48ec7226608fd0f306a799a9b611bc993b9b10cc
64
Commits
| Author | SHA1 | Message | Date | |
|---|---|---|---|---|
  adminandClaude Opus 5.5
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48ec722660 |
Let an AI agent see the open editor through MCP (#429)
Claude Code should be able to work inside the user's open editor tab. This first stage connects the two and lets the agent look: what the user sees and a picture of it. Changing the project comes in stage 2. - An agent token per account opens only /mcp, no API route. The dialog "Agent tokens..." in the account menu creates it once, shows the ready "claude mcp add" line and revokes it. The server keeps only its sha256 (api/lib/AgentTokens.php). - Wrong tokens count into the sign-in brake from #427. Changing the password, renaming or deleting an account ends its tokens. - The relay (tools/mcp/) is a small Node service without packages, WebSocket server included. It runs in the container feuerwerk-mcp because PHP-FPM cannot hold connections. Whether a token or a tab ticket is valid is still decided by the PHP API, through two routes that answer only with the relay key. - The tab joins over WebSocket on the same origin with the normal session, an Origin check and a one-time ticket. It connects only after "Agent" is switched on in the account menu. One tab per account is active, a new one takes over. Guests get nothing. - Tools: get_view (project, tab, document, selection with names, camera, play state, open dialog) and screenshot. The resource feuerwerk://view can be subscribed. Claude Code does not act on that reliably, so a changed view is also noted on the next answer. - A badge next to the account menu shows the connected agents. It counts only agents with an open stream or a request in the last two minutes. - CI starts the relay in front of php -S (tools/ci/serve.sh), and e2e 71 runs the whole path in the browser. Found on the live test: the badge showed four agents because old sessions of revoked tokens were still counted. Tests: - Gate on atx: 316 files, 4888 tests - relay protocol test with fake API and fake tabs: 23/23 - get_view, tools, socketUrl: 16/16 - PHP agents 29, rights 103 checks - e2e 71 on atx 10/10, against the live site 10/10, no CSP violation - real Claude Code against the live site: get_view answered - ZAP against /mcp: nothing at High or Medium - every new check fails when the guard it covers is taken out (6) Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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597367c804 |
Keep a transition's pace through new steps and pans (#309)
A wheel step in the middle of a transition restarted the ease-out curve at full speed, so a run of quick steps kicked at each one. A pan called finish() first and made the zoom jump to its target. Both made the zoom and the gliding lists feel jerky. - A new step starts from the speed the view already has and then eases out. Quick steps in one direction move in one stroke. A step the other way still starts from rest. - A pan takes the transition along. The zoom goes on while dragging and lands where it was heading, moved by the pan. This covers all eight pan places: scene and container, graph, plugin board, texture and pixel art, timeline, pattern, song and sound. - finish() is gone, it has no callers left. Dragging the scrollbar, a jump to a row, another document or a new view size still end the transition as before. Found: on a second step the old curve jumped to 2.47 times the speed the view had just before. Tests: - npm run check on stein2: 299 files, 4598 tests (5 new) - e2e 46 on stein2: ALL PASSED, 24 checks (1 new). A pan by 40/30 px during a 1000 ms zoom step leaves it moving (2.33 on the way from 2 to 3), it lands on 3 with the world point moved by the pan. - Counter-checks: with the pace reset to 3 the new unit test fails with 2.47 instead of at most 1.1. Without carry the pan test fails. - melektaus-atx went offline mid-run, so both ran on stein2. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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fe4e0d9f1a |
Snap to the grid from the start in every graph tab (#391)
Laying out a graph by hand mostly means lining nodes up, so the magnet was switched on in nearly every session. Every graph tab now starts with it lit: Behavior, State machine, Shader, Particles, Sound FX, Instrument, the song's Routing and the Routing tab. - SnapToggle takes the state it starts in and lights its button to match. GRAPH_SNAPS_AT_FIRST sets it for the toggles and for GraphCanvas alike, so button and canvas cannot disagree. - Curve and Vector Art are no graphs and still start without it. - New hook __gm.graphSnapping(on?) reads every graph tab's magnet, or "mixed" where button and canvas differ, and switches them all. - The e2e harness reads the magnets after each navigate() and then switches them off, as it already sets the zoom transition to 0. Most checks drag a node to an exact spot. e2e 45 does the same itself, because the editor comes up there through the sign-in. - e2e 06 checks that all eight graph tabs started with the magnet on. The checks in 06, 26 and 65 that read it off now say they read what the harness left. Tests: - Unit snap-toggle: 4 tests, 1 new (lit at first, nothing asked of the target before a click). - e2e 06 (melektaus-atx): 150 checks, 1 new. e2e 34: 134 checks. - Gate (melektaus-atx, together with #390): 287 files, 4397 tests. - Pictures looked at: none, the state comes from the hook. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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c087993000 |
Edit a Filter in its node and resize EQ and Filter nodes (#385)
A Filter sounds like one band of the Parametric EQ, but it keeps what the EQ cannot: linked numbers, the all-pass and +-40 dB. So it stays a node of its own and gets the EQ's editor with itself as the one band. The editors also stop running out of their room: what does not fit is left out instead of being cut. - The curve of the EQ is now BandCurve with a host the EQ and the Filter both fill. CurvePanel holds what their panels share. - FilterPanel shows the Filter as one band. A drag of its handle sets frequency and gain as one undo step. A number fed by a link is greyed out and the drag leaves it alone. - A double-click on the Filter's title opens the same in a tab of its own. Delete there does nothing, the node stays. - The Filter is tapped like the EQ, so its node and its tab draw the spectrum of what passes it. A tap is two gain nodes per voice, the analysers are made only while someone listens. - EqFace and FilterFace are one CurveFace now, given the panel. - EQ and Filter nodes have a corner to resize them, drawn like the floating window's. The size is saved on the node as `size`, each drag is one undo step, the least is 240 x 120. - In the node the help line is gone. The row of numbers comes in only once the curve keeps 120 px of height. A group of the row that does not fit is not drawn, the one on the right first. - A frequency or dB label that would run into the one before it is left out. - The all-pass is drawn flat. The curve's maths takes every shape a Filter has. Found on the way: - The instrument presets set nodes 240 apart. A Filter with its editor is about 700 wide and covered the Bitcrusher, so a Filter now takes four columns. Tests: - Unit: 8 new (filter band, resize command and save, fitting rules), stage lists with a Filter now hold its taps - e2e 34 (atx): ALL PASSED, 130 checks (4 new) - Gate (atx): CHECK EXIT 0, 284 files, 4367 tests Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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79a04e6764 |
Edit a Parametric EQ in its node, let the wheel only zoom graphs (#381)
The small curve below the EQ node's rows (#375) only showed the bands. Like the Compressor since #380, the node now shows the editor of its tab between its inputs and its output, and is worked right there. A double-click on the node still opens the same editor in a tab. Two wishes for the nodes with a panel came on top and share the same files, so they are in this commit as well: the numbers below the Compressor's knobs read as plain labels (#382), and the wheel over a node zooms the graph instead of turning a value (#383). #381, the EQ in its node: - EqPanel holds the curve, the band's numbers and the help line, taken out of EqEditor. The tab puts its one panel under a header, each EQ node has a panel of its own at 720 x 360 (EqFace). - A press on the curve neither picks nor moves the node. A double-click on the curve adds a band, one on the title or the edge opens the tab. - In the node a press on the Type or Slope button stays with the button, so the node is not picked or moved. - The spectrum runs in the node while it is in the picture. The tab lets go of the tap once, like the Compressor's, and Editor.tick lets every unseen tab and graph go before any seen one listens. - The count of bands moved from the tab's header into the band row, so the node shows it as well. - The node picture of #375 is gone with its only user: NodePicture, EQ_PICTURE and NodeView's drawing of it. #382, the numbers below the Compressor's knobs in its node: - A Knob with typed: false shows its number as a centred Label without a box, in the panel's ink. The ratio reads 4:1 (ratioText). - The label is as high as its text and sits up in the dial's open bottom, right under the ends of the scale. - Label takes a colour of its own. #383, the wheel in a graph: - GraphCanvas takes the wheel on the way down and stops it there. It zooms over a node too, and no knob or curve in a node sees it. - The tabs keep their wheel: a knob's step, a band's Q and the zoom of the EQ's dB. Found on the way: - A Menu opened below a button in the zoomed graph would have been placed by the button's own height. openBelow now takes the bottom edge as drawn. - The band row did not lay out its labels after a text change when its own size stayed. In the tab a later resize hid it, in the node "Band 1" and the count were missing. The row now lays out itself. - Handle and point positions for the checks were unscaled. They now go through toGlobal and hold at the graph's zoom. Tests: - Unit parametric-eq: 16 tests. The #375 tests now check eqCurvePoints and eqRangeOf directly. compressor-view: ratioText. - e2e 34 (atx): ALL PASSED, 125 checks (3 new: the EQ panel and its ports, editing in the node, the spectrum in the node with the tab open). The Compressor node's check reads its numbers as labels and 8:1. Both node checks now expect the wheel to zoom the graph and leave the ratio, the Q and the dB zoom alone. - The unseen-tab check now leaves for the Scene tab, since the node in the graph listens to the same tap. - Counter-check: the tab letting go of the tap every unseen frame stalls the node's spectrum with the tab open (1 frame against 22, probe on stein2). - Gate (atx): CHECK EXIT 0, 283 files, 4357 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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1f2b64fb4c |
Show a Compressor's panel in its node, its tab on a double-click (#380)
The panel of #379 opened in a window of its own and replaced the tab. The user wanted the device in the graph instead, and the tab of #378 back on a double-click. The switch Hardware look goes again. - A node can show a face instead of its rows (`NodeFace`). Its inputs sit on the left of it and its outputs on the right, in the middle of the height. Each side is as wide as its longest port name. - A Compressor node shows the panel at full size, 820x280 graph units. Its settings and numbers are not listed as rows, the panel has them. - The knobs and the lever work in the node. A drag, a notch of the wheel and a double-click are one undo step each. A press on them neither picks nor moves the node, and the wheel does not zoom the graph. The number below a knob is only shown, typing stays in the tab and the inspector. - The meter and the LEDs run while the node is in the picture of a sound FX or instrument graph that is seen. Out of the picture, folded or hidden, the node lets go of its taps. - The window of one size, `fixedSize`, `refit`, `keptSize` and the rule that kept a Compressor out of the tab row are gone again. - A knob's drag as one undo step lives in `nodeParamDrag.ts` now, for the tab and the node. The numbers of a node and what auto-gain says moved to `compressorView.ts`. Found and fixed on the way: - The tab and the node listen to the same taps. The tab let go of them on every frame it was not seen, so the node's meter stood still while the tab was open. Now the tab lets go once, and in a frame everything unseen lets go before anything seen listens. Tests: - Unit: compressor-view (2 new), documents (the test of `keptSize` is gone with it) - e2e 34 (stein2, melektaus-atx was off): ALL PASSED, 122 checks. The four checks of #379 are now four of the node: ports beside the panel, knobs and lever in the node, the needle when played (21.7 dB with the tab open), and the double-click opening the tab. - Gate (stein2): CHECK EXIT 0, 283 files, 4356 tests - Counter-checks: an old auto-gain number read as off turns exactly its unit test red. A tab that lets go on every frame leaves the node's needle at 0 dB and no LED lit (probe on stein2). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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1df38bd430 |
Edit a Compressor in a tab of its own, with knobs and levels (#378)
A Compressor had only its number rows in the node. Its numbers are
easier to set by feel on a dial, and what it does is easier to judge
when the level going in and the level going out are seen side by side.
- Knob is a new widget in the toolkit: a slider bent into a circle,
its name above and a number field below. A drag up or down turns
it, Shift a tenth as far, a notch of the wheel a fiftieth of the
turn, a double-click sets the default, the number takes a typed
value. A taper gives the low end more of the turn.
- The Compressor's tab opens on a double-click, one per node, like
the Parametric EQ's. It has a knob for each of the seven numbers,
greyed while its input is linked.
- Its curve shows level in to level out from -60 to 0 dB. The point
where it bends sets the threshold, the end of the curve sets the
ratio that ends there.
- Its levels show the last 4 s on both sides of the node. Where it
takes more than 0.5 dB away, the stretch below the level coming in
is tinted. The makeup is left out of that.
- The Compressor is tapped like the EQ. SpectrumTaps listens to more
than one node at once and reads the loudest sample of the last
25 ms on each side.
- The node tabs share one map in the editor (nodeTabs), so a third
kind needs no new plumbing.
Findings:
- CI task 614 for
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adminandClaude Opus 5.5
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9ab1bbc507 |
Edit a Parametric EQ in a tab of its own (#370)
The EQ's editor floated over the editor as a window since #367. The user wants it as a tab for now. Whether any tab can float and dock again is weighed apart from this. - A double-click on the node asks for the tab through `EditorState.openEq`, as `openValues` does for a Variables tab. - The tab is a document `eq:<asset>:<node>`, one per EQ node. A second double-click brings the open one up. - Its name is the asset's, with `EQ 2`, `EQ 3` when the asset has more than one. The icon is the sound FX's. - The tab closes with its node, its asset, or a new project, through the same `syncDocuments` as every document. - `EqWindow` becomes `EqEditor`, a `VStack` with a `TabHeader`. The curve takes the room of the tab, 320 x 160 at least. - The window's title bar, dragging and Close button are gone. - Delete in the EQ's tab removes the picked band. It never falls through to the selection, which is still the EQ's node. - The hint below the curve is shorter, it was cut off at 1280 px. Tests: - e2e 34 (melektaus-atx): ALL PASSED, 96 checks, 2 rewritten. The tab opens on a double-click and goes with its node. - Gate (melektaus-atx): CHECK EXIT 0, 274 files, 4231 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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1f13794b0c |
Shape a sound with a Parametric EQ and its own curve editor (#367)
A sound FX or an instrument had a 5-Band-EQ with fixed bands and a Filter with one band. The Parametric EQ holds up to ten bands of any type, and a double-click on the node opens an editor that draws the curve they make together. - The bands are a list on the node (`bands`): type, frequency, gain, Q and slope. A hand-edited project is held to the editor's ranges and to ten bands. - Each band compiles to the existing `pass` stage, so the audio core is unchanged. A peak or a shelf at 0 dB is left out. - The curve is worked out in `parametricEq.ts` with the biquad formulas of the Web Audio spec, so the editor draws what is heard. - The editor is a window that floats over the editor without a backdrop, so the tab's Play stays usable. A double-click adds a peak, a drag moves a band, the wheel turns its Q, a right-click removes it. Fields below the curve set the picked band. It opens in the middle of the screen and moves by its title bar. - A drag or a scrub writes the node as a preview and makes one undo step on release. The panels hear of the preview once a frame, and the window lays itself out only when one of its texts changes. - The area under the curve is filled as one shape for each side of 0 dB. As a single shape it crossed itself and came apart. - The curve works out each band's coefficients once and adds the sum up from the bands. A drag took 295 ms of script time in a profile before and 64 ms after. Decided on my own: - Bands are added by a double-click, so a single click can let go of the picked band without adding one. - The cuts are labelled "Low cut" and "High cut" as in an EQ, not "High-pass" and "Low-pass" as on the Filter. - The bands have no input, so no parameter or Envelope moves them. Tests: - Unit parametric-eq (new) and soundfx: 69 green. Counter-probe with no stages emitted: the compile test red. Counter-probe with one fill shape: the fill test red. - e2e 34 (melektaus-atx): ALL PASSED, 96 checks (3 new). - Counter-probe e2e: no stages emitted, the playing check red. - Gate (melektaus-atx): CHECK EXIT 0, 274 files, 4230 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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0e73fd85b9 |
Route sounds, songs and buses in one Master routing graph (#351)
A project bus could only go into one other bus, and a sound, an
instrument, a pattern or a song into exactly one bus. A shared reverb
needs a sound to go there in part and on dry at the same time. Instead
of a list of sends on every asset, the project gets one routing graph
like the routing of a song (#350), one level up.
- Menu -> Master routing opens a tab with one graph per project. It has
a node per sound, instrument, pattern, song and bus, named after its
asset, and one Master. Embedded assets have none, their song routes
them.
- The nodes follow the assets. Every edit settles the routing in the
same undo step (KeepRoutingCommand), so an undone delete brings the
links of its asset back. A new asset gets a node and a link to the
master. What went only into a deleted bus goes to the master.
- New nodes start in three columns: what plays, the buses, and the
master a row above, so no link into it runs behind a bus.
- Links are sends: -60 to +12 dB, and a Mode on links out of a bus or a
song. Out of a sound, an instrument or a pattern a link always takes
the sound after its volume and FX. Loops are refused.
- A node without a link is silent and says "Goes nowhere".
- The rows Bus and Into are gone. Play nodes with a picked bus still
overrule the routing.
- A click on a node shows its asset in the inspector, the Master shows
the master volume and sound FX. A double click opens the asset's tab.
- The graph lives in project.routing and is held to the assets when a
project is read, but nothing is added there. The editor adds the
nodes when it opens a project. An asset without a node plays on the
master, so old projects sound as before without a migration.
- In the mix an asset with one link at 0 dB goes straight into that bus.
A sound or instrument with more gets a bus of its own with the sends.
A pattern or song sends from the master of its playing, which is
where its Mode taps. Buses of the mix can have sends now too.
Found:
- The check "the scheduler plans a looped bar" in e2e 34 wobbles. It
failed in 2 of 5 runs here and in CI task 580 at
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adminandClaude Opus 5.5
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7a17030472 |
Give every sound FX effect a Bypass and a Wet (#354)
A node could only be taken out of a sound FX by unplugging it, and only six of them could be blended with the sound they get. Every effect now has both, in the sound FX graph and in the instrument graph alike. The Mix, the Input and the Output have neither. - Bypass is a checkbox setting. A bypassed node is left out when the graph is compiled, so it costs nothing and holds nothing back. The graph draws it faded, and its body says "Bypass: true". - Wet is a number input like the others. It can be a parameter, be moved by Set sound FX parameters and, where the node allows it for its other numbers, follow an Envelope. - A blend is a stage of its own (`wet`) around what the node adds. The sound as it came in is held back as far as the node is late, so a Compressor, a Limiter or a Vibrato do not comb it out. - The six nodes that had a Mix keep their key `mix` and only call it Wet. Saved values, parameters and edges stay as they were. - The Delay crossfades now: the sound alone at 0, the sound and its echoes in full at 0.5, the echoes alone at 1. Before, the sound was always in full and `mix` was the echoes. - The Pitch takes its semitones by Wet instead of blending, through a share `times` on the amount that an instrument binds as well. Findings: - A Delay saved before this sounds different. It sounds the same at half its old value. The two chip presets with a Delay (Echo Lead, Bell) are halved to keep their sound. - Project cbbf160bb7e8 has two Delays (mix 1 and 0.5). They are left as they are. Tests: - Unit: soundfx 65 (8 new), sound-library 107 (3 new), instrument 35 (1 new), envelope 13. Two delay tests and the filter ports test follow the new numbers. - Counter-checks: 8, each turns its test red. - e2e 34 (melektaus-atx): ALL PASSED, 83 checks (2 new). The ping-pong check at wet 0.25 measures what it did at mix 0.5. - Gate (melektaus-atx): CHECK EXIT 0, 268 files, 4154 tests. - After the gate the derived ports of a blend are asked for once instead of twice: typecheck, lint and the three unit files green again (113 tests). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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d349251a01 |
Put a sound in a room, a hall or a cave with a Reverb node (#328)
A sound FX had no space around it. The Reverb node folds the sound with an impulse response: one it makes itself, or a sound asset as the answer of a real space. It works on a voice and on a bus. - Type: Room, Hall, Cave and Plate have fixed numbers. Custom shows Decay (up to 10 s), Damping and Pre-delay. Sound shows the pick of a sound asset and Pre-delay. The rows are derived ports, the sound pick an idle param, so they only appear for their type. - The made impulse response is seeded noise per side, 60 dB down at Decay, through a low-pass closing from 20 kHz toward 500 Hz as far as Damping says. It is made once per rate, decay and damping, the last 16 are kept. - A sound as impulse response: the sound FX compilers now get the project, so a node can turn a sound asset into its file. The build key holds that file, so a cut or swapped sound builds again. The instrument compiler does the same for a Reverb inside an instrument. - The library loads that file with the voice, a sequence or before a bus builds its chain. A missing file leaves the reverb silent. - Mix blends dry and reverb and is the only number that moves while the sound plays, as the issue said. The voice rings for pre-delay plus decay, or as long as its sound. - The open point from #325 about sends on project buses is #351, not part of this. Tests: - Unit reverb (new) 4, soundfx 57 (4 new), sound-library 104 (2 new), green. - Counter-checks, each turns one test red: the impulse file not loaded with the voice, the tail without the length of the sound. - e2e 34 (melektaus-atx): ALL PASSED, 81 checks (1 new). Chrome offline: silent during the pre-delay, 35.9 dB fall over 0.6 s of a 1 s decay (36 expected), the dry half at 0.25 for mix 0.5. A sound with one sample at 0.2 s gives the impulse back 0.25 s later and nowhere else. - Gate (melektaus-atx) over the end of this series #318 to #328: CHECK EXIT 0, 267 files, 4134 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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daeffe0f9d |
Route the tracks of a song through a graph (#350)
Every track of a song went straight into its output. Now the Song tab has a second view, Routing: a graph with a node per track and one Output, the links between them sends. A track can go into other tracks, into several at once, and a link has its own volume and the point of the track it taps. - The song asset has a graph like an instrument (SongTrack, SongOutput). heldSongGraph keeps it in step with the tracks on load and in SetSongCommand: a node per track named after it, one output, a new track and every track of an old song linked to the output. Links of gone tracks, doubled links and links closing a loop are dropped. - A link carries an optional send (volume in dB, tap). The inspector shows Volume and Mode for a picked link of a song: Post volume (Post pan), Pre volume (Post FX), Pre volume (Pre FX). SetSendCommand. - NodeDef has two new flags. `fixed` nodes are never added or deleted by hand. Links between `acyclic` nodes may not close a loop, checked in canConnect, dropTargetPort and ConnectCommand. - songBuses gives each track its sends instead of one `into`, and a bus `song:<song>:<track>:#items` for its own items. That bus is what solo closes on a track that only passes a soloed one on. - Mute and solo now act on the sends (trackGates). A muted track passes nothing on, on any tap. A soloed track is heard with what goes into it, through the tracks it goes through, their own items silent. Only sends on a way through a soloed track stay open, so a track going into it and into the output is heard through it only. - SoundLibrary: a bus has either `into` or sends. Each send is tap, delay, level, target. busLatency takes the latest way (arrivalOf), and each send is held back so all ways of a track arrive together (sendDelays). Taps are wired again whenever a chain comes or goes. - The Song tab has Timeline and Routing in its header. The routing uses GraphCanvas with an empty palette. A track linked nowhere shows "Goes nowhere". Delete takes links, never a track node. - Game playings route the same way, the output being the master of the playing. Decided without asking: a send ranges -60 to +12 dB like a track, default 0 dB Post. Mute closes the sends, the track's own level stays. Found on the way: the inspector built the Mode row with the send as it was when the rows were made. Setting Volume and then Mode wrote the old volume back. Both rows now read the current send when they change. Tests: - Unit song-routing (new): 13 green. Sound library: 4 new, 94 green. 11 counter-probes (loop on load, canConnect, solo, solo past the soloed track, mute, preFx latency, graph sync, delete guard, delays, taps, glide), each red. - Existing tests adjusted to the new bus names and send shape: song, bus-fx, song-play, graph registry, edge description. - e2e 65 on melektaus-atx: ALL PASSED, 43 checks (5 new). The first run caught the inspector bug. Counter-probe with the old closure: 2 FAILED. - Gate on melektaus-atx: typecheck, lint, format clean, 2 tests red (registry rule, edge shape), fixed and rerun locally: 56 green. - Not rerun after the per-send solo fix: e2e 65 and the gate. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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8a4e4a6762 |
Play sounds as notes of an instrument asset #331
A sound could only be played as it was, one at a time. An instrument
is a node graph that makes a note a sound: Notes nodes bring the note
in, Samples play sound assets for it, the effects of a sound FX shape
it and the Output sums the layers. Its tab plays it from a keyboard,
a behavior with Play note. It is what patterns and songs (#330) will
play.
- New asset type instrument, under the heading Music, not placeable.
A new one starts as Notes into a Sample into the Output.
- Notes are counted as MIDI does: 60 is C4, names like C#4, sharps
only, the lowest C-1. Notes has From and To, outputs any, note,
frequency and velocity, and with Single notes a trigger per note,
each with an optional name for a drum kit.
- New port type trigger, only into the trigger of a source. Inputs
can take any number of edges now (PortDef.many): a trigger, and
the Output, which plays everything into it side by side.
- Sample plays a sound asset. Follow note shifts it by note - root
through the pitch worklet of #317, so it keeps its length. Gate
fades it out at the end of the note, One-shot plays through. Loop
runs between Loop start and Loop end, also in the worklet.
- Parameters declares the instrument's own parameters with a
default. Sound FX sends the sound through a sound FX asset, its
parameters as inputs, the sound set in where its Input was.
- compileInstrument walks the graph once per note. A trigger is on
only for the notes it stands for, a silent source silences what it
alone feeds, a Mix with a silent side is the other side. velocity
and the parameters stay open for the voice. Builds are cached per
note until the graph or a sound or FX it names changes.
- The player takes a note as one voice of several layers, each way
with its own file and volume. release fades the gated ways out,
one-shots play on. playNote can release after a duration.
- Play note plays one note with velocity, volume, duration and
detached, and hands out voice for Set sound FX parameters and
Stop sound. Velocity is always loudness. Instrument parameters
picks values for the instrument's parameters like Sound FX
parameters does for an FX, renames follow.
- The tab has the graph, a header field per parameter, Stop, and
128 keys below. Keys without sound are grey. A key plays while it
is held. Focused, the computer keyboard plays as in a tracker by
KeyboardEvent.code, the arrows move the octave.
Findings:
- A label of the keys set fill on the shared small text style and
darkened every small label of the editor. Caught in a screenshot
before the commit, the keys have a style of their own now.
- Suite task 523 on
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adminandClaude Opus 5.5
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183f356c99 |
Let a game hand values to the parameters of a sound FX #311
A sound FX played the same every time: its numbers were settings of the nodes. Now the Input declares parameters with a default, every number of Gain, Pitch and EQ is an input they can feed, and a Play sound hands in values for them. - Input declares number parameters in the inspector, each with a Default (DeclaredPort.default, SetPortDefaultCommand). They are outputs of the Input. Input and Output count as terminals now, one of each per graph. - Gain, Pitch and EQ take their numbers at inputs under the keys the settings had, so saved graphs sound as before without a migration. Each value is held to its range however it arrives. - The compiler gives an FxPlan with the parameters still open. fxChainOf fills them in when a voice starts. The player still only sees an FxChain. - New behavior node Sound FX parameters: names an FX and picks its parameters like a Variables node picks variables. Each picked one is a number input that starts at the FX's default. Its output has the new port type fxparams, which only fits Play sound's fx params. - Play sound warns when the parameters name another FX than the one it plays. Names the FX does not know are left out. - Renaming a parameter at the Input renames it in every Sound FX parameters node naming that FX, edges and values included. - The Sound FX tab has a number field per parameter in its header. Play uses those values, they are never written into the asset. - A value counts from the start of a voice. Changing a playing voice is #315, a Mix node is #316. Tests: - soundfx.test.ts 22 (+11): parameters in the plan, held values, a 0-by-default stage, EQ band, save with defaults, wrong port types, default command with undo, Sound FX parameters into Play sound, defaults of picked ones, node problems, mismatch, rename with undo - node-catalog 368 (+3): Play sound fx params, Sound FX parameters - e2e 34: ALL PASSED - 28 checks (+2: header field plays depth 5, a Sound FX parameters node gives the game's voice depth 7) - Gate on melektaus-atx: typecheck, lint, prettier clean, 240 test files, 3636 tests green - Counter-check: with fxChainOf ignoring the values and the rename not followed, 5 of the new tests fail. - Browser probe: header fields, inspector Default and the picked parameter looked at in two screenshots. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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de14f0f9e2 |
Play a sound through a graph of gain, pitch and EQ effects #311
A sound could only be played as it was uploaded. A Sound FX asset is
a node graph like a shader: Input, effects, Output. Play sound has a
new input fx that sends the voice through it.
- New asset type soundfx ("Sound FX"), not placeable, with a graph
and its own tab. The heading in the asset panel is "Sound effects",
so it does not take the click meant for the + menu entry.
- Nodes in core/soundfx/nodes.ts, category sound, port type audio
that only fits audio: Input, Output, Gain (dB), Pitch (semitones),
EQ (80 Hz and 12 kHz shelves, peaks at 250 Hz, 1 kHz and 4 kHz).
- compileSoundFx walks back from the Output with the shared graph
emitter. An input takes one edge, so the result is one line: a
pitch and a list of gain and filter stages. A node without input
or a graph without Output reports a problem on the node.
- Pitch is the playback rate of the source. It applies to the whole
sound and also changes its length, the node description says so.
- The BehaviorSystem resolves fx and hands the line to the AudioSink.
An fx that is missing or does not compile plays the sound dry.
- SoundLibrary wires source, stages, volume, destination in that
order. stats().last now also names pitch and stage count.
- The tab header picks one of the project's sounds and plays it
through the graph as it stands. Stop there ends only its own voice.
Tests:
- soundfx.test.ts (new, 11), sound-library (9, +2 for the wiring),
node-catalog (+1 for fx), graph and asset-groups adjusted
- e2e 34: ALL PASSED - 26 checks (+5: + menu opens the tab, palette,
2 effects, tab Play and game Play through the FX at -12 st)
- Gate on melektaus-atx: typecheck, lint, prettier clean, 239 of 240
test files green. The red one was sound-library (its fake
AudioContext had no playbackRate), fixed afterwards, gate not
re-run in full.
- Counter-check: without the audio rule in portsCompatible the port
test fails.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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adminandClaude Opus 5.5
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cf6043a066 |
Show a wheel step or Fit as a short zoom transition (#309)
The wheel and the Fit button used to jump to the new view. Now the view takes a short way there, 200 ms by default, everywhere the editor zooms. The zoom steps stay the same, only the change is shown. - viewTween: tweenView is the way between two views as a pure function. The scale moves by equal ratios, and the world point that sits at the same place on screen in both views stays there. After a wheel step that is the point under the pointer. - ViewTween drives it on the ticker. A surface hands it reading, writing and drawing its own view and wraps its wheel and Fit code in change(). A step during a transition starts from where that one was heading, so quick steps add up to exactly as many steps. - Anything else that moves the view ends the transition. A pan jumps to the target first, and saving a view saves the target. - Wired into FreeViewport (Scene, Container, animation preview), SheetCanvas (Texture, Curve, Pixel art, Vector art), GraphCanvas, panAndZoom (Tile board, plugin node board) and the timeline. - Menu > General settings... sets the time in ms, 0 jumps at once. It is kept in this browser like the panel sizes, not in the project, and it is not an undo step. - A document that opens still comes up framed at once. The animation preview frames a new subject itself instead of calling fit(). - The pixel art readout names the step the view is heading for. Measured in the scene view at 200 ms on melektaus-atx, where every frame of the transition is a full redraw: - 500 sprites: redraw 6.7 ms, 16 frames, mean 18 ms - 1000 sprites: redraw 13.0 ms, 9 frames, mean 27 ms - 2000 sprites: redraw 32.2 ms, 5 frames, mean 58 ms Tests: - The harness sets 0 ms on every load, so the existing modules read the step and not the way. - e2e 46i samples one wheel step at 1000 ms a frame later: zoom 1.033 between 1 and 2, the point under the pointer kept at (134, -40). It lands on the view a 0 ms jump reaches. - e2e 46 and 49 expect the new menu entry. - Gate (atx): 234 files, 3563 tests, CHECK EXIT 0 (+15) - e2e 46,49 (atx): ALL PASSED, 43 checks (+3, sum 1735) - Three counter-checks fail view-tween.test.ts as expected. e2e 46i fails when the scene view does not carry its centre along. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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2aa635f453 |
Keep an output's name readable beside a long inline value (#306)
An input and an output in the same port row were cut to fit each on its own. The input text could reach x = 123 and the output label could start at x = 83, so a long inline value ran under the output's name. At Animation playing a long animation name covered "progress". - The output label is placed first and keeps its room. The input text is cut with an ellipsis 6 px before it, as decided in the issue. - The rule is a pure function in src/editor/graph/portRow.ts. A row without an output keeps the input's old limit of 108 px. - The value a run shows beside an output uses the same rule. Its left edge can no longer lie right of its right edge. - New test hook __gm.graph.rowSpans(nodeId) gives each row's input and output text as cut and placed, in node units. - NODE_WIDTH stays as it is, as decided in the issue. Tests: - Gate: 230 files, 3520 tests (6 new in port-row.test.ts). - e2e 6: all passed, 149 checks (148 + 1). - Counter-check: with the rule switched off, the input text reaches x = 121.4 under "progress" at x = 114.1, and the new check fails. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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a526e1b40f |
Use a shader graph as a node in other shaders (#303)
A calculation needed in several shaders (a greyscale, a noise, an outline) had to be built again in every one of them. A shader function keeps it as an asset of its own, called like a behavior is since #16. - New asset type `shaderfunction` ("Shader function"), edited in the Shader tab. The panel beside the graph shows no picture, the readout counts its inputs and outputs. - Two new nodes: `Function input` and `Function output`. Their declared ports, numbers or colours only, are the ports of every call. One of each per function, like Start and End. - The call is node `ShaderCall`, named after the function. The palette lists every function, it can be dragged in from the Assets panel, and a double-click opens it. - The compiler sets the function in where it is called (`inlineFunctions`). It renames the copied nodes `<call>/<node>` and turns an unconnected port into a constant. Passes, Time, the Edge cut and the corner walk then see a plain graph. - A problem inside a function is reported at the call, in the function's words. The function's own tab checks it on its own (`checkShaderFunction`). - `ShaderLibrary` keys a shader on its graph and on every function it calls, however deep, so a change reaches every caller. - The port commands mirror a new, renamed or removed port into every call, as for a behavior's Start and End. `NodeDef.portKinds` holds the two ends to Number and Color. - As agreed in the issue: no `Property`, `Color property`, Output or Vertex output in a function, and `Time` is the caller's clock. - Own decision: a `Pass` may stand in a function. It becomes a pass of the calling shader, so a wide blur can be a function. - A function calling itself, also through another, says so at the node and is not set in. The palette does not offer such a call. - The Shader tab showed only the compiler's problems. A call nothing reaches was never compiled and looked healthy, so a call now also shows its own problem there, as in a behavior. Tests: - Gate: 228 files, 3510 tests, CHECK EXIT 0 (+13: 11 in tests/core/shader-functions.test.ts, 2 for the new icon) - e2e 28: 100 checks, all passed (+3 in 28l-viii). Called and in place both #606060/#a2a2a2, halved in the function #303030/#515151. - Counter-check: a fingerprint without the called functions fails 1 unit test, and in the browser the change check (#606060 stays). - The first e2e runs found two faults, both fixed: a double-click only selected the function, and an unreached call of itself showed no problem. - e2e total 1728 is computed (1725 + 3). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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e933fad446 |
Give a shader room to draw around the picture it wears (#69)
A shader ran only inside the rectangle of what wears it: the quad has the size of the sprite, and outside of it no fragment runs. An outline or a glow built with Sample texture was cut off at the border. The issue still spoke of Filter.padding, but since #77 the shader is no filter any more, the limit is the geometry. - The Output node has a number Padding next to Edge: so many pixels of the picture per side the wearer draws beyond it. 0 is the default and draws as before, 256 is the most. - The quad grows and its UVs grow with it, so the picture keeps its place and size. In the margin the UVs run on below 0 and above 1. - Transparent is a fourth Edge mode: outside of the picture there is nothing. It is cut in the fragment (texelAt), so it needs no copy of the picture with an address mode of its own. - Edge holds everywhere alike, also for Texture color, Texture alpha and unconnected inputs. - Padding above 0 with Edge on Clamp puts the hint "Padding with Clamp smears the border" on the Output. The shader still compiles. A chosen Clamp and the default cannot be told apart. - All four wearers draw the margin. A sprite counts in pixels of its frame, a text in its units, a particle source grows every particle about its centre. - A nine-slice sprite gets a ring around its nine fields, as wide as so many border pixels. The fields themselves stay. - Without a picture a pixel is one unit of the wearer's own size, or of the particle size. - Particles now take the Edge mode of their shader. It had no effect on them before. - An object wearing a padded shader is never culled, or its margin would vanish at the edge of the screen. - The preview in the shader tab shows the margin and leaves room for it. - Picking, the selection frame, the size and the collider stay with the rectangle without the margin. Tests: - Gate on melektaus-atx right before this commit: 216 files, 3336 tests (3319 + 17), exit 0. - e2e 28,30,31,37,41 on melektaus-atx: 178 checks, all pass. e2e 1-37,47,48,58 ran before the last change (no culling with padding): 1281 checks, all pass. - 17 new unit tests: the compiler (padding, Transparent, the hint) and the geometry (quad, nine-slice ring). - Seven new e2e checks: four at the sprite in module 28, one each for text, particles and nine-slice. - 17 unit counter-probes all fail their tests. Three browser counter-probes fail their checks (5, 3 and 1 of them). - Three screenshots looked at: the sprite with Clamp and margin in the scene, the preview in the shader tab, the text. - The e2e sum of 1687 is counted (1680 + 7), the full suite and the smokes did not run. - Not seen: the hint at the node in a picture, particles and nine-slice in a picture, the game view while playing, sprites without a picture, vector and pixel art pictures. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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46c620ae3b |
Give a behavior more ways in and out, and hear it as an event (#294)
A behavior run by another one had a single flow port at its Start and at its End, so it could not branch for its caller. And it could not be used as an event: a call needs a pulse at its flow input, and the events of a called graph never fire. An input like "Confirm" (Space or Enter) had to be built again in every graph. - A declared port of a Start or an End node can be of the kind Flow. It sits above the values and shares their names, exec stays reserved. Only these two nodes declare one, a struct does not. - Run behavior shows a flow port of the Start as a further flow input. A call arriving through it leaves the Start through the output of that name and not through exec. - Run behavior shows a flow port of the End as a further flow output. The call goes on through the one the End was reached by last, and then through exec. exec fires always, as before. - On behavior is a new event node without a flow input. The behavior it names runs at the node for as long as the behavior around it runs, with all of its own events and one set of variables per node. - Its outputs are those of the End. It fires once the inner pulse is through, by the output the End was reached by last, exec only for End.exec. A pulse that never reaches the End is not seen. - The value ports of the Start are its inputs, read anew for each inner pulse. The Start itself never fires there. - It nests to any depth. Under a Run behavior it stays silent. A behavior hearing itself, however far round, is not started and the node says "A behavior cannot listen to itself". - The palette offers every other behavior with an End once more as "On <name>". A node naming one without End says so. - An On node removed while the game runs ends its behavior with On disable and On destroy. The sounds of the entity end only with the behavior placed on it. - Renaming and deleting a declared port follows the edges at On behavior nodes as it does at Run behavior nodes. - The flow outputs of the Start of a behavior placed on an object never fire, like its exec. - The engine prompt of the benchmark names flow ports and On behavior. Tests: - Gate on melektaus-atx right before this commit: 215 files, 3319 tests (3278 + 41), exit 0. - e2e 19 on melektaus-atx: 39 checks (+4), all pass. e2e 1-6,17-24,26,36,51: 628 checks, all pass. - 19 unit tests in flow-ports.test.ts, 19 in on-behavior.test.ts on a real world, the rest in the node catalog. - Four new e2e checks in module 19: a flow port declared by mouse at the End, On Confirm in the graph, the call leaving through the further output while playing, Enter and Space on a real keyboard. - 19 unit counter-probes all fail their tests. One did not at first (a removed node kept its instance), a test was added. Two browser counter-probes fail their checks. - One screenshot looked at: On Confirm with exec and pressed, the second flow pin at the calling node. - The e2e sum of 1680 is counted (1676 + 4), the full suite and the smokes did not run. - Not seen in the browser: flow inputs at the Start, nesting, the ring, values through On behavior, the palette entry. No test holds that the sounds of the entity go on when a heard behavior ends. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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6d79cf59a3 |
Move a large graph instead of drawing it again (#292)
In a graph of many nodes the frame rate dropped while panning, and more so while one node was dragged. Every pointer move rebuilt every box, every text and every curve, and a drag also announced a changed project, so the panels rebuilt along with it. - Panning and zooming move the picture. GraphCanvas.applyView sets position and scale and draws anew only the grid and the rubber band. It used to call redraw(). - A node draws its box and makes its texts only when what they show has changed. NodeView keeps a signature of what redraw reads and one of what rebuildTexts reads, and returns early while they hold. - A drag does not announce a changed project. GraphDrags writes the model on every pointer move and asks the canvas once a frame to follow (GraphCanvasHost.moved). state.preview() waits for the command of the release. - Nodes outside the picture are not drawn. inView in graphView.ts is the rule, cull() applies it after every redraw and every change of the view. - The graph is a render group, and box and pins go into the batch. The mask sits on a container above the group, on the group itself it would be panned and zoomed along. - The rubber band and the drop mark of a dragged behavior are drawn on their own (drawBand), without a redraw of the graph. Measured in the CI image with 388 nodes and 540 links, fitted to the canvas, 240 pointer moves 16 ms apart: - Pan, script per move: 25.2 ms before, 2.0 ms after - Pan: 4.4 frames per second before, 18.7 after - Drag a node: 2.7 frames per second before, 22.4 after - The still picture: 9 frames per second before, 21 after Not solved: the still picture of such a graph stays at 21 frames per second in the test browser. What is left is the drawing itself, and the frame rates are those of that browser, not of a desktop GPU. Tests: - Gate on melektaus-atx: 207 files, 3121 tests (3114 + 7), exit 0 - e2e 4,6,18,19,20,23,24,26,28,31,36,43,51,53 on melektaus-atx: 542 pass, 1 fail. The fail is module 51 after module 43, an order the suite does not have, and it fails the same way without this change. Module 51 alone: 12 checks, all pass. - No full run and no smokes. The sum of 1660 (1656 + 4) is reckoned, and the CI workflow is switched off. - Seven unit tests: six for inView in tests/editor/graph-view.test.ts and one in frame-preview.test.ts - Four e2e checks in block 6z-xii of module 06: pan, drag, zoom in and fit, a changed value - Seven browser counter-probes fail 2 to 3 checks each Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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32a0af6e2c |
Put the text and boxes of the interface on device pixels
On a screen scaled to 125 % or 150 % the editor looked soft beside a page the browser draws itself. The layout counts in whole CSS pixels, and most of those fall between two device pixels there. The GPU averages both: text loses its edges, and a 1 px line becomes a pixel and a half of mixed colour. Now text and boxes are rounded to device pixels, and a line is one device pixel wide. - ui/pixelGrid.ts holds the rule. crispText() makes a text with Pixi's roundPixels, crisp() does the same for a Graphics of upright boxes, and hairline() is the width of one device pixel. - Every text of the interface is made with crispText() instead of new Text(). - crisp() only rounds where the scale is not a whole number. At 100 % and 200 % nothing changes. - drawControlBox, drawHeaderBar and drawSectionBand draw their lines a hairline wide and flush with the edge. The widgets that draw lines of their own do the same. - Two bands share exactly the line they draw, and a column still ends on a whole pixel. - The stage is nudged by 1/32 px where the scale is not whole. At 150 % every odd pixel is an exact half, and without the nudge one band came out a row shorter than its neighbours. - Curves, icons and everything of the game stay unrounded. Rounding their points would bend them. - The harness takes deviceScaleFactor as an option, and the hooks deviceColumn, edgeContrast and pixelGrid read the frame as the screen gets it. Not in here: the subpixel smoothing a browser gives its own text. Pixi draws a text into a transparent picture first, and there only greyscale smoothing is possible. Measured at 150 %, edge contrast before and after: top bar 31.5 to 47.8, the lists on the left 68.6 to 86.4, inspector 27.6 to 38.4. At 100 % it is 46.5, 90.1 and 37.9, and the picture there is the same as before pixel for pixel, apart from the fps display. Tests: - Gate on melektaus-atx: 206 files, 3114 tests (3104 + 10), exit 0 - Full run on melektaus-atx: 1655 of 1656 checks passed, smokes 24/19/21. The one that failed was a condition of the new step 62 itself: it scrolled an inspector that had nothing to scroll. The step now makes the window lower for that reading. - e2e 61,62 after that fix: 14 checks. The full run was not repeated, and CI is switched off for now. - Ten unit tests, nine in tests/ui/pixel-grid.test.ts - Eight e2e checks in the new step 62, which runs at 150 % - Eleven unit counter-probes fail tests - Four browser counter-probes fail their checks. They ran before the fix to step 62 and were not repeated for it. - Screenshots looked at for 125 % and 150 % Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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c5ba21533d |
Pick a link on its line and delete it from there (#289)
A link could only be removed through the menu of its port, and the line itself took no input. A transition of a state machine could only be deleted in the list of the inspector. Now the line is the handle, in a behavior's graph and between states alike. - A click on a line selects that link and draws a halo behind it. A press counts within 6 screen pixels of the line, and where two cross the one drawn last wins. - Ctrl-click or Shift-click adds a link or takes it away. The rubber band takes every line it crosses, into the same selection as the nodes and boxes it caught. - Delete or Backspace removes what is picked as one undo step. A right-click on a line offers Hide link and Delete link. - The inspector shows a picked link: the node and port at each end and the type it carries, with Hide link and Delete link below. For several it says how many. - The arrow of a transition is picked the same way, on its name too. Delete or a right-click with Delete transition removes it. - The menu of a port is unchanged, Disconnect included, as answered in the issue. - editor/graph/edgeHit.ts holds the hit test as pure functions, and editor/inspector/edgeSection.ts builds the section. The selection has a new kind edge, and node and annotation carry edgeIds. Decided here: - A hidden link has no line and is never picked this way, also while it is shown on loan. Its mark at the port stays its handle. - The menu of a line speaks about the whole selection, like the menu of a box. With nodes or boxes held alongside it reads Delete N items. - Hiding picked links lets go of them, since no line is left. - A link wins over the box it crosses, and a mark wins over a link. - A transition has no Hide entry. - With nodes or boxes in the selection the inspector keeps showing the node or box, not the link. Tests: - Gate: 201 files, 2982 tests (2967 + 15), exit 0 - e2e, full run: 1635 checks passed (1629 + 6), exit 0 - Smokes: 24 / 19 / 21, exit 0 - The full run was done for exactly this state. - 15 unit tests in tests/editor/edge-selection.test.ts - Six e2e checks with a real mouse, block 6z-xi in module 06 and 26e7 in module 26 - 12 unit counter-probes all fail tests, run on stein2 - Three browser counter-probes fail, the build went through each time: no hit on the line, no halo, a band that skips lines - Screenshots of a picked link and a picked transition looked at before the last build, none after it Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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38e0f656be |
Split a struct output into one pin per field (#256)
Reading one field of a struct needed its own Expand node, even where the graph already knows the struct type. A split output shows the fields directly on the node, so a Find … Match test becomes a single Equals and the wires keep running left to right. - Right-clicking an output pin offers "Split into <Type> fields" when the type is known and "Split as …" for every other struct asset. The output is replaced by one pin per field with the field's kind. - The type is known for typed struct variables, typed Pack/Expand, fields of another split and item of For each, Find, Match and Item at over a typed list (portSplits.ts). - Right-clicking a field pin offers "Recombine". Splitting drops the edges of the whole output, recombining drops the field edges. One undo step brings them back. - The split is stored as GraphNode.splits and saved with the graph. Copy and paste carry it along. - Field pins follow the struct asset like a typed Expand. A new field gets a pin, a removed field loses pin and edge, a renamed field keeps its edge. Deleting the asset keeps the last fields. The delete dialog counts splits, so it now says "node(s)" instead of "Pack/Expand node(s)". - Renaming a variable carries its split and the field edges along. - At run time the node still produces the whole value. A field pin reads its field like Expand, a missing field reads as empty. - Limits: outputs only, one level, behavior graphs only. Tests: - ./check.sh: 185 files, 2706 tests, CHECK EXIT 0 - e2e GM_STEPS=1-6,54,55: ALL PASSED, 303 checks - New port-splits.test.ts with 12 tests. e2e 6z-vi with 3 checks using a real mouse: split Find.item, wire item.Name into the test and Match.item.Amount into the log (logs 7), recombine. - Counter-checks: without field reads in the interpreter, without rename in the split, without moving edges on rename and without cleanup on field removal one unit test fails each. In the browser, without field reads nothing is logged and without type inference the split entry is missing. - Check total in README: 1520. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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2aaca01929 |
Find the first matching item with a Find … Match block (#255)
Searching a list with For each needs the test result wired back into break on the left of the loop node. The wires then run across the node and the graph reads badly. Find … Match keeps the whole search flowing left to right, while the test in between stays a free graph. - Find takes exec and list and offers item and index. It sets them to each element in turn and has no exec output of its own. - Match reads its bool input match once per element. The first true value continues at found with item and index of the hit. No hit or an empty list continues at not found with an empty item and index -1. - The pair is derived from the wiring and stored nowhere. A Match belongs to the Find whose item or index its test is built from. Copy, paste and undo therefore need no extra code (findBlock.ts). - An unpaired Find or Match, two Matches on one Find and a Match fed by two Finds show a warning on the node. At run time the flow ends at an unpaired Find and the console says so. - Adding Find from the palette places its Match 480 px to the right in the same undo step. - The graph draws a quiet frame behind Find, Match and the nodes of the test. Literals feeding the test from outside stay outside the frame. - The test consists of data nodes only, like the break of For each. Tests: - ./check.sh: 184 files, 2694 tests, CHECK EXIT 0 - e2e GM_STEPS=1-6: ALL PASSED, 272 checks - New find-match.test.ts with 12 tests, 2 catalog cases, e2e 6z-v with 3 checks using a real mouse. - Counter-checks: ignoring the test fails 4 unit tests, no ambiguity check fails 2, framing everything fails 1. In the browser, no frame and no Match from the palette each fail their check. - Check total in README: 1517. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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2b89292eb4 |
Copy and paste scene objects and graph nodes (#240)
Copy and paste only existed for animation keys. Building a scene or a graph meant placing every object and node again by hand, even when the same arrangement was needed twice. - Ctrl+C copies the selected objects with their whole subtree, or the selected nodes with their links, groups and comments. Ctrl+V pastes into the scene, container or graph of the visible tab. - The copy is a snapshot in the editor's own clipboard, in memory. It holds asset ids, so the system clipboard is not used. It is cleared when another project opens. - A paste lands under the mouse pointer when it is over the view, and keeps its arrangement. Otherwise it lands one grid step beside the original. Each further copy that still exists moves one step on, so an undone copy does not count. - Objects get new ids for the whole subtree. They paste into the one selected object and keep their look under the new parent. If that object is the original or an earlier copy, the paste lands beside it instead of nesting deeper with every Ctrl+V. - A placed container stays a container. Content copied out of a container pastes as plain objects. Pasting a container into its own template is refused. - Nodes paste only where the palette would offer them. A second Start or End, a State in a behavior or a behavior calling itself is left out, and a notice names what was dropped. - Menus: Copy and Paste in the object menu, a new Paste menu on empty scene space, Copy in the node and box menus, Paste in the palette. - Ctrl+V still imports a picture from the system clipboard when the copy does not fit the tab. While objects are copied, the scene and container tabs use Ctrl+V for them, as the timeline does for keys. Not checked in the browser: paste in the container tab, in state machine, shader and particle graphs, and from the hierarchy menu. The shared code path covers them. Tests: - ./check.sh: 175 files, 2531 tests, CHECK EXIT 0 - e2e 51 (new): ALL PASSED, 11 checks with real keys and clicks - 13 unit tests in tests/editor/clipboard.test.ts, one of them pins the grid step after undo found during e2e - 7 counter-checks all fail as expected (6 unit, 1 in the browser) Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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adminandClaude Opus 5.5
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b830f9c747 |
Split wiring, drags and the frame layer out of GraphCanvas (#215)
GraphCanvas had grown to 1406 lines. Wiring, dragging and the frame
views each carry their own state, so they now live in their own
classes behind a narrow host interface. Behaviour is unchanged.
- GraphCanvasHost is what the new classes see of the canvas.
- Wiring owns dragging a pin, the palette on a drop into empty space
and "Make transition".
- GraphDrags owns moving nodes and frames, including snapping.
- AnnotationLayer holds the frame views. The test hooks stay on the
canvas and read the views through the layer.
- BeadClock moves into beads.ts and can now be tested without a
browser.
- The canvas builds host, wiring and drags in its constructor because
state is a parameter property and not set during field init.
- GraphCanvas is down to 1019 lines.
Tests:
- ./check.sh: 145 files, 2192 tests, CHECK EXIT 0 (+2 for BeadClock)
- e2e 1-28,31,36: ALL PASSED, 932 checks
- New e2e check in 36k: a frame caught by the rubber band is also
drawn as selected. No check covered that before. Against a bent
build it fails with selected: false.
- Counter-checks for drop target, snapping and beads fail exactly
the expected checks.
- Editor check sum is now 1314 (CI measured 1313 at
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adminandClaude Opus 5
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d7a2521ca7 |
A port can take its type from what is plugged into it (#207)
Until now every port of "First not empty" was grey and typeless, so the
editor could not tell you what actually travels through the node. The
output is now typed as soon as both inputs agree, and every any-input is
painted in the colour of its own edge. Nothing changes at runtime.
- A NodeDef can declare which of its ports carry the same value
(`sharedType: { inputs, outputs }`). The rule itself lives as a pure
function `agreedType` in `src/core/graph/portTypes.ts`.
- Only the output inherits. It becomes the shared type when every input
of the group is connected and they all carry the same type, otherwise
it stays `any`.
- The inputs stay `any` on purpose. `canConnect` checks against the port
type and a busy input is replaced by the new edge, so a typed `a`
could never be re-plugged with a text without disconnecting first.
- Chains do not propagate. When looking up what feeds an input, a node
of the same kind reports the `any` it is registered with, so two of
them in a row stay untyped and a data cycle cannot ask itself in a
circle.
- An edge that the new type makes invalid stays where it is and turns
red. `EdgeLayer` already paints a mismatching edge with `danger`,
nothing is disconnected on its own.
- New `PortDef.paintType`: colour only, never truth. It is set in
`drawnDef` and read in `NodeView.redraw`, so `canConnect`, the
interpreter and the compiler keep seeing `any`. Every connected
any-input is painted, not just members of a `sharedType` group; ghost
ports keep their hollow red look.
- The pin now matches the edge that ends in it, because both take the
colour from the resolved output type of the neighbour. Mixed sources
therefore show two colours, which explains why the output stays grey.
- New hooks `__gm.graph.portTypes(id)`, `__gm.graph.edgeColor(id)` and
`__gm.themeColor(name)`. `portTypes` reports type and paint colour
separately so the type checks do not silently become colour checks.
Findings:
- `resolveDef` only appends derived ports to the registered ones, so a
fixed port cannot be retyped that way -- it would appear twice. The
shared type is therefore resolved before the ports are built.
- Answer 5 of the issue (inline field follows the type) has no case left
under variant A: an unconnected input stays `any` and keeps its text
field.
- `Item at`, `Join` and `Equals` do not profit: `Item at` has no
any-input, the other two have fixed outputs. The next candidates are
the shader arithmetic nodes, which were left alone.
Tests:
- ./check.sh -> 143 files, 2127 tests, exit 0 (was 142 / 2113)
- GM_STEPS=1-6 fresh -> ALL PASSED, 245 checks (was 242), 9 of them new
- 14 new unit tests in tests/core/shared-port-type.test.ts
- 9 new e2e checks in block 6z, one of them a pixel check straight on
the pin via pixelAt + themeColor
- Counter-probes all bite: filtering unconnected inputs out of
`agreedType` fails 3 unit tests, ignoring `inherit` fails 1, killing
the derivation in the bundle fails exactly the 2 expected e2e checks,
and never setting `paintType` fails 4 unit tests plus the 3 pin
checks (#bdbdbd instead of #e6a8ff / #6fcf97)
- Screenshot read: `a` pink, `b` green, output `value` grey, edges in
the same colours
- Check total 1302 (1299 + 3), 1293 was measured by CI at
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adminandClaude Opus 5
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25ec7879a0 |
Several transitions between the same pair of states: make transition onto a state that is already connected in that direction adds another transition, which gets its own name right away (Transition 2, Transition 3, skipping names that already leave the state), so two unnamed transitions between one pair never exist; renaming is refused when another transition between the same pair in the same direction already carries the name, the empty name included, while equal names to other targets are only warned about as before; the behavior graph keeps Already connected; self transitions may repeat too, each further loop drawn as a ring around the previous one with the preview showing the next ring, and transition labels that would cover another one slide along their own edge until they are free (pure function freeLabelSpot); test hook transitionLabelAt also returns width and height, e2e 26e6 (#162)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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010b6a7f6c |
A state can transition to itself: make transition and a second click on the same state connects a self transition, taking it fires On state exited and then On state entered every time, for local and global machines, while Set state into the current state stays silent as before; only states may connect to themselves, every other node is still refused, one self transition per state; the loop is drawn over the middle of the top edge with its arrow pointing down and its name at the apex, the preview already shows it while armed, and the inspector lists it once under Transitions out; new test hook transitionLabelAt, e2e 26e5 (#163)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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cc285af10a |
Tabs are open documents: Scene, Game and Plugins stay as fixed tabs, every other asset opens in its own tab (double click or Enter in the asset panel, on creation, from the list button), several assets of one kind can be open at once, a tab is labelled with its kind dimmed before the name, cut at 160 px and renamed with its asset, closes with its x or a middle click and goes away when its asset is deleted; a tab always shows its own document instead of following the selection, the picker in the tab head is gone, zoom and scroll are kept per document for the session and dropped on close, a double click on a call node stays in the same tab with breadcrumbs per tab; one editor per kind is switched between documents, the placement rules live in the pure module documents.ts, and the test hook showTab stays as a compatibility path; new e2e module 44 documents (#171)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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57a97ba94f |
Plugins in data/plugins are loaded at startup and can add a tab with a read-only node board, and the demo plugin shows every asset as a node (#113)
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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d3563897d8 |
Two compilers that walk a graph the same way walk it through one emitter (#85)
Refactoring round two: the particle and shader compilers share emitGraph.ts (cycle detection, duplicate names, emit order) and keep only their rules. FontLibrary and TextureLibrary sit on FileLibrary (base URL, loading/failed bookkeeping, listeners); SoundLibrary keeps its own contract. The three Create*Command share ImportFileCommand, the three renames share RenameCommand - class names stay. bandBounds() in framing.ts and portNameField() in portSection.ts replace in-file clones, and three comments that told history now state the rule. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Fable 5.1
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cc6db5f350 |
Three stores, three importers and three pickers that differ only in their type are one of each (#85)
Refactoring round one: HttpFontStore/HttpSoundStore/HttpTextureStore collapse into a generic HttpFileStore over a FileStore contract; fontImport/soundImport/textureImport share assetImport with an ImportKind per sort; ImagePicker/FontPicker/SoundPicker sit on FilePicker and describe only their row. The group/comment drag logic leaves GraphCanvas for annotationDrag.ts (with its own unit test), declaredRows.ts replaces the duplicated row build in particles.ts and shaders.ts, and dead code in font/sound/compile/emission/transform/actions is gone. README: asset list, check count 958, the two-job CI, the Scenes wiki page. Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com> |
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adminandClaude Opus 5
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36ccc7626f |
A box drawn around a part of the graph is part of it, so a fit frames it and a band catches it (#95)
game-maker / suite (push) Successful in 6m22s
Fit measured the nodes alone: a group drawn around them was cut off, and a graph holding nothing but a comment framed the empty origin. It now frames both sorts together. The rubber band ignored boxes entirely. It catches them now, into the *same* selection as the nodes — `nodeIds` and `annotationIds` side by side — so one drag moves all of it, one Delete removes all of it, and one undo takes it back. A box counts only when the band holds all of it, where a node counts on touching: a group wraps the nodes it holds and therefore overlaps every band drawn over any of them, and since it drags those nodes along, catching it by accident would be felt at once. A node inside a selected group is moved once, not twice — `travellers()` collects everything one gesture carries and lets each thing appear in it a single time. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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b9f1a9d319 |
A graph that grew past one screen needs somewhere to say what a part of it is for (#38)
game-maker / suite (push) Successful in 6m13s
The graph could hold any number of nodes and said nothing about which of them belonged together. Groups and comments are two separate things, as decided in the issue: a group is a titled box that carries the nodes it encloses, a comment is free text that carries nothing. Both live as optional arrays on Graph, not as registry nodes. A comment that were a real node would run through the interpreter, show up in the drop palettes and be compiled into a shader — the wrong place for a piece of text. As arrays on Graph they exist in all four graph kinds at once, and a document without them means exactly "no groups", so no format bump. Membership is computed when the box is grabbed, never stored: the center of a node inside the box travels with it, and a node dragged out is simply out. A box inside a box travels with the outer one, its own nodes included. A group is grabbed by its title bar only — its body stays transparent to the pointer, or a rubber band could never be drawn across the nodes it holds. Deleting a box deletes the box; the nodes stay where they are, because a box that silently took ten nodes with it would be the most expensive surprise in the feature. The color is a free picker, and the title color follows from it: relative luminance per WCAG, threshold at 0.179 where the two contrast ratios meet — not 0.5, which would pick white on mid grey where black reads better. Resizing snaps the far edge to the grid, not the width, so the corner that is not being dragged stays put. The minimum size rises in whole steps for that reason: 80 is no multiple of 24, so a box squeezed to the stop would have sat off-grid in exactly the mode meant to keep it on. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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7babf88636 |
A state change is something the graph can react to, so the machine announces it (#53, #54, #55, #57)
game-maker / suite (push) Successful in 10m58s
Four issues that all reach for the same line: how the current state is read and written. Splitting them into four commits would mean four states of the tree that do not compile, so they arrive together. #55 start state — the machine asset carries an optional `start` holding a State node's id. Right-click a state to set or remove it, a ring in the node's title says which one it is. A dead id (the state was deleted) reads as "no start", so nothing has to clean up after a deletion. #53 entered/exited — `On state entered` and `On state exited`, one exec output per state. Every change now goes through a single `setState` that reports it; BehaviorSystem delivers it after the exec flow that caused it, `exited` of the old before `entered` of the new, round after round until the queue is empty, with a cap that stops a ping-pong graph with an endless-loop error. A local machine tells the instance that switched, a global one tells every instance holding a matching event node. The start state fires `entered` too: per instance for a local machine, once per run for a global one. #57 reading — `Current state` with `name` for showing and `id` for comparing, `Is in state` with one boolean per state. Neither has a `run`, so `read` learned `def` and `lookup`, and the catalog test knows this third kind of node. #54 seeing it — during a run the state machine tab marks every state some instance is holding faintly, and the one held by the selected scene object's instance strongly. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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adminandClaude Opus 5
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98fa9907fd |
A drop asks the area the pointer already uses, so a port at the very edge is still the node
`nodeUnder()` recomputed the node's face as `0 <= x <= w`, while the pointer events follow the `hitArea`, which reaches `PORT_HIT_RADIUS` past the edge. An input port sits at exactly x = 0, so the global point rounded back landed a hair outside: the drop counted as one on empty canvas, the node palette opened and swallowed every later click – four checks of step 6 at once. `NodeView` now answers from that same `hitArea`, and the step also checks that no palette is open. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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rootandClaude Opus 5
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68c92daaa6 |
A transition carries a name, so a state needs no visible port (#52)
game-maker / suite (push) Successful in 10m22s
A state keeps its `in`/`out` exec pins in the model and the editor never draws
them. That is the whole trick: connecting, undo, deleting a state and saving all
keep working untouched, because `normalizeGraph` filters nodes and never edges,
and no edge ever checks its port key against a NodeDef. Only two places change --
`NodeView.redraw` stops drawing the row, and `portAt` refuses to hand one out, so
an invisible pin cannot be grabbed either.
Transitions are drawn by right-clicking a state, `Make transition`, then clicking
the target. The armed mode takes the same shape as a live drag, so the existing
preview draws it with no second code path, and it dies with Escape, a click on
empty canvas or a switch to another asset.
Removing the pins removed the only handle a transition had: edges have no
hit-test anywhere, and the pin right-click was the sole route to Disconnect.
The inspector's TRANSITIONS OUT / TRANSITIONS IN lists are therefore not a
convenience, they are the delete path.
`GraphEdge` gained an optional `label`, which `normalizeGraph` has to pass
through explicitly or a saved name is dropped on load. `State transition`
replaces `Next state`: it takes the machine on an input port and the name from a
picker, and resolves against the *current* state. Names are deliberately not
unique across a machine -- two states may both have an `alarm` -- so a node named
`alarm` moves whichever state has one, and an empty name follows the single
unnamed edge.
The geometry moved to a Pixi-free `transitions.ts`: a gap to the box border, and
a fan that puts a pair of opposite edges beside each other instead of on top of
each other. Keeping it as plain maths is what let a screenshot bug become a unit
test -- an earlier pin-to-pin line ran under the target node and took its
arrowhead with it, because `nodeLayer` sits above `edgeLayer`.
One limit stands and is not fixed here: `ConnectCommand` rejects a second edge
between the same two states ("Already connected"), because every transition
hangs off the same two ports. With names, `A --alarm--> B` beside
`A --seen--> B` is a sensible pair, so this is worth its own issue.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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root
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a041322a0e |
An edge to a vanished port needs a handle, so the port stays as a ghost (#60)
game-maker / suite (push) Successful in 10m7s
Four ways erase a derived port and take no edge with them: deleting a state, deleting the `State machine` literal, deleting `Behavior start`/`end`, deleting the asset. The common cause is `RemoveNodeCommand` clearing only its own graph, so the fix sits in `drawnDef` (graph/nested.ts) and touches no delete site. A right-click on an edge goes through `view.portAt` only — there is no curve hit-test. Without a port row such an edge is not merely invisible, it is unreachable, so the ghost row is the handle Disconnect hangs on. `resolveDef` stays untouched: it is the truth for interpreter, compiler, ConnectCommand and dropTarget, so nothing runs or connects through a ghost without a second guard. |
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rootandClaude Opus 5
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fbb2d157f0 |
A held preview is rebased, not paused, and it wears the asset's own rows (#86)
game-maker / suite (push) Successful in 9m42s
Three reports plus one found on the way.
Hold only froze the *picture*: the preview computed a fake second while drawing,
the library clock kept counting underneath, so letting go jumped to "how much
would have passed by now". That is the flip side of the formula model — a thing
that is a function of the clock is not stopped, its origin is moved.
ParticleField.rebase() does that; hold(null) calls it with the second stood at.
The Hold label now mirrors the preview's state instead of its own click history,
so dragging the slider (which holds too) reads `Run`, and Restart puts a held
preview back to 0.00 s rather than leaving it on the second it stopped at.
previewProps only read defaultsFor('particles'), so the panel showed the type's
defaults while the inspector showed the asset's rows. AssetBase.props is a full
bag on a graph asset as well — asset.props now lie over the defaults, the
asset's texture is resolved instead of always drawing a white square, and the
slider's span follows its lifetime. The span is re-read in tick(), because the
rows are edited in the inspector and the tab hears nothing about it.
The preview moves from under the graph to beside it, past a draggable splitter:
a graph is read across, so width is what it can spare and height is not.
AssetTabEditor grows a body() hook for that — the base class still stacks header,
strip and canvas, a subclass may put something next to the canvas.
Found by the full run, not reported: the graph canvas's empty-state hint ran
38 px past its frame now that the preview takes 280 px away. It is cut with
truncate() like any other label.
816 checks (809 + 7).
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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root
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0f9e1611d1 |
A particle is a function of its age, not a thing that is stepped (#73)
game-maker / suite (push) Failing after 4m22s
The asset type `particles` is placeable and carries a graph at the same time — `behavior` was the blueprint. Because a continuous emitter gives birth to particle n at time n/rate, the whole field is a function of the clock rather than of the frames: no ring-buffer bookkeeping, exact time jumps, reproducibility as a measurable property. compile.ts follows compileShader's frame but emits JS closures into a Float64Array instead of GLSL, and without eval; a node with two consumers is evaluated once. Drawing is one Pixi ParticleContainer per source, so one draw call. Collision, wind and braking in flight are out for good — that is the price of the formula model, not an omission. The tab count goes from nine to ten, which is exactly the case #84 was built for one day earlier: at 1280 px the row no longer holds every tab, so guard 14b now asks for hidden.length > 0 instead of === 0. |
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rootandClaude Fable 5.1
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42cafa7543 |
Shader assets: graph-built shaders, the Shader tab and sprite rows from the graph (#62)
game-maker / suite (push) Failing after 3m59s
A shader is an asset carrying a node graph (Texture color, Output, Property, Color, Add/Subtract/Multiply/Divide, Mix, Luminance) that compiles to the GLSL fragment of a Pixi filter. The Shader tab reuses the Behavior canvas; a sprite wears a shader through its Shader picker, and the rows below it are the graph's Property nodes. Property schema, resolution and deviation take the project because a sprite's rows now live in another asset. The built-in registry of the prototype is gone; "Adjust colors" ships as a graph in the fixture and the three example games. Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com> |
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rootandClaude Opus 5
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c47fd5e4dc |
Console panel: capture console.*, timestamped lines, resizable (#50)
A log layer (src/editor/console/log.ts) keeps a 500-line ring buffer and
wraps console.log/info/debug/warn/error, still calling the original. Notices
and behaviour runtime errors go straight to the layer instead of through
console, so editor tests stay quiet and errors can render red. world.log is
untouched: it is per-run structured state that runtime tests and e2e read
directly, not a text stream.
The panel sits under the visible tab, resizable with Splitter('y'), with a
CONSOLE header and a clear button. Each line carries its wall-clock time in
its own dimmed column, so locate() still finds the message text.
The taller centre area drops the graph fit zoom to 0.60, which broke six e2e
checks that assumed one screen pixel is one graph unit and that a fixed
offset from the canvas centre is empty. They now ask __gm.emptySpot(),
__gm.graph.emptySpot() and __gm.graph.zoom() instead of guessing.
locate/locateAll added the unscaled Pixi text width to the global position,
so click points in the scaled graph canvas landed too far right; they use
getBounds() now.
check.sh: 831 tests. Full e2e: ALL PASSED - 671 checks. Smokes 24/19/20.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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rootandClaude Fable 5.1
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e7d82bd1a9 |
State machines: asset, tab, State branch and Set state nodes (#51)
A state machine is an asset whose graph holds one `State` node per state (no ports, name as title), edited in a new "State machine" tab that reuses the graph canvas: right-click places "State n", snap toggle shared with the Behavior tab via SnapToggle. `statemachine` is a value kind like texture (port, literal node, variable, struct field, tagged list item). Behaviors use it through `State branch` (one exec output per state) and `Set state` (one exec input per state; the interpreter now hands `run` the entry port). States live per behavior instance in NodeContext.states, with no initial state. Ports derive from the inline picker or a wired `State machine` literal; BehaviorLookup became GraphLookup with behavior(id) and machine(id). The Graph tab is labelled "Behavior" (key unchanged). Unit tests (state-machine, kinds, catalog, ports), e2e step 26 and README added. Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com> |
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rootandClaude Opus 5
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656d61f187 |
Edit the graph during play and watch values and flow run through it
The graph was only locked by five edit-mode guards in GraphCanvas. The running game reads the graph by reference each frame, so a new node, edge, changed value, disconnect or undo takes effect from the next frame. Stop discards these edits like everything else changed in play. A new On start node does not fire for a behavior that has already started. During play every data output shows the value it last produced, in the highlight colour and refreshed ten times a second. Values are kept per graph, because node ids are only unique within one; with several instances the most recent value wins. The Variables node reads the live variable bag, so only its own outputs are kept, as a snapshot. Each time an exec edge fires, a bead runs along it in 0.3 s, at most one every 0.15 s per edge, following the same curve the edge is drawn with. Beads run on game time and freeze while paused; the game logic is unchanged. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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rootandClaude Opus 5
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7c63c884ef |
Replace the five variable nodes with one Variables node
A single node now lists any number of variables. Every entry is an output that reads the current value whenever it is pulled; an entry switched to Set is also an input and is written when the flow arrives. Exec pins only exist while at least one entry writes, and all inputs are read before any write, so one node can swap two variables. Get/Set variable, Get/Set variables and Variable are gone. Old project files are converted on load: each old node becomes a Variables node with the same variables, edges and typed values. A written port without a typed value now shows the zero of its kind on the node body, matching what the inspector shows and what the run writes. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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rootandClaude Opus 5
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854ae2e756 |
Add Get/Set properties nodes and a breadcrumb for opened sub-behaviors
Get properties / Set properties work like their variable counterparts:
one port per chosen property, an unconnected input writes its inline
value. A port chosen from the built-in list keeps that property's field
and default (height starts at 100, color is a colour field). "object" is
reserved for the fixed input, checked by the command and on load.
The property picker names the owning type ("Sprite width"), and text
fields can now carry a suggestion list; Get/Set property use it.
Double-clicking a call node shows the path of opened behaviors under the
graph header. Clicking an entry jumps back and trims the path; choosing
a behavior any other way hides it. Reopening a behavior already on the
path steps back to it instead of repeating it. The bar shows before the
graph switches, otherwise it clips the graph that was just fitted.
The "Add node..." header button is gone; nodes come from the context menu.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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rootandClaude Opus 5
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8f92a06c84 |
Consolidate duplicated editor code, trim comments, refresh README
Split GraphCanvas (1076 -> 831 lines) into EdgeLayer and graphMenus; the port and marker menus were the same list and are now one function. Value specs of the inspector and the list tab share valueSpecs.ts, and the remaining copies (compound commands, type glyphs, typed asset lookup, name rule, play/editor world setup, marquee) are merged. Four copies had already drifted apart; merging them fixes: - "Disconnect N links" in the port menu is one undo step, not N - "+ Add collider" is hidden on a placed container instance, as in the hierarchy menu, instead of always failing - a bool property coerced from the text "false" becomes false - a port command on an unknown node type reports instead of crashing Comment-only edits leave the bundle byte-identical. README corrected in 35 places (step limit, jump-run clock, suite duration, 409 body, ...). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |