. - The rule is a pure function in src/core/model/animation.ts (playerStatus, leadingPlayer). The nodes reach an animation's length through a new field animation on GraphLookup. - animationPort is exported so both nodes show the same picker as Play animation. Decided in the issue: a Once (reset) counts as running while it blends out, and progress and time left also hold for Loop and Ping-pong, at the place of the playhead. On Ping-pong progress falls again on the way back and time left counts to the next turn. Decided here, the issue says nothing on it: - A paused animation does not count as running. Progress and time left stand still. - One that Stop animation fades out does not count as running, and its time left is 0. - Time left of a Once (reset) includes its blend out. While it blends out progress is 1 and time left is the rest of the fade. Finding, not fixed: on the node the name of the chosen animation overlaps the output label progress in the same row. That comes from the fixed node width in NodeView and was seen in the Fit view only. Tests: - Gate: 198 files, 2903 tests (2891 + 12), exit 0 - e2e 1-6: 282 checks passed, 06 has +2 for block 6z-ix - Nine unit counter-probes fail, 1 to 4 tests each - The browser counter-probe fails 6z-ix with ["false","false"] - e2e total 1615 is computed, not measured in a full run. The smokes were not run. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
0f6e628616 |
Check the declared type when a graph writes a typed variable (#271)
A list variable with an item type only kept its shape in the editor. A graph could write any list into it at runtime, and the List node had no type at all. Now the declaration decides what a write may store. - Writing a list into a typed list variable leaves out every item that does not have exactly the fields of the type. The rest is written and the console names each item that was left out, like Add item does. - The same rule holds for typed list fields inside a struct variable and for lists inside typed items, at any depth. - A typed struct variable refuses a struct with a field the type does not have, and a value that is no struct. A struct with missing fields still merges in as before, so a partial Pack keeps working. - The check runs in the Variables node (own variables and Variables assets) and in the Properties node when it sets a behavior variable of another object. - Ports learn their declaration through GraphLookup: what a variable declares about its type, and which behavior owns a graph. The rule itself lives in the new src/core/graph/typedValues.ts, fitsType moved there from SetItem. - The List node gets a Type setting. With a type its items are shaped and marked, follow the struct asset, count when the type is deleted and offer Split into fields in For each. The mark never reaches the running game. - A type on a List node holding something other than structs is refused with a console line. - Setting the List node back to None removes the marks, unlike a list variable. A node list has no per-item type row, so marked items could never be freed there. Undo brings everything back. - tests/core/kinds.test.ts looked for the value as the first parameter of a literal. Type now comes first on the List node, so the test finds the value by its key. Tests: - Gate: 198 files, 2869 tests (2856 + 13), CHECK EXIT 0 - e2e 55: 19 checks (+55j write at runtime, +2 for 55k List node) - e2e 54: 16 checks, smokes 24 / 19 / 21 - Five mutations, each fails between 1 and 4 tests - e2e total 1606 is computed (1603 + 3), no full run Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
0c41cb97b1 |
Clip the children of an object to a clip area (#260)
An inventory grid could not scroll, because nothing could cut a child off at an edge. A game also had no way to hear the mouse wheel. Both are needed for a scrolling list, a dialog text or a window with more content than room. - A new object type Clip area has width and height and turns, scales and mirrors with its parent. The size gizmo drags width and height. - Everything below a clip area, on every level, is drawn only inside its rectangle, in the Scene view as in the game. Nested areas cut to their intersection. The rule works on a convex polygon, so a turned area cuts right as well. - On click, Is hovered and On mouse wheel do not hit a cut-off part. The Scene view does not pick it either. - In the Scene view the area is a dashed frame that is grabbed only at its edge, so a click inside lands on the content. The eye under Shape hides the frame. In the game the area is invisible. - While an object below an area or one of its parents is selected, the Scene view shows the cut-off part at 30 % opacity and it can be grabbed there. The rule lives in core/properties/clip.ts. - The Properties node knows the type Clip area. - The new event node On mouse wheel fires by the rule of On click. Its delta counts in notches, positive is down, and a frame's turns arrive as one value. It also gives x and y. Limits: - Only sprites and texts show the faded rest. Tilemaps and particles are cut and can be grabbed when open, but are not shown faded. - Masks by texture shape are out, as noted in the issue. Tests: - ./check.sh: 2773 tests, CHECK EXIT 0. - Full e2e run (local): ALL PASSED, 1549 checks, measured. - tests/core/clip-areas.test.ts: 12 tests for the cut rule, scene and game, save and load, hits, the wheel with and without owner, the notch conversion and the open rule. - e2e 58, 5 checks with real mouse and wheel: the scene cuts (74 of 74 red inside, 0 outside), a click on the cut part picks nothing, the selected rest is faded and grabbable, the game cuts, one notch logs 1. - e2e 04 and 46 count the object types and the eye rows. They now include Clip area. - Counter-checks: 6 in unit tests and 3 in the browser, all fail as expected. The originals were restored and checked with cmp. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
ef2600493f |
Read the pixel size of a texture in a graph (#262)
A graph had no way to know how big a picture is. An icon sprite with a fixed size therefore stretched every icon of another size, an 8x8 pixel-art icon in a 16x16 slot was drawn twice as big. - New data node Texture size. It takes a texture, a frame or a pixel art and hands out width and height in pixels, 0 x 0 for none. Wired into a sprite's width and height, the picture shows pixel for pixel. - GraphLookup gets textureSize. The project answers it with the same pictureSize rule a sprite uses to size itself. Tests: - ./check.sh: 2749 tests, CHECK EXIT 0. - 2 catalog cases (a picture, no picture) and one test against a real project: pixel-art sheet, single frame, missing texture. - No e2e check and no counter-check for this node. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
4e6aeb5f72 |
Query objects in bulk and filter, count or test a list (#259)
The object queries only ever returned one object: Object by name, Child by name and Find all stop at the first hit. Getting every coin, every child or every item that passes a test needed a For each with its own bookkeeping. These nodes return the whole set as a list of Object, so For each and Find can use item straight away. - Objects by name returns every scene object with that name in scene order. - Children by name returns every match below object, nearer levels first, the same order as the singular node. - Children returns the direct children, with recursive all of them level by level. - Objects of asset returns every instance of an object asset or container by the same rule as Is asset, spawned ones included. - All four take a snapshot. Destroyed objects are never in it, disabled ones are, as with the singular nodes. - Find has a Mode setting: First, All, Any and Count. First is the default and hides the row, so existing graphs look the same. - Match follows the mode of its paired Find: done with items and indices, done with any, or done with count. An unpaired Match shows First, since the pairing only comes from the wiring. - First and Any stop at the first hit, All and Count walk the list. - Changing the mode drops edges at outputs the Match no longer has, in one undo step. SetNodeParamCommand now cleans the whole graph, but only edges that were valid before the change. - The palette entry "filter" adds a Find set to All with its Match. Found on the way: - After adding the filter entry, "find" + Enter picked Filter. The entry has node type Find, counted as an exact hit, and the tie went to the alphabet. The search now ranks by the entry id. e2e 6z-v caught it. Tests: - ./check.sh: 188 files, 2746 tests, CHECK EXIT 0. - find-modes.test.ts with 11 tests, 11 catalog cases for the four nodes, the asset input guard now expects 3. - e2e 6z-vii with 3 checks: filter from the palette, Count picked in the inspector drops the items edge, a run logs 2, 2, 2, 3, 4, "0, 2". - GM_STEPS=1-6: all passed, 278 checks. - Counter-checks fail as expected: every mode stopping early (2), Match ignoring the mode (6), cleanup on the own node only (1), no recursion (2), no inOrder (2), old ranking (1). In the browser a Match ignoring the mode fails both editor checks. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
2aaca01929 |
Find the first matching item with a Find … Match block (#255)
Searching a list with For each needs the test result wired back into break on the left of the loop node. The wires then run across the node and the graph reads badly. Find … Match keeps the whole search flowing left to right, while the test in between stays a free graph. - Find takes exec and list and offers item and index. It sets them to each element in turn and has no exec output of its own. - Match reads its bool input match once per element. The first true value continues at found with item and index of the hit. No hit or an empty list continues at not found with an empty item and index -1. - The pair is derived from the wiring and stored nowhere. A Match belongs to the Find whose item or index its test is built from. Copy, paste and undo therefore need no extra code (findBlock.ts). - An unpaired Find or Match, two Matches on one Find and a Match fed by two Finds show a warning on the node. At run time the flow ends at an unpaired Find and the console says so. - Adding Find from the palette places its Match 480 px to the right in the same undo step. - The graph draws a quiet frame behind Find, Match and the nodes of the test. Literals feeding the test from outside stay outside the frame. - The test consists of data nodes only, like the break of For each. Tests: - ./check.sh: 184 files, 2694 tests, CHECK EXIT 0 - e2e GM_STEPS=1-6: ALL PASSED, 272 checks - New find-match.test.ts with 12 tests, 2 catalog cases, e2e 6z-v with 3 checks using a real mouse. - Counter-checks: ignoring the test fails 4 unit tests, no ambiguity check fails 2, framing everything fails 1. In the browser, no frame and no Match from the palette each fail their check. - Check total in README: 1517. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
b90b62886b |
Put one item into a list, a struct staying whole, with Add item (#250)
A list could only grow through Join lists, and that takes its b apart: a struct becomes one item per field and a list is joined. A list of structs such as loot could not grow at all. - Add item returns a new list with value as exactly one more item. A struct or a list goes in whole. The list that came in is left alone, like with Set item. - index -1 or unset appends. Otherwise the item goes in before that index. An index outside the list appends, so the value is not lost. - The rule that an item takes the kind of its slot moved out of Set item into fitToSlot. Both nodes use it, Set item behaves as before. - No e2e check and no browser look. The node is covered by unit tests. Tests: - ./check.sh: 180 files, 2634 tests, CHECK EXIT 0 - 7 catalog cases, 4 cases in list-of-structs.test.ts, and index in the whole-number inputs of texture-kind.test.ts - Counter-check: taking the value apart like Join lists fails 3 tests - This commit alone: tsc and the three touched unit files pass (337 tests) Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
cb8a2d029a |
Loop over a list and stop at the first match with For each (#249)
Finding the first item that matches took Count, Repeat, Item at and a Branch, and the loop could not stop once it had found something. A graph has no lambdas, so the predicate is an input that is read every round. - For each runs body once per element, with item and index set, and goes on at done. - Its break input is read anew before every round, after item is set. Once it is true the loop ends there and that round's body does not run. - done sees the matching item and index with stopped true. Without a match it sees no item, index -1 and stopped false, the OrDefault. - RepeatResult has optional items, stopWhen, stopped and exhausted. GraphInterpreter.loop reads them, Repeat runs as before. Tests: - ./check.sh: 180 files, 2623 tests, CHECK EXIT 0 - e2e GM_STEPS=1-6: ALL PASSED, 269 checks - 5 interpreter tests in graph.test.ts, 2 catalog cases - e2e 6z-iv: the palette creates the node, and a search for Name == "Gold" in Axe, Gold, Bow, Gold logs "1true" - Counter-checks: without the break check 2 unit tests fail, and with break not read over its edge 6z-iv fails - This commit alone: tsc and the three touched unit files pass (349 tests) Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
393b8ec7f9 |
Build your own easing curve and use it on keys and Lerp (#247)
The built-in eases cover the usual shapes, but a game often wants its own: a coin that bounces twice, a door that overshoots and settles. A new asset type holds such a curve, and keys and the Lerp node can pick it instead of a built-in ease. - New asset type "curve": points like in Vector art, x is t and y is the value. A new curve is the straight line from (0, 0) to (1, 1). - One pure evaluation in src/core/model/curve.ts serves the timeline preview, the running game and the Lerp node. - The curve always has one value per t. The end points stay at t 0 and 1, points cannot pass each other, and a handle that reaches past its neighbour is shortened along its direction. Loading a hand-edited file applies the same rules. - Curve tab: click on the line to insert a point that keeps the shape, click on free space to put one there, drag points and handles, double-click or Delete removes, Alt-click toggles round and sharp. Every step is one undo step. - Presets: all 30 built-in eases plus Linear, fitted with adaptive subdivision. Each stays within 0.4 % of the built-in ease. - Preview: a dot runs along the curve once a second, a second dot shows only the value. The Preview button stops it. - Animation keys get "Curve" under Easing with a curve picker. Lerp gets "Curve" under Ease, and its result may overshoot b. - A missing or unpicked curve runs linear. The inspector says so, the node shows it as a problem, and deleting a used curve warns with the number of keys and Lerp nodes. Tests: - ./check.sh: 180 files, 2612 tests, CHECK EXIT 0 - GM_STEPS=1-6,25,53: ALL PASSED, 309 checks - New e2e module 53 with 13 checks, all with the real mouse. Expected values come from its own Bezier evaluation. - Counter-checks bite: without Bezier evaluation 4 unit tests fail, without handle clamping 2. In the browser, a key that cannot find its curve, a click that sets no point and a handle drag that moves the point all turn checks red. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
320d3e27e1 |
Add a Lerp node that blends from a to b with an ease (#246)
Every animation in a behavior had to build its interpolation from Subtract, Multiply and Add, once per axis. The gold pickup in "Garden of Sacrifices" needed about 30 nodes for that alone. A single Lerp node with an ease makes those chains one node each. - Lerp has the inputs a (default 0), b (1) and t (0) and the output result. It sits in the data category next to Clamp. - The Ease setting offers Linear, In, Out and In-out, all quadratic. The node row shows it as "Ease: Out". - t is held in 0..1. A timer that overshoots in the last frame still lands exactly on b. Tests: - ./check.sh: 178 files, 2583 tests, CHECK EXIT 0 - 7 new cases in the node catalog test. Without the clamp on t, 2 of them fail. - e2e 6z-iii (2 checks): typing "lerp" in the palette adds a linear Lerp, and picking "Out" in the inspector reaches the node and its row. GM_STEPS=1-6: ALL PASSED, 267 checks. - README check sum is 1459, computed, not counted. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
483c34bb5c |
Let Destroy keep the children and hand them back as a list
Destroying a container used to take everything below it along. Now Destroy can remove just the object itself and pass its direct children on, so a behavior can keep working with what was inside. - New input keep children (bool, default off). When on, only the object goes. Its direct children move up to the object's parent, or to the top level if there is none. Grandchildren stay where they are. - New output children (object list) with the direct children that were kept. It is empty when keep children is off. - The children keep their place on screen. carriedTransform folds the destroyed object's position, rotation and scale into their own, the same as reparenting in the editor. - Behaviors and the rigidbody of the object are always destroyed with it and are not in the list. Moved up they would steer or simulate the parent. - World remembers which children it reparented, and syncToModel writes their new parent into the scene. A reload of the model keeps it. - Limit, read from the code only: in the editor run the contents of a placed container are not baked. Moved children there last for the run only. Tests: - ./check.sh: 170 files, 2478 tests, CHECK EXIT 0 - e2e 34 (the module with a Destroy node): ALL PASSED, 21 checks - world-sync: world matrix of child and grandchild unchanged under a rotated and scaled parent, parent survives syncFromModel, top level case, already destroyed object gives [] - destroy-keep-children: real graph Destroy(Owner) -> Log(children) logs Lid, Label without the grandchild Nail - 3 counter-probes, all caught: no world transform (1 test fails), no parent in the scene (1), behaviors and rigidbody moved up (2) Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
7979b8ff19 |
Let structs and lists hold objects across behavior runs (#238)
An object could only live in a dedicated object variable, kept in slots
beside the variable bag. Struct fields and list items could not hold
one, so a spawned object packed into a struct or list was lost. This
replaces the slots with one mechanism for all three places.
- "No object" has one resting form everywhere: {"$object": ""}. A
running game can tell an object slot from an empty text that way.
- During play the object handle lives directly in the value, also
nested in structs and lists. objectSlots.ts and the special paths for
Keep and Properties are gone.
- liveObjects.ts strips objects to (null) at every exit: overrides the
editor run writes back to the scene, saved values of persistent
Variables assets, live values in the inspector, and the world
snapshot of the test hooks (objects as names there).
- A destroyed object reads as (null) through isAlive, alone, in a
struct field or as a list item.
- "+ Field" and "+ Item" offer Object. The inspector and the list tab
show a fixed (null) row without input.
- Lists from Raycast all stay objects when written to a variable.
Before they turned into names.
- A struct that only changes by an object writes no override. A list
that grows by an object writes [(null)], its length really changed.
Found on the way: CI at
|
||
|
adminandClaude Opus 5.5
|
923baf2557 |
Let Spawn take an asset over an edge and find a child by name (#237)
An asset could only be picked as a setting on the Spawn node. It could not be wired in, held in a variable or put into a list. Finding an object below the own one needed a scene-wide search by name. - "Asset" is now a kind like Animation or Sound: port, variable, list item and a new "Asset" literal node, with its own cube icon. - Spawn and Is asset have an `asset` input. It uses the key of the old setting, so a saved asset reads as the value of the input and older projects keep spawning without a migration. - New node "Child by name" searches below an object level by level. A child wins over a grandchild of the same name. Nothing found or no object gives null. Tests: - ./check.sh: 168 files, 2453 tests, CHECK EXIT 0. - 9 new unit tests in tests/core/asset-kind.test.ts, catalog cases for Spawn, Is asset, Child by name and the literal. - e2e 6z-ii (2 checks): node rows and a real drag of the literal onto `asset`. e2e 6: 119 checks passed. Spawn checks in 3 and 9 passed. - Counter-checks: depth-first search fails 1, Spawn reading only the old setting fails 3, runtime ignoring the parent fails 1. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
454d202109 |
Let each variable of a behavior choose whether calls keep it (#229)
The first version of #229 put a Keep state switch on the Run behavior node. The user wanted it where the variable is declared instead. Whether a value lives on belongs to the variable, not to every call site. - The node switch keepState is gone again. RunBehavior, CallResult and nested.ts are back to what they were before #229. - BehaviorAsset.keptVariables lists the kept names. It lives on the asset and not in PropertyDef, because that is the schema of every inspector row. - A variable added from now on starts with Keep on. Variables in existing projects start with Keep off, so old projects run unchanged. - SetVariableKeptCommand flips the switch as one undo step. Add, remove and rename carry the list along. Loading drops names that are not declared. - The interpreter keeps only the listed variables, per Run behavior node and per object as before. The others start at their defaults. - Local state machines in a called behavior start empty on every call again, as before #229. Global and scene machines are unchanged. - The inspector shows a Keep button in each variable row of a behavior. Its state is part of the asset signature, so a click redraws the row. Without that the button kept its old look until the inspector was reopened. Found: the project Garden of Sacrifices still has keepState = true on the call Player -> Character Movement. It is ignored now. Direction there predates the switch, so Keep is off until set by hand. Tests: - ./check.sh: 163 files, 2392 tests, CHECK EXIT 0 (before 2388) - tests/core/keep-state.test.ts rewritten, 15 tests - e2e 19: ALL PASSED, 35 checks. 19c-ii now clicks the Keep button of a new variable: on when added, off by a click, on again, off after undo. - Counter-checks, each fails its own test: keep list ignored (2), states kept (1), new variable not kept (8), rename drops the list (1), no Keep button (e2e 19c-ii). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
7c70245c79 |
Let a nested behavior keep its variables between calls (#229)
A Run behavior call started with fresh variables every time, so a nested behavior could not count, remember or keep a local state machine across calls. A new "Keep state" switch on the node lets the callee resume where its last call left off. It is off by default, so existing projects run unchanged. - RunBehavior gets the boolean parameter keepState and its node description explains it. - GraphInterpreter keeps the state in keptCalls, keyed by the call path, the chain of Run behavior nodes. Two nodes calling the same behavior each keep their own state. - One interpreter exists per behavior instance, so every object gets its own state without further code. - Local state machines of the callee are kept like its variables. - resumedVariables() matches kept values against today's declarations. A new variable starts at its default, a removed one drops out, and one whose kind changed starts over. - The kept state lives as long as the object in the run. It is not written to save games. Limit: a callee input named keepState collides with the switch. The same already holds for the name behavior, so it is not caught. Tests: - ./check.sh: 163 files, 2388 tests, CHECK EXIT 0 (before 2377) - 10 new unit tests in tests/core/keep-state.test.ts and 1 new node catalog case. - e2e 19: ALL PASSED, 35 checks, with the new check 19c-ii for the checkbox, its click and undo. - Counter probes: ignoring keepState fails 5 tests, state per behavior instead of per node fails 1, dropping the outer path fails 1, skipping the kind check fails 1, and without the node parameter the e2e check fails. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
5dbac3a8df |
Add a Select node that picks one of two values by a condition
Choosing between two values meant a Branch with the whole action twice behind it, for example two Play animation nodes that differ only in the animation. Every later change had to be made in both. Select picks the value, so the action stays single. - Select is a data node with the inputs condition, false and true and the output value. It passes on "true" if the condition holds, else "false". An unconnected condition counts as false, and an empty picked input gives null. - The ports are named false and true, not a and b, so nobody has to guess which input is which. The order false, true follows Unreal's Select and Blender's Switch. - false, true and value share one type through `sharedType`, like First not empty. With two Animation literals plugged in, value takes their type and fits Play animation directly. - Both inputs are always evaluated. Data nodes have no side effects, so that does not matter. Tests: - ./check.sh: 160 files, 2363 tests, CHECK EXIT 0 (before 2356). - 5 cases in tests/core/node-catalog.test.ts and 2 in tests/core/shared-port-type.test.ts. - Counter checks: with the inputs swapped all 5 catalog cases fail, without sharedType exactly the type test fails. - No e2e change, the sum stays at 1380. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
5bf1ee7a4e |
Let Equals match a number against a typed number like 130 (#224)
The float tolerance from the last commit never reached the case it was built for. The inputs of Equals are of type any, and their inline field is a text field. A typed 130 therefore arrives as the string "130", and the tolerance only applied when both sides were real numbers. The node fell back to comparing "129.99999999999997" with "130" as text. - A number against a text that parses as a number now uses the same 1e-9 rule as two numbers. - An empty text does not count as 0. - Two texts are still compared as text, so "1.0" and "1" stay different. - Compare was not affected, its inputs are real number fields. Tests: - 3 new cases in node-catalog.test.ts: 129.99999999999997 vs "130" is equal, 0 vs "" is not, "1.0" vs "1" is not. - Counter-check: with the old rule (two real numbers only) exactly the "130" case fails. Original restored and compared with cmp. - ./check.sh: 156 files, 2314 tests, CHECK EXIT 0 (before 2311). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
9d6a0aebd3 |
Let Compare and Equals treat float noise as equal numbers
A graph that checks "time - late == 6" after On timer (#224) failed, because the difference comes out as 5.999999999999972. Both values are sums of measured frame times, and they round along different paths. The only workaround was a Round node in front of every comparison. - New helper nearlyEqual in values.ts. Two numbers count as equal when |a - b| <= 1e-9 * max(1, |a|, |b|). The tolerance grows with the size of the values, so it holds for hours of summed dt. - Compare uses the rule for all six operators. "<" and ">" only hold when the values are not nearly equal, "<=" and ">=" also hold when they are. So "==" and ">" are never true at the same time. - Equals uses the same rule when both inputs are real numbers. Objects still compare by identity, everything else as text. The node description says so. - The tolerance is fixed, there is no parameter on the node. Physics values come from float32 in Rapier and are not covered on purpose. - The log display is unchanged and still prints the raw number. Tests: - ./check.sh: 156 files, 2311 tests, CHECK EXIT 0 (before 2300). - 11 new cases in node-catalog.test.ts, including the value from the log against 6, growth with magnitude, 6.001 != 6 and 1e-6 > 0. - Counter-check exact compare: exactly the 8 noise cases fail. - Counter-check "<"/">" without the exclusion: exactly 2 cases fail. - No e2e change, the check sum stays at 1374. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
d444b27fae |
Let behaviors read and set tilemap cells while the game runs (#135)
A behavior could move sprites around but had no way to look at or
change the tilemap it was standing on. Doors, breakable blocks and
"is there ground ahead?" checks all need that.
- New nodes Tile at, Set tile, World to cell and Cell to world. The
conversion honours position, rotation, scale and mirroring of the
placed map. A small Tile literal node lets a graph compare what it
read against a fixed tile.
- The layer is picked by name from all tilemap layers in the project
through a new field kind. "First layer" takes the map's first one.
Because layer is an input, a text can also be wired in.
- Each placement keeps only its edited cells in liveTilemap.ts,
layered over the asset's cells. A second placement of the same map
stays untouched, and the asset itself is never written.
- A read sees a Set tile from earlier in the same flow. Drawing picks
up the edit at once and neighbouring autotile edges adapt.
- Solids see the edits straight away, so a Move in the same frame
already hits the new cell. Rapier rebuilds its shapes on the next
step.
- After Stop the map is back to what was painted. The editor run shows
the edit in the scene view while it lasts and does not touch the
project.
- An unwired tilemap input means no map, like Get position. Cells
outside the grid are refused and done reports false.
Tests:
- ./check.sh: 155 files, 2271 tests, CHECK EXIT 0 (before 2245).
- tests/core/tile-access.test.ts (14), one physics test for a floor
set at runtime, catalog entries for the five nodes.
- e2e 39,40: all passed, 86 checks (before 81), five new in 40s.
- Counter-checks: collision ignoring edits fails 3 unit tests, the
solids cache missing same-tick edits fails only the "at once" test,
drawing ignoring edits fails the 2 drawing checks, the editor run
not reporting a new tile fails only its check.
- 40s uses a still tile. The animated fixture tile redraws every frame
and hid the last counter-check at first.
- Check total 1351 + 5 = 1356, computed. CI confirmed 1351 at
|
||
|
adminandClaude Opus 5
|
1a3babf9c5 |
First not empty gets a setting for what counts as empty (#206)
The node treated 0, false and an empty text alike, which is right for a missing behavior parameter but wrong the moment a real 0 travels through the graph. A setting now says how much counts as empty, so the same node works for both cases. - The new parameter "Empty means" has three steps: "Any empty value" (the default, the behaviour so far), "Nothing there (0 and false count)" and "Only a missing value". - The default keeps every existing graph as it is, including the common setup where an unset animation parameter arrives as an empty text. - The rule lives in isEmptyValue(value, mode) in values.ts; the node only passes the step through. An unknown setting behaves like the default, the same way Compare does. - The node description is shorter because the old one was cut off in the inspector. Findings: - In the "Nothing there" step a struct is empty only when its fields are empty under the same step, so a position (0, 0) stays a real value. Tests: - ./check.sh: 142 files, 2113 tests, exit 0 (before 2104). - 9 new cases in the node catalog table: the edge cases per step (0, false, empty text, empty list, position (0, 0), unconnected a) plus an unknown setting. - Two counterproofs hold: letting "Nothing there" act like "Any" drops the 3 cases with 0, false and the position; removing the "Only a missing value" step drops the 2 cases with the empty text and list. - Seen in the browser: the node shows "Empty means: Any empty value" and the inspector dropdown lists all three steps. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5
|
d98c2898b1 |
A new node takes the first of two values that is not empty (#205)
A graph that reads an optional value needed a chain of Equals and
Branch just to fall back on a default. The new node does that in one
step: it passes a through unless a is empty, in which case b comes
out. Both ports are any, so it works for numbers, text, lists,
structs and objects alike.
- `First not empty` sits in the data category with two any inputs
`a` and `b` and one any output `value`. Are both empty, b comes
out, so the second input doubles as the default.
- `isEmptyValue` in values.ts holds the rule as a pure function:
nothing connected, 0, an empty text, false, an empty list, and a
struct whose fields are all empty.
- The struct case is what covers a position: behavior graphs have no
vector type of their own, so (0, 0) arrives as a struct. `{x: 0,
y: 2}` therefore counts as set, `{x: 0, y: 0}` as empty.
Findings:
- A real 0 or false on a is passed over. That follows from counting
0 as empty and is written down in the issue.
- The output stays any. Ports that inherit their type from an input
do not exist in the graph; `Item at` has the same shape.
Tests:
- ./check.sh: 142 files, 2104 tests, exit 0 (was 2094).
- 10 new catalog cases: a set, a unconnected, 0, "", false, an empty
list, a position (0, 0), a struct with one field set, an object,
and both empty.
- Counter-check: with structs never empty and 0 a real value exactly
those two cases fail, the rest stays green. Originals restored and
compared with cmp, then rebuilt.
- No e2e check: single data nodes have no e2e coverage here, the
palette fills itself from BUILT_IN_NODES.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
|
||
|
adminandClaude Opus 5
|
3427f84a55 |
A game can pause itself and set its own time scale (#167)
Until now only the editor toolbar could pause a running game. A pause menu inside the game had no way to stop the world while its own graph kept running, and there was no slow motion. - Five new nodes: Pause game, Resume game, Is game paused, Set time scale and Time scale. Pause and resume take effect on the next frame. - A game pause stops world time, physics, animations, particles and shader time. Only behaviors with the new "Run while paused" switch keep running. - Set time scale 0 freezes the world but graphs keep running, as agreed in the issue. - Play and Stop reset the time scale to 1, Load scene keeps it. The pause belongs to the scene, so Load scene and Restart unpause. - The toolbar pause stays separate and also freezes the menu. When the game pauses itself the status line reads "The game paused itself". - While paused, collision events are not reported, sounds keep playing, and the editor run ignores both nodes with a log line. Findings: - The first status line was longer than any before and got cut with an ellipsis. It is shorter now. - The e2e harness did not know the key "p". It does now. Tests: - ./check.sh: 133 files, 1968 tests, exit 0 (before 132 / 1952) - npm run build: exit 0 - GM_STEPS=18 fresh: ALL PASSED, 33 checks (before 26) - 16 new unit tests: 8 catalog cases, game-pause.test.ts, editor run - 7 new e2e checks in block 18i, driven by real keys in the game - Six counter-checks all bite: behavior filter, collision lock, world time, editor run, clock reset and the game clock in the browser - Check total 1217 in README is computed (1210 + 7), CI measures it Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5
|
ffdf0a8ddb |
The new node "Raycast all" answers with every collider along the ray instead of only the nearest one: it carries the same inputs and settings as Raycast (Ignore owner, Hit triggers, Layers from #158) plus "max hits" where 0 means all, and it hands back parallel lists sorted by distance - objects, colliders, points x/y, normals x/y, distances - next to count, so index i of every list speaks about the same hit; a collider counts once no matter how many convex parts its shape is built from, while a tilemap counts per cell it is hit in, and the filter sits in Solids.raycastAll like the one of #158, the one path the editor run and Play both take, so all 12 new unit tests run through describe.each against both systems; the node needed the value system to learn something it could not do - a graph list carried numbers, text, booleans and bundles but no object handles, asList turned an object into its name, so objects/colliders would have been lists of names, which loses the object when two carry the same name, and collider children usually do; Value now knows a travelling list that may hold handles and "Item at" gives such an item out as an object, ready for Destroy, Apply force or Name of, while the single door into a stored file - writeTyped/asTypeOf - runs the list through the new storedList() so every object becomes its name again and nothing living reaches a project file, which is its own unit test over JSON.stringify; three list nodes follow the handles: "Index of" compares objects by identity because a name is not the object of that name, "Set item" and "Fill" write an object as an object, and "Join text" prints the names instead of the innards; this decision was mine to make because the question ran into the MCP timeout - the alternative was a list of names plus "Object by name", which is the smaller change but lossy; 4 new e2e checks in the new block 43e (shield and floor in one go reading 2 and "145, 280", the second object answering to its name, which only a real object in a list can do, "max hits" 1 stopping at the nearest, and the node showing the row) and 18 new unit tests, 12 in raycast.test.ts, 4 on the value system and 2 in the node catalog; two counter-checks hold: not counting tilemap cells one by one drops 2 unit tests, and answering with the nearest hit only drops module 43 with 2 FAILs; one finding on the way - the node read "maxHits" while every other input carries a spoken label, because int() took the key as its label, so it has a third parameter now, and the e2e check caught that, no unit test did (#157)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5
|
6a31f5e0ad |
One-way platforms, raycast and collision stay with contact data: a collider can be one-way with a side it blocks from (turning with its object, drawn thick in the scene view) and a tile can be one-way from above, one-way cells never merge with solid tiles, a contact blocks only when its normal is within 45 degrees of the blocking side, the new node Ignore one-way lets an object drop through for a while, and it all holds for Move and for dynamic bodies in Rapier, where the decision is made before each step because the hook may not touch the engine (#155); the new Raycast node answers hit, object, collider, point, normal and distance in our own f64 geometry, the same in editor run and play, and the editor run draws each ray for 0.25 s (#153); On collision stay gains an interval with its own clock per pair, and stay and enter gain the contact point next to normal and impulse (#149); fixes that every Rapier collider of a tilemap had the shape of its last cell
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5
|
1b5e386b60 |
Move with collision reacts along the contact normal: it travels to the surface, stays flush and slides the rest of the move along it with Coulomb friction (the mean of both colliders, a tile counts as 0.5), a circle now rolls over an edge instead of catching on it, pushed dynamic bodies move off along the normal, Move gains the outputs hit, normal x and normal y, an object without its own collider moves freely, and editor run and play share the same path through Solids; contact point and normal come from our own f64 geometry (contactBetween), because Rapier's castShape lands 3e-6 px inside the wall in f32 (#150)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |