34433688553425d080301b259ac2de1c0d13ee2f
107
Commits
| Author | SHA1 | Message | Date | |
|---|---|---|---|---|
  adminandClaude Opus 5.5
|
3443368855 |
Record a game from its very first frame
Start recording has to set up its encoders first. It asks the browser whether it can encode H.264 at the size and hooks in the sound tap, both asynchronously, and it only took its size at the first frame. Meanwhile the game ran on unrecorded. A caption that fades in from alpha 0 at the start was already visible in the first recorded frame. - A run now waits while a recording sets up its encoders, at most 3 s, as it already waits for its videos at Play. That holds in the editor and in play.html. - The recording takes its size at Play, right after the game view has the world, rather than at the first frame. A Start recording in On start is so ready before the first tick. - A recording started in the middle of a game holds the picture for that moment. A sound that already plays goes on. Tests: - tsc, eslint, Prettier clean - e2e 67 on melektaus-atx: ALL PASSED, 11 checks (67a-ii new). The first recorded frame is at game time 0.0168 s, the first frame. - Without the wait 67a-ii is red: the first recorded frame is at 0.1667 s, so 10 frames were lost. - Gate on melektaus-atx: green, 305 files, 4740 tests, run on this commit and the one before together. - Not checked in the browser: a start in the middle of a game, and play.html. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
2ba41c1bd0 |
Record 1440p and 4K, and choose sound and conversion in the node
The Start recording node only offered the game view, 720p and 1080p, and always recorded with sound, converted and imported. The recording from the main menu could already leave those out. - Resolution has 1440p and 4K. As with 720p and 1080p the height is fixed and the width follows the camera, so 16:9 gives 2560x1440 and 3840x2160. - Every resolution is capped at 3840x2160, as the game view already was. A 21:9 camera in 4K would be 5040 px wide, which the encoder levels are not made for. It is scaled down to 3840x1646. - The node has Sound, Convert and Import after conversion, all on by default as in "Start recording...". Import only counts with Convert. An old graph without the inputs records as before. - A released game ignores Convert and Import and downloads the MKV. - Both recordings now hand their upload options the same way, from GameRecorder over PlaySession to RecordingUploads. RecordingUploadOptions moved to core/recording/recording.ts. Tests: - tsc, eslint, Prettier clean - Unit recording and node-catalog: 451 green, recording 29 with 3 new tests and 1 extended - e2e 67 on melektaus-atx: ALL PASSED, 10 checks - Not checked in the browser: a real 4K recording, and the node with its switches off. - The gate ran once on this commit and the next one together. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
7a952cb20d |
Start paused, step one frame and break from a behavior
Finding out what a game does in its first frames, or right at one spot of a flow, needed a quick hand on the pause button. Now the editor can start a play paused, step it frame by frame and let a behavior pause it. - The pause button can be pressed in edit mode. Then Play starts paused, and every further Play does too until it is released. A reload of the page clears it. - A third button, Next frame, right of Pause, or Ctrl+Shift+Enter. It works only while paused and runs exactly one frame of 1/60 s, whatever the frame took on screen. Hierarchy and inspector follow. - The Break node pauses the play like the button, at the end of the frame it ran in. The status line names the behavior's object. It is the editor's pause, not Pause game. - Break reaches the editor through a service only the editor hands to a play. In play.html and Run in editor the node does nothing. - Restart game keeps the running play's state. Start paused only counts when Play is pressed. - Wiki Concepts, Behaviors, Keyboard: the buttons, the node and the shortcut. Not tried: sound, free-running videos and a running recording while stepping. Sound and videos stay held during the pause. Tests: - tsc, eslint and Prettier are clean. - Unit pause, node-catalog, tooltip: 465 green. svg-icons now expects the step icon too. - e2e 18 and 46 on stein2 (melektaus-atx was off): ALL PASSED, 63 checks, 7 new in 18j. A step moves the box by 1.667 px at 100 px/s, Break stops the play with "Break in Breaker". - Counter-checks: a session that ignores the step turns 18j red. A Break that does not report its object turns the unit test red. - Gate on stein2: tsc, eslint and Prettier clean, 305 files, 4722 tests, 6 more than before. One was red at first, the icon list of the top bar did not know step yet. Fixed in svg-icons.test.ts and run again. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
f171c77f91 |
Turn the own mouse pointer off again after signing out and in
CI was red on |
||
|
adminandClaude Opus 5.5
|
d4fc425233 |
Draw the editor's mouse pointer from SVG files, on screen too
The pointer drawn into an editor recording lived as paths in code, so it could not be looked at or edited by hand. The shapes are now SVG files, and the editor can show the same pointer on screen, so what is recorded is what was seen. - src/core/recording/cursors/ holds one file per shape: arrow, hand, open-hand, fist, move, crosshair, text and resize. Resize is turned for the vertical and diagonal directions. - data-hot="x y" on the <svg> is the hotspot in viewBox units. Width and height in the file are ignored, and anything before <svg>, such as <?xml ...> from a drawing program, is cut off. - The open hand had six fingers. It has a thumb and four now, the middle one longest. - CURSOR_SIZE = 0.8 scales every pointer the same on screen and in a recording, so the files keep their units. - General settings has "Custom mouse pointer", on by default. It hangs the files into Pixi's cursorStyles as CSS cursors with the keyword as fallback, so the system still draws the pointer and the canvas does not. Off gives Pixi's own values back at once. - A recording draws the pointer from the same files at its own size, so it stays sharp in 4K. It still reads the shape from the canvas when that holds a url(...) cursor. Tests: - Unit recording and view-tween: 3 new, green. They read viewBox and data-hot in an edited form, the boxes of turned shapes, the default size and old settings without the switch. Red without data-hot and without cutting before <svg>. - e2e 46i-ii: the canvas cursor is a url(...) ending in default and the image loads. Off gives inherit and stores false, on brings the file back. Red without useCursorFiles. - e2e 67e: the recording is still black at the mouse position. - The README names 2046 e2e checks. - Gate on melektaus-atx: 304 files, 4702 tests green. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
ba01d146e9 |
Choose size, rate and what follows when recording the editor
The editor recording had fixed settings: the canvas size at 60 fps,
always converted and imported. Recording in 4K needs a choice, and the
server shrank every video to 1080p anyway. Start recording... now opens
a dialog, and a recording always goes to the server as it is.
- The dialog holds name, resolution (Screen, 1080p, 1440p, 4K), fps
(60 or 30), mouse pointer, sound, Convert and Import after
conversion. Import is greyed out while Convert is off. The browser
keeps the last choice, not the name.
- A larger resolution makes the editor draw finer while it records,
so 4K is sharp, not stretched. It is never below the screen's own
resolution and goes back after Stop.
- Stop always uploads. Without Convert the file only stays on the
server. Without Import it is converted but no asset is added. Both
are found in the video picker.
- The server keeps the original next to each MP4 for every upload, so
Download in the video tab and the picker gives the original. Videos
from before have none, they still download their MP4.
- A file left unconverted shows in the picker as not converted, with
a Convert button. POST videos/{file}/convert queues it, and upload
takes convert=0.
- The worker now caps a video at 3840x2160 instead of 1920x1080. Videos
converted before stay as they are.
Tests:
- PHP videos.test.php: 81 checks green, with the original, convert=0,
a later Convert and the 4K cap.
- Unit recording: 5 new, green. Red without the rule that a recording
is never below the screen's resolution.
- e2e 67e-ii: the video tab downloads the .source.mkv, a Matroska
file. 67f: 1440p from a 1280x800 window gives 2304x1440 at 30 fps
without sound, kept and not imported, then converted in the picker.
Both red with the MP4 download and without the finer drawing.
- The README names 2045 e2e checks.
- Gate on melektaus-atx: 304 files, 4699 tests green.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
|
||
|
adminandClaude Opus 5.5
|
93190e185c |
Route a video's sound through its own Master routing node
An editor recording had no sound while the video tab played a video. The tab played its <video> straight to the speakers, past the Web Audio graph, so the recording tap behind the limiter never heard it. Fixing only that would have left videos as the one sound source the Master routing cannot reach, so they get their own node, like sounds. - A video asset with sound has a routing node labelled "Video". One without sound has none, it would have nothing to send. - Its links take the sound after volume and FX. Several links or another level give the video its own bus, as with a sound. - A new video follows the bus most other videos use. With none linked yet it goes to the Master, not to where the sounds go. Songs and sounds no longer follow videos either. - Players only know their file, so videoBusesOf maps each file to the bus of its first asset. setMix takes that map and moves the gains of running videos at once when the routing changes. - In the game, played in the editor or released, a video's sound follows its links. The tabs (video, composition, animation preview) play straight into the Master, as the sound tabs have since #368. - The video tab's sound now goes through the Master, so its volume, FX and limiter apply there and the editor recording hears it. - The recording badge beside the menu is an HTML element over the canvas now. The second render that drew it on the desynchronized canvas let the screen show a frame without it, so it flickered. The element is never in the copy, and clicks go through it. Tests: - Unit master-routing and sound-library: 3 new, green. Red without video in the routing kinds, without moving the gains, and with the old rule for the links of a new video. - e2e 66e-iii: the tab plays a video linked to a bus, the level is 0.09 on the Master and 0 on the bus. 66g: in the game the bus has 0.09. Both red with the old ways. - e2e 67e reads the badge from a real screenshot, still green. - The README names 2043 e2e checks. - Gate on melektaus-atx: 304 files, 4694 tests green. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
f177ee90a4 |
Record the whole editor from the main menu
The game view could already record itself through nodes. Making a video of the editor itself, to show how something is done, needed an outside screen recorder. The main menu now starts and stops one, with no options to set. - "Start recording" sits in its own group before General settings, and reads "Stop recording" while one runs. The name is "Recording <time>", the size is the whole canvas in device pixels (an odd row or column is cut), 60 fps always. Sound is the master, saving goes the same way as for the game view. - The encoder, the sound and the Matroska writing of a take moved from GameRecorder.ts to RecordingTake.ts. A take now reads its pictures from a FrameSource, so the game view and the editor share it. - The editor's picture is copied from the canvas after each render, in the same frame, so nothing is drawn twice. A resting editor does not render, and the recording repeats its last picture. - The mouse pointer is drawn into the recording in the shape the editor shows (arrow, hand, resize arrows, I-beam, crosshair, move). - A red dot with the running time stands beside the menu button on screen only. It is drawn after the copy, and the toolbar makes room for it. - Drawing that dot made Pixi take it as the root for every hit test, and the menu would not open any more. The stage is set back as the last rendered object after it. Tests: - Gate on melektaus-atx green: 303 files, 4686 tests. - Unit recording: 20 green, 5 new. - e2e 67: 8 checks, 67e new. It records through the menu and decodes the MP4: 1280x800 at 60 fps, the pointer black at the mouse, the dot missing, 238 plain spots alike with the canvas. Without the pointer and with the dot drawn before the copy, 67e is red. - e2e 46: the main menu lists "Start recording". Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
6e6b6a4d9a |
Wait for a composition's videos and copy and paste its items (#417)
A composition lost the first frames of a video item. Its clock ran while the player was still loading, in the tab and in the game. The game only waited for videos once, when it started. A composition that a behavior starts later spawned its items after that wait. - The view now records which video sprites it left out for lack of a first picture, one entry per object. - The composition tab holds its playhead while the preview misses a video, for at most VIDEO_WAIT_MS (3 s) like the game. - CompositionSystem holds a composition's clock while one of its live items misses its video. The rest of the game keeps running. - The editor play and the published game pass their view to the run as RunServices.pictures. - VIDEO_WAIT_MS moves to core/model/video.ts, because the runtime does not import from viewport/. - Videos loaded ahead for coming items do not hold the clock. Items can now be copied and pasted inside the composition tab. - Ctrl+C keeps the timing of the copied items next to the objects. - Ctrl+V pastes objects and items in one undo step. The earliest item lands at the frame under the pointer, on the track there. - Without the pointer over the tracks it lands at the playhead, on the selected track or on the top track of the selected items. - Several items keep their distances and tracks to each other. - The same copy pastes into a scene as plain objects. Objects copied from a scene do not paste into a composition, they have no timing. Tests: - Unit composition-edit, clipboard, composition-play: 3 new for pasting, 1 new for the clock waiting in the game - e2e 69i (play from the end waits for the video), 69j (paste under the pointer and at the playhead), 68d (a composition started from On start waits for its video) - each new check is red without its fix - README: 2036 editor checks Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
e435c54afb |
Edit a composition's tracks, items and clips in its own tab (#417)
A composition could be placed and played, but not filled. Its tab puts the picture at the playhead above a timeline of tracks, so a cut or a cutscene is laid out by dragging assets onto tracks. - The timeline takes the song tab's geometry with frames for ticks: ruler in seconds, scrubbing, play and pause, + Track. Zoom and pan glide through viewTween like the other tabs. - A placeable asset dropped on a track becomes an item, 3 s long or as long as its sprite's video. Dropped on an item it lands behind. - Items move without overlapping. The right edge stops at the next item. The left edge trims into a video and not before its start. - An animation dropped on a track becomes a narrower clip bar above the item it plays on. The asset panel now starts a drag for animations too. - The picture is a scene view over compositionHolder. A click picks an item or its child, a drag moves the real object. It takes no assets, since an object there would have no item. - The hierarchy lists the items alive at the playhead. Reparenting is off there, items stay at the top level. - The inspector shows a TIMING block on an item (start, length, offset for a video, Fit to media) and edits tracks and clips. - Delete, the context menu and Remove item take item and object in one undo step. - fitMedia: an override that gives an item another video sets its length in the same undo step, capped at the next item. Dragging an edge or typing a length turns it off. - A composition inside a composition is refused. Tests: - Unit composition-edit (new): 19 tests. Four counter-checks each turned their test red. The "back to 3 s" test got a step in between after one stayed green. - e2e 69 (new): 11 checks, 9 own. The hierarchy check reads the rows shown, after a counter-check on the model's rows stayed green. - Gate on melektaus-atx: CHECK EXIT 0, 302 files, 4662 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
e191dc4b2e |
Record the game view from a behavior into a video asset (#405)
A game can now film itself. A behavior starts and stops a take, and the editor turns it into a video asset with the run's picture and the sound the player hears. The exported game hands the file over as a download, since there is no project to keep it in. - New action nodes `Start recording` (Name, Resolution, FPS) and `Stop recording`. An empty name becomes `Recording <timestamp>`. - Resolution is `Game view`, `720p` or `1080p`. For the fixed sizes the height is set and the width follows the camera. - The picture is the camera only, without hints, overlays or the letterbox. It is drawn into a render texture of the target size, so a smaller window still gives full 1080p. - `PictureReader` reads the texture back through pixel buffers with a fence. The editor never waits on the GPU, and a frame with all three buffers busy is dropped and counted. - Nothing of the take reaches the visible canvas. A first version drew tiles into it and copied them out, and with the low-latency canvas that midway state flickered on screen. - The sound is tapped behind the master limiter in the FX worklet and encoded as Opus. - H.264 is chosen when the browser has it, VP9 otherwise. A small own Matroska writer packs both tracks, no new dependency. It names the frame rate and BT.709 so ffmpeg keeps both. - A second `Start recording` is ignored with a warning in the log. A take goes on through `Load scene` and a restart, pauses with the editor and is saved when the run ends. It stops at 2 GB. - The editor uploads the take on the existing video route and makes the asset once the run is over. The video tab gets a Download button for the converted MP4. - `downloadBlob` in `src/ui` replaces the song editor's own copy. Findings: - `On start` runs before the game screen knows the world. A take therefore fixes its size on the first frame that has a camera. - Without a frame rate in the file, ffmpeg turned 30 fps into 59.94. - The worker's poster JPEG is off in colour for every upload (red 255 comes out as 229, BT.601). Not touched here. Tests: - Unit recording + matroska: 21 green, plus the node catalog cases. The Matroska test reads the file back with its own EBML reader. - e2e 67 (new) on melektaus-atx: ALL PASSED. 1080p30 from a 1280x800 window gives a 1920x1080 MP4 with sound and no dropped frame. Every 4th pixel is checked, a green quarter catches an upside-down picture. A take ended by Esc is saved with the timestamp name. - e2e 60j: the exported game downloads an `.mkv` with EBML magic. - The flicker is gone on the user's machine without `?vsync`. - Gate on melektaus-atx: CHECK EXIT 0, 299 files, 4586 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
dd60a795e1 |
Wait for driven videos before a run starts so no sprite flashes (#404)
The game view opens a player for each driven video only when it draws, and it draws only while its tab is visible. Without a detour over the Game tab the players came up with the click on Play. Until a video had loaded, its sprite showed its base colour, white in the user's cut. Sharing the players of the scene view would not have helped. From the Animations tab those are discarded after two to four seconds. - Play holds the run at second 0 until every driven video in the game view has its first picture, at most 3 s. The status line says "Loading the videos… · Esc stops". - The game clock stands while it waits. Behaviors and sounds start only after it, so picture and sound stay together. - Load scene in a running game waits the same way. - A driven video without a picture is not drawn at all instead of white. That holds everywhere, also on a switch to the Game tab without Play and at a cut whose video is not ready. - The exported player waits the same way. - __gm.playInfo() reports waiting for the e2e check. Tests: - e2e 66p puts the sprite in front of the camera and waits 4.5 s so the game view has no player left. Then it reads every frame of the run: 14 frames of waiting on #22252c at time 0, then blue, no white. - Against the old code 66p fails: 14 frames #ffffff, then blue. - Unit video-library: 7 passed, 1 new for loading(). - e2e 66 on melektaus-atx: ALL PASSED, 27 checks. - Gate on melektaus-atx: exit 0, 297 files, 4558 tests. - tsc, eslint, Prettier clean. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
d48f174caf |
Play videos on sprites, converted on the server with clips (#402)
A video becomes an asset like a sound: uploaded once, converted to one format by a worker of its own, cut into clips in its tab, and worn by a sprite through its Texture row. Only Chrome is a target, without alpha. - Server: POST ?r=videos queues the upload under the hash of its bytes, so the MP4's name is known at once. The worker (VideoWorker over VideoFormat) writes H.264/AAC, yuv420p, constant frame rate, a keyframe every 15 frames, at most 1920x1080, with a poster and the details beside it. A failed job says why and is tried again on the next upload. - An upload may be up to 2 GB. It is streamed from the request to disk and hashed there, so php-fpm holds none of it in memory. The other routes keep their 256 MB. - The worker runs in the container game-maker-video on stein2, a compose project of its own (tools/video/), and in CI beside the PHP server. The CI image has ffmpeg for it. - Model: asset type video with size, length, frame rate and sound, and clips like a sound's. The clip helpers and commands serve both. - A sprite's Texture row offers videos and clips after the pictures. resolvePicture names a playing video by a key, and the texture library hands it to a VideoLibrary with one player per key. - The editor shows a placed video as a quiet preview. Play starts it over at its clip's start and lets it be heard through the master bus, a pause holds it, Esc makes it quiet again. - Video tab: the picture, a ruler, the clip strip and a track on the Sound tab's time axis. A drag spans a clip, a handle moves an edge, Play plays the picked clip. - The picker shows a video on its way with its progress and adopts an upload from it once it is ready. Dropping a video file does the same. Decided on my own: - Two sprites wearing the same clip share one player and show the same picture. Control per instance belongs to the follow-up with nodes. - A video plays in real time, the game's time scale does not slow it. - The container may use 3 of the 4 cores of stein2. Findings: - The first real upload (279 MB) got 413: the API's own ceiling of 256 MB for every request, not nginx or the Brandmauer. - Chrome has no picture of a video that never played, and a Pixi VideoSource drawn before the first frame stays empty for good. The texture is made in the first frame callback (openVideo). - A player nobody asks for in 2 s is let go. The inspector's PREVIEW asked only on an edit, so with the sprite not on screen its texture was destroyed under it and the batcher threw on every frame. The preview now redraws every frame while it shows a video, like a Time shader. A let-go texture keeps an empty source instead of none. - VideoSource.load() reloads the element and cuts off an earlier play(). Playing starts after loadeddata. Tests: - PHP videos.test.php: 68 checks, with the real ffmpeg - 300 MB upload through Brandmauer and nginx: 201 in 21 s, php-fpm at 13.7 MB RSS at most - Unit videos.test.ts: 20 tests - e2e 66 (stein2, atx was off): ALL PASSED, 18 checks; e2e 04 with the new asset count green - Gate (atx): 294 files, 4520 tests. serialize.test.ts used video as its example of an unknown type and now uses a made-up one. - Counter-checks: a keyframe gap of 30 fails the PHP check, a key that keeps the video's end fails 2 unit tests, a clip without its end fails "plays only its stretch" in e2e 66 Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
c087993000 |
Edit a Filter in its node and resize EQ and Filter nodes (#385)
A Filter sounds like one band of the Parametric EQ, but it keeps what the EQ cannot: linked numbers, the all-pass and +-40 dB. So it stays a node of its own and gets the EQ's editor with itself as the one band. The editors also stop running out of their room: what does not fit is left out instead of being cut. - The curve of the EQ is now BandCurve with a host the EQ and the Filter both fill. CurvePanel holds what their panels share. - FilterPanel shows the Filter as one band. A drag of its handle sets frequency and gain as one undo step. A number fed by a link is greyed out and the drag leaves it alone. - A double-click on the Filter's title opens the same in a tab of its own. Delete there does nothing, the node stays. - The Filter is tapped like the EQ, so its node and its tab draw the spectrum of what passes it. A tap is two gain nodes per voice, the analysers are made only while someone listens. - EqFace and FilterFace are one CurveFace now, given the panel. - EQ and Filter nodes have a corner to resize them, drawn like the floating window's. The size is saved on the node as `size`, each drag is one undo step, the least is 240 x 120. - In the node the help line is gone. The row of numbers comes in only once the curve keeps 120 px of height. A group of the row that does not fit is not drawn, the one on the right first. - A frequency or dB label that would run into the one before it is left out. - The all-pass is drawn flat. The curve's maths takes every shape a Filter has. Found on the way: - The instrument presets set nodes 240 apart. A Filter with its editor is about 700 wide and covered the Bitcrusher, so a Filter now takes four columns. Tests: - Unit: 8 new (filter band, resize command and save, fitting rules), stage lists with a Filter now hold its taps - e2e 34 (atx): ALL PASSED, 130 checks (4 new) - Gate (atx): CHECK EXIT 0, 284 files, 4367 tests Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
79a04e6764 |
Edit a Parametric EQ in its node, let the wheel only zoom graphs (#381)
The small curve below the EQ node's rows (#375) only showed the bands. Like the Compressor since #380, the node now shows the editor of its tab between its inputs and its output, and is worked right there. A double-click on the node still opens the same editor in a tab. Two wishes for the nodes with a panel came on top and share the same files, so they are in this commit as well: the numbers below the Compressor's knobs read as plain labels (#382), and the wheel over a node zooms the graph instead of turning a value (#383). #381, the EQ in its node: - EqPanel holds the curve, the band's numbers and the help line, taken out of EqEditor. The tab puts its one panel under a header, each EQ node has a panel of its own at 720 x 360 (EqFace). - A press on the curve neither picks nor moves the node. A double-click on the curve adds a band, one on the title or the edge opens the tab. - In the node a press on the Type or Slope button stays with the button, so the node is not picked or moved. - The spectrum runs in the node while it is in the picture. The tab lets go of the tap once, like the Compressor's, and Editor.tick lets every unseen tab and graph go before any seen one listens. - The count of bands moved from the tab's header into the band row, so the node shows it as well. - The node picture of #375 is gone with its only user: NodePicture, EQ_PICTURE and NodeView's drawing of it. #382, the numbers below the Compressor's knobs in its node: - A Knob with typed: false shows its number as a centred Label without a box, in the panel's ink. The ratio reads 4:1 (ratioText). - The label is as high as its text and sits up in the dial's open bottom, right under the ends of the scale. - Label takes a colour of its own. #383, the wheel in a graph: - GraphCanvas takes the wheel on the way down and stops it there. It zooms over a node too, and no knob or curve in a node sees it. - The tabs keep their wheel: a knob's step, a band's Q and the zoom of the EQ's dB. Found on the way: - A Menu opened below a button in the zoomed graph would have been placed by the button's own height. openBelow now takes the bottom edge as drawn. - The band row did not lay out its labels after a text change when its own size stayed. In the tab a later resize hid it, in the node "Band 1" and the count were missing. The row now lays out itself. - Handle and point positions for the checks were unscaled. They now go through toGlobal and hold at the graph's zoom. Tests: - Unit parametric-eq: 16 tests. The #375 tests now check eqCurvePoints and eqRangeOf directly. compressor-view: ratioText. - e2e 34 (atx): ALL PASSED, 125 checks (3 new: the EQ panel and its ports, editing in the node, the spectrum in the node with the tab open). The Compressor node's check reads its numbers as labels and 8:1. Both node checks now expect the wheel to zoom the graph and leave the ratio, the Q and the dB zoom alone. - The unseen-tab check now leaves for the Scene tab, since the node in the graph listens to the same tap. - Counter-check: the tab letting go of the tap every unseen frame stalls the node's spectrum with the tab open (1 frame against 22, probe on stein2). - Gate (atx): CHECK EXIT 0, 283 files, 4357 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
1f2b64fb4c |
Show a Compressor's panel in its node, its tab on a double-click (#380)
The panel of #379 opened in a window of its own and replaced the tab. The user wanted the device in the graph instead, and the tab of #378 back on a double-click. The switch Hardware look goes again. - A node can show a face instead of its rows (`NodeFace`). Its inputs sit on the left of it and its outputs on the right, in the middle of the height. Each side is as wide as its longest port name. - A Compressor node shows the panel at full size, 820x280 graph units. Its settings and numbers are not listed as rows, the panel has them. - The knobs and the lever work in the node. A drag, a notch of the wheel and a double-click are one undo step each. A press on them neither picks nor moves the node, and the wheel does not zoom the graph. The number below a knob is only shown, typing stays in the tab and the inspector. - The meter and the LEDs run while the node is in the picture of a sound FX or instrument graph that is seen. Out of the picture, folded or hidden, the node lets go of its taps. - The window of one size, `fixedSize`, `refit`, `keptSize` and the rule that kept a Compressor out of the tab row are gone again. - A knob's drag as one undo step lives in `nodeParamDrag.ts` now, for the tab and the node. The numbers of a node and what auto-gain says moved to `compressorView.ts`. Found and fixed on the way: - The tab and the node listen to the same taps. The tab let go of them on every frame it was not seen, so the node's meter stood still while the tab was open. Now the tab lets go once, and in a frame everything unseen lets go before anything seen listens. Tests: - Unit: compressor-view (2 new), documents (the test of `keptSize` is gone with it) - e2e 34 (stein2, melektaus-atx was off): ALL PASSED, 122 checks. The four checks of #379 are now four of the node: ports beside the panel, knobs and lever in the node, the needle when played (21.7 dB with the tab open), and the double-click opening the tab. - Gate (stein2): CHECK EXIT 0, 283 files, 4356 tests - Counter-checks: an old auto-gain number read as off turns exactly its unit test red. A tab that lets go on every frame leaves the node's needle at 0 dB and no LED lit (probe on stein2). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
9917253751 |
Open a Compressor as a device in a window of one size (#379)
The tab from #378 shows a Compressor as an editor. The user wanted it to look like a device as well, after a brushed aluminium plug-in, with a meter of the gain reduction instead of the pictures. The tab stays and is switched to per node. - Hardware look is a switch under Settings, on by default for new and existing Compressors. Only the editor reads it. - The panel is 820x280 px and opens straight in a window of that size. The window has no sizing corner and no Dock. A pane says so through `fixedSize`, and `keptSize` keeps the window's middle when it changes to that size. - A Compressor in this look never sits in the tab row. Opening one floats it, and switching the look on moves its tab into the window. - The panel has chrome knobs (threshold and makeup large), a meter with a needle that moves like a VU's, an LCD with the name and the reading, a lever with a lamp for auto-gain, and LEDs for the level going out. Everything is drawn in code. - The Knob takes a size and a chrome look, and leaves out its caption when it has no name, so the panel engraves its own. - `autoGainOn` is now `switchOn`, because the new switch reads the same way. - Where parts sit, the meter's scale, the needle's speed, the LEDs and the plate's grain are in `hardwareView.ts`, apart from the drawing. Decided myself: - The meter's scale runs by the square root, so the first dB is about as wide as the last nine. It is red from 10 dB on. - The LEDs light one every 3 dB from -39 to 0 dB and fall by 20 dB a second. - Switching the look changes the graph's fingerprint, like any other setting of a node. The sound FX is built again once. Findings, fixed on the way: - Pixi's `arc` goes on from the last point of the path. The meter's scale had a line from the corner of the face until each arc got a `moveTo` to its own start. - A text put into a Graphics makes Pixi warn that only Containers take children. The LCD is a Container now. - The first browser check read the needle at one moment and missed the short sound. The panel keeps the most its needle and LEDs showed. Tests: - Unit: hardware-view (10 new), documents (1 new) - e2e 34 (melektaus-atx): ALL PASSED, 122 checks (4 new). Played, the needle reached 20.9 dB and 5 LEDs lit. - Gate (melektaus-atx): CHECK EXIT 0, 283 files, 4355 tests (11 new) - Counter-checks: a window that keeps its corner instead of its middle, and a linear meter scale, each turn exactly their test red. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
1df38bd430 |
Edit a Compressor in a tab of its own, with knobs and levels (#378)
A Compressor had only its number rows in the node. Its numbers are
easier to set by feel on a dial, and what it does is easier to judge
when the level going in and the level going out are seen side by side.
- Knob is a new widget in the toolkit: a slider bent into a circle,
its name above and a number field below. A drag up or down turns
it, Shift a tenth as far, a notch of the wheel a fiftieth of the
turn, a double-click sets the default, the number takes a typed
value. A taper gives the low end more of the turn.
- The Compressor's tab opens on a double-click, one per node, like
the Parametric EQ's. It has a knob for each of the seven numbers,
greyed while its input is linked.
- Its curve shows level in to level out from -60 to 0 dB. The point
where it bends sets the threshold, the end of the curve sets the
ratio that ends there.
- Its levels show the last 4 s on both sides of the node. Where it
takes more than 0.5 dB away, the stretch below the level coming in
is tinted. The makeup is left out of that.
- The Compressor is tapped like the EQ. SpectrumTaps listens to more
than one node at once and reads the loudest sample of the last
25 ms on each side.
- The node tabs share one map in the editor (nodeTabs), so a third
kind needs no new plumbing.
Findings:
- CI task 614 for
|
||
|
adminandClaude Opus 5.5
|
2764919bb8 |
Stream long sounds from an Opus copy instead of decoding them (#349)
A sound was decoded whole as soon as the project opened, in the editor and in a released game: five minutes of stereo held some 115 MB for as long as the page was open. A sound with Stream on now plays from a copy as Opus in Ogg, fetched a piece at a time and decoded a few seconds ahead by WebCodecs, so a game holds a few megabytes for it. - The Stream switch is a row of the sound, off by default. The Sound tab suggests it from a minute on and says how far the copy has got. - StreamKeeper makes the copies in the browser, a moment after the last change, one at a time: the sound's own and one per clip of its cut, fades and Reverse baked in. A copy that is no longer wanted is taken off and deleted once the project is saved without it. - streamTable says which played names stream from which copy. A clip without a fitting copy, a Sample and a Reverb impulse stay decoded. A sound with Stream on is never decoded ahead. - The page fetches by Range and takes the whole file from a server that ignores it, as the CI's PHP server does. It keeps the bytes and the first two seconds decoded, the rest goes four seconds ahead. - A jump decodes 32 packets before the place first. Measured in Chrome, what follows is then the same to the bit as decoding from the start. With 4 packets it was 0.06 off. - The stream-player on the FX worklet reads the samples at the rate of the context along a Catmull-Rom curve. What comes late is silent and skipped once it is there, so a clip keeps its beat. - The opening stretch goes with the player as it is made. Sent by message it came a few milliseconds late, and 557 samples of the attack were lost. - Pitch on a streamed sound is a shifter after the player, as on a bus: the length stays and it is heard 42.7 ms late. - Bakes of patterns and songs (#340) always stream now. - The song timeline draws a streamed sound from its copy decoded at 8 kHz, keeping only the peaks. Tests: - Gate: CHECK EXIT 0, 280 files, 4312 tests (31 new: ogg +3, stream-queue 6, streams 11, streaming 6, sound-library +5). - e2e 34: ALL PASSED, 106 checks (7 new). Five minutes of mono, 4.8 MB as WAV, 3.6 MB as its copy: streamed the renderer grows by 5.8 MB, decoded by 69.6 MB. Offline at 48 kHz, start, loop seam and a reversed clip are the copy decoded whole to the sample (0). - Counter-checks red as they should be: no pre-roll, no catch-up of late samples at the end, no opening stretch, a streamed sound decoded ahead. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
84cd36f902 |
Bake a pattern or song to Opus, played in its place by a game (#340)
A pattern or song played by a game runs every note through the scheduler, the instruments and their FX, live. Bake works that out once, keeps it as a file on the asset, and Play pattern and Play song play the file instead, as one voice, for as long as nothing it is made of has changed. The tabs always play live. - Bake is an icon in the header of the Pattern and the Song tab, lit while the bake holds. A click bakes, cancels a bake that runs, or offers Bake again and Remove bake. The toolbar shows the progress. The info of the tab says "baked" or "bake outdated". - The bake holds everything up to the output of the pattern or song. The sound FX of the node, fx params, volume, fade in, bus, Master routing and stopping with a fade stay live. - A print of the worked-out plan decides whether it holds: notes and clips, tempo, length, loop, tracks, the build of each instrument for each note, sound FX, files, cuts and levels. A rename keeps it, an undo back to the baked state makes it hold again. - The file holds the straight run and then one more round of the loop as heard the second time, tails included. Looped, it plays to the loop end and then round that round, to the sample. Once, it fades out over its last 10 ms. Let ring fades it out over 0.3 s. - It is worked out by a second SoundLibrary on an OfflineAudioContext, its scheduler woken by suspends of the offline clock, and what reaches the master is taken. A worklet probe tells whether that was mono, so a mono bake goes on exactly as the notes did. - Opus in Ogg, 160 kbit/s stereo or 96 kbit/s mono, encoded with WebCodecs, the Ogg pages written by hand. Normalized to full scale, the peak kept and played back. - The file goes up into the sounds of the account as "[bake] name", which the sound picker leaves out. An old bake file is deleted once the project is saved without it. Only a bake that holds is loaded. - Ogg files are decoded at 48 kHz: resampled to 44.1 kHz, the loop of a bake lost a sample a round. - Baking and removing a bake are no undo steps, like the EQ's zoom. Findings: - Chrome's AudioEncoder refuses opus.format 'ogg' (NotSupportedError) but hands out the OpusHead with a pre-skip of 312 for 'opus'. - The Song tab's header is full at 1280 px: a captioned Bake pushed Fit off the tab. Hence the icon. Tests: - Unit: tests/core/ogg.test.ts (6), tests/core/bake.test.ts (16), four new in sound-library.test.ts, one in song-play.test.ts. One test cuts, reverses and fades a clip on a song's track: each change outdates the bake, each undo makes it hold again. - e2e 64 (melektaus-atx): ALL PASSED, 36 checks (6 new). Live and baked rendered offline differ by at most 0.06 dB over 114 windows of 20 ms, two loop ends among them. e2e 65 had no red check with the icon in its header. - Gate (melektaus-atx): CHECK EXIT 0, 277 files, 4281 tests. - Counter-checks: print without instrument builds, print taking the sound's file instead of the clip's cut, round taken from the first pass, bake voice without its looping source, Play pattern or Play song ignoring the bake: one unit test red each. Pre-skip set to 0: the e2e comparison 4.8 dB off, only that check red. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
687377682c |
Draw the EQ's curve in its node and a spectrum behind it (#375, #374)
Both were asked for in #367 "for later". The node of a Parametric EQ now shows its curve in small, and its tab shows what passes the node while it is seen. #375, the curve in the node: - NodeDef has an optional `picture`: a height, and shapes made from the settings as plain point lists (guide, area, line). It is general, the Parametric EQ is its first user. - NodeView draws it in a box below the rows, again only when the box or the settings change. A drag in the EQ tab changes them, so the node follows it live. - Without a band the box stays, flat on its 0 dB line, so the node does not grow at the first band. - The axes of the curve, `eqCurvePoints` and `fillShapes` move from editor/soundfx/eqView to core/soundfx/parametricEq. Tab and node draw the sum from the same function. #374, the spectrum: - A node marked `tapped` gets a `tap` stage in front of its own stages and one behind them when compiled, in a sound FX and in an instrument alike. Its id is asset and node, since a copied asset keeps its node ids. - A tap is a gain of 1. SpectrumTaps (new, viewport/spectrum.ts) holds the tap of every voice and bus while it plays. - While the EQ tab is seen, in the tab row or in a window, the taps of that node feed one analyser per side (8192 points). Nothing is made before a tap of the node plays, so no AudioContext is opened early. - The tab draws both behind the curve, on a scale of 0 to -96 dBFS: the sound coming in faint and grey, the sound going on in the colour of a sound port. The analyser smooths it, and once the sound has gone the sum still hands it silence, so it falls away. - Once the tab is not seen, Editor.tick lets the analysers go, like the meters of the Song tab. - A tap does nothing to the sound, so `stats().last.stages` leaves it out, and a bypassed EQ keeps its taps. Decided on my own: - Every sound passing the node counts: Play of the sound FX tab, an instrument's keys, a song, a run. The issue proposed that. - The spectrum has no labels of its own. Its scale is in the wiki. Tests: Gate (melektaus-atx) 275 files, 4247 tests (11 new), EXIT 0 e2e 34 (melektaus-atx) ALL PASSED, 98 checks (2 new), twice Counter-checks, each put back by copy and compared with cmp: - The node's curve drawn without its bands: 2 unit tests fail. - The spectrum without the loudest bin between two points: 1 fails. - SpectrumTaps.stop leaving the taps linked: 1 fails. - Taps that never feed the analyser: e2e 34 fails in exactly the spectrum check (frames 0). Run in the container only. The screenshots of the second run were looked at: the blip as one peak behind the curve, and the dip at 4 kHz in the node. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
76f5097a38 |
Float a document's tab in a window of its own, and dock it (#371)
The Parametric EQ has a tab of its own since #370, but Play is in the sound FX's tab. A tab that can float keeps both in view. There is one editor per kind, so the kind's pane is lent to the window and given back on Dock, the way fullscreen moves the game view. - A right-click on a document's tab opens a menu with Float and Close. `DocumentTab` passes the press to `TabStrip`'s new `onMenu`. - `FloatWindow` sits on the overlay. Its title bar moves it, its lower right corner sizes it, Dock and the x close it. A press brings it to the front. - `floating.ts` is the pure part: where a window opens, held whole on the screen, sized down to 320 x 200. Nothing of it is remembered. - One window per kind. Another document of that kind opens there and closes the one it had. Its tab, if it had one, leaves the row. - When the row showed the kind, it shows the nearest document whose kind is not in a window, else the scene (`neighbourOf`). - Delete, Copy and Paste go to the window pressed last, and back to the tab showing after a press in the editor (`keyTab`). - Previews tick and redraw for a kind in a window as for the tab showing. Fullscreen hides the windows. Loading a project or signing out closes them. - Only documents float, Scene and Game stay in the row. - Hooks: `floatWindows`, `floatDocument`, `keyTarget`. Tests: - Unit documents: 16 green, 5 new. Counter-check: `neighbourOf` without the window check turns its test red. - e2e 44 (melektaus-atx, after steps 1-12 and 37): ALL PASSED, 505 checks in the chain, 6 new for float, move, size, another texture, keys, Dock and x. - Gate (melektaus-atx): CHECK EXIT 0, 274 files, 4236 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
9ab1bbc507 |
Edit a Parametric EQ in a tab of its own (#370)
The EQ's editor floated over the editor as a window since #367. The user wants it as a tab for now. Whether any tab can float and dock again is weighed apart from this. - A double-click on the node asks for the tab through `EditorState.openEq`, as `openValues` does for a Variables tab. - The tab is a document `eq:<asset>:<node>`, one per EQ node. A second double-click brings the open one up. - Its name is the asset's, with `EQ 2`, `EQ 3` when the asset has more than one. The icon is the sound FX's. - The tab closes with its node, its asset, or a new project, through the same `syncDocuments` as every document. - `EqWindow` becomes `EqEditor`, a `VStack` with a `TabHeader`. The curve takes the room of the tab, 320 x 160 at least. - The window's title bar, dragging and Close button are gone. - Delete in the EQ's tab removes the picked band. It never falls through to the selection, which is still the EQ's node. - The hint below the curve is shorter, it was cut off at 1280 px. Tests: - e2e 34 (melektaus-atx): ALL PASSED, 96 checks, 2 rewritten. The tab opens on a double-click and goes with its node. - Gate (melektaus-atx): CHECK EXIT 0, 274 files, 4231 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
0e73fd85b9 |
Route sounds, songs and buses in one Master routing graph (#351)
A project bus could only go into one other bus, and a sound, an
instrument, a pattern or a song into exactly one bus. A shared reverb
needs a sound to go there in part and on dry at the same time. Instead
of a list of sends on every asset, the project gets one routing graph
like the routing of a song (#350), one level up.
- Menu -> Master routing opens a tab with one graph per project. It has
a node per sound, instrument, pattern, song and bus, named after its
asset, and one Master. Embedded assets have none, their song routes
them.
- The nodes follow the assets. Every edit settles the routing in the
same undo step (KeepRoutingCommand), so an undone delete brings the
links of its asset back. A new asset gets a node and a link to the
master. What went only into a deleted bus goes to the master.
- New nodes start in three columns: what plays, the buses, and the
master a row above, so no link into it runs behind a bus.
- Links are sends: -60 to +12 dB, and a Mode on links out of a bus or a
song. Out of a sound, an instrument or a pattern a link always takes
the sound after its volume and FX. Loops are refused.
- A node without a link is silent and says "Goes nowhere".
- The rows Bus and Into are gone. Play nodes with a picked bus still
overrule the routing.
- A click on a node shows its asset in the inspector, the Master shows
the master volume and sound FX. A double click opens the asset's tab.
- The graph lives in project.routing and is held to the assets when a
project is read, but nothing is added there. The editor adds the
nodes when it opens a project. An asset without a node plays on the
master, so old projects sound as before without a migration.
- In the mix an asset with one link at 0 dB goes straight into that bus.
A sound or instrument with more gets a bus of its own with the sends.
A pattern or song sends from the master of its playing, which is
where its Mode taps. Buses of the mix can have sends now too.
Found:
- The check "the scheduler plans a looped bar" in e2e 34 wobbles. It
failed in 2 of 5 runs here and in CI task 580 at
|
||
|
adminandClaude Opus 5.5
|
490fcba88f |
Meter each track and the song, and limit the output at -1 dBFS (#359)
A song could clip at the output without anyone noticing: a track and a sound item at +12 dB each add up to +24 dB. The Song tab now shows how loud each track and the whole song are, and a fixed limiter behind the master keeps every sample under -1 dBFS in the editor and in the game. - Each track head has a stereo meter up its right edge. The head is 190 px wide instead of 176. - Out sits in the corner above the heads, with the loudest peak since Play in dB. In the tab header it made the row too wide for a 1280 px window, and the inspector lost its fields. - The meters read AnalyserNodes beside the buses, one per side after a channel splitter, so a peak panned hard is not halved. They are tapped only while the song plays and its tab is shown. - A clip lamp lights past 0 dBFS and stays through Stop. The next Play or a click on the meter puts it out. - The meter of a track that mute or solo keeps from being heard is grey. - Music always plays through a bus of its own, with or without a sound FX. That bus is what Out measures. - The limiter is the one from #326 and needs the FX worklet. Until that is loaded the master goes straight out. - It is 5 ms late. latency() counts that in, so the playhead and the alignment of a recorded take follow it. - Unit tests build SoundLibrary without the limiter, as their wiring checks follow every node of a voice. - Out shows "-inf" while nothing was loud. The UI font has no infinity sign, which the font test found. Tests: - Unit meter-view 8 new, sound-library 112 (2 new), 3 counter-tests each red - e2e 65 (melektaus-atx): ALL PASSED, 55 checks (3 new). Out wrote +16.6 dB, behind the limiter the loudest sample was 0.8913 - Gate (melektaus-atx): 272 files, 4209 tests, one red in the font test. Fixed after it, then the font and meter tests ran green. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
42a3759d9d |
Cut a sound into named clips, as a texture into frames (#357)
A sound could only be cut to one stretch, set on the asset itself. To
play two parts of one file, the file had to be imported twice. Now a
sound is always the whole file, and its clips are the stretches of it,
each with a name and a cut of its own.
- A clip is { id, name, props } on SoundAsset.clips. Its id shares the
generator with asset ids, so a sound field holds a sound or a clip,
as a texture field holds a texture or a frame.
- props are the cut: start, end, the fades and their curves, reverse.
Volume, loop, sound FX and bus stay on the sound for all its clips.
The cut rows left the sound's schema for CLIP_ROWS.
- findSound resolves either id. Play sound, the Sample of an
instrument, a Reverb impulse, song items, the scheduler and the test
sound of the Sound FX tab all go through it.
- Every sound field offers each sound followed by its clips, "Kick",
"Kick / Clip 1". A clip that is gone reads as "<id>?".
- The Sound tab has a strip under the ruler with the clips as bands.
A drag there makes a clip, a click picks one, beside the bands the
sound. Only the picked clip has handles. Reverse, fades and curves
in the header work on it and are greyed out without one.
- Whole file is gone from the header, as the user asked.
- Picking a clip is a selection of its own, like a frame. The
inspector shows its name, its cut rows and Delete clip. Delete
takes it away without asking, as with a frame. Ctrl+Z brings it
back.
- Copies get fresh clip ids: Duplicate, Embed a copy, a song
duplicated with its takes, and the copy a split or paste makes of
an embedded take. An item on a clip plays the same clip of its copy.
- A double-click on a song item playing a clip opens its sound with
the clip picked. The Sound row of an item on an embedded take
offers the take and its clips, which no list shows.
- A new take stays the whole sound. Clips are made by hand, as the
user decided.
- No migration in the code, as the user decided. The one project
with cut sounds was changed over by hand.
Deviation from the issue: deleting a used clip does not warn. A frame
does not warn either, and the issue had promised "like a frame".
Tests:
- Unit sound-clips (new): 11 green, 7 counter-checks each red
- Unit sounds, embedded: adjusted to clips, green
- e2e 34 (melektaus-atx): ALL PASSED, 90 checks (3 new, 12 rewritten)
- Counter-check in the browser: clips left out of the sound fields,
the picker check fails
- Gate (melektaus-atx): CHECK EXIT 0, 271 files, 4194 tests
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
|
||
|
adminandClaude Opus 5.5
|
23cb34f781 |
Keep a recorded take inside its song (#355)
A take used to land in the Assets panel as "Song – Take N", next to every other sound of the project. Now a song can keep a sound, a pattern or a sound FX to itself: an ordinary asset whose new field `owner` names the song. Everything that finds an asset by its id finds it, so playing, the tabs and the game need no change. Only the places that list assets leave it out. - `core/music/embedded.ts` holds the rules: which types can be embedded, `listedAssets`, the title "Song › Take 1", and the rows an embedded sound hides (Loop, Bus). - One user per embedded asset. `SetSongCommand` settles the song after every edit: a place naming an asset an earlier place claimed, or one of another song, gets a copy, and what nothing names any more goes in the same undo step. The outcome is worked out once, so a redo brings back the same copies. - A split, Ctrl+D and a paste get that for free. The clipboard keeps the embedded assets of the copied items, so a paste after a delete brings the take back. - Deleting a song deletes what it keeps. Duplicating it copies that and points the copy at the copies. A duplicate of an embedded asset is a project asset. - The item menu has Open, Make project asset and Embed a copy. - An embedded item carries a bullet in front of its name. The first pick was a diamond, which the gate's font test refused: the UI font has no glyph for it. - A take is "Take 1", 2, … numbered per song. With the song gone while it uploads, it becomes a project sound under a free name. - Left out of: the Assets panel, every asset picker, the sound FX menu of a track, the test sound of the Sound FX tab and the naming of new assets. Delete on an embedded asset only says where it lives. A ping lights up its song. - Loading drops an `owner` whose song is gone, the asset stays as a project asset. No migration: older projects have no owner. Tests: - Unit embedded (new): 13 green, 6 counter-checks each red - Unit take, song, song-edit, asset-fx, asset-ref, serialize and neighbours: 116 green - e2e 65 (melektaus-atx): ALL PASSED, 47 checks (1 new) - Counter-check e2e 65 (asset panel unfiltered): exactly that check red - Gate (melektaus-atx): CHECK EXIT 0, 269 files, 4167 tests Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
3a52f2290f |
Mix sounds through buses and a master (#325)
Until now every sound went straight to the speakers. There was no point where all of them came together, so nothing could turn the music down against the effects, and a compressor or a shared echo over everything had nowhere to sit. The bus technique of #346 was there already, only the end of the chain was missing. - Bus asset (Audio): Volume, Sound FX and Into. Into is empty for the master and never offers the bus itself nor a bus that already goes into it. The list is worked out when the menu opens, so a change made meanwhile counts. A loop that is in a project anyway sends the buses on it into the master. - The master is no asset. Its volume and sound FX are two new rows under Master in Project settings, one undo step each. A project written before has 1 and none, which is how it sounded. - Sound, instrument, pattern and song have a row Bus, empty for the master. Play sound, Play note, Play pattern and Play song have an input bus: From the asset, Master or a bus. Inside a song or a pattern only the bus of the song or pattern counts. - Set bus volume (bus, volume, time, easing) and Bus volume. An empty bus is the master. The volume set holds for the whole run, across scenes, over that of the asset. GameRun resets it at start and end. Set sound FX parameters without a voice now reaches the sound FX of the bus picked in its new bus input. - SoundLibrary: the master is the bus "mix", each bus "mix:<id>". Every bus, the playing masters of #346 included, ends there, and only the master is heard. setMix sets them up once a context exists, so an editor nobody listened to opens no audio device. The same mix again changes nothing, which lets the editor hand it over on every change of the project. - The tabs play as the game does: Sound, Sound FX, Instrument, Pattern and Song tab through the bus of their asset and the master. - Pause game does nothing to the buses (the user's answer 4b). A game that wants quiet in its pause menu sets a bus volume itself. - Streaming long music files is #349, split off as asked. Finding on the way: the Into menu first worked from a list made when the inspector row was built. After another bus was sent into the open one, e2e 34 saw it still offered. It is now asked on open. The SoundLibrary tests expected voices to end at the destination. They now end in the master, which adds its input, level and pan to every wiring and two gains to every list. Those expectations are updated, nothing else in them changed. Tests: - Unit buses (new): 15 green. Ten counter-checks, each red on its own: loop check, bus picked, reset at run start, bus of Set sound FX parameters, master volume in the settings, and in SoundLibrary default into the master, voices into the master, run volume over the mix, no context before a play, a playing on its bus. - Unit sound-library: 90 green (5 new). Node catalog: 416 green (9 new cases). - e2e 34 (melektaus-atx): ALL PASSED, 75 checks (3 new). The voice of the Sound tab was heard on mix:<bus>, that bus into the other, that one at 0.5 into the master. Master volume 0.6 via the dialog, undo back to 1. - Gate (melektaus-atx): CHECK EXIT 0, 262 files, 4072 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
af9b202100 |
Keep the game's music when Play ends a run in the editor
A behavior with "Run in editor" kept its world until the frame after Play. By then the game's On start had already started its pattern or song, and ending the editor run called stopAll() on the sound library. The game came up silent. This is what turned the game blocks of e2e 64 and 65 red in suites 542 and 550. - EditorRun.modeChanged() ends the run the moment the mode leaves edit. enterPlay() announces the mode before the game is built, so the editor run's sounds stop first and the game's start after. - The Editor wires the mode event to it instead of invalidate(). Tests: - e2e 64 starts its game with an idle "Run in editor" behavior in the scene. Without the fix it fails like CI did, "game": [] and 2 FAILED. With it: ALL PASSED, 30 checks (stein2). - Unit editor-run: 21 green, 1 new. - Typecheck, ESLint, Prettier clean. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
f1f4a57589 |
Cut a sound to a stretch of its file in its own Sound tab (#343)
A sound asset now opens in a tab that shows its file as a waveform. Two handles set where the sound starts and ends in the file, and that stretch is the sample: Play sound, a song item and an instrument's Sample all play it and nothing else. The file itself is never changed. - The asset has three new rows: Start (s), End (s) and Edge fade (ms). End 0 is the end of the file, the fade is 10 ms by default. Older assets have no values and play the whole file as before. - Every way of playing asks playedSoundOf() for a name instead of the file: the file, or <file>#<start>~<end>~<fade> for a cut. - SoundLibrary makes the cut from the decoded file the first time that name plays and ramps each edge inside the file over the fade. Length and peaks of a cut are read from the file without a copy. - Cut buffers can be made again at any time, so the library lets the oldest go past 64 Mi samples. A voice holds its buffers itself. - The tab draws min/max per pixel from 256-sample block peaks, and the samples as a line when zoomed in far. Wheel zooms, the middle button pans, as in the music tabs. Wave, cut and ruler sit under a mask, so a handle panned out of view does not draw over the panels beside. - Dragging a handle moves that edge, dragging elsewhere spans a new stretch. One drag is one undo step for both edges. Whole file puts the handles back, Play or Space plays the stretch with a playhead. - The inspector preview and the Sound FX preview play the cut too, and the song lanes draw and repeat it. Tests: - Unit: sounds 20, wave-view 8 (new), sound-library 68, plus 258 in the touched areas (instrument, song, pattern, inspector, tabs) - e2e 34 on melektaus-atx: ALL PASSED, 57 checks (7 new) - Gate on melektaus-atx: CHECK EXIT 0, 253 files, 3936 tests Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
2fdf97f7de |
Record a take from the microphone in the Song tab (#342)
A song could only be filled with sounds that were made somewhere else. Record plays the song from the cursor and takes the input meanwhile, so a part played along lands on the bar it was played to. - An audio worklet takes the input's samples on the clock the song plays on. Each run carries the frame it was taken at, so the take is cut where the song was heard to start. The output's and the input's latency are taken off, as far as the browser reports them. - The take goes up as mono 16-bit WAV. Sound, a new track "Recording" under the track clicked last and the item at the cursor are one undo step. The sound is named "Song – Take 1", 2, 3 and so on. - While recording the take grows red with its waveform on its track, and a meter beside the input dropdown shows the level. The lanes take no edits then, only a middle-drag pans. - The loop is not used while recording. The song plays once through and on past its end until Stop, Play or Space keep the take. Esc throws it away and nothing goes up. - Echo cancelling, noise suppression and auto gain are off, nothing is played back. The input picked is kept in localStorage. - A take stops by itself at the size a sound may have. A failed upload offers Retry, Download WAV and Discard. - The API takes sounds up to 256 MB and bodies of the same size. nginx and PHP were raised to match outside the repo (body 256m, upload and post 256M, memory_limit 512M). - The pure rules (cut, cap, WAV header, name, track) live in core/music/take.ts. The scheduler tells where it started on the audio clock. - The e2e browser gets chromium's fake microphone and skips the permission prompt. Each run leaves its take in the sound store. Found on the way: - The header was too full with the new widgets and cut the track and item count on the right. Input dropdown and meter are narrower now. Tests: - Unit take.test.ts: 7 new, svg-icons adjusted to 8 toolbar icons - e2e 65 (melektaus-atx): ALL PASSED – 31 checks (+4) - Gate (melektaus-atx): CHECK EXIT 0, 252 files, 3923 tests - Probe on stein2: a 3 s take of the test tone, peak 32767, 285100 bytes, waveform seen in the screenshot Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
8f9c250eb6 |
Lay patterns and sounds out on tracks and play them as a song #334
Patterns could only be heard one at a time, in their own tab or from a behavior. A song lays patterns and sounds out on tracks along one time axis and plays them through the scheduler of #332, the third piece of the music tools of #330. - New asset type song under the heading Songs, with four empty tracks, 120 BPM in 4/4 and a grid of a bar. Tempo, meter and grid are rows in the inspector. Tracks, items and the loop are the asset's data, held to their rules on load and in every command. - A track has a name, volume, pan, mute and solo. Each is heard on a bus of its own, so a change reaches what is sounding at once. - A pattern item repeats its pattern for as long as it is, with a transpose and another instrument if wanted. A sound item plays its sound as a clip at its own speed, round and round, through a sound FX if wanted. Both have a volume on top of their track's. - Cut back at the left end or split, an item starts as far into what it plays as the cut is: ticks into a pattern, seconds into a sound. - The tab shows the heads with M, S, volume and pan, the ruler of the Pattern tab and the items, a pattern with its notes, a sound with its waveform, a missing asset red. Patterns and sounds are dragged in from the Assets panel. Body, right and left end move, lengthen and cut back, Alt leaves the grid. Ctrl+C/V/D/A, Ctrl+E splits where playing starts, Delete, arrows. A double-click opens a pattern item in its tab. - What is picked is a new selection of its own, so the inspector shows the item or the track, with a button to delete it. - The scheduler plans clips beside notes. Where the playhead starts or jumps back inside a clip, it is taken up that far into its sound. A clip fades out at the end of its item or of the loop. - The editor plays one piece at a time: a pattern started stops the song and the other way round. - The rules are pure functions in core/music/song, editor/song/ songView and songEdit. Findings: - The suites of |
||
|
adminandClaude Opus 5.5
|
4ea752feef |
Draw notes for an instrument in a piano roll and loop them #333
Notes could only be played one at a time, by a key or a behavior. A pattern is a stretch of notes for one instrument, drawn in a piano roll and played in time through the scheduler of #332. Songs (#334) will lay patterns out on tracks. - New asset type pattern under the heading Patterns. Instruments are listed under Instruments now, since a heading is one per type. - Notes are a start and a length in ticks, a note number and a velocity, kept to their rules on load and in every command. The instrument, the length in bars, the grid, the meter and the tempo are rows in the inspector. The loop is the asset's own data, the whole pattern while none is set. - Grids from 1/1 to 1/32 and the triplets 1/4T to 1/32T, all whole ticks. The meter only moves the bar lines, the notes stay put. - The tab shows the keys down the left, a ruler with bars, beats, loop and start along the top, the notes between them and a velocity lane below. Keys the instrument plays nothing for are grey, the names of a drum kit stand on its keys. - A click draws a note on the grid line before the pointer, as long as the last one drawn or lengthened and as hard as the last velocity set. The body moves a note, the right end lengthens it, Alt leaves the grid. A drag on empty grid picks with a band, Shift adds, a right-click deletes. - Keys: Space plays, Delete, Ctrl+C/V/D/A, the arrows by a semitone or a grid step and with Shift by an octave or a bar. A paste lands where playing starts. Every gesture is one undo step. - A click on the ruler sets where playing starts, a drag the loop or one of its ends, its menu loops a bar or the whole pattern. - The wheel scrolls, Shift across, on the ruler or with Alt it zooms. Ctrl+wheel stays with the browser, Pixi listens passively. - Play runs the loop through the scheduler. An edit goes to it on the next window without a restart, a new loop or tempo counts from what is planned. Another pattern shown or a project opened stops it. - The time axis and the ruler are their own pieces in editor/music for the song tab. The rules of the roll are pure functions in rollView and rollEdit. Findings: - Music.play could start after a stop that came while it was still loading its files. A run counter makes the late start give up. Music.edit now loads what a new note needs as well. - A click on an end of the loop would have set the loop again. A press there only moves the end once it is dragged. Tests: - pattern.test.ts (new, 9) and piano-roll.test.ts (new, 16): model, grids, meter, held notes, sequence, commands, loop, round trip, drum names, time lines, rows, hits, bands, lane, edit rules. - e2e 64 (new) on melektaus-atx: ALL PASSED, 20 checks. e2e 4 with 29 asset types: ALL PASSED, 62 checks. - Gate on melektaus-atx: CHECK EXIT 0, 247 test files, 3839 tests. - Counter-checks: the move without its clamp, the sequence without the end of the pattern, the duplicate offset without whole grid steps each fail 1 test. Without passing edits to the scheduler the e2e check for a note drawn while playing fails, the rest passes. - Probe on stein2: the tab with a drum kit, before and while playing, looked at in two screenshots. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
8a4e4a6762 |
Play sounds as notes of an instrument asset #331
A sound could only be played as it was, one at a time. An instrument
is a node graph that makes a note a sound: Notes nodes bring the note
in, Samples play sound assets for it, the effects of a sound FX shape
it and the Output sums the layers. Its tab plays it from a keyboard,
a behavior with Play note. It is what patterns and songs (#330) will
play.
- New asset type instrument, under the heading Music, not placeable.
A new one starts as Notes into a Sample into the Output.
- Notes are counted as MIDI does: 60 is C4, names like C#4, sharps
only, the lowest C-1. Notes has From and To, outputs any, note,
frequency and velocity, and with Single notes a trigger per note,
each with an optional name for a drum kit.
- New port type trigger, only into the trigger of a source. Inputs
can take any number of edges now (PortDef.many): a trigger, and
the Output, which plays everything into it side by side.
- Sample plays a sound asset. Follow note shifts it by note - root
through the pitch worklet of #317, so it keeps its length. Gate
fades it out at the end of the note, One-shot plays through. Loop
runs between Loop start and Loop end, also in the worklet.
- Parameters declares the instrument's own parameters with a
default. Sound FX sends the sound through a sound FX asset, its
parameters as inputs, the sound set in where its Input was.
- compileInstrument walks the graph once per note. A trigger is on
only for the notes it stands for, a silent source silences what it
alone feeds, a Mix with a silent side is the other side. velocity
and the parameters stay open for the voice. Builds are cached per
note until the graph or a sound or FX it names changes.
- The player takes a note as one voice of several layers, each way
with its own file and volume. release fades the gated ways out,
one-shots play on. playNote can release after a duration.
- Play note plays one note with velocity, volume, duration and
detached, and hands out voice for Set sound FX parameters and
Stop sound. Velocity is always loudness. Instrument parameters
picks values for the instrument's parameters like Sound FX
parameters does for an FX, renames follow.
- The tab has the graph, a header field per parameter, Stop, and
128 keys below. Keys without sound are grey. A key plays while it
is held. Focused, the computer keyboard plays as in a tracker by
KeyboardEvent.code, the arrows move the octave.
Findings:
- A label of the keys set fill on the shared small text style and
darkened every small label of the editor. Caught in a screenshot
before the commit, the keys have a style of their own now.
- Suite task 523 on
|
||
|
adminandClaude Opus 5.5
|
de14f0f9e2 |
Play a sound through a graph of gain, pitch and EQ effects #311
A sound could only be played as it was uploaded. A Sound FX asset is
a node graph like a shader: Input, effects, Output. Play sound has a
new input fx that sends the voice through it.
- New asset type soundfx ("Sound FX"), not placeable, with a graph
and its own tab. The heading in the asset panel is "Sound effects",
so it does not take the click meant for the + menu entry.
- Nodes in core/soundfx/nodes.ts, category sound, port type audio
that only fits audio: Input, Output, Gain (dB), Pitch (semitones),
EQ (80 Hz and 12 kHz shelves, peaks at 250 Hz, 1 kHz and 4 kHz).
- compileSoundFx walks back from the Output with the shared graph
emitter. An input takes one edge, so the result is one line: a
pitch and a list of gain and filter stages. A node without input
or a graph without Output reports a problem on the node.
- Pitch is the playback rate of the source. It applies to the whole
sound and also changes its length, the node description says so.
- The BehaviorSystem resolves fx and hands the line to the AudioSink.
An fx that is missing or does not compile plays the sound dry.
- SoundLibrary wires source, stages, volume, destination in that
order. stats().last now also names pitch and stage count.
- The tab header picks one of the project's sounds and plays it
through the graph as it stands. Stop there ends only its own voice.
Tests:
- soundfx.test.ts (new, 11), sound-library (9, +2 for the wiring),
node-catalog (+1 for fx), graph and asset-groups adjusted
- e2e 34: ALL PASSED - 26 checks (+5: + menu opens the tab, palette,
2 effects, tab Play and game Play through the FX at -12 st)
- Gate on melektaus-atx: typecheck, lint, prettier clean, 239 of 240
test files green. The red one was sound-library (its fake
AudioContext had no playbackRate), fixed afterwards, gate not
re-run in full.
- Counter-check: without the audio rule in portsCompatible the port
test fails.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
|
||
|
adminandClaude Opus 5.5
|
cf6043a066 |
Show a wheel step or Fit as a short zoom transition (#309)
The wheel and the Fit button used to jump to the new view. Now the view takes a short way there, 200 ms by default, everywhere the editor zooms. The zoom steps stay the same, only the change is shown. - viewTween: tweenView is the way between two views as a pure function. The scale moves by equal ratios, and the world point that sits at the same place on screen in both views stays there. After a wheel step that is the point under the pointer. - ViewTween drives it on the ticker. A surface hands it reading, writing and drawing its own view and wraps its wheel and Fit code in change(). A step during a transition starts from where that one was heading, so quick steps add up to exactly as many steps. - Anything else that moves the view ends the transition. A pan jumps to the target first, and saving a view saves the target. - Wired into FreeViewport (Scene, Container, animation preview), SheetCanvas (Texture, Curve, Pixel art, Vector art), GraphCanvas, panAndZoom (Tile board, plugin node board) and the timeline. - Menu > General settings... sets the time in ms, 0 jumps at once. It is kept in this browser like the panel sizes, not in the project, and it is not an undo step. - A document that opens still comes up framed at once. The animation preview frames a new subject itself instead of calling fit(). - The pixel art readout names the step the view is heading for. Measured in the scene view at 200 ms on melektaus-atx, where every frame of the transition is a full redraw: - 500 sprites: redraw 6.7 ms, 16 frames, mean 18 ms - 1000 sprites: redraw 13.0 ms, 9 frames, mean 27 ms - 2000 sprites: redraw 32.2 ms, 5 frames, mean 58 ms Tests: - The harness sets 0 ms on every load, so the existing modules read the step and not the way. - e2e 46i samples one wheel step at 1000 ms a frame later: zoom 1.033 between 1 and 2, the point under the pointer kept at (134, -40). It lands on the view a 0 ms jump reaches. - e2e 46 and 49 expect the new menu entry. - Gate (atx): 234 files, 3563 tests, CHECK EXIT 0 (+15) - e2e 46,49 (atx): ALL PASSED, 43 checks (+3, sum 1735) - Three counter-checks fail view-tween.test.ts as expected. e2e 46i fails when the scene view does not carry its centre along. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
ca5b2db449 |
Keep where each divider was dragged to across a reload
A panel dragged wider was back at its first size after every reload. The sizes are now kept in the browser, next to the folded groups. - editor/panelSizes.ts holds one entry in localStorage, game-maker.panel-sizes: a name per divider and its width, height or share. - A panel reads its size once when it is built, held to the bounds its divider keeps today. Every drag writes the new size. - Kept are the columns left and right of the centre, the console, the split of the left column, the tilemap panel, the preview of the Shader, Particles and Pixel art tabs, each under its own name, and the split of the user management. - The sizes belong to the browser, not to the project. They hold for every project opened there. - A browser that refuses the storage, or holds rubbish under the entry, starts with the sizes the editor comes with. Tests: - Gate on melektaus-atx: 219 files, 3400 tests, CHECK EXIT 0. - Seven new unit tests in tests/editor/panel-sizes.test.ts. All five counter-probes bite. - Smokes on melektaus-atx: 24, 19 and 21, all pass. - One new e2e check in module 48: the left column dragged 40 px wider is as wide after a reload, and dragged back after. - Full suite on melektaus-atx: 1692 checks, all pass. It ran before the fix to the animation players of the commit before last. - Browser counter-probe: without the write to the browser exactly that check fails. - Only the left column is measured across a reload. The other dividers go the same way and have no check of their own. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
ec2fd9084f |
Say what a button without words does when the pointer rests (#209)
The top bar, the magnet, the eye and many marks of the inspector are
pictures without a caption. Whoever did not know one could only try
it. The toolkit had no hint on hover, which also forced the point
menu of #195 to be words. The answers in the issue settle the open
points: a cut tab name shows in full, shortcuts are part of the
text, the point menu stays as it is.
- Button takes a tooltip, a text or a function asked each time. It
shows on a small sign once the pointer has rested for half a
second.
- There is one sign for the page, a TooltipLayer on the overlay
above the menus. A control reports each pointer move and the
pointer leaving, the layer does the waiting.
- A press, a key, the wheel or a blur of the window takes the sign
away. initUI listens for them on the window.
- placeTooltip in ui/tooltip.ts is the rule for the place as a pure
function: under the control and flush left, flush right at the
right border, above the control at the bottom.
- toolbarTip says what the five buttons of the top bar do right now.
Undo and redo name their step from CommandStack.undoLabel and
redoLabel, as in "Undo Paint tiles (Ctrl+Z)".
- A SortableList reports its own marks with a key per mark: the eye,
the duplicate mark, the cross and the plus.
- The magnet, both fullscreen buttons, the eye of the scene tab, the
overflow of the tab strip, the plus of the assets panel, the marks
of the inspector rows and the nine anchors of the resize dialog
carry a text.
Decided here:
- Every button whose text is cut short shows the whole text, not
only a tab.
- A row action of the inspector names the one thing a click does. A
button that opens a menu says only Reset, Apply or Size from the
picture.
- A button just clicked stays quiet until the pointer has left it.
- A greyed out button shows no sign.
- The switches of the eye popup, the cross of a document tab and the
tools of pixel art have none. The tools carry words, other than
the issue assumes.
- The marks of a list say Show or Hide, Duplicate, Remove and Add,
whatever the list holds.
Found on the way:
- Signing out empties the overlay and would have destroyed a sign on
screen with it. The editor takes the tooltip away first. This has
no test of its own.
- The text hooks locate and has skip the sign, or it would answer
for the button under it.
Tests:
- Gate on melektaus-atx: 210 files, 3209 tests (3176 + 33), exit 0
- e2e 46 on melektaus-atx: 20 checks, all pass
- e2e 1-14 on melektaus-atx: 508 checks, all pass
- e2e 1-9,14,39,40,44-48: 685 pass, 2 fail, both in module 14. It
measures tabs that modules 10 to 13 open, and the chain 1-14 is
green. The cut chain was not run on the state before.
- No full run and no smokes. The sum of 1667 (1664 + 3) is reckoned,
1664 is what CI counted for
|
||
|
adminandClaude Opus 5.5
|
0f85476b93 |
Add points by double-click and delete the picked one (#288)
Four editors edit points, and all of them put a point down on a single press on the line and took one away on a double-click. A stray click added a point, and there was no way to see which point a key would hit. All four now work the same way: the Curve tab, the Vector art tab, a polygon collider in the scene view and a frame's collision outline in the Texture tab. - A double-click on a line, edge or segment puts a point there, in the Curve tab on free space too. The point is picked and stays in place. It can be dragged with the next press, as answered in the issue. - A click on a point picks it, and it is drawn filled. A double-click on a point takes nothing away any more. - Delete or Backspace takes the picked point away. Without a picked point the key removes the shape, the object or the outline as before. - A right-click on a point picks it and opens a menu with Delete point. In the Curve and Vector art tab the four point types stand below it. Alt-click stays. - A polygon keeps three corners and a curve keeps its ends. The entry is greyed out then. - The pick ends with a click beside the points, with another object, shape or frame, and after the point is gone. - editor/pointGestures.ts holds the rule as a pure function, and editor/pointMenu.ts builds the menu for all four. Decided here: - A single click on a line no longer adds anything. In Vector art it drags the shape, on a polygon it drops the pick, and in the Texture tab it makes that outline the active one and drops the pick. - In the Texture tab a click inside the frame still appends a corner, and that corner is picked. Delete takes the last corner first. To remove the whole outline, click one of its edges before. - The point the Pen put down last is picked, so Delete takes it and not the shape. - Delete hits the picked point also when the tab has lost the keyboard focus, after a click in the shape list or after the menu. - A vector shape that loses its last point is removed whole. Before, an empty shape stayed in the list. Findings: - Fixed: the new hint line in the Texture tab was cut off at the edge. The shorter text was not looked at in a picture again. - Not fixed: in the scene view the collider's name label covers a corner that sits near the centre. That was so before. Tests: - Gate: 200 files, 2967 tests (2944 + 23), exit 0 - e2e, full run: 1629 checks passed (1625 + 4), exit 0 - Smokes: 24 / 19 / 21, exit 0 - After the full run an unused parameter and a comment were tidied. For that final state the gate and e2e 42,47,53 (105 checks) ran again, the full run did not. - 23 unit tests in tests/editor/point-gestures.test.ts, for the rule and for each of the four editors - Four e2e checks with a real mouse, two in module 42 and one each in 47 and 53. The existing checks for adding and removing a point use the new gestures. - 20 unit counter-probes all fail tests, run on stein2 - Two browser counter-probes fail, the build went through both times. Without the Delete wiring the key removes the collider. Without the right-click hook the menu is missing, and that run stops in module 42, so 47 and 53 were not reached with it. - Three screenshots looked at, the picked point is filled. None of the Vector art tab. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
cfd288c4b7 |
Halve the frame time of a playing scene with a tilemap (#284)
The performance panel showed Physics and Editor as the large parts of a frame in a scene of 222 entities. Nearly all of it came from a tilemap that only stands there. - Whoever writes cells in place now says so with cellsChanged. Only then does cellsVersion compare the content. The comparison ran about 60 times per frame and was the largest single item at 14 percent. - The four writers call it: the painter during and at the end of a stroke, PaintTilesCommand on execute and on undo. A new writer that forgets it stays invisible. - The game view is drawn once per frame in play. With an animated tile in view it was drawn twice, once by the run and once by animate(). animate() now gets the redraw count from the start of the tick. - TilemapField builds the geometry of a mesh only when its source changes: the cells, the tile size, the origin or the image. For that groupByTile and layerRows return the same objects for the same list. - PhysicsSystem skips a tilemap whose source and switch are unchanged. The switch is kept because a map that starts switched off would otherwise have dead colliders once it is switched on. - World.syncToModel looks entities and assets up in a map per pass instead of a linear search per object. Measured on stein2 with a copy of the reference project, ms per frame: Physics 2.64 to 0.97, Drawing 6.89 to 2.56, Editor 1.95 to 1.31. Left open: syncToModel still mirrors every entity every frame. That is its own issue. Tests: - Gate: 198 files, 2887 tests (2883 + 4), exit 0 - e2e 1-17,28,33,39-43,59: 810 checks passed, 40 has +3 - Smokes: 24 / 19 / 21, exit 0 - Three unit tests wrote cells directly and now call cellsChanged - Eleven counter-probes fail. Two did not at first: the stroke needed a check of its own, the physics test has to start with the map switched off. That last one was repeated on stein2 only. - e2e total 1613 is computed, not measured in a full run Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
77f4c2c1a3 |
Show entities and time per area while playing in the Game View (#275)
A game that stutters gave no hint where the frame goes. The Game tab now has a Performance switch. It shows a small overlay in the top left corner of the Game View while a game runs: fps, the number of entities and the mean milliseconds per frame for each area, averaged over half a second like the fps counter. - src/editor/frameMeter.ts holds the pure rule. FrameMeter sums the areas per frame, closes a window every 0.5 s and formats the lines. - World.timeSystem times every system the world ticks. PlaySession maps the systems to Behaviors, Physics and Animation and sets the hook again after Load scene. - Animation has its own line. Counting the AnimationSystem under Behaviors would have skewed that number. - Drawing is the build of the game picture plus app.render(). It is main thread time only. The GPU work after it is not in the number, and app.render() draws the whole canvas including the panels. - Editor is the rest of the editor tick after the systems and the game picture: mirroring into the model, panels and console. - The overlay lets clicks through to the game. It shows dashes until the first window closes. The switch is off by default and is not saved. The released game (#266) runs without a meter. Tests: - Unit frame-meter: 9 passed. - Gate on melektaus-atx: 197 files, 2853 tests, CHECK EXIT 0. - e2e 59 on melektaus-atx: ALL PASSED, 18 checks (13 before, +5 in 59e with a real mouse on the switch). Run twice. - Three mutations were caught: the editor share not subtracting the systems (2 unit tests), systems running in pause not reported (1 unit test), the overlay getting no times (59e). - The e2e total of 1601 is computed (1596 + 5), not measured. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
ded71a92c9 |
Pick the target of an object variable in the Scene View (#276)
Choosing the target of an object variable meant finding its name in a dropdown. With many objects, or several with the same sprite, the name alone does not say which one it is. The eyedropper lets you click the object where you see it instead. - Every object dropdown gets an eyedropper button next to it. This covers variables, struct fields and list entries, in the Inspector and in the Variables tab. - The button opens the Scene View or the container tab the object lives in. A strip above the view names the field and the current candidate and offers Take and Cancel. The cursor is a crosshair. - A click picks a candidate and writes nothing yet. The candidate gets its own cyan frame, the selection stays on the object with the variable. - Clicking follows the selection rule. `pickOn` in `src/viewport/pick.ts` uses `pressOn` and only counts objects the dropdown offers. A click on empty space keeps the candidate. - Enter or Take writes through the same handlers as the dropdown. That is one undo step, or none if nothing changes. - Esc, Cancel, a right click in the view or a second click on the button cancel without writing. So do a tab switch, another selection, undo, redo, play and loading a project. - After Take or Cancel the editor goes back to the tab the pick came from. - While the eyedropper runs, the view does not drag, marquee, paint, show handles or open its context menu. Panning and zooming stay. Found on the way: - Started from the Variables tab, the click missed the object. The Scene View is hidden while that tab is open, and the layout skips hidden children. The strip appeared then, the view moved down by 32 px but kept its old height. `Editor.display()` now lays the row out again after showing it. Tests (on melektaus-atx): - unit pick and object-pick: 27 passed, 13 new - gate: 196 files, 2844 tests, CHECK EXIT 0. Two more come from svg-icons, which checks every icon twice. - e2e 57: ALL PASSED, 12 checks, 5 new (57e to 57g) - Counter-checks work. Without the layout fix 57g fails. Picking objects the dropdown does not offer fails 2 tests. Writing on cancel fails 2 more. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
cab1c0177f |
Show only the game view in fullscreen, in the editor and the link (#267)
A game is easier to judge and to play without the editor around it. The Game tab and the game link now both have a button that puts the game view itself into fullscreen, not just the browser window. - The Game tab header has a fullscreen button on the right. It hides toolbar, panels, tab headers and console and keeps the zoom from the picker. A running game keeps running. - A corner button at the top right, or Esc, leaves fullscreen and puts the view back into the tab where it was. - The game link shows the same corner button. Over a running game it hides after 2 s without mouse movement and returns on the next move. - A click on the corner button never reaches the game. - Stop ends fullscreen. Stop switches back to the Scene tab, and any switch away from the Game tab ends fullscreen, so no empty screen is left behind. - src/viewport/fullscreen.ts wraps the Fullscreen API and holds the rule for when the button shows. FullscreenCorner.ts is the button used by both pages. Two SVG icons are new. - Editor.showGameFullscreen moves the GameViewport into the root while fullscreen is on. Tests: - ./check.sh: 195 files, 2815 tests, exit 0 (3 new unit tests). - e2e 60: 2 new checks for the corner button on the game link. - e2e 61 (new): 4 checks for fullscreen in the editor. - Full e2e run (local): ALL PASSED, 1580 checks. - Counter-checks fail as expected: rule without "no game running", no stopPropagation (60h), no end on tab switch (61c), no reparenting of the view (61a). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
4194f3e150 |
Share a link that plays the game without the editor (#266)
A project could only be played inside the editor, behind the login.
To show a game to someone else there was no way short of an account.
A release freezes the saved project under a random token and serves
it on a page that holds nothing but the game view.
- Menu -> Release... opens a dialog with the state of the release,
the link with Copy link and Open, Publish or Update release, and
Take down behind a confirmation.
- Publish saves first and refuses while anything is unsaved, like
snapshots. Updating keeps the link. Take down kills it, and a new
Publish hands out a new token.
- The link is play.html?game=<32 hex>. The page needs no session,
paints Theme.colors.background, zooms with Auto and waits for
"Click to play" so that sound and keyboard focus are allowed.
- The game always starts in the start scene. Persistent variables
are stored per link in the browser. Plugins are not loaded, and the
dialog warns about them and about a project without a scene.
- GET ?r=releases/{token} is the only route besides auth/* that works
without a login. The public answer carries the token as project.id,
so the project id stays hidden. Release files are written with 0640
and nginx does not serve them directly (measured 403).
- Starting, the frame and Load scene moved into runtime/GameRun.ts.
Play in the editor and the play page run through the same code.
- WorldViewport moved to src/viewport/ and no longer needs the
EditorState. Pointer forwarding (gamePointer.ts) and setting up
textures, fonts and sounds (projectFiles.ts) exist only once.
- Vite builds two pages. The play page loads 4 kB of its own code
plus the shared chunk (Pixi, runtime, drawing, 653 kB) and Rapier,
without the editor.
Found on the way, not fixed here: data/projects/<id>.json answers 200
without a login because the files are 0644.
Tests:
- ./check.sh: 194 files, 2808 tests, exit 0.
- tests/php/releases.test.php: 20 checks, also added to CI.
- New e2e module 60 with 10 checks, played in a browser without a
session. Module 46 counts the menu entries and was updated.
- Full e2e run: 1572 checks passed.
- Counter-checks: 3 unit, 2 PHP and 3 browser mutations all fail.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
|
||
|
adminandClaude Opus 5.5
|
94c1055895 |
Throttle what the editor shows while a game runs (#265)
With the behaviors fixed, the scene Performance test still ran at about 23 fps with 500 entities. The rest of the frame went to the editor: every spawn or destroy rebuilt the hierarchy with all its rows, redrew the scene view behind the game tab and refreshed every panel. The game itself is cheap. What the panels show of it now follows a preset in the project settings. - New section While playing in the project settings with three presets: Live, Balanced and Minimal. Every project reads as Balanced, including those saved before the setting existed. - Live keeps today's behavior. Balanced brings hierarchy and panel values up to date 4 times a second and stops redrawing the hidden scene view. Minimal updates hierarchy and values only on pause and throttles the graph tabs as well. - The graph and state machine tabs stay live under Balanced. At 4 updates a second the beads on exec edges stutter, and the tabs draw only while on screen. This differs from the issue proposal. - The game itself is never throttled. Pause, step and stop bring every panel up to date at once, and a change of structure that falls between two updates is kept for the next one. - The rule lives in editor/playThrottle.ts as panelPolicy and PanelClock. PlaySession asks it after every frame. - Objects spawned at the top level go into a hierarchy group named after their asset, so hundreds of gold pieces fold into one row. Groups start folded. Measured on a throwaway copy of Performance test, 3 s each, fps: - About 500 entities: Live 38.6, Balanced 56, Minimal 60.6. - About 315 entities: Live 56.9, Balanced 60.5, Minimal 60.6. - p95 frame time at 500 entities: 60 ms, 41 ms and 23 ms. Tests: - ./check.sh: 193 files, 2799 tests, CHECK EXIT 0. - GM_STEPS=1,18,59: ALL PASSED, 54 checks. - Full e2e run (local): ALL PASSED, 1562 checks. - tests/editor/play-throttle.test.ts: presets, update rates, kept structure changes, flush, spawn group and loading old projects. - New e2e module 59: preset chosen with the mouse, measured update rates, scene view behind the game tab, Minimal with pause. - Module 03 now expects spawned objects in their group row after the next update. - Counter-checks: 4 in unit tests and 2 in the browser, each failing as expected. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
d7d0a6e7d4 |
Let Tab reach the game in the Game tab (#261)
The game did get Tab, but the editor moved the keyboard focus to a button at the same time. The next Space then pressed that button instead of reaching the game. The key field of On key down could not capture Tab at all, so an inventory on Tab could not be built. - FocusManager asks tabBelongsElsewhere before it moves the focus. The editor answers yes while the Game tab is in front, so Tab stays with the game as long as no field has the focus. - A widget can claim Tab through takesTab. The key capture button does so while it is capturing, so On key down accepts Tab. - The harness knows the key Tab. Found on the way: - The first version of check 20g left the Behavior tab in front, and module 21 then failed in the chained run. 20g now goes back. Tests: - ./check.sh: 2746 tests, CHECK EXIT 0. - e2e 20 has two new checks: Tab reaches the game and leaves the keyboard with it, the key field captures Tab. Both failed against the old bundle. - GM_STEPS=19,20: all passed, 44 checks. The full local run with all three topics of this push passed with 1543 checks. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
4857bb75e6 |
Show lists in the inspector and variables in their own tab (#252)
The List tab could show one list at a time and was the only place to see its items. A list now shows its items right where it lives, and a new Variables tab shows all variables of an asset or placed object. - InlineList draws the items of a list under its row in the inspector, in struct fields and in the Variables tab. A list inside a list or a struct field is drawn the same way, one step indented. - The index column is the indent. Items sit under their list without an own margin, and the index column is 16 px wide instead of 28 px. - Above 20 items (INLINE_LIMIT) the rest collapses into "... N more - open in tab". During a run the rows show the values from the game. - ListHead puts "N items" and "+ Item" in one row. "N items" opens the list in a tab. A separate Open button squeezed the counter to zero width in the narrow inspector column. - VariablesEditor shows every variable of a behavior asset, a variables asset or a placed behavior. On an asset it edits the declarations. On a placed object an edit only overrides that object, with the usual reset and push buttons. - Opening a list inside a tab adds a new tab and keeps the open one. valuesKey gives each list its own document, so a list that is already open is shown instead of opened twice. - Titles read "Pickup · Variables" or "Listy · nums · [3]". The tab closes when its asset or object is deleted. - Lists on node inputs stay inline only, a node owns no variables. - The List tab, ListEditor and the __gm.list hook are gone. Tests: - ./check.sh: 181 files, 2645 tests, CHECK EXIT 0 - GM_STEPS=1,21,22,32: ALL PASSED, 123 checks - e2e 21 is rewritten for inline lists and the new tab, 22 and 32 are adapted. Sum in README: 1486 (+6 in 21, -1 in 22), counted by hand. - Counter-probes fail as expected: sub-lists not told apart (1 unit test), sub-list replacing the open tab, all items drawn inline (60 rows instead of 20), no live values (0 rows at 24 items in a run). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
92fad6b9e3 |
Show the list a running game fills in the list tab (#251)
While playing, the inspector said "2 items" for a list a graph had filled, but clicking it opened an empty list tab. The inspector reads a Variables asset from the running game, the list tab only read the list stored in the project. It did not follow the run's ticks either. - resolveList takes the live values. For a Variables asset it uses the running game's value while one runs, the project's otherwise. This is the inspector's rule. - ListEditor refreshes on runtime ticks about 10 times a second, and not while a field in the tab is being typed in, like the inspector. - Editor hands the list editor the inspector's liveVariables. - __gm.list.info() also returns rows, the rows the last build drew. - Editing in the tab while playing goes into the run's copy of the project, as in the inspector. A very long, growing list rebuilds all rows up to 10 times a second. Tests: - ./check.sh: 180 files, 2634 tests, CHECK EXIT 0 - e2e GM_STEPS=1,32: ALL PASSED, 30 checks - e2e 32b-ii, 2 checks: a graph adds an item every frame, the test pauses and clicks "N items" with a real mouse. The tab draws 26 rows for 26 items, grows to 50 after resuming and is empty after Stop. - Counter-checks: without live values the tab draws 0 rows for 23 items, and without the refresh it stays at 23 - README: 1481 editor checks, counted by hand Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
393b8ec7f9 |
Build your own easing curve and use it on keys and Lerp (#247)
The built-in eases cover the usual shapes, but a game often wants its own: a coin that bounces twice, a door that overshoots and settles. A new asset type holds such a curve, and keys and the Lerp node can pick it instead of a built-in ease. - New asset type "curve": points like in Vector art, x is t and y is the value. A new curve is the straight line from (0, 0) to (1, 1). - One pure evaluation in src/core/model/curve.ts serves the timeline preview, the running game and the Lerp node. - The curve always has one value per t. The end points stay at t 0 and 1, points cannot pass each other, and a handle that reaches past its neighbour is shortened along its direction. Loading a hand-edited file applies the same rules. - Curve tab: click on the line to insert a point that keeps the shape, click on free space to put one there, drag points and handles, double-click or Delete removes, Alt-click toggles round and sharp. Every step is one undo step. - Presets: all 30 built-in eases plus Linear, fitted with adaptive subdivision. Each stays within 0.4 % of the built-in ease. - Preview: a dot runs along the curve once a second, a second dot shows only the value. The Preview button stops it. - Animation keys get "Curve" under Easing with a curve picker. Lerp gets "Curve" under Ease, and its result may overshoot b. - A missing or unpicked curve runs linear. The inspector says so, the node shows it as a problem, and deleting a used curve warns with the number of keys and Lerp nodes. Tests: - ./check.sh: 180 files, 2612 tests, CHECK EXIT 0 - GM_STEPS=1-6,25,53: ALL PASSED, 309 checks - New e2e module 53 with 13 checks, all with the real mouse. Expected values come from its own Bezier evaluation. - Counter-checks bite: without Bezier evaluation 4 unit tests fail, without handle clamping 2. In the browser, a key that cannot find its curve, a click that sets no point and a handle drag that moves the point all turn checks red. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
||
|
adminandClaude Opus 5.5
|
30de4d35a8 |
Give the scene tab a header with Fit and the eye (#245)
The scene view had no header bar of its own, and its eye sat in the top bar. Switching between Scene and Game also showed two different pictures, since nothing tied the free view to the camera. - Theme.headerPadding (4) replaces Theme.padding in the top bar and in TabHeader, for the padding and for minHeight. Both bars shrink from 40 to 32 px. Nothing else uses the new value. - The new ScenePane wraps the scene view in a header bar with Fit and the visibility eye. The eye is gone from the top bar, which keeps the menu, undo and redo. - Fit with an active camera shows the world exactly as the Game tab does at its chosen step: the same zoom, and the camera centre on the same screen pixel. The rule is the pure freeViewOfCamera in viewport/view.ts, which also mirrors the letterbox snapping. - Fit without a camera frames all content on a whole step, as before. - New hook __gm.sceneHeaderAt(name). e2e 46g opens the eye there. - The doc comment above Theme.treeIndent went away in the working tree along with this. It is committed as found. Not checked: the two views only match while they have the same size. With the tilemap panel open the scene view is narrower, and Auto may pick a smaller step there. Tests: - ./check.sh: 178 files, 2575 tests, CHECK EXIT 0 - 2 new unit tests in view.test.ts: three cameras times four steps land on the same screen point as in the Game tab, Auto stays whole - e2e 3h (2 checks): a real click on Fit at Auto and at Fit, crate, camera frame and view box match in both tabs - GM_STEPS=1-3,46: ALL PASSED, 94 checks - Counter-probes: without the centre offset the unit test fails, with Fit ignoring the camera both 3h checks fail Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |