a6c00f7b8b1b0296ab0bc44699e3e723f4822a23
151
Commits
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0e73fd85b9 |
Route sounds, songs and buses in one Master routing graph (#351)
A project bus could only go into one other bus, and a sound, an
instrument, a pattern or a song into exactly one bus. A shared reverb
needs a sound to go there in part and on dry at the same time. Instead
of a list of sends on every asset, the project gets one routing graph
like the routing of a song (#350), one level up.
- Menu -> Master routing opens a tab with one graph per project. It has
a node per sound, instrument, pattern, song and bus, named after its
asset, and one Master. Embedded assets have none, their song routes
them.
- The nodes follow the assets. Every edit settles the routing in the
same undo step (KeepRoutingCommand), so an undone delete brings the
links of its asset back. A new asset gets a node and a link to the
master. What went only into a deleted bus goes to the master.
- New nodes start in three columns: what plays, the buses, and the
master a row above, so no link into it runs behind a bus.
- Links are sends: -60 to +12 dB, and a Mode on links out of a bus or a
song. Out of a sound, an instrument or a pattern a link always takes
the sound after its volume and FX. Loops are refused.
- A node without a link is silent and says "Goes nowhere".
- The rows Bus and Into are gone. Play nodes with a picked bus still
overrule the routing.
- A click on a node shows its asset in the inspector, the Master shows
the master volume and sound FX. A double click opens the asset's tab.
- The graph lives in project.routing and is held to the assets when a
project is read, but nothing is added there. The editor adds the
nodes when it opens a project. An asset without a node plays on the
master, so old projects sound as before without a migration.
- In the mix an asset with one link at 0 dB goes straight into that bus.
A sound or instrument with more gets a bus of its own with the sends.
A pattern or song sends from the master of its playing, which is
where its Mode taps. Buses of the mix can have sends now too.
Found:
- The check "the scheduler plans a looped bar" in e2e 34 wobbles. It
failed in 2 of 5 runs here and in CI task 580 at
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e721bba120 |
Let the places of a song share what it keeps to itself (#357)
With clips, one take serves many items: four items on the four clips of one take. The rule from #355 gave every further place its own copy of an embedded asset, so a cut made in the Sound tab reached one item only. Now the song, its tracks and its items share a sound, a pattern or a sound FX the song keeps. - settleEmbedded no longer copies within the song. An embedded asset stays as long as one place names it, and goes with the last one. - A paste from another song still gets a copy, but one copy for all the places naming the same asset, with its clip ids mapped. - The picks in a song offer what the song keeps, under a line after the project's assets: the Sound row of an item the song's sounds and their clips, the Pattern row its patterns, every sound FX pick its sound FX. - Make project asset and Embed a copy are unchanged. The project cbbf160bb7e8 was merged by hand afterwards: the items of Song 2 on three copies of Take 1 now play the same clips of the first one, and the copies are gone. Tests: - Unit embedded, sound-clips, own-fx and the song tests: 66 green, 3 counter-checks red as expected - e2e 65 on melektaus-atx: ALL PASSED, 52 checks - Gate on melektaus-atx: CHECK EXIT 0, 271 files, 4198 tests Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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42a3759d9d |
Cut a sound into named clips, as a texture into frames (#357)
A sound could only be cut to one stretch, set on the asset itself. To
play two parts of one file, the file had to be imported twice. Now a
sound is always the whole file, and its clips are the stretches of it,
each with a name and a cut of its own.
- A clip is { id, name, props } on SoundAsset.clips. Its id shares the
generator with asset ids, so a sound field holds a sound or a clip,
as a texture field holds a texture or a frame.
- props are the cut: start, end, the fades and their curves, reverse.
Volume, loop, sound FX and bus stay on the sound for all its clips.
The cut rows left the sound's schema for CLIP_ROWS.
- findSound resolves either id. Play sound, the Sample of an
instrument, a Reverb impulse, song items, the scheduler and the test
sound of the Sound FX tab all go through it.
- Every sound field offers each sound followed by its clips, "Kick",
"Kick / Clip 1". A clip that is gone reads as "<id>?".
- The Sound tab has a strip under the ruler with the clips as bands.
A drag there makes a clip, a click picks one, beside the bands the
sound. Only the picked clip has handles. Reverse, fades and curves
in the header work on it and are greyed out without one.
- Whole file is gone from the header, as the user asked.
- Picking a clip is a selection of its own, like a frame. The
inspector shows its name, its cut rows and Delete clip. Delete
takes it away without asking, as with a frame. Ctrl+Z brings it
back.
- Copies get fresh clip ids: Duplicate, Embed a copy, a song
duplicated with its takes, and the copy a split or paste makes of
an embedded take. An item on a clip plays the same clip of its copy.
- A double-click on a song item playing a clip opens its sound with
the clip picked. The Sound row of an item on an embedded take
offers the take and its clips, which no list shows.
- A new take stays the whole sound. Clips are made by hand, as the
user decided.
- No migration in the code, as the user decided. The one project
with cut sounds was changed over by hand.
Deviation from the issue: deleting a used clip does not warn. A frame
does not warn either, and the issue had promised "like a frame".
Tests:
- Unit sound-clips (new): 11 green, 7 counter-checks each red
- Unit sounds, embedded: adjusted to clips, green
- e2e 34 (melektaus-atx): ALL PASSED, 90 checks (3 new, 12 rewritten)
- Counter-check in the browser: clips left out of the sound fields,
the picker check fails
- Gate (melektaus-atx): CHECK EXIT 0, 271 files, 4194 tests
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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668682c4ff |
Give a song, a track or an item a sound FX of its own (#355)
A sound FX for one place in a song had to be a project asset, which then stood in every picker. Now every pick of a sound FX in a song can make one the song keeps for that place alone, on top of the embedded assets of the first two parts. - Create sound FX sits at the end of the Sound FX row of the song, a track and an item, and of the menu of a track's FX button. It makes "Sound FX 1", 2, … per song with the Input wired to the Output, picks it and opens it. That is one undo step. - Embed a copy, while the place names a project FX, gives the place a copy under the same name. - While the place names its own, the menu shows it with the mark and offers Edit sound FX and Make project asset. - Picking anything else lets it go in the same undo step. For a track or an item `settleEmbedded` did that already. For the song's own row `AssetPropertyCommand` now settles the song after `fx`. - The mark `•` moved to the core. `assetRefLabel` puts it in front of an embedded asset, so the inspector rows show it like the timeline. - `FieldHandlers.moreChoices` lets a caller end a reference menu with entries of its own. `embeddedPatternName` is `embeddedName` with a base now. Tests: - Unit own-fx (new): 6 green, 6 counter-checks each red - Unit embedded and 80 neighbouring files: 1434 green - e2e 65 (melektaus-atx): ALL PASSED, 51 checks (2 new) - Gate (melektaus-atx): CHECK EXIT 0, 270 files, 4178 tests Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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23cb34f781 |
Keep a recorded take inside its song (#355)
A take used to land in the Assets panel as "Song – Take N", next to every other sound of the project. Now a song can keep a sound, a pattern or a sound FX to itself: an ordinary asset whose new field `owner` names the song. Everything that finds an asset by its id finds it, so playing, the tabs and the game need no change. Only the places that list assets leave it out. - `core/music/embedded.ts` holds the rules: which types can be embedded, `listedAssets`, the title "Song › Take 1", and the rows an embedded sound hides (Loop, Bus). - One user per embedded asset. `SetSongCommand` settles the song after every edit: a place naming an asset an earlier place claimed, or one of another song, gets a copy, and what nothing names any more goes in the same undo step. The outcome is worked out once, so a redo brings back the same copies. - A split, Ctrl+D and a paste get that for free. The clipboard keeps the embedded assets of the copied items, so a paste after a delete brings the take back. - Deleting a song deletes what it keeps. Duplicating it copies that and points the copy at the copies. A duplicate of an embedded asset is a project asset. - The item menu has Open, Make project asset and Embed a copy. - An embedded item carries a bullet in front of its name. The first pick was a diamond, which the gate's font test refused: the UI font has no glyph for it. - A take is "Take 1", 2, … numbered per song. With the song gone while it uploads, it becomes a project sound under a free name. - Left out of: the Assets panel, every asset picker, the sound FX menu of a track, the test sound of the Sound FX tab and the naming of new assets. Delete on an embedded asset only says where it lives. A ping lights up its song. - Loading drops an `owner` whose song is gone, the asset stays as a project asset. No migration: older projects have no owner. Tests: - Unit embedded (new): 13 green, 6 counter-checks each red - Unit take, song, song-edit, asset-fx, asset-ref, serialize and neighbours: 116 green - e2e 65 (melektaus-atx): ALL PASSED, 47 checks (1 new) - Counter-check e2e 65 (asset panel unfiltered): exactly that check red - Gate (melektaus-atx): CHECK EXIT 0, 269 files, 4167 tests Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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a295d233ed |
Give sounds, instruments, patterns and songs a sound FX (#352)
A sound FX could only be picked where something was played: on a Play
node, a track or an item of a song. A sound that should always sound
through the same effect needed that pick everywhere it was used. Now
the asset says it once, and every place that plays it follows.
- New row Sound FX on a sound, an instrument, a pattern and a song,
right before Bus. A sound goes through it on every voice, an
instrument on every note after its graph, a pattern on all its
notes together and a song on its output.
- The fx input of Play sound, Play note, Play pattern and Play song
and the Sound FX of a song item now read "From the asset" while
empty. None is a pick of its own, stored as `#none` like `#master`.
A pick replaces the FX of the asset, it does not come on top.
- A pattern item's Instrument reads "From the asset" instead of None.
The meaning is unchanged.
- A double-click on a sound item opens the sound, as one on a pattern
item opens the pattern.
- The tabs play through the FX of their asset. The Pattern and Song
tab put it on a bus of their own between the output and the bus of
the asset. The keys of the Pattern tab play there too.
- Notes of a pattern or song go through the FX of their instrument.
Its chain is loaded with the other needs of the sequence.
Decided without asking:
- Old items and Play nodes with an empty fx now mean "From the
asset". No asset has an FX yet, so nothing sounds different.
- The label is "From the asset" as on Loop and Bus, not "From asset".
- A sound used as a Sample, as the impulse of a Reverb or as the test
sound of the Sound FX tab plays without its own FX.
Findings:
- In e2e, `__gm.inspectorField('Sound FX')` and `('Instrument')` find
the group of the Assets panel first. The check asks for the last
match.
Tests:
- Unit asset-fx (new): 8 green. Six counter-checks each turned red.
- Field lists of sound, pattern and song: Sound FX added.
- e2e 65 (melektaus-atx): ALL PASSED, 46 checks (3 new). Counter-check
without the FX bus of the tab: that check red.
- Gate (melektaus-atx): CHECK EXIT 0, 268 files, 4142 tests.
- Not checked: how it sounds, the Sound, Instrument and Pattern tab
in the browser.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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daeffe0f9d |
Route the tracks of a song through a graph (#350)
Every track of a song went straight into its output. Now the Song tab has a second view, Routing: a graph with a node per track and one Output, the links between them sends. A track can go into other tracks, into several at once, and a link has its own volume and the point of the track it taps. - The song asset has a graph like an instrument (SongTrack, SongOutput). heldSongGraph keeps it in step with the tracks on load and in SetSongCommand: a node per track named after it, one output, a new track and every track of an old song linked to the output. Links of gone tracks, doubled links and links closing a loop are dropped. - A link carries an optional send (volume in dB, tap). The inspector shows Volume and Mode for a picked link of a song: Post volume (Post pan), Pre volume (Post FX), Pre volume (Pre FX). SetSendCommand. - NodeDef has two new flags. `fixed` nodes are never added or deleted by hand. Links between `acyclic` nodes may not close a loop, checked in canConnect, dropTargetPort and ConnectCommand. - songBuses gives each track its sends instead of one `into`, and a bus `song:<song>:<track>:#items` for its own items. That bus is what solo closes on a track that only passes a soloed one on. - Mute and solo now act on the sends (trackGates). A muted track passes nothing on, on any tap. A soloed track is heard with what goes into it, through the tracks it goes through, their own items silent. Only sends on a way through a soloed track stay open, so a track going into it and into the output is heard through it only. - SoundLibrary: a bus has either `into` or sends. Each send is tap, delay, level, target. busLatency takes the latest way (arrivalOf), and each send is held back so all ways of a track arrive together (sendDelays). Taps are wired again whenever a chain comes or goes. - The Song tab has Timeline and Routing in its header. The routing uses GraphCanvas with an empty palette. A track linked nowhere shows "Goes nowhere". Delete takes links, never a track node. - Game playings route the same way, the output being the master of the playing. Decided without asking: a send ranges -60 to +12 dB like a track, default 0 dB Post. Mute closes the sends, the track's own level stays. Found on the way: the inspector built the Mode row with the send as it was when the rows were made. Setting Volume and then Mode wrote the old volume back. Both rows now read the current send when they change. Tests: - Unit song-routing (new): 13 green. Sound library: 4 new, 94 green. 11 counter-probes (loop on load, canConnect, solo, solo past the soloed track, mute, preFx latency, graph sync, delete guard, delays, taps, glide), each red. - Existing tests adjusted to the new bus names and send shape: song, bus-fx, song-play, graph registry, edge description. - e2e 65 on melektaus-atx: ALL PASSED, 43 checks (5 new). The first run caught the inspector bug. Counter-probe with the old closure: 2 FAILED. - Gate on melektaus-atx: typecheck, lint, format clean, 2 tests red (registry rule, edge shape), fixed and rerun locally: 56 green. - Not rerun after the per-send solo fix: e2e 65 and the gate. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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3a52f2290f |
Mix sounds through buses and a master (#325)
Until now every sound went straight to the speakers. There was no point where all of them came together, so nothing could turn the music down against the effects, and a compressor or a shared echo over everything had nowhere to sit. The bus technique of #346 was there already, only the end of the chain was missing. - Bus asset (Audio): Volume, Sound FX and Into. Into is empty for the master and never offers the bus itself nor a bus that already goes into it. The list is worked out when the menu opens, so a change made meanwhile counts. A loop that is in a project anyway sends the buses on it into the master. - The master is no asset. Its volume and sound FX are two new rows under Master in Project settings, one undo step each. A project written before has 1 and none, which is how it sounded. - Sound, instrument, pattern and song have a row Bus, empty for the master. Play sound, Play note, Play pattern and Play song have an input bus: From the asset, Master or a bus. Inside a song or a pattern only the bus of the song or pattern counts. - Set bus volume (bus, volume, time, easing) and Bus volume. An empty bus is the master. The volume set holds for the whole run, across scenes, over that of the asset. GameRun resets it at start and end. Set sound FX parameters without a voice now reaches the sound FX of the bus picked in its new bus input. - SoundLibrary: the master is the bus "mix", each bus "mix:<id>". Every bus, the playing masters of #346 included, ends there, and only the master is heard. setMix sets them up once a context exists, so an editor nobody listened to opens no audio device. The same mix again changes nothing, which lets the editor hand it over on every change of the project. - The tabs play as the game does: Sound, Sound FX, Instrument, Pattern and Song tab through the bus of their asset and the master. - Pause game does nothing to the buses (the user's answer 4b). A game that wants quiet in its pause menu sets a bus volume itself. - Streaming long music files is #349, split off as asked. Finding on the way: the Into menu first worked from a list made when the inspector row was built. After another bus was sent into the open one, e2e 34 saw it still offered. It is now asked on open. The SoundLibrary tests expected voices to end at the destination. They now end in the master, which adds its input, level and pan to every wiring and two gains to every list. Those expectations are updated, nothing else in them changed. Tests: - Unit buses (new): 15 green. Ten counter-checks, each red on its own: loop check, bus picked, reset at run start, bus of Set sound FX parameters, master volume in the settings, and in SoundLibrary default into the master, voices into the master, run volume over the mix, no context before a play, a playing on its bus. - Unit sound-library: 90 green (5 new). Node catalog: 416 green (9 new cases). - e2e 34 (melektaus-atx): ALL PASSED, 75 checks (3 new). The voice of the Sound tab was heard on mix:<bus>, that bus into the other, that one at 0.5 into the master. Master volume 0.6 via the dialog, undo back to 1. - Gate (melektaus-atx): CHECK EXIT 0, 262 files, 4072 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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b519cd192f |
Send a track, a pattern item or a whole song through a sound FX (#346)
A sound FX could only be put on a single sound. Now a track, a pattern item, a Play pattern and a Play song send everything they play through one chain of it, as an insert in a DAW. A Play note gets one of its own. - Track: an FX box in the head next to M and S opens a menu of the project's sound FX, and the track's inspector has the row too. Order: items, track FX, volume, pan. - Pattern item: Sound FX in its inspector. Its notes play on a bus of their own into the track's bus. - Play pattern and Play song take fx and fx params. The chain sits on the master of the playing, after the tracks and before the level and the fades. Set sound FX parameters reaches it by the playback. - Play note takes fx and fx params next to the instrument's params. The FX parameters go by "fx:" so the two sets stay apart. Set sound FX parameters on a note changes a name both have in both. - A Pitch on a bus is a new PitchShifter: the phase vocoder of the PitchPlayer, fed while it plays. It cannot look ahead and is exactly one frame late at every pitch, 2048 samples. - That latency is made up. The other way of a Mix is held back by a delay of the same length. Every note and clip starts as much earlier as the buses it passes are late. The scheduler plans that much further ahead, and the first note waits that much after Play. - The Song tab waits for the chains before it plays and lets its buses go a moment after Stop. A playing in a game lets them go after its echoes and what the shifters still hold. - songBuses moved to its own file. Kept in song.ts it pulled the FX compiler into the node registry through an import cycle. Decisions of the user: one chain for the whole (1a), FX everywhere asked for (2a), Set sound FX parameters on playbacks (3a), and a pitch shifter of its own with exact latency compensation for a Pitch on a bus. Tests: - Unit pitch-shifter (new): 11 green. At 0 semitones the output is the input 2048 samples later, off by at most 1.2e-7. - Unit sound-library: 84 green, 8 new. Counter-checks (no early start, no Mix delay, chain made every time, tune misses the master) each turned their test red. - Unit bus-fx (new): 6 green, 4 counter-checks red. Scheduler ahead: 1 new, its counter-check red. - e2e 65 (melektaus-atx): ALL PASSED, 35 checks, 4 new, first run. Chrome at 44.1 kHz: the bus was 0.046440 s late, the note started exactly that much early. Offline the shifter moved 1 kHz to 2000 Hz and passed a click 2048 samples later. - Gate (melektaus-atx): CHECK EXIT 0, 259 files, 4021 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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f46b2316f2 |
Make 8-bit sounds without a file with a Chip node in instruments (#329)
An instrument could only play sound files so far. The Chip makes the sound of a note itself, the way old game consoles and sfxr did: a raw wave and what its frequency does over the note. A laser, a jump or a pickup is now an instrument and ends by itself. - Chip node with wave (square, triangle, saw, sine, noise and the periodic noise of the NES), follow note, frequency, duty, duty sweep, slide, delta slide, min frequency, vibrato, arpeggio and repeat. It counts in Hz, semitones and seconds, not sfxr's 0 to 1. - It runs as a third processor in the FX worklet. The math is a plain class, ChipPlayer, tested in Node. Every sample is worked out 8 times and averaged, as sfxr does. - Frequency and duty are AudioParams, so an Envelope can move them and a parameter can tune them while the note plays. A Pitch behind a Chip moves its frequency directly, without the phase vocoder. - Below its min frequency a Chip ends and tells the page. Without the worklet it is silent and its note ends at once. - An Envelope with sustain 0 now ends its note once the decay is over, for every source under it, Samples too. Before, a note with duration 0 ran on silently until a Stop sound. - A note made of Chips alone needs no file. playNote and the wait for the bytes no longer drop it for having none. - Inputs that do nothing as things stand are grey in the inspector. idleParams is told which inputs are connected, so a connected one always counts. The credit names sfxr (Tomas Pettersson, MIT) and jsfxr, which turned out to be public domain, not MIT as the plan in #329 said. Tests: - Unit chip (new) 12, sound-library +4. All of tests/core, tests/viewport, tests/editor/graph and tests/editor/inspector: 178 files, 2953 green. - Counter-checks: semitones read as /24 turn 4 chip tests red. Without the sustain rule and the file check 4 library tests fail. - e2e 34 (melektaus-atx): ALL PASSED, 60 checks (2 new). Offline in Chrome a square at 220 Hz plus 12 semitones and duty 0.25 gave 329 periods in 0.75 s, up 0.249. 64 noise voices for 2 s rendered in 2.0 s, about 63 at once. Live a 0.2 s note with sustain 0 was gone after 0.26 s. - Gate (melektaus-atx): CHECK EXIT 0, 255 files, 3962 tests. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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f1f4a57589 |
Cut a sound to a stretch of its file in its own Sound tab (#343)
A sound asset now opens in a tab that shows its file as a waveform. Two handles set where the sound starts and ends in the file, and that stretch is the sample: Play sound, a song item and an instrument's Sample all play it and nothing else. The file itself is never changed. - The asset has three new rows: Start (s), End (s) and Edge fade (ms). End 0 is the end of the file, the fade is 10 ms by default. Older assets have no values and play the whole file as before. - Every way of playing asks playedSoundOf() for a name instead of the file: the file, or <file>#<start>~<end>~<fade> for a cut. - SoundLibrary makes the cut from the decoded file the first time that name plays and ramps each edge inside the file over the fade. Length and peaks of a cut are read from the file without a copy. - Cut buffers can be made again at any time, so the library lets the oldest go past 64 Mi samples. A voice holds its buffers itself. - The tab draws min/max per pixel from 256-sample block peaks, and the samples as a line when zoomed in far. Wheel zooms, the middle button pans, as in the music tabs. Wave, cut and ruler sit under a mask, so a handle panned out of view does not draw over the panels beside. - Dragging a handle moves that edge, dragging elsewhere spans a new stretch. One drag is one undo step for both edges. Whole file puts the handles back, Play or Space plays the stretch with a playhead. - The inspector preview and the Sound FX preview play the cut too, and the song lanes draw and repeat it. Tests: - Unit: sounds 20, wave-view 8 (new), sound-library 68, plus 258 in the touched areas (instrument, song, pattern, inspector, tabs) - e2e 34 on melektaus-atx: ALL PASSED, 57 checks (7 new) - Gate on melektaus-atx: CHECK EXIT 0, 253 files, 3936 tests Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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32051b5097 |
Wrap node descriptions and notes in the inspector
A node's description and every note in the inspector were one line cut with an ellipsis. Stop pattern says what it does with no pattern picked, but only past the cut, so nobody could read it. - Label takes a wrap option. It breaks its text at the width it gets and keeps the margin a single line has, above and below all lines. - Widget.heightFor(width) gives the height at a width. It is measure().h everywhere except where text wraps. - VStack and SectionStack lay a column out with it, at the width each row will get. - ScrollContainer measures again at the narrower width when its scrollbar shows, because the text then takes more lines. - addNote and the empty inspector's hint wrap. - The file list's own heightFor(count) is now heightOfRows, so the layout does not hand it a width as a row count. Tests: - Unit scroll-container: 7 green, 2 new (height for width, again beside the scrollbar) - Unit ui + inspector: 17 files, 336 green (before the 2 new ones) - e2e 02 (stein2, atx busy with suite 545): ALL PASSED, 29 checks - Screenshot: Stop pattern shows its description in six lines Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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aa097bd076 |
Zoom with the wheel and set the loop on its own strip in music tabs
The ruler of the Pattern and Song tabs did two things with one drag,
and the wheel did three things with Alt and Shift. Both now do one
thing each, and the Song tab gets a few edits it was missing.
- The ruler has a loop strip along its top. A drag there sets the
loop, a press or drag below it moves only where playing starts.
- The wheel only zooms: the time over the grid, lanes and ruler, the
rows over the keys, the tracks over their heads. Alt and Shift no
longer change it. A middle-drag still pans.
- Tracks can be zoomed from 28 to 160 px. Below 46 px a head shows
only its name, M and S. An old saved view gets the old height.
- A click on nothing in the lanes picks the song itself.
- A right-click on an item opens a menu with Delete instead of
deleting it. The inspector has no delete buttons any more.
- A sound item goes up to +12 dB, a track up to +12 dB. A pattern
item stays at 0 dB, since a note is held to unity.
- An end of an item under the pointer lights up and shows a resize
cursor. A long item marks every point where it starts over.
- The Pattern tab has an Audition switch in its header, off at first.
Only with it on does a note sound when drawn, grabbed or moved.
The keys down the left sound either way.
- A looped sound item draws every round alike. Each round is drawn
from its own start, and each column shows the loudest part of the
sound it covers instead of one sampled bucket.
- A song is at least one bar long instead of four. An empty song
fits that bar across, and Play song ends after the last item.
- The ghost notes held back in #334 got their own issue, #339.
Finding: suite 542 for
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8f9c250eb6 |
Lay patterns and sounds out on tracks and play them as a song #334
Patterns could only be heard one at a time, in their own tab or from a behavior. A song lays patterns and sounds out on tracks along one time axis and plays them through the scheduler of #332, the third piece of the music tools of #330. - New asset type song under the heading Songs, with four empty tracks, 120 BPM in 4/4 and a grid of a bar. Tempo, meter and grid are rows in the inspector. Tracks, items and the loop are the asset's data, held to their rules on load and in every command. - A track has a name, volume, pan, mute and solo. Each is heard on a bus of its own, so a change reaches what is sounding at once. - A pattern item repeats its pattern for as long as it is, with a transpose and another instrument if wanted. A sound item plays its sound as a clip at its own speed, round and round, through a sound FX if wanted. Both have a volume on top of their track's. - Cut back at the left end or split, an item starts as far into what it plays as the cut is: ticks into a pattern, seconds into a sound. - The tab shows the heads with M, S, volume and pan, the ruler of the Pattern tab and the items, a pattern with its notes, a sound with its waveform, a missing asset red. Patterns and sounds are dragged in from the Assets panel. Body, right and left end move, lengthen and cut back, Alt leaves the grid. Ctrl+C/V/D/A, Ctrl+E splits where playing starts, Delete, arrows. A double-click opens a pattern item in its tab. - What is picked is a new selection of its own, so the inspector shows the item or the track, with a button to delete it. - The scheduler plans clips beside notes. Where the playhead starts or jumps back inside a clip, it is taken up that far into its sound. A clip fades out at the end of its item or of the loop. - The editor plays one piece at a time: a pattern started stops the song and the other way round. - The rules are pure functions in core/music/song, editor/song/ songView and songEdit. Findings: - The suites of |
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8a4e4a6762 |
Play sounds as notes of an instrument asset #331
A sound could only be played as it was, one at a time. An instrument
is a node graph that makes a note a sound: Notes nodes bring the note
in, Samples play sound assets for it, the effects of a sound FX shape
it and the Output sums the layers. Its tab plays it from a keyboard,
a behavior with Play note. It is what patterns and songs (#330) will
play.
- New asset type instrument, under the heading Music, not placeable.
A new one starts as Notes into a Sample into the Output.
- Notes are counted as MIDI does: 60 is C4, names like C#4, sharps
only, the lowest C-1. Notes has From and To, outputs any, note,
frequency and velocity, and with Single notes a trigger per note,
each with an optional name for a drum kit.
- New port type trigger, only into the trigger of a source. Inputs
can take any number of edges now (PortDef.many): a trigger, and
the Output, which plays everything into it side by side.
- Sample plays a sound asset. Follow note shifts it by note - root
through the pitch worklet of #317, so it keeps its length. Gate
fades it out at the end of the note, One-shot plays through. Loop
runs between Loop start and Loop end, also in the worklet.
- Parameters declares the instrument's own parameters with a
default. Sound FX sends the sound through a sound FX asset, its
parameters as inputs, the sound set in where its Input was.
- compileInstrument walks the graph once per note. A trigger is on
only for the notes it stands for, a silent source silences what it
alone feeds, a Mix with a silent side is the other side. velocity
and the parameters stay open for the voice. Builds are cached per
note until the graph or a sound or FX it names changes.
- The player takes a note as one voice of several layers, each way
with its own file and volume. release fades the gated ways out,
one-shots play on. playNote can release after a duration.
- Play note plays one note with velocity, volume, duration and
detached, and hands out voice for Set sound FX parameters and
Stop sound. Velocity is always loudness. Instrument parameters
picks values for the instrument's parameters like Sound FX
parameters does for an FX, renames follow.
- The tab has the graph, a header field per parameter, Stop, and
128 keys below. Keys without sound are grey. A key plays while it
is held. Focused, the computer keyboard plays as in a tracker by
KeyboardEvent.code, the arrows move the octave.
Findings:
- A label of the keys set fill on the shared small text style and
darkened every small label of the editor. Caught in a screenshot
before the commit, the keys have a style of their own now.
- Suite task 523 on
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297fca3e94 |
Show Direction and Curve of a node only where they matter
An animation key shows Direction only for one of the ten curves and the Curve row only for Curve. Lerp and Set sound FX parameters hid them on the node body, but the inspector still offered both rows for every easing, so a linear Lerp had a Direction to pick that did nothing. - A node definition can name `idleParams`: settings that do nothing at the current values. The node body and the inspector both leave them out. - `hiddenParams` stays as it was. It only trims the node body, the inspector keeps those rows (the Order of an event, the mode of Find), so it could not take this job. - Lerp and Set sound FX parameters use `idleEasing` (formerly `hiddenEasing`) for it. - The idle settings are part of the node signature of the inspector. Picking an easing that needs Direction or Curve rebuilds the section, and the row appears. Tests: - easing-curves: 14 tests (+1), node-catalog: 381, green - e2e 06 (149 checks, green) checks that a new linear Lerp has no Direction and no Curve row in the inspector. Picking Cubic brings the Direction row, and Out is picked there as before. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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183f356c99 |
Let a game hand values to the parameters of a sound FX #311
A sound FX played the same every time: its numbers were settings of the nodes. Now the Input declares parameters with a default, every number of Gain, Pitch and EQ is an input they can feed, and a Play sound hands in values for them. - Input declares number parameters in the inspector, each with a Default (DeclaredPort.default, SetPortDefaultCommand). They are outputs of the Input. Input and Output count as terminals now, one of each per graph. - Gain, Pitch and EQ take their numbers at inputs under the keys the settings had, so saved graphs sound as before without a migration. Each value is held to its range however it arrives. - The compiler gives an FxPlan with the parameters still open. fxChainOf fills them in when a voice starts. The player still only sees an FxChain. - New behavior node Sound FX parameters: names an FX and picks its parameters like a Variables node picks variables. Each picked one is a number input that starts at the FX's default. Its output has the new port type fxparams, which only fits Play sound's fx params. - Play sound warns when the parameters name another FX than the one it plays. Names the FX does not know are left out. - Renaming a parameter at the Input renames it in every Sound FX parameters node naming that FX, edges and values included. - The Sound FX tab has a number field per parameter in its header. Play uses those values, they are never written into the asset. - A value counts from the start of a voice. Changing a playing voice is #315, a Mix node is #316. Tests: - soundfx.test.ts 22 (+11): parameters in the plan, held values, a 0-by-default stage, EQ band, save with defaults, wrong port types, default command with undo, Sound FX parameters into Play sound, defaults of picked ones, node problems, mismatch, rename with undo - node-catalog 368 (+3): Play sound fx params, Sound FX parameters - e2e 34: ALL PASSED - 28 checks (+2: header field plays depth 5, a Sound FX parameters node gives the game's voice depth 7) - Gate on melektaus-atx: typecheck, lint, prettier clean, 240 test files, 3636 tests green - Counter-check: with fxChainOf ignoring the values and the rename not followed, 5 of the new tests fail. - Browser probe: header fields, inspector Default and the picked parameter looked at in two screenshots. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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a5184b3368 |
Let the rows of a Variables node be dragged into a new order
The Variables and Properties nodes listed their picked rows in the inspector, but unlike Start, End and struct rows they could not be reordered. The drag dots also sat right on the edge of the row and touched the kind mark. - buildPickedPortSection gathers each row with its warning line as one block and hands the blocks to sortBlocks. A move reorders the ports on the node and is one undo step. Properties uses the same section and gains the same reordering. - Grip draws the dots 3 px in from the left edge and moves the kind mark 3 px clear of them (DOTS_PAD). The column keeps its width, so the name fields do not shift. Rows without dots are unchanged. Tests: - block-drag, reorder, variable-choices: 3 files, 13 tests, all green. block-drag now expects the mark 11 px in with dots, 0 without. - e2e 23 on melektaus-atx: ALL PASSED, 32 checks (+3 for dragging vy before vx and undoing it). It ran before the padding change, which touches no checks there. - The gate did not run before this commit. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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d80d5cce26 |
Let a Start input or a variable name the state machine it carries
A sub-behavior that gets its machine through a Start input had no state ports on Is in state, Set state and the other state nodes. Their ports came only from an inline pick or a State machine literal, so a machine handed in from outside left them empty. - A statemachine port of a Start node can now name a machine (DeclaredPort.machine). The inspector shows the pick next to the port name. SetPortMachineCommand sets it with undo. - machineIdOf follows an edge from such a port to that machine, so the state nodes it feeds offer its states. - A Run behavior node has the machine picked in advance on that input. - A different pick there is allowed, but the node warns, because the called graph asks for the states of its own machine. - A statemachine variable of a Variables node can name a machine the same way, picked next to the variable's row. - The inspector signature of a node now includes the picked machine. Before, the pick changed the ports but the dropdown kept its text until the node was selected again. - A local machine handed in still starts in no state every call. That rule from #229 is unchanged. Tests: - tests/core/start-machine.test.ts (7): ports with and without a machine and undo, save and load, the preset value moving a shared machine through the call, the warning, a port of another kind, the inspector signature, a Variables node. - Counter checks: without the new branch in machineIdOf 2 tests fail, without the machine in the signature 1 test fails. - Gate on melektaus-atx: 239 files, 3599 tests, CHECK EXIT 0. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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3f12a77aea |
Preview a sprite at the end of its inspector, placed or as an asset
A sprite's inspector listed its rows but never showed what they add up to. The picture, its frame, nine-slice, tint and shader could only be judged in the scene, often far from the object being edited. - SpritePreview draws the sprite through syncSpriteMesh, the function the scene draws it with. Slices, padding, tint and shader come out the same without a second path. syncSpriteMesh now takes only the three fields of a DrawItem it reads. - The subject is resolved by previewPicture from the Shader tab, so a placed sprite shows its own overrides. - previewFit is the rule for size and place: whole device pixels per unit from 1 on, at most 8, and the corner on a whole device pixel. Pixel art stays sharp. A sprite larger than the group shrinks freely. - A shader with a Time node keeps the preview redrawing once a frame while it is on screen. A folded group or a hidden panel stops it. - New test hook __gm.inspectorSpritePreview(). Finding: the preview redrew on a model change in a microtask at first. A drawn picture whose revision moved on is retried once, in a microtask queued by the scene's synchronous redraw. That retry ran before the preview had let go, and the old pixel art sheet stayed waiting (e2e 48l-iii read waiting [1,1,1]). The preview now redraws at once on a model change, as the scene does. Tests: - unit: 238 files, 3592 tests (+5 in preview-fit.test.ts), and the group list of a placed sprite in sections.test.ts ends in PREVIEW - e2e 48: ALL PASSED, 47 checks (+2: 48l-i asset preview with the frame, 48l-iii placed preview with its shader values) - counter-checks: without whole-pixel zoom 2 unit tests fail; with the microtask redraw 48l-iii fails with waiting [1,1,1] Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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c74b6b1cab |
Show where an inspector row can be dragged and answer the pointer
After #310 rows could be dragged by their mark, but nothing said which marks take a drag, and the pointer on one changed nothing but the cursor. - A mark that drags is now a Grip: the same widget wrapped, the same size, so the value column stays where it was. Once sortBlocks takes it, it carries six faint dots at its left edge. - Marks that cannot drag stay plain: the variables of a placed object and the fields of a typed struct show no dots. - With the pointer on a grip its dots light up and the whole block that would move is washed in the accent colour, a struct with its fields. While the block is carried the wash gives way to the dimming, and the grip stays lit. - While a block is carried the other grips let the pointer pass: no lit dots, no wash. Every grip of the column shows grabbing instead of grab until the drop. - The wash first used controlHover like list rows. In the inspector it is darker than the panel and vanished next to the dark fields, so it became the accent at 15 percent, the colour of the drop line. - __gm.inspectorMark also reports the dots: none, idle or lit. Tests: - Gate on melektaus-atx: 236 files, 3576 tests (+4 in block-drag.test.ts, one of them a drag passing over another grip). - e2e 22: 40 checks (+1, sum 1740). 22f-iii reads idle dots, moves the mouse onto the mark and reads them lit. - Two counter-checks bite: no wash on hover fails 1 test, grips never made grabbable fail 3. A third: hover ignoring the drag fails 1. - Screenshots of a lit single row and a lit struct block looked at. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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2c19c89878 |
Let variables, fields, ports and list items be dragged into order (#310)
Variables of a behavior, the fields of a struct, the ports of a start or end node and the items of a list could only be added and removed. Changing their order meant removing and adding them again. Now each of them is dragged by the mark in front of its row. - sortBlocks (ui/blockDrag.ts) makes the rows of one column sortable. A block is every row it covers, so a struct moves with its fields and a list item with its nested list. The block is dimmed while it is carried, an accent line shows where it lands, and a scrolled panel follows the pointer at its edge. Less than 4 px stays a click. - The arithmetic is pure and lives in ui/sortable.ts: blockGap, gapLineY, dropSlot and edgeScroll. dropIndex of the tile strip moved there too, so the reorder maths sits in one file. - MoveVariableCommand, MoveStructFieldCommand and MovePortCommand build on the existing MoveCommand. Undo moves back. - Lists need no command. InlineList replaces the list as a whole, as it does for every other edit of its items. - The grip is the kind mark, for a list item its number. Moving only happens among siblings: a field stays in its struct. - On a Struct asset the move runs through WithStructTypes. Typed variables, Pack/Expand ports and split outputs follow the new order. - Values and edges hang on names, so only the order changes. Nodes running a behavior read their ports from the start node, the new order reaches them without a copy. - Not sortable by design: the variables of a placed object, the fields of a typed struct (moved on the Struct asset) and the picked ports of Variables/Properties nodes. - Test hook __gm.inspectorMark(label) finds the mark of a row. Tests: - Gate on melektaus-atx: 235 files, 3572 tests, CHECK EXIT 0 (+9). - tests/core/reorder.test.ts: a variable, a field two levels deep, a Struct asset reaching a typed variable and Pack, and start ports reaching the calling node with edges and result kept. - e2e 22: ALL PASSED, 39 checks (+4, sum 1739). 22f-iii drags a variable past a struct of several rows, then a field inside it. - Counter-probes: dropSlot by top edge instead of middle and a field move that ignores its path fail 3 unit tests. With sortBlocks switched off, the three order checks of 22f-iii fail. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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3e05cbbed5 |
Let pixel art and vector art be nine-sliced and sorted (#308)
Nine-slice and the sort line hung on the texture frame alone. Drawing and sorting already read both off the TextureRef every picture hands out, but the generated pictures always said "no slice, no line". So the feature moves from the frame to the picture, without a second copy of any rule. - PictureCut (border, fill, sortLine) is one type. TextureFrame extends it, PixelArtAsset and VectorArtAsset carry it as a whole. The texture file format does not change, and no migration is needed. - The rules in texture.ts take a cut and a size: cutSortLine, setCutSlice, rawCutSlice and the rest replace the frame* versions. serialize.ts reads all three through one readCut. - cutTarget.ts resolves a target to cut and size: a texture frame, a pixel frame's size or the vector canvas. It lives apart from texture.ts because vectorart.ts reaches texture.ts itself. - SetSliceCommand and SetSortLineCommand take that target instead of (assetId, frameId). They refuse an asset that draws no picture. - generatedRef fills slice and sortLine from the drawing. The whole strip of a pixel art asset with several frames gets none, it is no picture of that size. With one frame asset and frame are the same. - Nine-slice scale is one shared schema row, now also on pixel art and vector art. - cutSection.ts holds the NINE-SLICE and SORTING rows once. The frame inspector and the drawing inspector both build them. - SheetCanvas draws a drawing's lines that are set, dashed as in the Texture tab. They are not dragged there, the painting tools own the canvas (as proposed in the issue). - drawOrder falls back to the picture's height when a ref has no rect, or a sort line on vector art would have been ignored. Tests: - Gate: 232 files, 3542 tests (+8: drawing-cut.test.ts, and vector art in sort-by-y.test.ts). Three counter-proofs bite: no cut on a drawing, a cut on the whole strip, no height fallback. - e2e 48: 44 checks (+1, sum 1732). 48l-ii reads red and blue where 12-pixel borders at scale 2 put them. Without borders both spots read green. - Looked at: the Pixel art tab with the lines, and the sliced sprite. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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808e1eefc2 |
Clean up duplicates and dead code, and fix the + menu check (#85)
Refactoring round 9 covers everything since round 8 ( |
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a526e1b40f |
Use a shader graph as a node in other shaders (#303)
A calculation needed in several shaders (a greyscale, a noise, an outline) had to be built again in every one of them. A shader function keeps it as an asset of its own, called like a behavior is since #16. - New asset type `shaderfunction` ("Shader function"), edited in the Shader tab. The panel beside the graph shows no picture, the readout counts its inputs and outputs. - Two new nodes: `Function input` and `Function output`. Their declared ports, numbers or colours only, are the ports of every call. One of each per function, like Start and End. - The call is node `ShaderCall`, named after the function. The palette lists every function, it can be dragged in from the Assets panel, and a double-click opens it. - The compiler sets the function in where it is called (`inlineFunctions`). It renames the copied nodes `<call>/<node>` and turns an unconnected port into a constant. Passes, Time, the Edge cut and the corner walk then see a plain graph. - A problem inside a function is reported at the call, in the function's words. The function's own tab checks it on its own (`checkShaderFunction`). - `ShaderLibrary` keys a shader on its graph and on every function it calls, however deep, so a change reaches every caller. - The port commands mirror a new, renamed or removed port into every call, as for a behavior's Start and End. `NodeDef.portKinds` holds the two ends to Number and Color. - As agreed in the issue: no `Property`, `Color property`, Output or Vertex output in a function, and `Time` is the caller's clock. - Own decision: a `Pass` may stand in a function. It becomes a pass of the calling shader, so a wide blur can be a function. - A function calling itself, also through another, says so at the node and is not set in. The palette does not offer such a call. - The Shader tab showed only the compiler's problems. A call nothing reaches was never compiled and looked healthy, so a call now also shows its own problem there, as in a behavior. Tests: - Gate: 228 files, 3510 tests, CHECK EXIT 0 (+13: 11 in tests/core/shader-functions.test.ts, 2 for the new icon) - e2e 28: 100 checks, all passed (+3 in 28l-viii). Called and in place both #606060/#a2a2a2, halved in the function #303030/#515151. - Counter-check: a fingerprint without the called functions fails 1 unit test, and in the browser the change check (#606060 stays). - The first e2e runs found two faults, both fixed: a double-click only selected the function, and an unreached call of itself showed no problem. - e2e total 1728 is computed (1725 + 3). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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2e55071fa5 |
Lay a shader over a camera's whole picture (#299)
A shader so far worked only on its own wearer. Effects over the whole game picture, such as a vignette, grey, scanlines or a red flash on a hit, had no place to live. A camera now wears one, drawn the way a field shader of a particle source is (#170). - The camera gets a Shader row and, while one is picked, a Shader resolution row. The shader's properties follow as camera rows. They load, animate and appear in a Properties node under Type Camera. - Every view keeps masks and objects in one container. CameraShade renders it into the camera's picture, cleared to the background, and draws the shader over the frame. Game tab and play.html take the container off the stage while the picture stands in for it. - Screen pixels gives the picture as many pixels as it covers on screen. Camera pixels uses View width x View height and scales up without smoothing. - A pixel counts as a camera pixel in both (the user's choice). The uniform uPixelScale makes Texture size read View width x View height, so a Blur keeps its reach at any game scale. - Each camera wears its own shader, overlay cameras included. A red flash on the game camera leaves the HUD of an overlay camera alone. - The scene view's eye has a Shader switch on the Camera row, off by default. With it on, the main camera's shader lies over its frame, below symbols and gizmos, and the world around it stays drawn. - New tool tools/perf-camera-shader.mjs measures the cost. Measured on stein2 (HD 630, Game tab at Fit 1310x679): a camera shader that hands the picture through stays inside the scene's own spread of 3 to 5 fps between runs. A Blur of 4 cost 4 to 8 fps. Tests: - Gate on melektaus-atx: 227 files, 3497 tests (3487 + 10). - e2e 63 alone: 11 checks (6 + 5), e2e sum 1725 counted. - 63e-63i: pass-through is byte-equal and upright at 100%, flat red reaches the corners while the overlay keeps its green, Texture size reads 640 x 360 in both resolutions at Fit, no shader draws as before, and the scene view shows it only with the switch on. - Counter-checks: a camera left out of the shader wearers fails 1 unit test. Counting screen pixels fails 63g with #ab6000. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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b2326085ed |
Show each camera only its layers and lay overlay cameras on top (#302)
A camera could only show the whole scene, so a HUD drawn in the world would run through a camera shader (#299) with everything else. Render layers say which cameras see an object, and overlay cameras draw their own picture over the main one. - The project has a list of up to 16 render layers, edited in Project settings next to the collision layers. It is a list of its own, read by the same rules (`layerNamesOf`). - Sprites, texts, tilemaps, particle sources and containers carry a row `Render layer` under their switches. Its default `Inherit` takes the parent's layer, at the top the first one. - A camera has `Sees` (all layers by default) and `Overlay`. The main camera is the first one switched on without Overlay, so two plain cameras still draw through the first one only. - Every view through a camera keeps only what that camera sees and lays one see-through view per overlay camera over itself. That view is a `WorldViewport` of its own, handed its view and frame from below. - An overlay is fitted into the main camera's whole picture without distortion. One of the same size and zoom covers it exactly. - `z` sorts within one camera only. The pictures lie on top of each other as a whole, which is what a shader per camera (#299) needs. - The Game tab's preview now collects the scene once per redraw. Before it collected it twice, with the cameras it would have been five times. - `SetCollisionLayersCommand` became `SetLayerNamesCommand`, which takes the list it sets. Follow-ups: #304 (the mouse through a chosen camera) and #305 (change the render layer at run time). Tests: - Gate: 226 files, 3487 tests (3480 + 7) - e2e 63 (new): 4 checks. A green overlay sprite at z -10 covers a red main sprite at z 1000, in the preview and in the running game. A `UI` sprite in front of the main camera and a `Default` one in front of the overlay stay away. Without Overlay the second camera draws nothing. The settings dialog adds a render layer at the end. - Counter-checks: inheriting from parents switched off fails 1 unit test. Overlays never drawn fails the two overlay checks in e2e 63. - e2e total 1720 (1716 + 4), computed. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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963f8a152a |
Open a scene framed, and thin out two inspector sections (#295)
Three small things asked for in one issue. A scene came up wherever the view happened to stand, and the inspector carried a button and a list that are better reached somewhere else. - A scene comes up framed as if Fit had been clicked: after a project is loaded and when another scene is opened. From then on the view belongs to the user. - An empty scene has nothing to frame and stands at the origin, one pixel per unit. A scene the running game loads is not framed anew. - The Container tab is left out. It keeps the view of each container as before (#171). - The Unpack button and the two lines under it are gone from the inspector of a placed container. Unpack container stays in the right-click menu of the hierarchy and of the scene view. - The corners of a polygon collider are no row in the inspector any more. They are edited on the outline in the scene view. The new schema option noRow keeps a property out of the inspector while it stays a property. Tests: - Gate on melektaus-atx: 219 files, 3401 tests, CHECK EXIT 0. - One new unit test in tests/core/polygon.test.ts: the corners are a property of the collider and no row. - Three new e2e checks: a loaded project is framed like Fit (module 03), an opened scene is (04), and after a real reload a click on Fit moves nothing (09). - Module 09 unpacks through the right-click menu now and checks that the inspector offers no button. - Full suite on melektaus-atx: 1695 checks, all pass. Smokes 24, 19 and 21, all pass. - No counter-probe evaluated, and nothing looked at after the build. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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7dd3ae1131 |
Tie two objects with a hinge, a spring, a rope or for good (#154)
Two bodies could not be connected: no door on a hinge, no lamp on
a rope, no wheel on an axle. This is the first step of the issue,
the four joints without a motor. The slider and the motors follow
in a second step under the same issue.
- Joint is a new asset type, placed as a child of the object it
holds, like a collider or a rigidbody. "Add joint…" in the
object menu makes one or places one the project has. An object
takes as many as it needs.
- Where the joint sits is the point it holds its object at. A
hinge and a fixed joint have that one point only. A spring and a
rope end at a connected anchor on the other object, counted in
that object's own units, or in the scene's without one.
- The rows follow the type: length, stiffness and damping for a
spring, length for a rope, an angle limit for a hinge. Length 0
takes the distance the two ends were placed at. The limit counts
from how the two were placed.
- The connected object is an object reference in the schema of the
type. Pasting, containers and removing treat it as they treat
every reference since #258.
- shownFor is a new schema option: a row is shown while an enum of
the same bag holds one of the named values.
- The object needs a rigidbody, its own or one further up. Without
one the joint holds nothing and the console says so once.
- A connected object without a rigidbody is a moving anchor: the
joint has a kinematic body of its own that follows it.
- A connected object destroyed while playing makes the joint let go
with a hint. Removed in the editor the reference empties, so the
joint holds on to the scene. The issue asked for "inactive" there.
- "Add joint" ties two objects while the game runs, from a joint
asset as the template. Destroy on the joint lets go, there is no
Break joint node. Destroy with keep children takes the joints
along with the object.
- The scene view draws a line from each joint to what it holds on
to and rings the held point. A selected spring or rope has a
round handle on its far end, and dragging it is one undo step.
- Joints hold in Play only. The editor run simulates nothing
(#148), and the inspector of a placed joint says so.
- Rapier counts a revolute joint's limits absolutely, not from the
start, so the placed angle is added. Measured with a probe.
- The + menu has 25 types now and no longer fits under its button
on a canvas 800 high. It scrolls there, and e2e 04 scrolls to
the last entry instead of expecting it in view.
Tests:
- Gate on melektaus-atx for this state: 218 files, 3390 tests
(3336 + 54), exit 0.
- e2e 1-16,24,39-46,51,52,57,58 on melektaus-atx: 831 checks, all
pass. Module 41 alone: 25 checks (21 + 4).
- 54 new unit tests: 40 in joints.test.ts (rope, spring, pendulum,
limit, fixed, the other end, the node, containers, paste), 6 for
the line the scene view draws, 4 catalog cases of the node. The
remaining 4 come from tests that make a case per asset type.
- Four new e2e checks in module 41: Add joint from the menu, the
rope to the hook with its line and handle, dragging the handle
with one undo, the bob hanging in Play next to one that falls.
- e2e 04, 40 and 46 count the new type in their lists.
- 21 of 22 unit counter-probes fail their tests. The other one is
equivalent: Rapier ignores removing a joint that left with its
body, the guard stays.
- Three browser counter-probes fail their checks (2, 1 and 2).
- One screenshot looked at: icon, line, handle and the rope rows.
- The e2e sum of 1691 is counted (1687 + 4, 1687 measured by CI
on
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46c620ae3b |
Give a behavior more ways in and out, and hear it as an event (#294)
A behavior run by another one had a single flow port at its Start and at its End, so it could not branch for its caller. And it could not be used as an event: a call needs a pulse at its flow input, and the events of a called graph never fire. An input like "Confirm" (Space or Enter) had to be built again in every graph. - A declared port of a Start or an End node can be of the kind Flow. It sits above the values and shares their names, exec stays reserved. Only these two nodes declare one, a struct does not. - Run behavior shows a flow port of the Start as a further flow input. A call arriving through it leaves the Start through the output of that name and not through exec. - Run behavior shows a flow port of the End as a further flow output. The call goes on through the one the End was reached by last, and then through exec. exec fires always, as before. - On behavior is a new event node without a flow input. The behavior it names runs at the node for as long as the behavior around it runs, with all of its own events and one set of variables per node. - Its outputs are those of the End. It fires once the inner pulse is through, by the output the End was reached by last, exec only for End.exec. A pulse that never reaches the End is not seen. - The value ports of the Start are its inputs, read anew for each inner pulse. The Start itself never fires there. - It nests to any depth. Under a Run behavior it stays silent. A behavior hearing itself, however far round, is not started and the node says "A behavior cannot listen to itself". - The palette offers every other behavior with an End once more as "On <name>". A node naming one without End says so. - An On node removed while the game runs ends its behavior with On disable and On destroy. The sounds of the entity end only with the behavior placed on it. - Renaming and deleting a declared port follows the edges at On behavior nodes as it does at Run behavior nodes. - The flow outputs of the Start of a behavior placed on an object never fire, like its exec. - The engine prompt of the benchmark names flow ports and On behavior. Tests: - Gate on melektaus-atx right before this commit: 215 files, 3319 tests (3278 + 41), exit 0. - e2e 19 on melektaus-atx: 39 checks (+4), all pass. e2e 1-6,17-24,26,36,51: 628 checks, all pass. - 19 unit tests in flow-ports.test.ts, 19 in on-behavior.test.ts on a real world, the rest in the node catalog. - Four new e2e checks in module 19: a flow port declared by mouse at the End, On Confirm in the graph, the call leaving through the further output while playing, Enter and Space on a real keyboard. - 19 unit counter-probes all fail their tests. One did not at first (a removed node kept its instance), a test was added. Two browser counter-probes fail their checks. - One screenshot looked at: On Confirm with exec and pressed, the second flow pin at the calling node. - The e2e sum of 1680 is counted (1676 + 4), the full suite and the smokes did not run. - Not seen in the browser: flow inputs at the Start, nesting, the ring, values through On behavior, the palette entry. No test holds that the sounds of the entity go on when a heard behavior ends. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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c7dc0e4733 |
Leave hiding and deleting a link to its right-click menu
The inspector of a picked link carried the buttons Hide link and Delete link below its facts. Both actions are in the right-click menu of the line since #289, and Delete removes a picked link as well. The user asked for the buttons to go. - buildEdgeSection in editor/inspector/edgeSection.ts only describes now: the two ends, the type, and for a transition its name field. - The button under several picked links and Delete transition in a state machine go with them. They came from the same line of code, and the menu offers both. - The note under several links stays. It speaks of the Delete key. Tests: - Gate on melektaus-atx: 212 files, 3260 tests, exit 0. - e2e 4,6,26 on melektaus-atx: 275 checks, all pass. - No full run and no smokes. The sum of e2e checks stays at 1676, which is reckoned. - Module 06 now checks that the inspector of a picked link shows neither button. Its menu check finds Hide link and Delete link only in the menu, where it had to take the one drawn last before. - Module 26 checks that a picked transition shows no Delete transition. - No unit test names the buttons. No counter-probe was run. The old checks found both texts in the inspector, which is the state the new ones would fail on. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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9e869df063 |
Free a redrawn picture only once no shader names it (#293)
Editing a vector drawing made Pixi warn "destroyed while still bound
to a shader", twice with every change, once it had begun. It began
where an object wears the drawing through a shader asset. Each
change draws the picture anew and destroyed the one before it, but
the mesh of that object keeps its picture bound until it syncs. The
issue also asks for the button "Add shape" to go: a shape without
points cannot be given any, the Pen draws a new one.
- GeneratedPictures takes two more callbacks. inUse says that a
picture cannot be freed yet, soon runs a retry once whoever asked
is done.
- A replaced picture that is still in use waits in a list of its
own. It is freed right after the redraw that asked, as a rule. On
a later ask where its wearer was not part of that redraw.
- TextureLibrary tells a bound picture by the listeners for change
on its source. Under WebGL the bind groups are the only ones that
listen there. The retry is a microtask.
- The rule is asked for every drawn picture alike, whoever wears it.
- The inspector of a drawing and of a shape has no "Add shape" any
more. "Delete shapes" for several selected shapes stays.
Decided here:
- Under the list of shapes a second note says "The Pen draws a new
shape." while only the asset is selected.
Found on the way:
- Reproduced on a throwaway copy of the project the report came
from: 6 warnings for 3 changes with the shader override on the
object, none without it. After the change none, and no replaced
picture is left waiting.
- The fixture project of the tests never showed the warning. No
object there wore a drawing through a shader.
Tests:
- Gate on melektaus-atx: 211 files, 3219 tests (3209 + 10), exit 0
- e2e 47,48 on melektaus-atx: 113 checks, all pass
- e2e 28,30,31,39,40,47,48: 350 checks, all pass, run before the
wording of the new note changed
- The first gate was red: an existing test read the wording of the
note that had changed. Only three test files had been run after
the change.
- No full run and no smokes. The sum of 1668 (1667 + 1) is reckoned,
1667 is what CI counted for
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ec2fd9084f |
Say what a button without words does when the pointer rests (#209)
The top bar, the magnet, the eye and many marks of the inspector are
pictures without a caption. Whoever did not know one could only try
it. The toolkit had no hint on hover, which also forced the point
menu of #195 to be words. The answers in the issue settle the open
points: a cut tab name shows in full, shortcuts are part of the
text, the point menu stays as it is.
- Button takes a tooltip, a text or a function asked each time. It
shows on a small sign once the pointer has rested for half a
second.
- There is one sign for the page, a TooltipLayer on the overlay
above the menus. A control reports each pointer move and the
pointer leaving, the layer does the waiting.
- A press, a key, the wheel or a blur of the window takes the sign
away. initUI listens for them on the window.
- placeTooltip in ui/tooltip.ts is the rule for the place as a pure
function: under the control and flush left, flush right at the
right border, above the control at the bottom.
- toolbarTip says what the five buttons of the top bar do right now.
Undo and redo name their step from CommandStack.undoLabel and
redoLabel, as in "Undo Paint tiles (Ctrl+Z)".
- A SortableList reports its own marks with a key per mark: the eye,
the duplicate mark, the cross and the plus.
- The magnet, both fullscreen buttons, the eye of the scene tab, the
overflow of the tab strip, the plus of the assets panel, the marks
of the inspector rows and the nine anchors of the resize dialog
carry a text.
Decided here:
- Every button whose text is cut short shows the whole text, not
only a tab.
- A row action of the inspector names the one thing a click does. A
button that opens a menu says only Reset, Apply or Size from the
picture.
- A button just clicked stays quiet until the pointer has left it.
- A greyed out button shows no sign.
- The switches of the eye popup, the cross of a document tab and the
tools of pixel art have none. The tools carry words, other than
the issue assumes.
- The marks of a list say Show or Hide, Duplicate, Remove and Add,
whatever the list holds.
Found on the way:
- Signing out empties the overlay and would have destroyed a sign on
screen with it. The editor takes the tooltip away first. This has
no test of its own.
- The text hooks locate and has skip the sign, or it would answer
for the button under it.
Tests:
- Gate on melektaus-atx: 210 files, 3209 tests (3176 + 33), exit 0
- e2e 46 on melektaus-atx: 20 checks, all pass
- e2e 1-14 on melektaus-atx: 508 checks, all pass
- e2e 1-9,14,39,40,44-48: 685 pass, 2 fail, both in module 14. It
measures tabs that modules 10 to 13 open, and the chain 1-14 is
green. The cut chain was not run on the state before.
- No full run and no smokes. The sum of 1667 (1664 + 3) is reckoned,
1664 is what CI counted for
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345289982b |
Scale, turn and mirror the shapes of a vector drawing (#291)
A shape could only be moved and reshaped point by point. Whoever
wanted it larger or turned pulled every point alone, and for several
shapes or a group there was no way at all. The answers in the issue
settle the rest: the change is baked into the points, nothing of it
is remembered, and the line width stays.
- With Select the selection stands in a frame of eight squares and a
knob, drawn like the one of the scene view. It holds one shape,
several shapes or a group, the same selection that is dragged as
one.
- A corner square scales from the opposite corner, a square on an
edge in its own direction. Shift keeps the proportions, Alt scales
about the middle.
- The knob turns round the middle of the frame, with Shift in steps
of 15 degrees. After the pull the frame stands upright again.
- The inspector has a band TRANSFORM with X, Y, Width, Height and
Rotate by, and the buttons Flip horizontal and Flip vertical.
- Points, handles, gradients and texture tiles are taken through the
same matrix. The rule is a pure function in vectorTransform.ts,
transformShapesCommand makes one undo step of any number of
shapes.
- A press goes to a point or a handle first, then to the frame, then
to a line. shapeFrame.ts holds where the handles are and what a
pull of each means.
Decided here:
- The frame stands 15 pixels off the shapes. The points of a shape
lie on its bounds, so a square on the bounds would cover them.
- The knob only turns. In the scene view it scales as well.
- A side cannot be pulled through the opposite one, the frame keeps
at least 1 pixel.
- Coordinates are rounded to a thousandth of a pixel, so a quarter
turn is exact.
- A texture tile stays upright under a turn and grows to the bounds
of the turned tile. The bands of a gradient stay square to its
axis under an uneven scale.
- The switch Scale stroke of the proposal is not built.
Found on the way:
- The inspector of a shape is now taller than the window. Two checks
of module 47 no longer found their row or button on the screen and
use the new hook inspectorButton, which scrolls there first.
- Not solved: with a shape at the top edge of the view the knob lies
outside the tab. The wiki names it under the limits.
Taken over from #217: the e2e check for two selected shapes without
a group, and unit tests for the snap of the common offset and for
the gradients of the shapes dragged along.
Tests:
- Gate on melektaus-atx: 209 files, 3176 tests (3121 + 55), exit 0
- e2e 47,48 on melektaus-atx: 112 checks, all pass
- No full run and no smokes. The sum of 1664 (1660 + 4) is reckoned,
1660 is what CI counted for
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2ff3a78607 |
Put the shapes of a vector drawing on layers and in groups (#190)
A vector drawing was one flat list of shapes. With many shapes the list got hard to read, and several shapes could not be kept or moved together. Now the shapes stand on layers, as in pixel art, and can be put into groups that nest. - A drawing has layers, each with a name and an eye. A hidden layer is neither in the tab nor in the picture a sprite wears, and its shapes cannot be pressed. One layer is the one worked on: the pen and Add shape draw onto it, and SHAPES lists what is on it. - The inspector has a list LAYERS over the shapes. Its plus adds a layer, the cross on a row removes it with all on it, the last one stays. A double-click renames, a drag sorts. - Group (Ctrl+G) puts the selected shapes into a group, Ungroup (Ctrl+Shift+G) takes it away. A group stands over its rows in the list, the rows one step in, and a row is dragged into a group or out of it. - In the tab a press on a shape takes its outermost group, and a drag moves the group as one undo step. - The model has layers with a tree of shapes and groups instead of a flat shapes array. The rules are pure functions in core/model/vectorTree.ts. A drawing saved before opens with all its shapes on one layer. - SortableList takes rows with a depth and drops into a tree. The flat lists of tilemap and pixel art run as before. Decided here: - A group has no transformation of its own and cannot be hidden or locked. Rotating and scaling is the follow-up #291. - A group is never empty: the one that loses its last shape goes with it. - Several selected shapes are dragged together, grouped or not, and a click on a shape of the selection keeps the selection. This is what #217 asked for. - Shift+click selects like Ctrl+click. With Select, Shift pans only beside the shapes, as in the scene view. The middle button pans anywhere, and with the pen and Paint Shift pans as before. - A row of the list picks one shape of a group alone. - Shapes change their layer through a row Layer in the inspector, which is there from two layers on. Rows are not dragged between layers. - A group cannot span two layers, the button is off then. - The pen does not draw onto a hidden layer, the hint says so. - Groups are always shown unfolded. - The four order buttons work inside the own group or layer. Tests: - Gate: 204 files, 3067 tests (3008 + 59), exit 0 - e2e 47,48: 108 checks. e2e 39,40,47,48 before the Shift change: 209 checks. No full run, the sum of 1645 (1639 + 6) is reckoned and CI measures it. - 59 unit tests: 36 in tests/core/vector-tree.test.ts, 23 in tests/editor/vector-layers.test.ts - Six e2e checks with a real mouse in block 47j - 47 unit counter-probes for layers and groups and three for the Shift click all fail tests, run on stein2 - Three browser counter-probes fail their checks - Two screenshots looked at (group in the list, hidden layer) - Only unit tested: the row Layer, sorting and removing layers, copying a group, the Shift pan beside the shapes Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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393caadc9d |
Head the groups of the inspector with bands that fold (#290)
The groups of the inspector had a small grey label as their title, in the same grid as a property row, so with many rows one group hardly stood apart from the next. Now every group has a band as its head, from edge to edge of the panel, and a click on it folds the group. - A band runs across the padding of its column in the header colour, with the title and a mark that says whether the group is open. The titles stay as they are, as answered in the issue. - A click on a band folds its group: the rows go, the band stays and the next band moves up against it. A control in the band (Open, + Variable, + Property) does its own job and folds nothing. - A placed object has a group SWITCHES under its name, asset and parent: Enabled, Keep on scene load and the switches of a behavior. An asset has SWITCHES and PROPERTIES, and a group without rows is left out. - The same bands head the tilemap panel, the Variables tab, the side of the Pixel art tab and the shape list of vector art. A list with a title (Layers, Frames, Shapes) folds with a click on its header, clear of its plus. - ui/sections.ts holds the rules as pure functions, SectionStack is the column and SectionHeader the band. Every title of the inspector goes through addTitle or sectionHeader in inspector/host.ts. Decided here: - A fold is kept for good, in localStorage of this browser. The issue asked whether for the session or for good and the answer left it open. - A fold is remembered by title, per panel. PROPERTIES folded once is folded on every object, asset and node. A number in a title does not count. - A behavior asset has all its rows under SWITCHES. A Variables asset and a state machine get a group SCOPE. - A greyed out control in a band takes the click too. Without that the click fell through to the band and folded the group. - The Curve tab has no column of this kind and is unchanged. Found on the way: - The inspector of a sprite is taller than the 800 pixel window of the checks now. The hooks that hand out a row scroll it into view first, and module 28 scrolls before it looks for a row by its text. Tests: - Gate: 202 files, 3008 tests (2982 + 26), exit 0 - e2e: no complete run for this state. Modules 28 to 61 passed alone (749 checks). A full run was cut off in the accounts module at 1492 passes without a failure, the modules after it and the smokes are missing. The sum of 1639 (1635 + 4) is reckoned, CI measures it. - 26 unit tests in tests/editor/sections.test.ts - Four e2e checks with a real mouse, three in module 02 and one in module 48 - 25 unit counter-probes all fail tests, run on stein2 - Screenshots of the bands looked at before the last build, none after it Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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c5ba21533d |
Pick a link on its line and delete it from there (#289)
A link could only be removed through the menu of its port, and the line itself took no input. A transition of a state machine could only be deleted in the list of the inspector. Now the line is the handle, in a behavior's graph and between states alike. - A click on a line selects that link and draws a halo behind it. A press counts within 6 screen pixels of the line, and where two cross the one drawn last wins. - Ctrl-click or Shift-click adds a link or takes it away. The rubber band takes every line it crosses, into the same selection as the nodes and boxes it caught. - Delete or Backspace removes what is picked as one undo step. A right-click on a line offers Hide link and Delete link. - The inspector shows a picked link: the node and port at each end and the type it carries, with Hide link and Delete link below. For several it says how many. - The arrow of a transition is picked the same way, on its name too. Delete or a right-click with Delete transition removes it. - The menu of a port is unchanged, Disconnect included, as answered in the issue. - editor/graph/edgeHit.ts holds the hit test as pure functions, and editor/inspector/edgeSection.ts builds the section. The selection has a new kind edge, and node and annotation carry edgeIds. Decided here: - A hidden link has no line and is never picked this way, also while it is shown on loan. Its mark at the port stays its handle. - The menu of a line speaks about the whole selection, like the menu of a box. With nodes or boxes held alongside it reads Delete N items. - Hiding picked links lets go of them, since no line is left. - A link wins over the box it crosses, and a mark wins over a link. - A transition has no Hide entry. - With nodes or boxes in the selection the inspector keeps showing the node or box, not the link. Tests: - Gate: 201 files, 2982 tests (2967 + 15), exit 0 - e2e, full run: 1635 checks passed (1629 + 6), exit 0 - Smokes: 24 / 19 / 21, exit 0 - The full run was done for exactly this state. - 15 unit tests in tests/editor/edge-selection.test.ts - Six e2e checks with a real mouse, block 6z-xi in module 06 and 26e7 in module 26 - 12 unit counter-probes all fail tests, run on stein2 - Three browser counter-probes fail, the build went through each time: no hit on the line, no halo, a band that skips lines - Screenshots of a picked link and a picked transition looked at before the last build, none after it Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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1aa824ecb4 |
Keep objects through a Load scene with a switch (#165)
A Load scene destroyed every object of the old scene. A player, a HUD or a music object had to be built again in each scene, with its state pushed through shared variables. A top-level object with the new switch Keep on scene load now travels into the next scene as the same entity, with everything below it. - The switch is a common property right under Enabled, off by default, on the asset and on a placed object. The inspector shows the row on top-level objects of a scene only, as answered in the issue. - runtime/keptObjects.ts holds the rules as pure functions. keptEntities picks what travels, objectsToBring copies the stored objects as the run parents them, and bringObjects puts them into the next scene. - World.instantiate takes a handed entity as it is instead of making one. The next syncToModel then writes the run's values into the scene. - BehaviorSystem.release takes the running instances out before the old world is destroyed, and the next system adopts them. They hear no On destroy and no second On start, and their sounds play on. - PhysicsSystem.resume gives a dynamic body the velocity and spin it had. - Duplicates: the object brought along wins. The next scene does not build its own object with the same id, which is the way back into the scene the object came from. - Decided here: the next scene does not build a top-level object of the same asset that is kept itself either. The issue only names the id. With the id alone a level that places its own player would hold two after a swap. - Decided here: kept objects land behind the scene's own, the switch is no animation row, and collisions are found anew. A finding, fixed along with it: Load scene did not build a scene as it is stored, but as the run had left it. A moved object stayed moved and a destroyed one stayed gone. The way back into a scene needs a clean build. - GameRun copies a scene's objects and groups before it first builds it and puts them back before it builds it again. - GameRun.end puts every such scene back. The player calls it on stop, so spawned objects no longer stay for "Click to play again". - The consequence: an edit made in a scene during Play is gone the next time that scene is loaded. Tests: - Gate: 199 files, 2944 tests (2929 + 15), exit 0 - e2e, full run: 1625 checks passed (1619 + 6), exit 0 - Smokes: 24 / 19 / 21, exit 0 - 15 unit tests in tests/core/keep-on-scene-load.test.ts - Six e2e checks in module 35: the switch is set with a real mouse, the child has no row, the object is in the new scene, its counter still reads 1, its sound plays on, and the stored scenes are unchanged after Stop - Eleven tests with fixed row lists only count the new schema row - 16 unit counter-probes all fail tests, run on stein2. One did not fail at first (same id not left out), it has its own test now. - The browser counter-probe fails 4 of the 6 new checks - Not looked at in the browser: the switch as a port of the Properties node, and a released game with a kept object Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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c4a9280140 |
Preview inspector edits once per frame, not per input (#274)
Scrubbing a number in the inspector and dragging a colour stop of a gradient told the editor about every input. Pixi repeats each pointer move shortly after, so both gestures paid for two previews per move. The issue asked to measure first and to build only from 10 % per move. The measurement showed about 50 %. - previewingHandlers still writes the model on every input but requests the preview through a FramePreview of its own. The commit cancels a waiting preview first. - The preview handler of the GradientBar in shapeSection.ts does the same. - Wider than the issue describes: the row handlers also serve typing, the arrow keys and the colour picker. All of them preview once per frame now. Measured on stein2, fixture project with 120 extra objects, 120 moves 8 ms apart, three runs each: - Scrub: 236 project events before, 51 to 61 after. 45 to 50 ms per move before, 22 to 27 after. - Colour stop: 238 project events before, 50 to 51 after. 44 to 49 ms per move before, 22 after. - One preview still costs 13 to 17 ms. That price per frame is what remains. Finding, not fixed here: in the pixel art tab the palette colour and the opacity of a layer still preview on every input (PixelArtSide.ts), and so do the head fields of the curve tab. Neither was measured. Tests: - Gate: 198 files, 2907 tests (2903 + 4), exit 0 - e2e, full run: 1616 checks passed (1615 + 1), exit 0 - Smokes: 24 / 19 / 21, exit 0 - Four new unit tests in tests/editor/frame-preview.test.ts, two for a row and two for a colour stop - One new e2e check in module 02: a held scrub gave 10 project events in 12 frames, and the value is there before the release - Four unit counter-probes fail, 1 to 2 tests each. They ran on stein2, not in the container. - The browser counter-probe fails the new check with 50 events in 16 frames Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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0f6e628616 |
Check the declared type when a graph writes a typed variable (#271)
A list variable with an item type only kept its shape in the editor. A graph could write any list into it at runtime, and the List node had no type at all. Now the declaration decides what a write may store. - Writing a list into a typed list variable leaves out every item that does not have exactly the fields of the type. The rest is written and the console names each item that was left out, like Add item does. - The same rule holds for typed list fields inside a struct variable and for lists inside typed items, at any depth. - A typed struct variable refuses a struct with a field the type does not have, and a value that is no struct. A struct with missing fields still merges in as before, so a partial Pack keeps working. - The check runs in the Variables node (own variables and Variables assets) and in the Properties node when it sets a behavior variable of another object. - Ports learn their declaration through GraphLookup: what a variable declares about its type, and which behavior owns a graph. The rule itself lives in the new src/core/graph/typedValues.ts, fitsType moved there from SetItem. - The List node gets a Type setting. With a type its items are shaped and marked, follow the struct asset, count when the type is deleted and offer Split into fields in For each. The mark never reaches the running game. - A type on a List node holding something other than structs is refused with a console line. - Setting the List node back to None removes the marks, unlike a list variable. A node list has no per-item type row, so marked items could never be freed there. Undo brings everything back. - tests/core/kinds.test.ts looked for the value as the first parameter of a literal. Type now comes first on the List node, so the test finds the value by its key. Tests: - Gate: 198 files, 2869 tests (2856 + 13), CHECK EXIT 0 - e2e 55: 19 checks (+55j write at runtime, +2 for 55k List node) - e2e 54: 16 checks, smokes 24 / 19 / 21 - Five mutations, each fails between 1 and 4 tests - e2e total 1606 is computed (1603 + 3), no full run Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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ded71a92c9 |
Pick the target of an object variable in the Scene View (#276)
Choosing the target of an object variable meant finding its name in a dropdown. With many objects, or several with the same sprite, the name alone does not say which one it is. The eyedropper lets you click the object where you see it instead. - Every object dropdown gets an eyedropper button next to it. This covers variables, struct fields and list entries, in the Inspector and in the Variables tab. - The button opens the Scene View or the container tab the object lives in. A strip above the view names the field and the current candidate and offers Take and Cancel. The cursor is a crosshair. - A click picks a candidate and writes nothing yet. The candidate gets its own cyan frame, the selection stays on the object with the variable. - Clicking follows the selection rule. `pickOn` in `src/viewport/pick.ts` uses `pressOn` and only counts objects the dropdown offers. A click on empty space keeps the candidate. - Enter or Take writes through the same handlers as the dropdown. That is one undo step, or none if nothing changes. - Esc, Cancel, a right click in the view or a second click on the button cancel without writing. So do a tab switch, another selection, undo, redo, play and loading a project. - After Take or Cancel the editor goes back to the tab the pick came from. - While the eyedropper runs, the view does not drag, marquee, paint, show handles or open its context menu. Panning and zooming stay. Found on the way: - Started from the Variables tab, the click missed the object. The Scene View is hidden while that tab is open, and the layout skips hidden children. The strip appeared then, the view moved down by 32 px but kept its old height. `Editor.display()` now lays the row out again after showing it. Tests (on melektaus-atx): - unit pick and object-pick: 27 passed, 13 new - gate: 196 files, 2844 tests, CHECK EXIT 0. Two more come from svg-icons, which checks every icon twice. - e2e 57: ALL PASSED, 12 checks, 5 new (57e to 57g) - Counter-checks work. Without the layout fix 57g fails. Picking objects the dropdown does not offer fails 2 tests. Writing on cancel fails 2 more. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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14972d057f |
Refactoring round 8: hide data files, safe saves, Esc as Cancel (#85)
Recurring cleanup round over the code since round 7 (
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bc688f3efc |
Refactoring round 7: split BehaviorSystem, fewer copies (#85)
Recurring cleanup round over the code since round 6 (
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89aa92d2e3 |
Put a shader on a text and draw pixel fonts sharp (#169)
A text could not wear a shader, and a pixel font was always smoothed. Pixi's Text takes no custom shader. It also shares one texture between texts of the same content and style, and the filter is not part of that key, so two equal texts with different filters would overwrite each other. - TextPicture rasters a text into a texture of its own and draws it like a sprite. Shader, time animation and edge mode work without a special path. A new text, font or size rasters again and keeps the shader. - The old texture is dropped only after the shader holds the new one. Before, Pixi warned about a destroyed texture that was still bound. - A text has a Shader row with the shader's property rows below, as a sprite has. Overrides, saving, animation and the Properties node (type Text) know them. A shader parameter named like an own row of the text loses to that row, as on the particle source. - The font asset has a Filter row, Linear or Nearest. The row existed three times already (texture, vector art, pixel art) and is now one helper filterRow. - Nearest rasters the text 8 times finer and cuts every 8x8 block to one texel: at least half covered is full, else empty. Chrome on Windows smooths canvas text sideways through DirectWrite whatever filter we set later. The cut removes those half pixels on every system, and the texture stays one texel per world unit. Found on the way: - On a font that is no pixel font thin strokes break apart under Nearest. For a pixel font at its own size this does not matter. Not done: - The preview in the Shader tab does not take a selected text as its picture, it shows the test picture then. Tests: - ./check.sh: 189 files, 2759 tests, CHECK EXIT 0. - text-shader.test.ts with 10 tests: rows and name precedence, a clamped override, save and load, animation, the font filter, and sharpCoverage on a smoothed edge and at the texture border. - e2e 30 has 7 new checks: red glyphs through the shader picked with the mouse, the shader survives a new text, red in the game, soft edges under Linear, clean 4x4 blocks under Nearest, and half covered texels (Linear 238, Nearest 0). - Full local run before the Nearest cut: all passed, 1543 checks. GM_STEPS=1,30 on the final bundle: all passed, 32 checks. The sum 1544 in the README is counted from these two runs, not measured. - Counter-checks fail as expected: in the browser no shader on a text fails 30h-30j, an always linear sampler fails the Nearest check, the old 1:1 raster leaves 107 half covered texels and fails 30k-ii. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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d7d0a6e7d4 |
Let Tab reach the game in the Game tab (#261)
The game did get Tab, but the editor moved the keyboard focus to a button at the same time. The next Space then pressed that button instead of reaching the game. The key field of On key down could not capture Tab at all, so an inventory on Tab could not be built. - FocusManager asks tabBelongsElsewhere before it moves the focus. The editor answers yes while the Game tab is in front, so Tab stays with the game as long as no field has the focus. - A widget can claim Tab through takesTab. The key capture button does so while it is capturing, so On key down accepts Tab. - The harness knows the key Tab. Found on the way: - The first version of check 20g left the Behavior tab in front, and module 21 then failed in the chained run. 20g now goes back. Tests: - ./check.sh: 2746 tests, CHECK EXIT 0. - e2e 20 has two new checks: Tab reaches the game and leaves the keyboard with it, the key field captures Tab. Both failed against the old bundle. - GM_STEPS=19,20: all passed, 44 checks. The full local run with all three topics of this push passed with 1543 checks. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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f84defb9b6 |
Pick an object of the same scene for an Object variable (#258)
An Object variable could only be set by a graph while the game runs.
A placed object always showed "(null)", although the other objects of
its scene are there to choose from and the runtime can already find
any object by its id. Now the placed object stores a reference to one
of them, and the running game turns it into the real object.
- Stored as {"$object": "<id>"}. The empty placeholder stays as it
was, so old projects load unchanged and empty still means "(null)".
- The row of an Object variable on a placed object is a dropdown with
None and every object of the scene, indented like the Hierarchy.
The same goes for Object fields in structs and Object items in
lists, also in the Variables and List tabs.
- The behavior asset keeps "(null)". An asset has no scene, so "Apply
to asset" is gone from Object rows.
- The runtime resolves the reference when the Variables or Properties
node reads it. A destroyed target reads as null, a missing one shows
"(missing)" in the row.
- Inside a container only objects of the same container are offered.
The reference keeps the template id, so every placement finds its
own copy.
- Deleting the target clears the reference in the same undo step.
Paste points references inside the pasted group at the copies and
leaves outside references alone. Create container and Unpack carry
references along with the new ids.
- A value a graph writes while running stays in the run. The scene
keeps the picked object, also in "Run in editor".
Found on the way:
- Setting an override coerced every object slot to empty, in plain
values, struct fields and list items. The shared objectPlace() now
keeps the reference.
Not done:
- No eyedropper to pick in the scene, the dropdown is enough for now.
- Deleting a template object in the container editor does not clean up
references in other scenes. They read as null there.
Tests:
- ./check.sh: 187 files, 2724 tests, CHECK EXIT 0
- e2e 1-9, 51, 57: ALL PASSED, 389 checks
- e2e 1, 57 on the final bundle: ALL PASSED, 17 checks
- 13 unit tests in object-references.test.ts, 5 checks in e2e 57
- Counter-checks: 8 unit breaks fail their tests, the browser break
without a pick list fails 57b-57d
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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e8b3ac0a3b |
Keep behavior variables private to their own graph (#257)
A behavior often needs working state such as a timer or a counter. Until now every variable showed up on each placed object and in the Properties menu, so the inspector filled up with values nobody should touch. A private variable works like any other inside its graph but is not offered anywhere outside. - Each behavior variable gets a lock switch next to Keep. It starts off, so existing projects stay as they are (`privateVariables`). - A placed object shows no private variable, neither in the inspector nor while the game runs. If all are private, it says so. - Switching a variable to private drops its overrides on every placed object in one undo step. Switching back does not restore them. - A running game does not write a private value back as an override, and a project change during the run does not reset it. - `+ Property` no longer offers private variables. A port that names one by hand still reads and writes it without a warning. - The default value of a private variable is read-only in the asset inspector. Its shape (name, fields, type, delete) stays editable. - Keep is now a pin icon instead of a word. With the lock added, the header of a list variable had no room left and the lock covered `+ Item`. Not done: the animation track picker still offers private variables. Tests: ./check.sh -> 186 files, 2711 tests, CHECK EXIT 0. e2e 1,19,20,21,56 -> ALL PASSED, 119 checks. New module 56 has 7 checks with a real mouse. Counter-checks fail as expected: unit without the write-back filter, the sync guard, dropping overrides or loading the flag. Browser with all variables on the object, an unfiltered menu, or no value lock. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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b0d0868f55 |
Give a list one struct type so every item keeps its shape (#254)
A list of structs used to let every item carry its own fields. Adding an item meant typing the same fields again, and nothing kept the items in step with the struct asset from #253. A list can now name a struct type for its items, and the asset keeps them in shape. - A list variable and a list field get the row Items with Mixed, every struct asset and Make struct type. Make struct type collects every field any item has, so no item loses a field. - A typed item carries its type under the key `$struct` (ITEM_TYPE_KEY). listItems does not count it as a field. - A list that holds anything but structs refuses a type, also when the offending item sits in an override. The console names the list and the count, and the list stays as it was. - In a typed list `+ Item` adds an item with the defaults, without the kind menu. Field names are locked, values stay editable. - The rows of a typed item take their kind from the struct asset (declaredKind in InlineList.ts). An asset field shows the asset picker instead of a text field, as reported in the issue. - A struct item in a mixed list gets its own Type row. Switching a list back to Mixed keeps the type on each item. - syncStructTypes brings marked items into shape and carries renames into them, also inside overrides and nested lists. One undo step. - The delete dialog of a struct asset also counts typed lists. - The game never sees the key. World and sharedState strip it with withoutItemTypes and bagWithoutItemTypes, so a struct stays a plain object at runtime. - Add item and Set item get the setting Type. With a type they only accept a struct with exactly its field names (fitsType in SetItem.ts). Anything else is left out and logged. - The item indent from #252 is back to its old width, the narrow one squeezed the value fields. Not done: writing a variable does not check the type, and the List node offers no type. Found on the way: a test helper in list-of-structs.test.ts called nodes without params. It now passes the same arguments as the interpreter. Tests: - ./check.sh: 183 files, 2679 tests, CHECK EXIT 0 - e2e GM_STEPS=1,21,22,32,54,55: ALL PASSED, 150 checks - e2e GM_STEPS=1-6,21,22,32,54,55 before the follow-up: 404 checks - New: tests/core/typed-lists.test.ts, e2e module 55 with 13 checks - Counter-checks bite in unit and browser, originals restored by cmp Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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61bbb96a96 |
Define a struct once as an asset and reuse its shape (#253)
A struct used to declare its fields wherever it stood. The same shape in two variables meant typing it twice, and Pack/Expand copied it once without staying in sync. A Struct asset now holds the shape in one place, and every struct that picks it as its type follows it. - New asset type "Struct" (not placeable, group Structs, own icon). The inspector shows its fields with name, kind and default value, and "Open" shows them in the variables tab. - Struct variables and struct fields get a Type row: own fields, any Struct asset, or "Make struct type". With a type the fields come from the asset and cannot be added, renamed or removed there. The values stay per variable, overrides on placed objects still work. - Pack and Expand get the setting Type. With a type their ports are the fields of the asset and read-only in the inspector. - A change to the asset reaches every typed place in one undo step (syncStructTypes). A new field arrives with its default. A removed field goes along with its port, edge and typed value. A renamed field keeps its value in variables, overrides and on ports with edges, also through nested types. - Undo for these edits records plain assignments (Recorder), because the reach of a change is not known in advance. - Cycles such as Loot in Loot, also through another type, are refused and not offered in the picker. - Deleting the asset names how many places use it. Afterwards each place keeps its fields as its own. - Loading reshapes a stale copy in a project file to its type. - "Make struct type" creates an asset from an existing struct and links the place to it. Differs from the plan: - A changed default value applies to new fields and newly typed places only. Existing values stay. - Removing a single field shows no warning. Undo brings it back. Typed lists are left for #254. Lists stay dynamic for now. Found by e2e: after deleting or renaming the type the inspector did not rebuild and kept showing the old name. Fixed, the check was red before. Tests: - ./check.sh: 182 files, 2661 tests, CHECK EXIT 0 - GM_STEPS=1,4,21,22,54: ALL PASSED, 176 checks - 14 unit tests in tests/core/struct-types.test.ts - New e2e module 54 with 14 checks, real mouse. Module 04 counts 23 asset types. - Counter-probes: without the rename pass 4 unit tests fail, without reshaping values 8, without the cycle rule 1. In the browser, without spreading changes and with + Field despite a type, 3 checks fail. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |
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4857bb75e6 |
Show lists in the inspector and variables in their own tab (#252)
The List tab could show one list at a time and was the only place to see its items. A list now shows its items right where it lives, and a new Variables tab shows all variables of an asset or placed object. - InlineList draws the items of a list under its row in the inspector, in struct fields and in the Variables tab. A list inside a list or a struct field is drawn the same way, one step indented. - The index column is the indent. Items sit under their list without an own margin, and the index column is 16 px wide instead of 28 px. - Above 20 items (INLINE_LIMIT) the rest collapses into "... N more - open in tab". During a run the rows show the values from the game. - ListHead puts "N items" and "+ Item" in one row. "N items" opens the list in a tab. A separate Open button squeezed the counter to zero width in the narrow inspector column. - VariablesEditor shows every variable of a behavior asset, a variables asset or a placed behavior. On an asset it edits the declarations. On a placed object an edit only overrides that object, with the usual reset and push buttons. - Opening a list inside a tab adds a new tab and keeps the open one. valuesKey gives each list its own document, so a list that is already open is shown instead of opened twice. - Titles read "Pickup · Variables" or "Listy · nums · [3]". The tab closes when its asset or object is deleted. - Lists on node inputs stay inline only, a node owns no variables. - The List tab, ListEditor and the __gm.list hook are gone. Tests: - ./check.sh: 181 files, 2645 tests, CHECK EXIT 0 - GM_STEPS=1,21,22,32: ALL PASSED, 123 checks - e2e 21 is rewritten for inline lists and the new tab, 22 and 32 are adapted. Sum in README: 1486 (+6 in 21, -1 in 22), counted by hand. - Counter-probes fail as expected: sub-lists not told apart (1 unit test), sub-list replacing the open tab, all items drawn inline (60 rows instead of 20), no live values (0 rows at 24 items in a run). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> |